Daily Archives: April 4, 2022

TV Review – Moon Knight (2022) – Episode 1

Grab your mummy bandages, 3.5 readers.

BQB here with a review of Disney/Marvel’s latest Disney Plus show.

OK, let me get this straight. For some reason, the Hollywood suits think we need to see Bruce Wayne’s parents get shot outside the theater a hundred times, that we need to see baby Superman crash land his baby spaceship in the Kents’ backyard a hundred times, and that we need to see Spiderman’s Uncle Ben get shot by the crook he let get away a hundred times.

Yet, for some strange reason, Moon Knight, perhaps one of the most obscure, known mainly to hard corps, straight up gangsta comic book nerds, needs no introduction. Here, we just jump into the action where Oscar Isaac plays Steven Grant, a wimpy museum gift shop clerk who, for some inexplicable reason, has been exhibiting strange, bizarre behavior. His body seems to have a literal mind of its own, for one minute he’s fine and the next, he finds himself in dangerous situations – gun fights, car chases, running away from monsters. A mysterious voice keeps telling him to hand his body over to some dude named Marc and somehow its all tied in to Egyptian lore with Ethan Hawke serving as a villain who, guided by an ancient goddess, doles out death as punishment for alleged crimes people have yet to even commit.

Wow. That was a mouthful.

I have a hunch that this season is going to be an origin story in and of itself. We see a brief sequence with the titular Moon Knight at the end of this episode but apparently, the writers decided to start with the action already underway and I assume they will Tarantino their way back to the beginning where we learn why Steven keeps losing control of his body, who is Marc, and who is the voice speaking to him.

It’s just…I don’t get it. Even in the most recent caped crusader flick, “The Batman,” Bruce Waynes’ parents deaths was heavily alluded to. While never shown, their demise was a central plot point so it’s just like, it seems that there must be always a Hollywood suit somewhere who is very concerned there might be one schmuck in the movie theater who was frozen in a block of ice 100 years ago, then thawed out by scientists, and then he left the lab and went straight to the theater and there’s a great concern that this thawed former ice man will have no idea how Batman’s parents died so we better mention it.

But Moon Knight? The character that only the prom dateless knew about up until Disney Plus put the show into production? A tale that seems very complicated with Egyptian gods and magic and body sharing and so on…yeah, we’ll just jump right in and let the viewers figure it out. No need to start at the beginning and move in a straight line at all.

STATUS: Shelf-worthy. Oscar Isaac becomes an entirely different person, although this takes place in England and not to goof on our friends across the pond but sometimes with the accents I feel like I need an English to English translator. Worth a watch and I’ll tune in for episode two.

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Movie Review – The Bubble (2022)

Aw sweet! Cliff Beasts 6 is out already, 3.5 readers!

Come with me for a review of…The Bubble, not Cliff Beasts.

My first reaction is this is typical Netflix fanfare combined with typical Judd Apatow fanfare. Large ensemble cast. Basic structure but largely improvised dialogue. Too long. Could have benefitted from some editing. Not very coherent but it ended eventually. I assume Netflix likes such movies because they can spend heavy on the cast and not so much on anything else.

But that’s where I was wrong. This is a very special effects intensive film, largely because they are making fun of Hollywood, the film production process, pretentious actors and of course, action flicks. The ensemble, featuring the likes of Karen Gillian, Keegan Michael-Key, Fred Armisen, Leslie Mann, David Duchovny, that girl who played Borat’s daughter, Pedro Pascal and plenty of others who I’m probably too old to know their names star as the cast of the Cliff Beast franchise, a series of lousy action films in which a team of heroes assemble again and again to defeat evil dinosaur like creatures who dwell on cliffs.

This fact alone leads to the biggest laughs of the film as we get a comparison between how CGI scenes look very cool once rendered vs. what buffoons everyone involved looks like when they are shooting such scenes.

The overall premise is that at the height of the pandemic in 2020, back in the early days of the rona when everyone was so worried that they were wiping down their potato chip bags, a major studio dares to be one of two companies still willing to produce a major film. Accordingly, the cast is cloistered in a posh hotel in the British countryside and are forced to live together, not go anywhere or do anything fun for fear of coming down with the dreaded rona. Hotel staff have to pamper these rich entitled bums who are used to getting their way and are willing to throw outrageous temper tantrums over trivial things whereas the rest of us working stiffs have grown used to not getting our way.

Hijinx ensue that’s pretty much where the coherence ends. Each character has their own subplot and it all culminates in the ensemble yearning for a way off the set, for the film itself becomes a nightmare. Mistakes and errors cause the production to drag on for months and months and there’s no exit from the hotel in sight. The actors try almost every option to get out of the film except, you know, being good actors.

STATUS: Shelf-worthy. Not really a great film and not something I’d want to watch twice. It does have a lot of laughs and parodies Hollywood extensively. The behind the scenes looks at actors working on a green screen set are a laugh riot. I suppose we’ve come a long way in two years, from the time when people wearing scuba type helmets on dry land seemed like a great idea to now, when a film can laugh at such silliness.

SIDENOTE: I’m not entirely sure a dry land scuba helmet is a terrible idea. I’d wear one if it were socially acceptable.

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