Aw sweet! Cliff Beasts 6 is out already, 3.5 readers!
Come with me for a review of…The Bubble, not Cliff Beasts.
My first reaction is this is typical Netflix fanfare combined with typical Judd Apatow fanfare. Large ensemble cast. Basic structure but largely improvised dialogue. Too long. Could have benefitted from some editing. Not very coherent but it ended eventually. I assume Netflix likes such movies because they can spend heavy on the cast and not so much on anything else.
But that’s where I was wrong. This is a very special effects intensive film, largely because they are making fun of Hollywood, the film production process, pretentious actors and of course, action flicks. The ensemble, featuring the likes of Karen Gillian, Keegan Michael-Key, Fred Armisen, Leslie Mann, David Duchovny, that girl who played Borat’s daughter, Pedro Pascal and plenty of others who I’m probably too old to know their names star as the cast of the Cliff Beast franchise, a series of lousy action films in which a team of heroes assemble again and again to defeat evil dinosaur like creatures who dwell on cliffs.
This fact alone leads to the biggest laughs of the film as we get a comparison between how CGI scenes look very cool once rendered vs. what buffoons everyone involved looks like when they are shooting such scenes.
The overall premise is that at the height of the pandemic in 2020, back in the early days of the rona when everyone was so worried that they were wiping down their potato chip bags, a major studio dares to be one of two companies still willing to produce a major film. Accordingly, the cast is cloistered in a posh hotel in the British countryside and are forced to live together, not go anywhere or do anything fun for fear of coming down with the dreaded rona. Hotel staff have to pamper these rich entitled bums who are used to getting their way and are willing to throw outrageous temper tantrums over trivial things whereas the rest of us working stiffs have grown used to not getting our way.
Hijinx ensue that’s pretty much where the coherence ends. Each character has their own subplot and it all culminates in the ensemble yearning for a way off the set, for the film itself becomes a nightmare. Mistakes and errors cause the production to drag on for months and months and there’s no exit from the hotel in sight. The actors try almost every option to get out of the film except, you know, being good actors.
STATUS: Shelf-worthy. Not really a great film and not something I’d want to watch twice. It does have a lot of laughs and parodies Hollywood extensively. The behind the scenes looks at actors working on a green screen set are a laugh riot. I suppose we’ve come a long way in two years, from the time when people wearing scuba type helmets on dry land seemed like a great idea to now, when a film can laugh at such silliness.
SIDENOTE: I’m not entirely sure a dry land scuba helmet is a terrible idea. I’d wear one if it were socially acceptable.