Category Archives: TV

TV Review – House of Cards – Season 6

As they say in Gaffney, all good things come to an end.

BQB here with a review of “House of Cards.”

You know, 3.5 readers.  There ought to be a rule.  Call it “The Spacey Rule.”  If you’re an actor about to take a role in a compelling TV series that hinges on that role, you should not have allegations of pervery against you.

Spacey’s character, Francis Underwood, a ruthless, cunning politician who bargained, bribed, bought, cajoled, sweet talked, murdered, screwed (literally and figuratively) and worse, convinced many of his victims to do themselves in, was crucial to the series.

Indeed, Claire (Robin Wright Penn) was his partner-in-crime and before Spacey’s alleged pervery was made public, it looked like the show was heading toward an eventual showdown where the President and First Lady would duke it out.

Thus, the writers were boxed in with this last season.  No season without Francis was going to feel satisfying and yet, to not provide some kind of ending would be a letdown as well.

At the beginning of this final season, Claire is in the first 100 days of her presidency.  Diane Lane and Greg Kinnear play a brother/sister team of wealthy business moguls who apparently were bankrolling the Underwoods and expecting favors in return, though this is the first we’ve heard of them.

Francis is dead, ostensibly due to an overdose of prescription medication, though true accidents without someone at fault rarely, if ever, happen on this show, unless some sort of nefarious evildoer wants it to seem that way.

Claire has learned the art of underhanded politics from the master himself and now free of her husband, she wants to make one last series of weaselly doings to secure her power, push out her enemies and, one might assume, make the world a better place?

Her foil is Doug Stamper, Francis’ longtime henchman.  Claire wants to throw Francis’ reputation under the bus to save herself.  Doug wants to save Francis’ legacy.

Claire, the bro/sis team and Doug go all in on a battle royale and indeed, there is a victor but I won’t spoil it for you.

Suffice to say, imagine if you were invited to a fancy dinner at a friend’s house.  You were promised that if you work your way through five courses, each more tasty than the last, you’d eventually get to that final sixth course that would make your toes curl and your taste buds scream out in orgasmic delight.

Then, alas, your friend comes out and says, “Hey, I’m so sorry, my head chef just got fired due to allegations of pervery so I’m not able to serve you that sixth course you long waited for but hey, here is a tasty bag of Funions.”

Sure, you’ll eat the Funions.  You’ll enjoy the Funions but…you’ll always wish that head chef had kept it in his pants so he could have stuck around to make that final filet mignon.

STATUS: Shelf-worthy.  The writers made the best out of a bad situation and ultimately, Spacey is the one to blame but it’s hard not to think about how satisfying a final Francis-centric season would have been and sigh a sad, defeated sigh.

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Daily Discussion with BQB – Don’t Make a Breaking Bad Movie

I liked Breaking Bad but I don’t think they should continue it with a movie.

Oh, if you missed it, Bryan Cranston said in an interview that there would be a movie, or that he’d love to be in a movie or whatever.  Not sure exactly but it was hinted that there would be one.

I just think that series was wrapped up well and it is rare that happens, when all the threads pulled are tied up and viewers are left satisfied.  Let’s not spoil that.

Plus, what has it been, ten years since that show started?  Walter White would have to have the slowest moving cancer ever…on top of being shot in the finale.

Oh shut up you’ve had five years to see it.

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TV Review – The Conners (2018)

 

Roseanne epically shot herself in the foot.  There’s no doubt about it.  She had a major comeback only to throw it all away by making a stupid racist comment.

So I get why they cancelled her show…but I think it was stupid to bring it back without her.

Roseanne was that show and even without her, she’s still there.  All the characters do now is talk about her.  Who needs to watch a sad show that’s supposed to be a comedy even though the family is grieving about their dead mother?

I think they could have come up with something funnier.  Roseanne loses her mind and goes on a wild, cross-country crime spree.  Maybe Roseanne gets kicked out of Lanford for being a racist.  Maybe she posts a racist tweet.  Maybe offends the entire town for being racist and her family has to put up with her hiding in the basement from everyone who wants to rip her a new one.  Once in awhile, the family tosses some food down the basement and someone doing a Roseanne impression cackles.

I just think that she’s dead is so dark for a comedy.  I get that ABC and all the actors were riding on this comeback and Roseanne screwed it up so they should at least get another season but man, I don’t know…I just think they could have thought of a funnier explanation as to why Roseanne isn’t around anymore.

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TV Review – Kidding (2018)

Do you ever think the people you cheer you up on TV might be the saddest of all?

BQB here with a review of “Kidding.”

I’m not sure what to make of this show.  It seems like I should be laughing but instead, I feel like crying.  I’m an adult, so I rarely, if ever, cry, but you know what I mean.

Jim Carrey returns to TV in this series about an icon of children’s television whose life has run off the rails.

To his fans, he’s Mr. Pickles, a Mr. Rogers-esque storyteller who lives in a world of make-believe, surrounded by puppet friends.  He’s a multi-millionaire dollar industry who has inspired books, toys, and merchandise and keeps PBS afloat.

Outside of TV, he’s Jeff Piccirillo and here’s the rub of the show.  His family thinks he should be a normal guy who sins and swears in his personal life but Mr. Pickles isn’t an act.  Jeff is Mr. Pickles 24/7 and he displays the highest levels of courtesy and kindness to everyone, even his family who constantly dumps on him.

A year has passed since one of his two twin sons has died in a car accident.  His wife, Jill (Judy Greer) is so saddened by the loss that she can’t stomach Jeff’s nice guy persona anymore.  His surviving son, Will (Cole Allen) can’t take it either.

And thus, a great contrast is struck.  Millions of fans cheer for Mr. Pickles, sending constant thank you letters detailing how he has changed their lives for the better with his inspiring words of wisdom.

But the kindness that makes him universally loved by the world makes him despised at home.  When he tries to talk to Will about the grieving process, the boy calls his old man a pussy.  When he learns his wife is sleeping with another man, he, to her disappointment, doesn’t get mad but instead bakes her a pie and asks to discuss it in a polite, civilized manner.

Back at the studio, Mr. Pickles is a family business. His sister, Deirdre (Catherine Keener) is the show’s head puppeteer with problems of her own.  Her arc sort of mirrors Jeff’s.  While she doesn’t have that happy persona, she loves her job but isn’t happy with her home life.

Meanwhile, veteran dramatic actor Frank Langella steals the show as Jeff’s father, Sebastian.  “Seb” is cold, calculating, and cares only about the bottom line.

Jeff wants to test some limits on the show.  He wants to process his grief in the only way he knows how, by bringing his feelings onto the show.  He wants to do a show that teaches kids about how to deal with the death of a loved one, but Seb won’t agree, arguing that parents will just change the channel and Mr. Pickles’ bottom line will go bust.

When you watch the trailer, you might think that this show is just a parody of Mr. Rogers.  It is but then again, it isn’t.  Perhaps Mr. Rogers benefitted from the fact that he lived during a time when morals and values were upheld.  They weren’t followed by everyone but they weren’t openly mocked and scorned by public figures either.  People at least paid lip service to the idea of being a good doobie.

On the other hand, Mr. Pickles lives in a time when being kind is confused with weakness and being nice gets you called a pussy.

As a viewer, you end up wondering who is right.  Jeff processes his grief by being there for his family, even though they hate his guts.  He takes their abuse and comes back for more, being more concerned about his well-being than his dignity.  Most men insulted by their wives and kids too many times would just walk away but Jeff hangs in there.

Is Jill right for looking for solace in a new fling?  Is young Will right for smoking pot with a new group of dopey kids?  These bad behaviors are typical of people whose lives were destroyed and yet, these behaviors also get them nowhere.

Jeff is unusually, bizarrely kind and you begin to wonder if he is abnormal in his graciousness, or perhaps he’s the only sane one in a world full of cynical, miserable crazies.  Everyone is drinking and swearing and debasing themselves, descending into meaningless misery, despair and hedonism, lashing out at everyone.

Thus, maybe Jeff is the only one who is smart enough to walk a higher path.  He most likely is doing the right thing, though in his personal life, it gets him nowhere.

The crux of the show seems to be making us wait to see if Jeff will have a full on breakdown.  Will he grab his wife and give her a vigorous banging?  Will he tell his kid to shut the eff up and get off drugs?  Will he tell his father that on the show, it’s his way or the highway?

Or maybe he’ll flip out in some other unexpected way.  Will Mr. Pickles fly off the handle and do something awful that blows up the pickles world altogether?

If it’s a comedy, it’s a dark one.  You laugh at things you feel you shouldn’t and me, personally, I do root for Mr. Pickles.  There’s a part of me that wants to tell him to just start giving shit back to the people who are shitting on him but then there’s another part of me that thinks Jeff will score a victory by being nice to the bitter end.  His family will ultimately destroy him if he does, but at least he will have been right.

STATUS: Shelf-worthy.

 

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TV Review – Paradise PD (2018)

My eyes!  What have I seen?  God, help me!

BQB here with a review of Netflix’s Paradise PD.

There’s a part of me that says the master print of this show should be burned, the ashes dissolved in acid, the remnants of whatever is left put into a rocket to be shot into the sun.  It’s that gross and I don’t know why, there’s just something about seeing cartoon animated disgustingness that makes me feel like my soul was warped upon seeing it.  There are scenes that haven’t left me feeling this weirded out since I saw Sausage Party, which, although I laughed at, I pledged I’d never see it ever again and to date, I never have.

On the other hand, I haven’t had such a good laugh in so long.  It’s hilarious – rapid fire jokes upon jokes upon jokes, jokes that are quick, jokes that you get right away, jokes that you get after you think about it after a minute.

Even better? It pulls no punches.  It takes no sides.  It whams, bams, and slams everyone and everything.  It is an equal opportunity offender to one and all.  If you haven’t been offended within the first five minutes, give it another five.  Don’t worry.  They will eventually get to something that offends you.

Ironically, that’s what unbiased comedy is.  When comedians savage one side, one group, one idea, then leave the opposite untouched, it’s biased.  We see that in comedy today when it comes to politics.  Comedians have their sacred political cows and they won’t touch certain topics with a ten foot pole.

Here, liberals and conservatives are parodied with equal vigor.  There’s a particularly funny episode that skewers the cable news channels – CNN, MSNBC and FOX, how they feature knee jerk commentators who skew things to fit their agenda.

I laughed.  I laughed.  I laughed some more.  Still, there’s something about seeing a cartoon penis that seems wrong, even in a cartoon that is intended by adults, and by the way, please, I don’t care if this is a cartoon, if you kid tries to watch this show, please do whatever it takes to stop them from watching it, even if you have to take an axe to the television.

The set up?  Kevin is a loser who ends up as a police officer under the command of his constantly angry police chief father, in the town of Paradise.  There’s the super fat Dusty, the disgusting Hobo Cop (a hobo turned cop), the walking poster for police brutality Gina, the elderly Hopson (owner of the cartoon penis the sight of which makes me want to power wash my eyeballs), the drug addled police dog Bullet and Fitz, the African American cop who, in one wacky episode, accidentally shoots himself in the penis and then gets arrested for committing police brutality against a black man, i.e. himself.

Part of me wants to apologize to Jesus for recommending this.  Part of me appreciates the good laughs it gave me as I watched it the past week.

The best description is that it is basically what you might imagine if Family Guy were able to take the freak outs that it does now but then crank it up to 1,000 with no holds barred.

Honestly, there should be some holds barred.  It’s funny, but I hope this doesn’t mean we’re moving toward a future where all cartoons meant for adults end up this disgusting.

I can’t give it a shelf-worthy rating.  I also can’t not give it one.  See it if you want to laugh and laugh heartily.  Don’t see it if you are easily offended, feint of heart, or if you just believe in common standards of decency…which I do, so why I watched this I don’t know.

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TV Review – Orange is the New Black – Season 6 Review (Spoilers Abound)

Hey 3.5 readers.

I don’t have time to give this season the in-depth review it deserves, so I’ll try to break it down quickly.

I felt the first couple seasons were an interesting look into prison life.  Hollywood tends to really ham up prison portrayals –  i.e. that classic scene where the main character enters the joint for the first time and the prisoners throw rain garbage and flaming pieces of whatever down upon him out of their cells.

While I’m sure violence is an ever present threat in prisons (and is portrayed a lot on this show) the show gave an aspect that other shows about the clink rarely showed, i.e., that it’s all one great big glorified high school for adults, complete with social cliques, winners, losers, a great big fishbowl where everyone is in everyone else’s business and the slightest bit of gossip can wreak all kinds of havoc.

I felt in later seasons, the show started to jump the shark as the more outrageous the shenanigans got.  At times, some of the tomfoolery seemed unlikely and increasingly far fetched.

But this last season really brought the series home.

Here, the OITNB girls, or a segment of them anyway, end up in the “max” prison, following a riot that goes bad.  Alas, they find themselves as pawns in the neverending war between two geriatric sisters with a longstanding grudge that has existed since the 1980s.

Lots of emotion, sadness, all sorts of bad things happen.

If the showrunners wanted to, they could probably end the series here.  Piper goes home and assumedly, like the real Piper she was based on, will write a book about her time in the can.

Vause looks like she will atone for her sin of putting Piper in prison in the first place – then again, maybe not as it looks like the boss she had to swear allegiance to in order to get Piper off the hook is no longer around.

Taystee goes down for a crime she didn’t commit but is the poster child for how the system swallows poor young African Americans up.

Black Cindy will forever want to do the right thing, be unable to do the right thing, but always feel guilty for not doing the right thing.

I could go on and on, there are so many characters that I dont think it’s possible for all of their storylines to be resolved (other than most of them will be in the slammer for a long time) I think overall, this season finale brought home a lot of stuff for the main members of the ensemble.

I’ve read that there will be a season 7.  I assume this will be where Piper the ex-inmate becomes Piper the author.  Perhaps the writers will figure out a way to get Taystee out of the fix she is in.

At times, the show goes overboard and over the top.  Sometimes I think it is too liberal as many of the women are portrayed as poor little birds who couldn’t help but be there.  Many of the back stories show people who started out somewhat ok, then just made one bad choice and ended up in jail.  Flaca, for example, sold colored pieces of paper, told kids it was acid to make a buck, only to be charged when a classmate was dumb enough to believe he was tripping when he wasn’t and kill himself.

But then at other times, the show will get real…sometimes too real…the backstory scene where we learn what the 1980s bitties did to get locked up is too scary for words.

Guards are often portrayed as roid addled, power tripping losers but then we also see how they suffer behind the scenes too.

The show could end here and be a rare show that ties up all the ends but it sounds like it has at least another season left.  The writers will have to keep towing that difficult to balance light between humor and abject horror, never going too far into one side or the other.

STATUS: Shelf-worthy.

 

 

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More Insight on the Buffy Reboot

Hey 3.5 readers.  So, Monica Owusu-Breen, the showrunner who is in charge of the new Buffy reboot, had this to say on Twitter:

“So maybe, it could be time to meet a new Slayer…”

If that means, a whole new Slayer with a different name and different friends, then that’s awesome.

If you’re saying a new version of the same Buffy character, then stop toying with me.

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Andrew Lincoln to Leave the Walking Dead

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Sad news for “Walking Dead” fans, 3.5 readers.

My thoughts:

#1 – My initial hot take is you suck, Andrew Lincoln.  I hope this isn’t a ploy where you want more time to do movies because seriously, there is no movie that you could be in that people want to see more than a kick ass series finale to the show that made you a star.  Bryan Cranston realized that he had to juggle movies around his main bread and butter, namely sticking with “Breaking Bad” until the end.

#2 – But after calming down for a minute, maybe he doesn’t suck.  Lincoln is from England and he points out that the show has kept him from seeing his family for a long time.  AMC may be the network that a show about a meth cooking teacher built, but it is also the network that zombies kept afloat and in sticky cash.  AMC does not want to ditch those zombies any time soon.  It’s a great formula.  Hire dummies to run around the woods pretending to fight zombies.  Plot = humans need something in a place where zombies are.  Fight zombies.  Get sad a human dies.  Occasionally move to a new place that seems like it is run by nice people at first but then the people are bad.  Cut.  Print.  Repeat.

In that case, you can’t blame Andrew Lincoln for not wanting to stay FOREVER.  If AMC is going to keep the zombies coming until the end of time, then I suppose we can’t begrudge Andrew for not wanting to fight the zombies for the rest of his life.

“Law and Order” for example, found a winning formula and it has been on for decades now.  Sure, Mariska Hargitay stuck with it but that’s her choice.  Other actors haven’t stuck around.  I’m not even sure all the actors that were on it in the beginning are still alive.

I think we all have been waiting for that epic series finale that explains all but I have a feeling that AMC will keep “Walking Dead” and “Fear the Walking Dead” and possible other spin offs going forever, just bands of humans fighting zombies until the end of time.

If they pull it off, more power to them.  My gut tells me they won’t and once Rick Grimes leaves, that will be it for the viewership.  Maybe not.  Maybe they’ll pull it off but that rarely happens when the main star leaves.

Examples I can think of – “That 70s Show” kept going without Topher Grace as his movie career kicked off.  I don’t blame the cast and crew for wanting to keep it going but I stopped watching after that and I think most people did because it was cancelled not long after Grace left.  Replacing him with a cousin didn’t help.

It’s not impossible to keep a show running without the main character, just unlikely.

#3 – So if Andrew doesn’t want to be Rick until the end of time and AMC wants the zombies forever, I can understand why he wants to exit but even so, we at least need a kickass ending arc to Rick’s character.  That will be like a finale for those of us who have stuck with the show from the beginning.  Maybe we’ll dump the show after Rick leaves.  Maybe we’ll stick around if the writers figure out a great Rick replacement.  But at least give us some closure with Rick.  I fear that won’t happen but we’ll see.

#4 – Andrew leaving should have been kept quiet.  We are now going into the new season with a spoiler.  We know Rick will either die or go off on his own or something.  If they could have kept Andrew’s leaving quiet, then an unexpected Rick death would have suprised the shit out of all of us.

#5 – We’ll see how it goes but I think Andrew and AMC owed us viewers a good resolution to Rick’s character and to the show itself, because I do have a hard time believing the show can carry on without Rick but we’ll see.  We viewers built your network with our support for your show, AMC.  We didn’t let you down when “Walking Dead” needed word of mouth and people hyping the show up on social media, so don’t let us down by giving us a lame ending to a show we’ve been watching nearly a decade now.

 

 

 

 

 

 

 

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Women Think Everything is the Handmaid’s Tale Now

Hey 3.5 readers.  BQB here.

I have never seen “The Handmaid’s Tale” – a) because I don’t have Hulu and b) because I have a penis.

However, my understanding based on the shrill harpy cries I hear on TV is that it takes place in a future where women are subjugated to male rule, kept as slaves, forced to wear red dresses and white bonnets and do the man’s bidding.  Apparently, fertile females are rare so they are owned by men who procreate with them and keep them locked up or something.

Also, apparently there’s an old woman named Aunt Lydia who keeps the handmaids in line.

So, I’ve never seen this show.  Tell me if it is worth a Hulu subscription but again I won’t think so because I have a penis.  All I know is these are some real life scenes that are happening all over the world thanks to this show.  Basically, if you ask a woman to do anything at all now they reach for the red dress and white bonnet.

SCENE #1 – The Remote Control

MAN:  Honey, can you pass the remote?

WOMAN:  Ah, fi on thee, cruel world, for though hast forced me into a life of handmaidenry!  Damned to do the bidding of my cruel master!  I shall toil away for life and never find any peace as I…

MAN: Oh, nevermind.  It was right next to me the whole time.

SCENE #2 – Sandwich

MAN: Honey, while you’re in the kitchen, can you make me a sandwich?

WOMAN:  Cursed villainy! I shall now dawn the red dress and white bonnet of the handmaid, for shuffle I will through life like a cursed wretch!

MAN: Whoa!  A 2 for 1 pizza coupon in my pocket!  Babe!  Nevermind!  I’m going to call Luigi’s!

SCENE #3 – At Work

MALE BOSS:  Sarah, the figures in your report is all wrong.  I’ll need you to stay late and re-do it.

FEMALE EMPLOYEE:  Oh, vicious agony!  To the chamber I will retire to work my fingers to the bone!

SCENE #4 – Kids

HUSBAND: Babe, I was thinking, should we have a baby?

WIFE:  Bah!  Oh woe unto me, for I have been forced into the unenviable life of a brood mare, damned to whelp your spawn at my breast for all eternity.

HUSBAND:  Yeah.  Plus babies smell bad and they cost a lot of money.  You know what, let’s just get a puppy.

WIFE: I love puppies!

SCENE #5 – The Date

MAN:  Pardon me, ma’am.  I don’t mean to be rude.  My name is Fred and I’m never usually this forward but well, you intrigue me and I wonder if you’d like to get coffee sometime so I could get to know you better.

WOMAN:  Blasted fate!  I shall have no choice but to take the name “Of Fred” and live in your broom closet where Aunt Lydia will whip me and chain me up and …

MAN: Whoa, geeze.  You know, I just remembered I’m allergic to coffee so, have a nice day.

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TV Review – Mindhunter – Season 1

The 1970s!  The FBI!  Sex with decapitated heads!

BQB here with a review of the new Netflix series, “Mindhunter.”  (BEWARE SPOILERS)

Hey 3.5 readers.  I heard a random recommendation for this show on a podcast the other day and had I not heard it, I would not have known this show even existed.  I’m not sure it’s getting the credit that it deserves because it’s well done, dramatic, smart, good timing, pacing, writing, acting, the whole she-bang.

I have no pull in Hollywood but I hope I can at least push the 7 eyes of my 3.5 readers to this outstanding series.

So, what’s it about?  It’s the late 1970s.  Watergate, Vietnam, and a series of 1960s political assassinations have left the public with what President Jimmy Carter once referred to as a “malaise” (although he never actually used that word but I don’t want to veer too far off track.)   Essentially, the institutions society depended on were breaking down and people started losing faith, accepting that life kinda blows and there’s not much to be done about it.

Against this backdrop, a new form of criminal emerges.  While the FBI was born in the name of stopping the likes of Dillinger and Capone, i.e. crooks with a clear motive (profit), there are now killers whose crimes are inexplicable – Charles Manson, Son of Sam, et. all.  Murders that are bizarre, disturbing, gruesome and incomprehensible.

Young, late 20s FBI agent Holden Ford (Jonathon Groff), an instructor of hostage negotiation tactics at the FBI training academy at Quantico, wants to understand how humans become monsters and sees potential in applying psychology to criminology.

Alas, Unit Chief Shepard (Cotter Smith), a typical gear clogging government bureaucrat, sums up the FBI’s thoughts on psychology – it’s bunk, hippy dippy nonsense, pointless prattle about thoughts and feelings that are not worth the bureau’s time.

Enter Agent Bill Tench (Holt McCallany), a stereotypical gruff and grizzled, buzz cut sporting G-Man.  He believes he’s found a golden gig in the FBI, teaching “road school,” i.e. each week he visits a different city, trains local law enforcement with a condensed version of FBI tactics, finds a lot of free time to hit the local golf courses, then heads home on the weekend to the wife and kid until he turns around and does it all again the next week.

Alas, Holden is assigned to work with Tench and as you might expect, he becomes a real turd in Tench’s punch bowl.

Holden sees a lot of potential in the road school’s downtime.  During a visit to California, he talks his way into a prison visit to interview serial killer Edmund Kemper (Cameron Britton), a 6’9,” 300 pound man who infamously killed his grandparents as a juvenile, only to be released as an adult, where he turned around and killed a number of women, cut off their heads and well, did unsavory things to said heads.  He even did this to his own mother before finally turning himself in.

Holden arranges for multiple interviews with Kemper and slowly but surely, talks the skeptical Tench into believing that locked away in the minds of serial killers is the information needed for the FBI to develop the new science of “criminal profiling” i.e. looking at traits held by certain people and determining the likelihood they might kill based on those traits, perhaps maybe even one day being able to stop such gruesome murders from happening.  Even further, they hope to be able to look at aspects of a crime, determine what kind of traits would be in a potential suspect and from there, be able to find the killer that much easier.

Thus, the FBI’s first behavioral science unit is born and soon enough, it grows in the form of Dr. Wendy Carr (Ana Torv) a professor turned FBI consultant.

As season one progresses, more serial killers are interviewed.  Although Holden and Tench are amalgamations of the real life pioneers who convinced the FBI to incorporate psychological profiling into its box of detection tricks, the killers interviewed are all real, i.e. actors doing their best imitations of said murderers.

Britton steals the show as the socially awkward Kemper, who blames his mother for all his problems, and is apparently so lonely that he starts to live for Holden’s interviews.  A crazy giant who kills people and fornicates with their heads is not exactly someone you want on your speed dial.

Happy Anderson plays Jerry Brudos, a hulking beast who murdered young women and stole their shoes (also blames his mother, it’s sort of a running, I don’t want to say joke but maybe a point that all the killers blame their moms).

Other killers include Montie Rissell (Sam Strike) who killed his female rape victims because he wanted them to be quiet and Richard Speck (Jack Erdie) who committed perhaps the most horrific acts in serial killer history, kidnapping a house full of nursing students and murdering all eight women in a single night.

The dynamic between Holden and Tench makes the series not just watchable but bingeable.  Holden is fascinated by what he sees as psychological tidbits being mined from the brains of these madmen – aspects of their childhoods, experiences, upbringings, things that can be looked for when hunting murderers.

Tench reluctantly admits the research will be helpful and yet, the research disgusts him.  While Holden views the interview subjects as victims of their own psychiatric circumstances, Tench views them as scumbag losers who couldn’t handle life so they flipped out and then blame everyone else but themselves for their own evil doings. At times, the buddy cop dynamic is fun and humorous.

From a writing perspective, it’s an example of how good writers can incorporate infamous figures from a history (here, a dark history) and incorporate fictionalized interactions to create something that is interesting.

Of course, no science is perfect and the ethical ramifications are explored.  Is it possible to use profiling to stop crimes before they start?  If a person is law abiding but exhibits strange but legal traits, should that person be deprived of a job, of a livelihood, cast aside from society, treated as a criminal before committing a crime?  Holden wrestles with these issues as his research causes him to start seeing potential psychos everywhere.

As the buddy cop duo continue their research, they often get called into the field to help local police departments catch killers, giving Holden and Tench a chance put what they have learned into practice.

SIDENOTE: Congrats to McCallany, who is one of those actors who has long played tough guys in movies, one of those actors who is in a lot of stuff but you never know his name…until now.

STATUS: Shelf-worthy. I can’t wait for season 2.

 

 

 

 

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