Tag Archives: dc

Movie Review – The Batman – (2022)

Riddle me this, 3.5 readers.

What’s only going to be read by 3.5 readers and full of SPOILERS?

THIS REVIEW!

(SERIOUSLY, SPOILERS ABOUND)

This isn’t the worst Batman film ever made. I doubt the late 1990s’ Batman and Robin, what with its bat nipple suit on George Clooney, will ever be unseated from that distinction.

It’s far from the best either. 2008’s The Dark Knight has some big shoes that may never be filled while 1989’s Batman, though silly by today’s standards, paved the way for Hollywood to start thinking there might be gold in them thar superhero flicks, so I doubt you’d have any of the Marvel success today without it.

This movie is somewhere in the middle. It’s worth the price of admission, there are some fun twists and turns. However, it’s not something I want to rush to watch for a second time and at 3 freaking hours long, it’s a time commitment. Seriously, the movie is so long that when I walked out of the theater I wondered if so much time had passed that the world had been conquered by damn dirty apes.

My best description? Imagine a noir detective Batman. Like so many 1930s fedora clad private dicks, Batsy narrates the film, explaining to the audience what he’s up to.

It’s also, God help us, millennial Batman. The Caped Crusader fights for social justice and against white privilege (including his own) with his mighty Bat-Fu skills.

There’s even a twist of emo Batman – Robert Pattinson broods with long hair in his face and dark eyeliner.

To the film’s credit, it’s not an origin story. I think Hollywood is finally grasping that we don’t need to see origins of superheroes that we’ve seen a hundred times before. No need to see Mr and Mrs Wayne murdered. No need to see baby Superman’s little spaceship crash in the Kents’ backyard. No need to see Spidey’s Uncle Ben shot by a mugger again.

Yet (SPOILER), the Waynes’ untimely demise(s) feature prominently in the film as part of a larger mystery, so there’s still at least one Hollywood suit out there who is worried there might be one viewer left in the world who doesn’t know Batman became Batman because he’s sad about his dead parents.

Paul Dano brings The Riddle to life in a major creepy way heretofore unseen on film. Past incarnations of the human question mark have always just been a wacky version of The Joker (Jim Carrey’s career making goofball performance in Batman Forever, for example.) Here, Paul Dano plays every millennial’s worst nightmare, the unloved, socially inept incel who broods behind a screen all day, exposing big time dirt on Gotham’s elite with a side of murder and violence to increase online viewer counts. (Gee whiz, even the Riddler gets more readers for his blog.)

Zoe Kravitz is Catwoman though is never called Catwoman, yet she becomes a sidekick/love interest for Batsy as she searches for justice for her deceased friend caught up in the madness. Meanwhile, Colin Farrell is completely unrecognizable as crime boss henchman The Penguin. I literally did not know it was Farrell until I googled it at home. Good performance, yet another handsome guy robbing an ugly guy of an ugly role with the aid of prosthetics and make up. Sigh. If only prosthetics and make up could make an ugly guy handsome, then again who has that much time to sit in the makeup chair every day?

A lot of weirdness. A lot of heavy handed exposition. A lot of telling instead of showing. At times we are spoon fed helpings of backstory and while many films have been able to pull off a three hour run time by keeping you on the edge of your seat, this one doesn’t. By the two hour mark, I wanted to go already.

Though it avoids origin story silliness, it’s still new, early in his career Batman. He makes mistakes. Literally falls on his face at one point. If you came for super awesome grappling hook, zipline, flying around while making it look easy Batman, you came to the wrong place and ultimately…yeah while there’s a decent amount of action but there’s more talking than action.

Andy Serkis plays a believable Alfred. Lt. James Gordon (Jeffrey Wright) plays buddy cop to Bats, but it almost reminded me of the cheesy 1960s Batman where Batman would work directly with the police while in full costume and no one thought it odd a mystery man in cape and cowl was consulting with the police. Here, everyone does think it is odd, but its like the writers felt there needed to be some obligatory lines like “Hey why are we working with this costumed guy” and so on.

STATUS: Shelf-worthy. It’s acceptable but not great. It builds a world that I’m not, at this time, really chomping at the bit to see and it’s not just because I’ve seen it a hundred times before. And I’ll admit, I’m old, and comic book movies are for the young, so maybe the younguns will enjoy Millennial Batman fighting for truth, justice and wokeness.

I would point out though that back in the day, I thought 2005’s Batman Begins was great but at the time, I thought it would just be a one and done. That film paved the way for 2008’s powerhouse the Dark Knight so you never know, with a little tweaking this franchise might (I’ll believe it when I see it) but might just have a masterpiece sequel on the way if everyone plays their cards right.

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Movie Review – The Losers (2010)

Hey 3.5 readers.

BQB here.

Just wanted to give a quick shout out to this fun flick I watched on Netflix last night. I saw it years ago and its sad how quickly the time has passed and of course, the things I didn’t notice or realize then that I do today.

What if I told you there was a movie featuring some of the biggest stars today in their bright eyed, bushy tailed youth? Here, you’ve got Chris Evans about a year before he became Captain America. Idris Elba before he became Thor’s BFF Heimdahl. Zoe Saldana before she became Gamora of Guardians of the Galaxy fame. Jeffrey Dean Morgan before he picked up Neegan’s bat in The Walking Dead.

In short, you’ve got some very young looking actors before they reached the heights of comic book movie fame, ironically in a comic book movie. Though it’s not very comic booky in that there are no capes or spandex, it is based on a comic. It’s about a squad of U.S. military, double-crossed and left for dead in Bolivia, forced to take on one last mission to save the world, promised that their names will be cleared and lives restored if they are successful.

Bonus points for Jason Patric who chews scenery as a villainy who positively exudes villainy (he freely shoots members of his entourage in public for making the slightest, most trivial mistakes) and his henchman, a brown haired young Holt McCallany, before he found his groove as gray haired FBI agent Bill Tench in Netflix’s Mindhunter.

It was a fun walk down memory lane and though I knew most of these actors at the time, it’s wild to think about how far they’ve all come in the decade since this movie. Sad there may never be a sequel because to get them all on the same set now would cost boku buckaroos.

Also, it’s short and sweet, about an hour and a half run time. They do a lot with a little and the action never stops.

STATUS: Shelf-worthy. Where does the time go? Watch on Netflix.

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Movie Review – The Suicide Squad (2021)

Crazy clown women! Super sucking starfish! Genuinely weird and wacky nonsense!

BQB here with a review of The Suicide Squad.

I’ve ranted about how DC totes wrecked its movie universe before, but let me sum it up with this early quote from Amanda Waller (Viola Davis), the hard ass G-Woman who bosses the squad around, in her intro of Bloodsport, an assassin played by Idris Elba:

“He’s in here for putting Superman in the ICU with a kryptonite bullet.”

Yeah, I know, right? My reaction upon hearing that was, “Wow, I’d much rather be watching that movie right now. An assassin who bests Supes with a krypto-bullet? I’d buy a ticket and munch some popcorn to that.”

But alas, DC handles its movies the way Marvel handles its shows. You want to see Iron Man and Hulk and Thor and Captain America? Not in a Marvel Show. In a Marvel show, some ancillary character will be like, “Oh you just missed Thor. He stopped by to grab a tea and a scone and bounced.”

But that’s ok. It’s just a show. You’ll see Thor in a movie.

Meanwhile, how long has it been since we seen Superman and Batman in a movie in this latest attempt at a DCU movie universe?

But I digress.

Long story short, these films are fun in the moment. Worth a watch. You’ll be entertained, but you won’t be wowed. They’re good movies, but they aren’t great and that’s sad because they could have been great.

For the uninitiated, SS is about super villains who get conscripted into service on dangerous missions to save the country, the world, the day or what have you. Agent Waller runs the show with a device that lets her explode the baddies’ heads with an implanted chip if they try to run or disobey orders. Word has it that Amazon is testing a similar device that will ‘splode employees if they even think about taking a pee break. (I kid, I kid. Wait, do I? Yes! Yes of course. I kid. I kid. Amazon would never do such a thing. Look, just because Jeff Bezos has a net worth that is more than most small nations and can travel into space whenever he wants does not mean he is a supervillain, OK?)

Moving on.

These aren’t the good villains though. You’ll never see a team-up between Joker and Lex Luthor, although to the film’s credit it, the SS comics feature the bottom of the barrel villains too (except Harley of course, she’ll always be number one to geeks everywhere.)

OK no more rambling. A fictional banana republic nation if under new, Anti-American management after a violent coup, and Waller dispatches her flunkies to secure the data behind U.S. involvement in a clandestine research facility where ghastly experiments are underway.

All hell breaks loose, and boy howdy does this film earn its R rating. So much blood. So much dismemberment and body parts flying everywhere. So many gratuitous F bombs. Now, I’m no teetotaler and I’m not against the occasional well-placed F-bomb, but I feel like all the comic book movie makers are trying to copy Deadpool, with the idea that they can just stuff dummies into costumes, make them say “Fuck” and the result will be as funny as DP and no, no it will not because Deadpool is a comic genius whose F-Bombs are strategically timed for optimal hilarity.

Rounding out the crew are Ratcatcher Two (controller of rats and daughter of Ratcatcher One), King Shark (voiced by Sly Stallone in his best work yet) whose power is that he can eat people, mostly foes but occasionally friends and not always on accident, Polka Dot Man (the power to hurl killer, colorful dots), The Peacekeeper (John Cena stealing the show as he says hilarious things in a deadpan serious tone. He is basically an evil Captain America. Very righteous. Very patriotic, loves peace but unlike Cap, he doesn’t care how many people he has to kill, often quite unnecessarily, to get it.

Cena really shines here and while I understand F9 wasn’t a comedy, I still don’t get why they didn’t give him more to work with in that latest FF offering.

STATUS: Shelf worthy. It’s fun but also gross and not for the feint of heart. Part of me enjoyed it and part of me wondered what has become of adults? Why were adults of previous generations so hard that studios knew not to bother making such nonsense for them because they wouldn’t want it. What has changed today? Does this mean that today’s adults are silly and less serious for lapping up such drek? Because this one is definitely not for the kids. Sure, it has a shark man and a polka dot man and a clown woman but nope….not for kids. Don’t let the kids watch this one.

I was one of a handful of people who thought the 2016 version was good and I don’t think this one lives up to it but it’s a good time just the same.

My last complaint is I didn’t like what they did with Waller’s character. She is usually portrayed as very calm, cool and collected. She speaks matter of factly, never loosing her cool. She plays chess while others play checkers and is adept at forcing, blackmailing and pushing people to do bad things, literally nothing is too bad if it will keep America afloat, but she is rather stoic while doing it.

Here, she’s a screaming, obscenity spewing mess and I didn’t like it. It’s just not the badass Waller we came to know in the original.

Stream it on HBO Max…whenever HBO Max is working (which for me, isn’t often. They def have some kinks to work out of that service.)

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TV Review – Harley Quinn – (2019 – ?)

Grab your baseball bats, 3.5 puddins.

It’s time for a review of Harley Freakin’ Quinn.

At the outset, I have to say this show is like nothing I’ve ever seen before. Some thoughts on why that is, in no particular order:

#1 – It’s a Gotham based, DC character infused show, that’s for adults and when I say it’s for adults, I mean, it’s for adults. It’s weird. Watch with the sound down for a minute and you might be lulled into thinking it’s a kids show. I mean, superheroes are for kids, right? But no…there’s swearing and sex and uber violence like very serious graphic violence. You don’t want to let your kids watch this. I know, Batman and Co. are for kids, right? Nope, not this show, which brings us to…

#2 – It’s a parody of the DC Universe and the comic book genre. It focuses on Harley (Kaley Cuoco) and in season one, we see Gotham’s top she-clown break up with The Joker (ala Birds of Prey) and come out from Mr. J’s shadow, fighting to be thought of as a supervillain who stands on her own evil merits and not as the Clown Prince of Crime’s sidekick. Along the way, DC’s long laundry list of main characters (heroes and villains) are trotted out and poked fun of…but the best jokes are reserved for the lesser knowns, the goofy characters you’ve unlikely ever heard of before, or maybe heard of once in passing.

Examples? Harley’s BFF Poison Ivy dates Kite Man, and that’s his power. He has a kite that pops out of the back of his suit so he can fly around. Pretty useless character, right? You’d think so until you meet such lackluster Batman opponents as Calendar Man, Condiment Man, and so on.

Overall, the writers had a fun time pointing out the silliness of the comic book world and yet…

#3 – The plots are well laid out and surprisingly riveting. In season 1, we see Harley recruit a crew of lesser knowns like Dr. Psycho, King Shark and Clayface to take on Gotham’s worst villains and fight her way up to the top of the food chain. In season 2, Gotham lies in ruins and Harley and Friends team up with Commissioner Gordon, Bat Girl and yes, even Batman to prevent the city from meeting its doom. This leads me to…

#4 – It saddens me what DC decided to do with its theatrically released movies. Here, in this cartoon, the writers set out to parody DC and comic book culture and yet, created a more coherent plot than the DC films did. As you watch, bread crumbs are laid out and they lead to something. There’s a laundry list of characters yet they all get their time to shine. Slowly but surely, the writers introduce you to their silly versions of these characters and then build up their silly version of Gotham. Watching actually pays off and you don’t leave feeling like you were jerked around. Ultimately, that’s all the fans wanted from the DC movies.

#5 – At first, I did wonder whether maybe an adult version of the DC universe was something worth making. After all, aren’t these characters for kids? Shouldn’t adults grow up and put away childish things? Drop the F bombs, cut out the uber violence and naughtyness and create something the whole family can enjoy? But then again, that leads me to…

#6 – This is the hands down funniest thing I’ve seen on TV in awhile. Somehow, it walks a fine line between keeping the wokesters happy and delivering jokes that push PC boundaries. For more of what I’m talking about, see Poison Ivy’s takedown of the Condiment King with the help of her sidekick, Frank the Plant (JB Smoove stealing the show as a man eating Venus fly trap). “Change of plans, sauce fucker.”

FINAL THOUGHTS: In the end, all we fans ever wanted is for writers to build a world. Yes, the DC characters reside in a world that we know ad nauseum, so no, we don’t need to see young Bruce Wayne’s parents get shot by a mugger outside the theater for the 1,000 time. We don’t need to see Superman’s baby sized space ship crash in a cornfield behind the Kents’ house for the 1,000th time either. With new TV shows and movies comes new versions of old characters and all we ask is to be introduced to your new versions, get to know them, then let things build. Comedy writers did that here and one day DC might figure out how to make a cinematic universe that the whole family can enjoy.

STATUS: Shelf-worthy. Bonus points for Kaley Cuoco who I think is great in everything she does and is underutilized by Hollywood. See this show on HBO Max.

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Movie Review – Aquaman (2018)

So many fish, so little time.

BQB here with a review of “Aquaman.”

I’m just going to say it.  This movie is solid.  I think “Wonder Woman” was better.  There were some parts of this movie that were silly and it’s a half hour too long (two and a half in total) but it’s a feast for the eyes, very beautiful with a lot of colors and great action.

In other words, DC/Warner Brothers screwed the pooch by getting the super friends together first in “Batman vs. Superman” and “Justice League.”  Rather, they should have intro’d all the heroes in their own films with an ongoing subplot that ties them all together i.e. the Marvel model.

Oh well.  Perhaps now that the super heroes are doing the solo act, DC/Warner will be able to figure out their piece of the comic book movie pie.

Suffice to say, Aquaman aka Arthur Curry (Jason Momoa) is half Atlantian and half human, the product of a lighthouse keeper (Don’t know the actor’s name) getting his fuck on with a runaway Atlantian queen (Nicole Kidman).

Note that this is the second movie in recent years where a human fucks a fish person so Hollywood might be into some pervery behind the scenes but I digress.

The hard task here was to make a likable Aquaman, one who is cool and awesome that you want to root for.  The problem is that Aquaman has always been the joke of the superhero universe.  You scoff but think about it.  Given your choice of superpowers, you’d surely choose flight or indestructibility or invisibility or any host of awesome skills before you’d say, “I want to be able to boss dolphins around.”

But the filmmakers lived up to the challenge here.  Arthur lives among humans, an outcast not welcome in Atlantis, using his abilities to save people and is fresh off of helping the JL save the world from Steppenwolf.

Alas, Arthur’s half-brother, King Orm (Patrick Wilson) (the product of a fish person fucking another fish person and call me old fashioned but that’s the way it should be) is solidifying his power with the other fish kingdoms with the help of another fish person king (Dolph Lundgren doing the most acting he’s ever done in his entire career) and seeks to lead a vast army to the surface world to destroy and conquer.

Ergo, it’s up to members of the Atlantian royalty to commit treason and help Arthur overthrow the king.  Those traitors include Vulko (Willem Dafoe who looks out of place in this movie and literally at any minute you end up wondering if he’s just going to look at the screen and break the fourth wall and say, “How the fuck did I end up playing a fish man in this schlock?  I was in Platoon, for Christ’s sake!”

And of course, there’s love interest, Mera, played by Johnny Depp’s one who got away Amber Heard.  Mmm boy, now there’s some sushi I wouldn’t mind in my take-out box.

Hmm.  That comment was probably inappropriate.  Oh well.  Good thing only 3.5 people read this blog.

Did I mention there’s a kickass fight scene in Italy with Black Manta (Yahya Abdul Mateen II?) I enjoyed the visuals but also the entire time as Aquaman and Manta pummeled each other I wanted to call my travel agent and book a trip to this exotic locale.

There are a few moments where it is absurd but the absurdity comes with a bit of self-awareness.  For example, SPOILER ALERT, Willem Dafoe makes a more skeptical than usual face when the long lost, thought to have been executed queen (Kidman) returns.  Heard shrugs it off and tells him, “It’s a long story.  I’ll tell you later.”

I took that as a wink as if the writers were telling me, a member of the audience, “Yeah, we’re sorry we couldn’t think of a reason why she’s back but aren’t you glad she is?  By the way, keep plunking down your ticket money and we’ll tell you why she’s back when we figure it out.”

Overall, the flick is a good time and a sign that if DC/Warner take their time and worry more about putting out good movies rather than rushing to put their characters together, it will pay off.

STATUS: Shelf-worthy.

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Movie Review – Justice League (2017)

Well, it only took two years and four films, but Warner Brothers has finally figured out a winning formula.

BQB here with a review of “Justice League.”

Character development.  It’s what the Marvel Cinematic Universe excelled at and what Warner Brothers failed at, even though the winning formula was clear – make a bunch of films starring the individual heroes, then make films starring the heroes working together…repeat.

Warner Brothers went a different way in March of 2016 with the pathetic flop that was “Batman vs. Superman.”  Technically, they started with “Man of Steel” years back, though at the time it didn’t appear as though there was an intention for that particular version of Superman to stick around…as far as I know anyway.

In B v S, we were flashed quick versions of Batman and Wonder Woman.  The plot was hacky, like Man of Steel, it was riddled with product placement, and Lex Luthor, greatest villain of all time, was turned into a nerdy wiener played by Jesse Eisenberg.

While critics despised “Suicide Squad,” I enjoyed it, though looking back on it, I’m not sure it really capitalized on its main asset – Harley Quinn.  A Joker and Harley movie is long overdue.

Bottomline – Marvel’s characters weren’t as well known to general audiences.  Thus, Marvel/Disney was able to make an Iron Man flick, a Hulk flick, a Captain America flick, a Thor flick, an Avengers flick, then press repeat, minus the Hulk flick because the green guy just can’t carry a film on his own, sadly.

But the character development in the individual flicks always paid off in the Avengers flicks.  We would see the individual characters suffer and face their demons and  then come together as a team.

DC’s cross to bear was that prior to this attempt to copy Marvel, Batman and Superman had been done umpteen million times.  However, while I still maintain that audiences didn’t need another origin  story for Batman or Superman, there could have been a film to introduce us to this grittier, older, depressed version of Batman starring Ben Affleck.  We didn’t need to see Bruce Wayne’s parents get capped after a night at the theater for the 1000th time, but it would have been nice to have seen a film where we jump into the new Batman’s world and see what he’s all about.  For example, a Batman vs. Joker and Harley film could have done just that.

Meanwhile, “Man of Steel” was yet another Superman origin film and as Supes and Zod punched their way through 7-11 signs and IHOP restaurants, the whole thing felt very forgettable.

June of this year’s “Wonder Woman” was Warner’s first critically acclaimed hit.  Wonder Woman has appeared in TV form before in the 1970s, but generally, she wasn’t as well known as Bats and Supes, so Warner had a chance to introduce her and tell us what she’s about.

Thus, in “Justice League,” the main continuity payoffs come from references to the earlier “Wonder Woman” film whereas references to B v S made me want to hurl, as I’m still doing all I can to forget that epic fail of a film.

Honestly, I feared that character development was not Warner’s forte.  It felt like they were rushing these films out, not taking their time, that we were a bunch of chimps who would put our butts into the seats no matter what so they just cared about money and not plot or telling us what made the characters tick.

Thus, it felt to me like “Justice League” was destined to fail.  We were introduced to new Batman and new Superman, albeit poorly, and we were introduced to Wonder Woman well, but introducing us to the Flash, Aquaman and Cyborg all in the same film and somehow making us care about them seemed like a tall order and yet…they pulled it off.

Ray Fisher plays Cyborg/Victor Stone with just the right amounts of anger and sadness.  Cyborg, a young man rebuilt as part-man but mostly machine by his scientist father, views himself as an abomination, subject to the will of the technology that controls him, tech that he has little control over himself.  He must overcome self-hatred to serve a higher purpose.

Ezra Miller provides much needed comic relief as The Flash/Barry Allen.  The Flash has appeared on TV in the 1990s to not so great results, though a more recent return to TV faired better.  There were a variety of ways the film could have gone with Flash but here, they decided to go with an accidental bumbler.  Hit by lightning, the kid can now run really fast.  At the time of this film, he’s foiled a few petty crooks with his feet of fury, but he’s never gone toe to toe with a big bad and that leaves him scared shitless.  He devours entire pizzas in one sitting without gaining weight because his top speeds leave his body depleted and a scene where he thinks he’s about to shine only to realize Superman can run as fast as he can is the highlight of the film.

I was on the fence with Jason Mamoa’s “Aquaman.”  Aquaman, long panned as the lamest Justice League member due to his power of talking to fish, has always been a long haul to bring home.  After all, the cartoon version featured Aquaman riding two dolphins under his feet as if they were water skis.  Here, Aquaman is portrayed as a gritty merman, unsure of why he was cast out of Atlantis and left to protect a seaside community.  This Aquaman is very “Point Break-ish,” an extreme adventurer type, enjoying badassery, boastful of his manliness and so on.  I had mixed feelings about him throughout the film until a humorous scene with Wonder Woman won me over.

As in any film, there are flaws.  Bruce Wayne doesn’t seem to give a shit about revealing himself as Batman to every new team member he meets, though I suppose if he’s going to work with these people, he has to.  Also, the plot revolves around finding three boxes that hold the power to global destruction before the villain Steppenwolf (Ciaran Hinds) can.  Something about those boxes made me think about Marvel’s tesseract, though I suppose similarities between comic worlds are inevitable.  There’s only so much of this shit that can be done before it all seems to mold together.

Ultimately, it’s a good ride.  Would independent Flash, Cyborg and Aquaman films helped?  Maybe…maybe not.  Honestly, I worried about that going into the film but somehow the movie manages to give us just the right amount of back story for these three heroes – not too much, not too little – perhaps independent films would have been overkill.  Now that we’ve given small doses of them to see what makes them tick, we might root for them more independently.

Amazingly, the movie finally even gets Superman right.  Superman has always been a tough one.  He’s the ultimate boy scout who does no wrong and basically has no flaws, so its hard to relate to him.  Further, even though he can fight like anything and survive, Hollywood rarely pits him against foes worth his time.  Superman shines here, though I think long term, the franchise will suffer because of the earlier decision to let Eisenberg play a geeky version of Lex Luthor rather than go with the traditional comic book version were Lex is the ultimate cunning badass.

Good story.  Good plot.  Good characters.  It had heart and humor.  I finally care about these characters.  It took awhile, but WB finally got it right.

STATUS: Shelf-worthy.

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Daily Discussion with BQB – Who Was the Best Batman?

A) Adam West

B) Michael Keaton

C) Val Kilmer

D) George Clooney

E) Christian Bale

F) Ben Affleck

Rank them in the comments as to who you think is best to worst.

BQB’s ranking:

Best Humorous Batman = Adam West

Best Overall Batman = Michael Keaton

Best Serious Batman = Christian Bale

Acceptable Batman = Val Kilmer

Worst Batman Ever and the Studio Should Have Never Let It Happen – George Clooney

Blah, I’m Indifferent to This Batman = Ben Affleck

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Movie Review – Wonder Woman (2017)

Amazon warrior babes!  Evil Germans!  The best female superhero ever!

BQB here with a review of Wonder Woman.

Let me just say it right off the bat, 3.5 readers.  This is a great movie – a really great movie.

It was a high stakes film for DC and Warner Brothers, a make or break film in their quest to create a Justice League franchise that would rival the success of Marvel’s Avengers.

The first attempt, last year’s Batman vs. Superman was an economy sized stink burger with extra poop cheese.  The second attempt, Suicide Squad, was not a critical success, though I liked it personally.

Luckily, WB/DC not only avoided a third strike with Wonder Woman – they knocked it out of the park.

Princess Diana (Gal Gadot) lives an idyllic, peaceful life on a secret island filled with super hot, boner-inducing Amazon warrior babes.  For years, she’s been told a tale by her mother, Queen Hippolyta and aunt, Antiope (Robin Wright) of how men were once kind and noble but alas, their minds were poisoned by Aries, the God of War, to fight one another.

The Amazons found safety on an island paradise but that is disturbed when WWI pilot Steve Trevor crash lands on their territory.  When Steve informs the super hot warrior babes that World War One (or just, the World War at that time) has broken out, Diana is convinced that this is the handiwork of Aries and teams of with Steve to save the day.

Great action, amazing special effects and plenty of humor as Diana adjusts to life in the early 1900s, a time when women were expected to be obedient to men and only speak when spoken to. (Ah, those were the days!  Wait, who said that?  Surely, not me.  Crap.  I’m going to get complaint letters now.)

Gal Gadot was the perfect choice for this role and she can wrap me up in her lasso of truth anytime.  Alas, I just wish I had more interesting stories to tell her.

The story is great, a real blend of history and fiction to come up with something unique on its own.

Frankly, I wish this film had been the start of WB/DC’s foray into Justice League territory. Marvel has been making bank for nearly a decade with a tried and true formula, namely, give each hero their own movie, then put all the heroes into one movie, then give each hero their follow up movies, then do another movie where all the heroes get together and repeat.

Admittedly, DC had a higher mountain to climb.  Batman and Superman are so well known that no one needed another movie where little Bruce Wayne sees his parents get shot or another movie where baby Kal-El crash lands in an Iowa cornfield.

Still, there could have been some standalone films where we are introduced to the latest incarnations of Batman and Superman.  True, we did get that with Man of Steel, but otherwise, Batman, Superman and Wonder Woman were all tossed into a big crap sandwich in the super sucky Batman vs. Superman before we ever got to learn what makes any of them tick.

And really, Wonder Woman was the only part of B vs. S that did not suck the super big one.

This is the first critical success for the Justice League franchise and what I hope will be the beginning of a winning streak.  Unfortunately, from the trailer of this November’s Justice League, I fear the winning streak won’t last long, as characters like Cyborg, Aqua Man and the Flash are all lumped together before we get movies that tell us who these characters are and what they are all about.

At least, no matter what, we can say we know what makes Wonder Woman tick, thanks to this film.

STATUS:  Shelf-worthy.  Best film of the year thus far.  Get off your butts and see it in the theater, 3.5.  You’ll be glad you did.

 

 

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Movie Review – Suicide Squad (2016)

It’s here…and its awesome.

Forget all those shitty reviews. Losers and malcontents, I say!

BQB here with a review of the movie that nerds the world over have been looking forward to – Suicide Squad.

SPOILERS, SPOILERS AND MORE SPOILERS BELOW.

So back in March, Warner Brothers released the smelly ass stink burger that was Batman vs. Superman: Dawn of Justice.

Oh it was so awful. No life having nerds such as myself were infuriated.  What a crap fest.

It led us to believe that the DC Universe was in bad hands.  We started to wonder if Suicide Squad would be just as bad.

The professional reviewers all seem to think so. Personally, I wonder if their still holding onto some of that B v. S. resentment.

I know I am. I cry myself to sleep about it often. “They both have mothers named Martha!  What fabulous writing!”

Boo! It stinks!

I won’t say this movie makes up for Batman vs. Superman, but it was pretty spectacular and one of the best films I’ve seen this summer.

The Setup

In the wake of Batman vs. Superman (which stunk), the government has grown concerned that another all-powerful being might arrive on the scene and not share Superman’s kind demeanor.

Thus, government agent Amanda Waller (Viola Davis) assembles a team of the worst super villains to have ever crossed Batman’s path (all imprisoned at the start of the film.)

The film relies heavily on flashbacks to tell the backstories behind all of the villains.  Flashbacks are always better if used sparingly, though with such a large cast, I can see why it was necessary.

By the end of the film, a dastardly all-powerful being does indeed arrive on the scene and the team of villains, under the control of Col. Rick Flagg (Joel Kinnamon) must save the day.

Harley Quinn

Harley has long been one of DC fans’ most favorite yet under utilized villains.  She got her start in Batman: The Animated Series and ever since, we nerds have long wondered if she’d ever get her big moment on screen.

With an accent that’s a cross between bimbo and New Yorker, female clown Harley dotes on her boyfriend, the Joker, referring to him as  “Puddin'” and “Mr. J.”

Ahh.  A nerd’s dream woman…well, if you ignore the psychotic tendencies.

The trailers made it look like the producers were going to scale Margot Robbie’s portrayal back – opting to go with just a sort of a not so bright female character but the trailers did not do the film justice.

Margot nailed. She’s totally Harley.  She’s got the voice, the demeanor, the twisted personality, she’s got it all down.

She really is the best of this movie.

Batman and the Joker as Bit Players?

The Joker (Jared Leto) had a large role for sure and Jared played it well. He went with a crazy clown mobster as opposed to Heath Ledger’s “I just want to laugh while the world burns” character from The Dark Knight.

Batman (Ben Affleck) only appeared in a few scenes and those were only flashbacks.

I’m not used to seeing a movie where Joker and the Bats aren’t the main attraction. It was surreal.

If anything, Will Smith as expert marksman/contract killer Deadshot carried the film as the team’s unofficial leader.

So Many Characters

Too many characters can potentially ruin a film. You’ve got two hours at best, an audience with a limited attention span and you have to somehow juggle it with the need to make every character interesting.

It can be done. Ironically, Batman vs. Superman only had to make Batman, Superman and Wonder Woman interesting and the peeps behind that flick failed and failed miserably. Damn that movie sucked.

In contrast, the squad in this film is large.  Killer Croc (Adewale Akinnuoye-Agbaje), Katana (Karen Fukuhara), Diablo (Jay Hernandez), the Enchantress (Cara Delevingne) are just a few of the many characters I can think of off the top of my head.

Seriously, they’re all great but I don’t have enough time to cover them all. I mean, shit, there’s a guy called Captain Boomerang (Jai Courtney).  That’s his power. He throws damn boomerangs.

Each character gets his/her moment in the sun and with a film with a scale this grand that’s all one can really hope for.

Humor/Music

I love a film that can lighten the mood with a good joke and the pairing of classic rock and rap with several scenes left me laughing. It’s hard to explain. You just have to watch it.

PG-13 – Seriously?

I’m surprised this film pulled off a PG-13 rating.

I don’t recall any swears, at least no serious ones. There were no F bombs.  No sex (although there are some sexual references).

Yet, the body count is massive and its a blood and guts fest throughout.  Guns, guns and more guns with someone getting shot every two seconds.

Look, I’m an adult and a nerd so I enjoy a movie like this but…I mean do what you want.  Me personally, I wouldn’t take a kid to see it.

It felt R rated to me.  I’m not complaining, but the PG-13 rating leaves me wondering why a film can be filled with people getting shot every two seconds but as long as it doesn’t have boobs or an F bomb its cool to bring the teens.

OK. I’m done being Mr. Old Complaining Man. But seriously, get off my lawn.

Complaint/Observation

A lot of time is spent in the film on keeping the villains under control. Flagg is their babysitter, making sure they don’t escape.  And as the film progresses, they, dare I say it, the villains grow consciences, grow as people/beings, develop actual concern that if they don’t stop the big bad then no one will and perhaps this is their one shot at redemption for their sins.

That’s great and that’s definitely the way to go to create the optimal crowd pleasing movie. I can’t really knock it.

Still, I wonder if it would have been possible to add more of the “how does a villain carry out a noble mission” angle.  Do villains really care about collateral damage? Do they care about doing it right or just getting it done?  And wouldn’t a villain gladly leave everyone else to croak if they could save themselves?

Eh, many of these questions are explored but overall, suffice it to say, if there’s a sequel, I’d like to see more villainy.  Flagg needs to let them off the leash.

Better Times Ahead for DC Based Movies?

For me, this film was a much needed positive sign in the wake of the turd fest that was Batman vs. Superman. Did I mention it sucked?

I wonder if maybe Warner Brothers took on too much at once.  Like the student that enrolls in too many honors classes at the same time, they turned in a F movie with Batman vs. Superman (oh how it stunk) and an A film with Suicide Squad.

One wonders why they didn’t slow production down a bit and work on putting out one A movie a year.

No, I don’t actually have to wonder. They knew that even a shitty stink fest like Batman vs. Superman would have stacked the cheddar and damn it, they were right. As much as I complain, they got my money.

But remember that old chestnut “penny wise, pound foolish.”  I’ll never rent and/or watch Batman vs. Superman (because it stinks) again for the rest of my life, but I’ll totally rent Suicide Squad again.

STATUS: Shelf-worthy. Worth a trip to the theater. Excuse me while I go think about Harley Quinn while I polish my novelty clown mallet.

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Will Suicide Squad Be Good?

Should we judge it by Batman vs. Superman, that horrible stink burger of a film, or will it break out and be awesome on its own?

What say you, 3.5 readers?

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