Tag Archives: michael douglas

BQB’s Classic Movie Reviews – The War of the Roses (1989)

How do you get someone who wants to leave to stay, 3.5 readers?

And how do you get someone who wants to stay to go?

BQB here with a review of yet another 1980s movie as my corona movie marathon continues.

The film is narrated by Attorney Gavin d’Amato, played by Danny DeVito.  The story begins with Gavin meeting with a client who is determined to divorce his wife.  Gavin tells the cautionary tale of his old friends, Oliver and Barbara Rose and their petty, destructive and violent divorce that ruined it all.

Oliver (Michael Douglas) and Barbara (Kathleen Turner) were young once, and they truly loved each other.  Though largely an incredibly dark comedy, it’s also an epic piece, as Gavin goes back and forth between the recent past as well as the course of twenty years, providing tidbits of the couple’s courtship, marriage, early life, having children and finally, their success that turned to unbridled hatred.

Thus is the crux.  Relationships begin with the tenderest of love and they end with the cruelest of anger.  As time goes on and age closes one door after another, the resentments build.  Unhappy partners begin thinking about what they could have done had they not betrothed themselves to this person who no longer makes them happy.  Each truly believes his/herself to be the wronged party and they seek to get even through the legal system, hoping to take it all and leave the other with nothing.

Both have good cases.  Oliver is the Harvard trained lawyer who made all the money. Barbara is the wife who stood by his side, taking care of home and family, focusing on every little detail so that Oliver could put all of his focus on his career, a career that Barbara never had because she was so busy taking care of him.

Ultimately, “the war” comes down to the couple’s magnificent house.  Oliver paid for it.  Barbara took care of it.

Gavin, Oliver’s co-worker who represents him in the divorce, finds a loophole that states that as long as both parties live separate lives while residing in the same house (i.e. they live in the same house but have little to no contact, like a couple of detached roomates) then neither party can lay claim to push the other out and thus, Oliver can’t be forced out.

Great legal advice but realistically, not so much.  While the first half of the movie drags a bit, the last half of the film where the couple trashes their house to bits all in an effort to hurt each other is where the dark comedy gold lies.  You’ll laugh.  You’ll cry.  You might cry a bit more.

I don’t think I’m giving much away but offering Gavin’s parting words up front.  He advises his client, the one he’d been narrating the story to all along, to be generous to his wife.

Perhaps that’s something we all need to keep in mind.  Again, relationships begin with love and typically, they end in hate.  Indeed, you might have been wronged.  Sometimes when there’s cheating, abuse, alcoholism or what have you, it’s easier to draw that clear cut line where you say that person’s an a-hole and they need to be out of your life for good.  The harder situation is where a couple just grows apart, as the Roses did, and for whatever reason, one spouse just wakes up one day and decides they don’t love the other.

Hard as it is, no amount of revenge can get you back the years you spent on someone that you could have spent on someone else.  Be generous enough to bring the matter to an amicable close, though maybe don’t be a chump and leave yourself homeless and penniless either.

Sidenote: Danny DeVito directs and he did a great job here.  I googled his directing credits and didn’t realize he had directed so much and some big name films like Hoffa, though I think this was the best.

Also fun fact this is the third big 1980s movie starring Michael Douglas and Kathleen Turner.  They had also starred together in the Indian Jones-esque Romancing the Stone and Jewel of the Nile.

STATUS: Shelf-worthy.  Moral of the story?  If someone doesn’t want to stay, you should suck it up and let them go.  However, if someone refuses to leave, then you probably should.

PS – Obviously, it’s named after the War of the Roses, the series of battles in old British history waged over the course of many years.  One can assume both sides of countrymen once loved on another, then war broke out.  They fought viciously over turf and destroyed so much that any victory surely rang hollow.  War is a lot like a non-amicable divorce, 3.5 readers.

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Movie Review – Ant-Man (2015)

While other heroes might be larger than life, this one’s going small.

Bookshelf Q. Battler here with a review of Marvel’s latest summer smash hit, Ant-Man.

Be forewarned – the SPOILERS ahead aren’t tiny.

Ant-Man – Marvel – Movieclips Trailers

Try this one on for size (pun intended.)

In a comic book world where one superhero is big, bolder and badder than the next, this guy’s power comes from becoming super miniscule.  Not only that, but he controls a legion of ants who become his buddies.

Sounds epically stupid, right?

And yet, somehow Marvel pulls it off with great gusto in one of its best offerings this year.

Michael Douglas plays Dr. Hank Pym, whose Pym particle allows miniaturization.  The wearer of a suit infused with Pym’s creation allows the wearer:

  • To become tiny
  • And therefore able to infiltrate places held by the enemy undetected
  • To still pack a human sized punch despite being small
  • To become big and small at will, thus further ability to fake out the enemy
  • To control a legion of ant lackeys willing to do your bidding

Years ago, Pym put the kibosh on his creation, refusing to share it with the government out of fear it could fall into the wrong hands and be used for nefarious purposes.

Flash forward to today, where Pym’s protege, Darren Cross (Corey Stoll of House of Cards fame) has managed to recreate Pym’s research to create “Yellowjacket,” a suit that allows the wearer to become small, fly around and shoot lasers.

Cross has evil plans for his creation and that’s where ex-con Scott Lang (Paul Rudd) comes in.

Pym’s too old to don the suit himself, refuses to put his daughter Hope (Evangeline Lilly) at risk by allowing her to wear it, and thus Scott is recruited to become…dun dun dun…ANT-MAN!

This is a heist movie, more or less Marvel’s version of Ocean’s 11, as Scott must infiltrate Cross’ security and make off with the Yellowjacket tech before Cross’ evil plans are unleashed on the world.

I love Avengers, but here’s the thing.  Iron Man has super intellect.  The Hulk has super strength.  Thor has muscles out the wazoo.  Capt. America is the world’s ultimate soldier.

Try as much as you like, but you’ll never get to be like one of these guys.

That’s why Ant-Man is such a relatable character.  When Scott dons the Ant-Man suit, he doesn’t react with great poise and precision.  He gets slapped all over creation, avoiding people trying to step on him and a hungry rat who thinks he looks delicious.

He needs Pym to train him and he needs a lot of work as he makes a lot of mistakes along the way (as most average people would when gaining a special ability for the first time).

There’s cross-over into the Avengers world, though I won’t spoil it with details.  Fans won’t be disappointed.

Paul Rudd, known for his comedic roles, was the perfect choice for the part.  Meanwhile, it was great to see Michael Douglass, whose suffered health problems in recent years, back on the big screen in a major role.  Thanks to some fancy effects, there is a flashback part where he’s youth-i-fied to the point where he looks like he could fight Glenn Close for boiling his bunny (aw come on, you’ve had plenty of time to watch Fatal Attraction.)

It’s been awhile since Hollywood’s attempted a good big person becomes small movie.  Honey, I Shrunk the Kids, is the last one I can remember.

The key to this movie is it takes itself seriously when necessary, but there’s also balance where the goofy premise is poked fun at.  Epic fight scenes are shown on a small scale, where Ant-Man squares off against Yellowjacket in a daring, death defying struggle, but then panned out on a regular human sized scale their fight on a child’s train set looks like a few toys being tossed about.

Scott’s ex-con buddies who back him up also provide much comic relief.

Hollywood’s been at this one for awhile.  Ant-Man was in play for at least a decade before reaching the big screen.  The public had to develop a thirst for super heroes and a great team had to be put together, one that was self-aware that the concept is goofy and could portray that one the screen while also providing the high stakes, do or die situations that comic book fans love.

STATUS:  Shelf-worthy

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