Movie Review – The Lost City (2022)

Romance! Treasure! Adventure!

BQB here with a review of The Lost City.

Let me say off the bat this movie is OK. It is an acceptable way to pass your downtime. I am disappointed in that everyone kept telling me this flick is awesome and I’m missing out if I didn’t check it out, but honestly, I found it more or less “meh.”

Loretta Sage and her late husband once traveled the world as archaeology scholars, unlocking the secrets of past civilizations. Alas, after her husband’s untimely demise, she cloistered herself and earned her living writing cheesy romance novels about an adventurous lady archaeologist and her hunky sidekick who go on treasure hunting exploits, a far cry from the academic treatises she wanted to publish, a dream denied due to lack of sales.

Years later, the novels are a smash success, too popular in fact. When billionaire Fairfax (Daniel Radcliffe) kidnaps Loretta in the hopes that she’ll be able to translate the key to a long-lost treasure, it’s up to her handsome yet incompetent, Fabio-esque cover model Alan (the hunky sidekick inspiration from the novels) to come to Loretta’s rescue.

A fine setup but the execution leaves something to be desired. Treasure hunting movies have been DOA for a long time. One might argue it’s because we’ve grown as a society and come to realize that all Western treasure hunters ever really did was just um, you know, locate and steal treasures belonging to other countries, cultures, civilizations etc. That’s part of it, though honestly, no one ever did the treasure hunting genre as well as Indiana Jones. The Romancing the Stone movies might be a distant second but ultimately, Indy was never topped. Tomb Raider and Uncharted? Yes, in video game form. No in movie form.

At any rate, you don’t really see a lot of stuff you’d expect in a treasure hunting film. There aren’t any puzzles, riddles or clues. There’s not even sufficient danger. To the heroes? Yes. To the world? I mean basically, if the evil billionaire gets the treasure, he’ll be more rich and if he doesn’t then he’ll be less rich. A far cry from the Indy stakes where an artifact falling into the wrong hands equals Nazi rule of the globe forever and ever and ever.

Even so, Loretta is in peril and Alan (Channing Tatum) is an unlikely hero. He screws up the rescue early and often to great comedic effect and there’s probably a fresh angle in that in real life, people who do things for the first time often screw them up royally. We never learn or grow without those screwups.

A different dynamic than we are used to seeing. Alan often bungles his way into becoming the “damsel in distress” that Loretta has to save and there is a 20 something year age disparity between Tatum and Bullock, though movies often feature an older, sophisticated man with a hot younger babe. Here it’s the other way around with smart Loretta and her man-bimbo Allan.

There are a lot of side characters we learn little about. They might have been interesting if allowed more time to shine. A side plot sees Da’Vine Joy Randolph as Beth as Loretta’s publisher who travels the world in search of her abducted writer. It feels like there was a budding romance between her and goofy pilot Oscar (Oscar of The Office fame) that was cut short, possibly for time. A quick line at the end will make you raise an eyebrow.

STATUS: Shelf-worthy. I wouldn’t rent it but wait for when it streams. It’s billed as a treasure hunting movie but it’s more of a chase movie through an exotic jungle location where the heroes have to out run the pursuing villains. A lot of CGI and the whole lady author falling in love with the real life Fabio from her covers might have been funnier in the 1990s when Fabio was at his peak, musclebound wind in the hair glory. Bonus points for some insights into the publishing industry, what sells, what doesn’t, the lengths that authors have to go through to sell some books.

Double Bonus Points for a surprise cameo that is fun though it made me wonder if the movie wouldn’t have benefitted from the cameo lasting longer.

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