Daily Archives: October 25, 2014

Full Text of “The Cask of Amontillado” by Edgar Allan Poe

More Public Domain Halloween Horror Fiction!  “For the love of God, Montresor!”  Yes, a classic quote from another of Poe’s timeless horror classic.  In this one, the narrator becomes so insulted by a slight levied at him by Fortunato that he, well…I don’t want to give it away.  Read on:

THE CASK OF AMONTILLADO

BY: Edgar Allan Poe

1846

The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that gave utterance to a threat. At length I would be avenged; this was a point definitely, settled –but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.

It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my in to smile in his face, and he did not perceive that my to smile now was at the thought of his immolation.

He had a weak point –this Fortunato –although in other regards he was a man to be respected and even feared. He prided himself on his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and opportunity, to practise imposture upon the British and Austrian millionaires. In painting and gemmary, Fortunato, like his countrymen, was a quack, but in the matter of old wines he was sincere. In this respect I did not differ from him materially; –I was skilful in the Italian vintages myself, and bought largely whenever I could.

It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done wringing his hand.

I said to him –“My dear Fortunato, you are luckily met. How remarkably well you are looking to-day. But I have received a pipe of what passes for Amontillado, and I have my doubts.”

“How?” said he. “Amontillado, A pipe? Impossible! And in the middle of the carnival!”

“I have my doubts,” I replied; “and I was silly enough to pay the full Amontillado price without consulting you in the matter. You were not to be found, and I was fearful of losing a bargain.”

“Amontillado!”

“I have my doubts.”

“Amontillado!”

“And I must satisfy them.”

“Amontillado!”

“As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me –”

“Luchresi cannot tell Amontillado from Sherry.”

“And yet some fools will have it that his taste is a match for your own.

“Come, let us go.”

“Whither?”

“To your vaults.”

“My friend, no; I will not impose upon your good nature. I perceive you have an engagement. Luchresi–”

“I have no engagement; –come.”

“My friend, no. It is not the engagement, but the severe cold with which I perceive you are afflicted. The vaults are insufferably damp. They are encrusted with nitre.”

“Let us go, nevertheless. The cold is merely nothing. Amontillado! You have been imposed upon. And as for Luchresi, he cannot distinguish Sherry from Amontillado.”

Thus speaking, Fortunato possessed himself of my arm; and putting on a mask of black silk and drawing a roquelaire closely about my person, I suffered him to hurry me to my palazzo.

There were no attendants at home; they had absconded to make merry in honour of the time. I had told them that I should not return until the morning, and had given them explicit orders not to stir from the house. These orders were sufficient, I well knew, to insure their immediate disappearance, one and all, as soon as my back was turned.

I took from their sconces two flambeaux, and giving one to Fortunato, bowed him through several suites of rooms to the archway that led into the vaults. I passed down a long and winding staircase, requesting him to be cautious as he followed. We came at length to the foot of the descent, and stood together upon the damp ground of the catacombs of the Montresors.

The gait of my friend was unsteady, and the bells upon his cap jingled as he strode.

“The pipe,” he said.

“It is farther on,” said I; “but observe the white web-work which gleams from these cavern walls.”

He turned towards me, and looked into my eves with two filmy orbs that distilled the rheum of intoxication.

“Nitre?” he asked, at length.

“Nitre,” I replied. “How long have you had that cough?”

“Ugh! ugh! ugh! –ugh! ugh! ugh! –ugh! ugh! ugh! –ugh! ugh! ugh! –ugh! ugh! ugh!”

My poor friend found it impossible to reply for many minutes.

“It is nothing,” he said, at last.

“Come,” I said, with decision, “we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchresi –”

“Enough,” he said; “the cough’s a mere nothing; it will not kill me. I shall not die of a cough.”

“True –true,” I replied; “and, indeed, I had no intention of alarming you unnecessarily –but you should use all proper caution. A draught of this Medoc will defend us from the damps.

Here I knocked off the neck of a bottle which I drew from a long row of its fellows that lay upon the mould.

“Drink,” I said, presenting him the wine.

He raised it to his lips with a leer. He paused and nodded to me familiarly, while his bells jingled.

“I drink,” he said, “to the buried that repose around us.”

“And I to your long life.”

He again took my arm, and we proceeded.

“These vaults,” he said, “are extensive.”

“The Montresors,” I replied, “were a great and numerous family.”

“I forget your arms.”

“A huge human foot d’or, in a field azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel.”

“And the motto?”

“Nemo me impune lacessit.”

“Good!” he said.

The wine sparkled in his eyes and the bells jingled. My own fancy grew warm with the Medoc. We had passed through long walls of piled skeletons, with casks and puncheons intermingling, into the inmost recesses of the catacombs. I paused again, and this time I made bold to seize Fortunato by an arm above the elbow.

“The nitre!” I said; “see, it increases. It hangs like moss upon the vaults. We are below the river’s bed. The drops of moisture trickle among the bones. Come, we will go back ere it is too late. Your cough –”

“It is nothing,” he said; “let us go on. But first, another draught of the Medoc.”

I broke and reached him a flagon of De Grave. He emptied it at a breath. His eyes flashed with a fierce light. He laughed and threw the bottle upwards with a gesticulation I did not understand.

I looked at him in surprise. He repeated the movement –a grotesque one.

“You do not comprehend?” he said.

“Not I,” I replied.

“Then you are not of the brotherhood.”

“How?”

“You are not of the masons.”

“Yes, yes,” I said; “yes, yes.”

“You? Impossible! A mason?”

“A mason,” I replied.

“A sign,” he said, “a sign.”

“It is this,” I answered, producing from beneath the folds of my roquelaire a trowel.

“You jest,” he exclaimed, recoiling a few paces. “But let us proceed to the Amontillado.”

“Be it so,” I said, replacing the tool beneath the cloak and again offering him my arm. He leaned upon it heavily. We continued our route in search of the Amontillado. We passed through a range of low arches, descended, passed on, and descending again, arrived at a deep crypt, in which the foulness of the air caused our flambeaux rather to glow than flame.

At the most remote end of the crypt there appeared another less spacious. Its walls had been lined with human remains, piled to the vault overhead, in the fashion of the great catacombs of Paris. Three sides of this interior crypt were still ornamented in this manner. From the fourth side the bones had been thrown down, and lay promiscuously upon the earth, forming at one point a mound of some size. Within the wall thus exposed by the displacing of the bones, we perceived a still interior crypt or recess, in depth about four feet, in width three, in height six or seven. It seemed to have been constructed for no especial use within itself, but formed merely the interval between two of the colossal supports of the roof of the catacombs, and was backed by one of their circumscribing walls of solid granite.

It was in vain that Fortunato, uplifting his dull torch, endeavoured to pry into the depth of the recess. Its termination the feeble light did not enable us to see.

“Proceed,” I said; “herein is the Amontillado. As for Luchresi –”

“He is an ignoramus,” interrupted my friend, as he stepped unsteadily forward, while I followed immediately at his heels. In niche, and finding an instant he had reached the extremity of the niche, and finding his progress arrested by the rock, stood stupidly bewildered. A moment more and I had fettered him to the granite. In its surface were two iron staples, distant from each other about two feet, horizontally. From one of these depended a short chain, from the other a padlock. Throwing the links about his waist, it was but the work of a few seconds to secure it. He was too much astounded to resist. Withdrawing the key I stepped back from the recess.

“Pass your hand,” I said, “over the wall; you cannot help feeling the nitre. Indeed, it is very damp. Once more let me implore you to return. No? Then I must positively leave you. But I must first render you all the little attentions in my power.”

“The Amontillado!” ejaculated my friend, not yet recovered from his astonishment.

“True,” I replied; “the Amontillado.”

As I said these words I busied myself among the pile of bones of which I have before spoken. Throwing them aside, I soon uncovered a quantity of building stone and mortar. With these materials and with the aid of my trowel, I began vigorously to wall up the entrance of the niche.

I had scarcely laid the first tier of the masonry when I discovered that the intoxication of Fortunato had in a great measure worn off. The earliest indication I had of this was a low moaning cry from the depth of the recess. It was not the cry of a drunken man. There was then a long and obstinate silence. I laid the second tier, and the third, and the fourth; and then I heard the furious vibrations of the chain. The noise lasted for several minutes, during which, that I might hearken to it with the more satisfaction, I ceased my labours and sat down upon the bones. When at last the clanking subsided, I resumed the trowel, and finished without interruption the fifth, the sixth, and the seventh tier. The wall was now nearly upon a level with my breast. I again paused, and holding the flambeaux over the mason-work, threw a few feeble rays upon the figure within.

A succession of loud and shrill screams, bursting suddenly from the throat of the chained form, seemed to thrust me violently back. For a brief moment I hesitated, I trembled. Unsheathing my rapier, I began to grope with it about the recess; but the thought of an instant reassured me. I placed my hand upon the solid fabric of the catacombs, and felt satisfied. I reapproached the wall; I replied to the yells of him who clamoured. I re-echoed, I aided, I surpassed them in volume and in strength. I did this, and the clamourer grew still.

It was now midnight, and my task was drawing to a close. I had completed the eighth, the ninth and the tenth tier. I had finished a portion of the last and the eleventh; there remained but a single stone to be fitted and plastered in. I struggled with its weight; I placed it partially in its destined position. But now there came from out the niche a low laugh that erected the hairs upon my head. It was succeeded by a sad voice, which I had difficulty in recognizing as that of the noble Fortunato. The voice said–

“Ha! ha! ha! –he! he! he! –a very good joke, indeed –an excellent jest. We will have many a rich laugh about it at the palazzo –he! he! he! –over our wine –he! he! he!”

“The Amontillado!” I said.

“He! he! he! –he! he! he! –yes, the Amontillado. But is it not getting late? Will not they be awaiting us at the palazzo, the Lady Fortunato and the rest? Let us be gone.”

“Yes,” I said, “let us be gone.”

“For the love of God, Montresor!”

“Yes,” I said, “for the love of God!”

But to these words I hearkened in vain for a reply. I grew impatient. I called aloud —

“Fortunato!”

No answer. I called again —

“Fortunato!”

No answer still. I thrust a torch through the remaining aperture and let it fall within. There came forth in return only a jingling of the bells. My heart grew sick; it was the dampness of the catacombs that made it so. I hastened to make an end of my labour. I forced the last stone into its position; I plastered it up. Against the new masonry I re-erected the old rampart of bones. For the half of a century no mortal has disturbed them. In pace requiescat!

 

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Masque of the Red Death and Today’s Ebola Crisis

In case you missed it, check out my post (just one post above) of the Full Text of Edgar Allen Poe’s 1842 short story, The Masque of the Red Death.

Go on.  Read it.  It isn’t that long.  Seriously, what are you going to miss if you turn off the TV for a minute?  The Kardashians and Honey Boo Boo?

SUMMARY

The population of a fictional country has been decimated by a plague called, “The Red Death,” so-named because it causes its victims to bleed out of their pores and all over their faces before they bite the big one.  The aptly named Prince Prospero (Poe’s subtle hint to let you know the dude is lousy with cash, i.e. he’s very “prosperous”) could use his resources to help his countrymen, but instead, decides to protect himself and his friends by walling off his castle so as to keep out the infected riff-raff.  Inside, the wealthy aristocrats spend half-a-year having fun and being entertained by various performers.

Prince Prospero throws a masquerade party.  He holds it in an area of his home that has a winding pathway that takes visitors through several rooms, each decorated in various shades of colors, starting with lighter tones until the end, which is all black with scarlet red windows.  Notice that like the passing of a day, lighter colors are found in the beginning, while the colors get darker as the end of the path through the rooms approaches, all the way till black at the end, and like the eternal night that comes with death, everyone is afraid of the black room.

During the festivities, a spooky clock in the black room is so loud every time it causes all of the guests to cease their amusement every time it chimes the hour.

All are having a grand ole time until an uninvited guest arrives.  This individual costume’s is that of a sufferer of the Red Death.  He wears a funeral shroud for his clothing and a mask that appears to be a dead man’s face covered with blood, similar to the deceased victims of the disease.

Prospero and guests are outraged that someone would ruin their good time by providing a ghastly reminder of the Red Death that they are trying to avoid thinking about.  In the black room, Prospero confronts the individual but dies from the disease.  The party goers, once too scared to go into the black room, become resolute upon the death of their leader and charge into the black room.  They unmask the party crasher only to find that there’s no one underneath the mask.  They then all contract the Red Death and die immediately.

ANALYSIS

So, in other words, a group of rich people have fun and are punished for their neglect of the disease ridden masses by contracting the disease they thought they could avoid by walling themselves off in a castle under the assumption that doing so would immunize them from harm.  Poe, the author, if you’ve read his other works, has a death fixation.  Whether it is this story or The Raven’s chirp to the narrator of “Nevermore!” his works serve as a reminder that try as they might, everyone sooner or later faces death.  Prospero and his band of aristocrats were foolish to think they could avoid a plague in their backyard.  At the end of the day, they’re still human and their money and power was not enough to save them.  Had they thought of their countrymen, perhaps they could have slowed the disease and perhaps saved the day.  Instead, they were selfish and died.

Well, given today’s news headlines, kind of makes you think, doesn’t it?  Ebola is tearing through West Africa with thousands of deaths already.  Occasionally, there is a case or two in America and it causes a mass panic and fear that a plague might be headed this way.

The average American is far removed from this mess – sitting in an easy chair and watching TV, enjoying all the comforts of life, taking for granted medical care and sanitation services (i.e. indoor plumbing, clean water and trash pickup – things that are lacking in third world countries that often lead to rampant disease).  I can’t really argue that Americans are as obtuse to the situation as Prospero’s compatriots were.  Like Cicero, who played his violin while Rome burned, Prospero’s aristocrats party hard while completely ignoring the situation.  Meanwhile, today Americans are constantly bombarded with reminders of the Ebola problem by the media.  Many of us feel bad for the people of West Africa though there is not a lot we can do as individuals.  And the occasional outbreak within America causes much panic, so it cannot be said that our society is completely oblivious to the situation.

That being said, I’ve always been a critic of the UN.  The UN is an organization that was built in the wake of World War II, founded on the principle that like minded countries were going to get together and say ‘Never Again!” in the face of atrocities such as those that occurred thanks to the Nazis.  Yet, the UN does nothing about ISIS, Boko Haram, they did nothing about Rwanda, etc.  Understandably, no one wants to go to war, especially a war weary America that has just spent the last ten years fighting, so the result is many world atrocities are ignored.

But here is a chance for the civilized world to help the third world that does not require involvement in a war.  America has sent troops to help West Africa contain the Ebola outbreak.  Other countries have pitched in.   World organizations like the UN need to help third world nations build up their health care and sanitation infrastructures.  A few people in America get Ebola and it is contained due to our modern hospitals.  A few people in the third world get Ebola and it spreads like wild fire because they lack the basic facilities required to combat the disease.

And the leaders of those countries are not completely blameless.  Schools, roads, hospitals, sanitation – these are the basic services that any government should provide and if they are not providing them then they aren’t doing their jobs.

We could throw up our hands, shrug our shoulders, and say “Not our problem” but then we’d be like Prospero because, sure, Ebola is one of those problems that is “over there” and we don’t need to worry about things that happen “over there” but left unchecked and allowed to spread throughout the third world, a virus like Ebola could eventually grow so out of control that it could make its way to the civilized world with a vengeance and be impossible to stop.

So let’s not be a bunch of Prosperos, locking ourselves up in our castle while fools entertain us while there is a problem “for those people” that could one day become a problem for us.

Thanks for stopping by, fellow book enthusiasts.  Remember bookshelfbattle.com ‘s celebration of Halloween Literature is a month long event, with daily posts, so check back tomorrow.  And I’m always tweeting away on Twitter, mostly about literature, but often about pop culture in general.  Follow me @bookshelfbattle and check out my hashtag – #tweettheraven where I prove my nerdyness to the world by tweeting Poe’s infamous poem throughout the month.

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