Category Archives: TV

TV Review – Monster: The Jeffrey Dahmer Story (2022)

Murder! Cannibalism! BQB here with a review of Netflix’s latest true crime series.

If you were alive in the early 1990s, then you may recall a time when the news was all Dahmer all the time. You couldn’t turn on the TV without learning something new about the prolific, psychotic serial killer who was caught when one of his victims escaped and led police back to his Milwaukee, Wisconsin apartment which contained bones, skulls, heads, photos of dead bodies and body parts, some preserved and some left to dissolve in a barrel of acid. Yup, Old Jeffy was doing that long before Jesse botched it in his bathtub on Breaking Bad.

Speaking of botching things, Netflix tends to do that with a lot of its movies and shows, but they handle a very gruesome story here and they do it well, such that if you have a sensitive stomach or just ate lunch, you might not want to watch. Otherwise, they bring the viewer in and provide a lot of history, parts of the story that either weren’t well publicized or maybe I just missed it at the time because I was just a kid.

It’s weird how certain things happen that affect a person’s life. But for a certain incident or even several strung together, someone might have been an entirely different person and lived an entirely different life. At any rate, the chain of events in Jeffrey Dahmer’s young life were such that it’s almost as if he were given a master class on how to become a serial killer at a young age and could not have become anything else.


The story moves around a lot, starting when Dahmer gets caught. He openly confesses to police and from there the story shifts back and forth in time, from Dahmer’s childhood, teen years, early twenties back to the height of his murder spree in his late twenties and early thirties up until his arrest.

As a child, Little Jeff saw a lot of things that kids just shouldn’t see. His mother Shari (an almost unrecognizable Penelope Ann Miller) has mental problems, such that she attempts suicide often and Lil’ Jeff sees her in a drugged up state of near death. She constantly screams and hollers at husband Lionel (Richard Jenkins), pulling a knife on him at one point for Lil Jeff to see. Also, she’s obsessed with UFOs. She really believes little green men are after her, to the point that she’s ready to cut you if you disagree.

In turn, Lionel’s response to the situation isn’t great. Though it’s understandable he doesn’t want to stick around his crazy, alien obsessed wife while she’s yelling at him and pulling sharp cutlery on him, the solution wasn’t to just run away, leaving the kids with her alone for days at a time. The solution was to get her some help and get the kids out of the house.

Overall, I’m confused on what happened with his parents. On one hand, the series treats Shari as a woman who late in life, it is revealed by more modern medicine that she suffered from postpartum depression, and perhaps if 1960s doctors had been more up to snuff, they would have been able to help her and not just treat her as a wacko lady suffering from lady delusions. On the other hand, she does pull knives on her hubby and I doubt if the situation were reversed, we’d have much sympathy for a man who pulls a knife on his wife, bats in his belfry be damned.

At any rate, the couple divorces but a lack of communication leads to each assuming the other is taking care of Jeff during his senior year. Mom leaves the house with younger son David, telling 17 year old Jeff to go live with his father. Dad runs off with a new love interest and assumes Jeff was staying with his ex-wife. In a total not-parents of the year move, neither bothers to check on the lad until Dad finally does and realizes the kid has been living by himself for three months (who the eff was paying all the house bills?)

During this unsupervised time, the Jeffster makes his first kill and its a road to horror from there. Then again, the boy was always obsessed with death. Watching his father remove a dead possum from under the house catches his interest. Lionel, a scientist, mistakenly assumes this means his young son has an interest in anatomy, so the duo develop a hobby of collecting roadkill and dissecting dead animals in the garage together.

I could go on and on, but overall, it’s a story of how a kid can grow up to be messed up if a) he’s exposed to messed up things and b) there isn’t an adult who gives the kid the proper guidance as well as c) the police, government, teachers and other members of the system miss the warning signs.

One wonders how many lives might have been saved if Lionel had told his son, “No son. Dissecting roadkill is creepy and everyone will think you’re a creepy little shit if you do it. Stop doing creepy shit.”

What if Shari’s doctors had caught her problem early so she wasn’t always being mental in front of Lil Jeff? What if the police had arrested him at 18 when he had human remains in the back seat? What if the police had listened to good samaritans who found a drugged up boy with a head injury and pleaded with police to look into this rather than just assume it was a lover’s spat gone wrong?

To be certain, there is much non-wokeness in Jeff’s life and Netflix doesn’t ignore it or try to spin it for modern times. It takes places from the 1960s to the 1990s, not exactly a good time for wokeness. Rather than sugarcoat it, Netflix lets things that were considered fine in that day happen on screen for us to cringe at with modern eyes. Lionel and Shari’s doctor talking about Shari as if she wasn’t there, scolding her for interrupting. Cops who couldn’t get out of Dahmer’s apartment fast enough, concerned they might catch gay germs. Grandma who urges the young man to come to church and pray the gay away. (Although I don’t want to knock Granny too much as she seems like the only relative the kid had who had any patience for him.) A socially isolated Jeff who makes fun of kids with cerebal palsy for laughs, just because he’s starved for any kind of attention.

Context is largely dead in modern TV, but Netflix trusts us to look at these olden times, warts and all, that we won’t think the bad things that were acceptable in that era were cool but rather, that we can see how they led someone like Dahmer to do bad things.

STATUS: Shelf-worthy. Great acting from Miller and Jenkins (Molly Ringwald also as Lionel’s second wife Shari) as well as Evan Peters, he of X-Men Quicksilver fame who plays Dahmer. Don’t forget Niecy Nash who plays Dahmer’s long suffering next door neighbor Glenda. Speaking of what ifs, one wonders how many lives might have been saved if police had taken her calls about her neighbor’s smelly apartment, scary sounds coming from her neighbor’s apartment, holy shit will you guys come check out my neighbor’s freak show apartment already?

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TV Review – Andor – First Three Episodes (2022)

Spies! Lies! Something else that rhymes with -ies!

BQB here with a review of the first three episodes of Andor, Disney Plus’ new Star Wars series.

I’m just going to say it up front. It’s OK. It didn’t wow me, but it didn’t zow me either. I’ll keep watching it, but like the recent Obi-Wan, it didn’t blow much wind up my proverbial skirt.

The series is a prequel to Rogue One (ironically, the best and arguably most unsung Star Wars creation amidst a slew of Disney’s SW duds the past decade.) As you may recall, in that film, Diego Luna played Cassian Andor, a rebel spy so committed to the cause that he is willing to commit almost any heartless act, up to and including straight up murder, to further the rebel cause.

How did he get that way? This series aims to tell that story.

At first, the idea of this series seems silly. Aren’t there more popular, longer running characters we’d like to know more about? Where are the Lando Chronicles? The Leia Adventures? Skywalker: A Life?

Ah, but Disney has dipped its toe into those waters. A film where a younger actor played a younger Han Solo didn’t go over well (irony is I liked it). CGI Skywalker is interesting for a brief moment until you wonder how long it will be before all movies are just CGI renderings and actors are out of a job (feel free to discuss whether that would be a good thing.)

An interesting part of Rogue One is it showed a more vicious side of the Rebel Alliance than we are used to. In any rebellion, rebels must ask themselves if the victory they seek is worth the loss of life that must occur to achieve it. So OK, I’ll buy into the story of how one rebel was so angered by the Empire that he became a badass intergalactic spy.

All that said, the whole thing seems adulty. Not as in naughty, for this is still Disney, but as in a plot only adults might be interested in. Three episodes in, there are no light sabers or space battles. It’s light on the aliens. There is a silly droid. Most of the action comes in the form of a shootout in the end of episode three.

The plot? Cassian Andor was once Kassa, a member of an indigenous tribe of the planet Kenari. When his family discovers a crashed Empire ship that was up to no good (illegal mining apparently), the Empire kills the tribe sans Kassa, who is saved in the nick of time by scavenger Maarva (Fiona Shaw), who whisks the lad away to Ferrix, where she raises him as his adoptive mother.

Years later, an adult Cassian searches for his sister, who he believes escaped Empire forces. He checks a brothel where he believes she might be, um, you know, working, but has no luck. Alas, he gets into a spat with a couple of security company goons. Said goons picked the wrong fight with the wrong guy, leading Cassian to go on the run, right into the hands of Luthen Rael (Stellan Skaarsgaard), a clandestine spy recruiter for the Rebel Alliance.

It’s all very interesting. However, I think it might suffer from the fact that the plot might be too heady for kids, yet the subject matter might be too silly for adults.

SIDENOTE: The inclusion of a brothel in the first scene raised my eyebrow. True, no sex is shown. No debauchery is shown. It was part of the script that it was an off night and few customers were there. Still, it seemed out of place for a Disney show.

When George Lucas sold Star Wars to Disney years ago, I thought maybe did so in order to keep Hollywood from doing nasty things to it, i.e. to not make an X rated flick with wookies having wookie sex or Jedis snorting space coke or what have you. Then again, I remembered that Lucas was the one who stuffed Leia into that Slave Leia outfit so he probably doesn’t have a lot of moral authority to stand on.

So, I guess my complaint is less about Disney bringing down Star Wars and more about Star Wars bringing down Disney. The deeper we get into Star Wars, the more inevitable it becomes that we see characters engaged in depraved activities. “Spice” has already been used as a code for drugs in prior Disney SW productions. Meanwhile, while characters have appeared in scantily clad outfits going back to the early films, this is the confirmation that beings in the SW universe not only do it but pay to do it.

IDK. I just think Disney needs to remember it is first and foremost a producer of entertainment for children. I know adults love SW too, but we have to think of the kids first and have plots that are suitable for the younguns. Ergo, no space brothels, even if it’s dark and deserted and the business of said space brothel is only alluded to.

We already saw Disney wrestle with a darker plot line and fail miserably in The Book of Boba Fett. Freaking Boba Fett fights a war to become the head gangster of Tatooine, only to be against all crime, which is a great example to set for the kids but doesn’t bode well for a show about a space criminal.

Maybe Disney needs to just stick with family friendly Star Wars base crimes. Smuggling, but only done to help the rebels, for example.

STATUS: Shelf-worthy. I think we are at a point where we have to realize Star Wars in its infancy was more about awesome special effects, and that Vader carried most of it. The further we get from those early films, the less interesting it all becomes. Perhaps some genius will figure out a way to make it interesting again. To Disney’s credit, the Mando series was a winner.

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Movie Review – Nope (2022)

Nope is a big nope for me.

BQB here with a review of Jordan Peele’s latest.

It’s hard not to root for Jordan Peele. Very few comedians make the transition to serious movie director. His first two films, Get Out and Us used the horror genre to discuss society’s racial problems that all too often leave black people feeling like they’re living in a real life horror film. Us was especially scary to me, so much so that I never wanted to watch it again, not because it was bad because it was that scary and I didn’t want to get scared again.

But while the first two flicks had clear messages (white people controlling and/or replacing the identity of black people in Get Out or how an underground world of our violent, angry doppelgangers who are just like us suffer while people above thrive serves as a lesson about class privilege in Us) the message here is not very clear, unless I am oblivious, which is possible and if so, feel free to explain it to me in the comments.

The plot? Daniel Kaluuya and Emerald Haywood are OJ and Emerald Haywood, the brother/sister team who, after the untimely death of their father Otis Sr (Keith David) are struggling to keep their family business afloat. The Haywards are the descendants of Alistair Haywood, the jockey who appeared in the very first movie ever, a short film showing a jockey ride a horse. Thus, a Haywood was Hollywood’s first actor, stunt man, and animal trainer. The Haywoods have run a ranch in Agua Dulce, California ever since, providing horses to Hollywood productions. Alas, as often happens in family businesses, the loss of their father leaves a big hole to fill, the kids feel like they don’t measure up to the old man’s years of experience. OJ knows how to handle horses but is painfully shy. Emerald has no interest in helping out at the range but is boisterously outgoing, thus the person who communicates to all the Hollywood folk. Ultimately, they need each other.

Their competition is Jupiter’s Claim, a ranch run next door by former child actor Ricky Park (Steve Yeun). OJ and Ricky know that animals are unpredictable, and have seen devastating results that suggest animals really were never intended by nature to be sources of entertainment for man. As a child, Ricky was the only member of a sitcom (about a family that adopted a chimp) cast to avoid being either killed or horribly maimed by a chimpanzee’s on set freakout. OJ’s lack of communication skills (well, maybe rather a lack of ability to communicate authoritatively) lead to a crew member getting kicked in the face by a horse. Sadly, despite seeing what can go wrong when animals are controlled, OJ and Ray stay in the animal training business anyway.

Anyway, when strange doings in the sky transpire above Agua Dulce, OJ and Emerald see dollar signs. The family business has been losing customers and therefore money ever since their father passed. They hope if they can catch photographic evidence of UFO activity, they’ll get a payday, fame and maybe even an interview on Oprah. (When was this movie supposed to take place? Oprah has been off the air a long time.)

Meanwhile, Ray hopes to wow audiences by baiting the flying object into appearing for the viewing pleasure of his ranch guests.

Ultimately, I’m not exactly sure what the film’s message is. There’s an obvious ribbing of man’s desire for fame and fortune, as well as the stupid lengths we go to grab it. Ray clearly lives in the past with an entire room dedicated to his child sitcom star days, even though one would think the horror he experienced on set would have gotten him out of the acting alongside animals game for good. Emerald wants to be an actress herself, going to great lengths to promote herself during set visits while ignoring very real aspects of her family’s established business.

It all culminates in a final half where everyone’s running around trying to film whatever the heck this flying thing is rather than embracing the survival instinct and getting the heck out of there. It’s all about grabbing the footage to get the cash, no one ever thinking maybe they ought to call the government, get the area closed off to save lives, then protect themselves. People doing stupid things in the name of good footage to post online seems like a problem in the social media age.

I’ll share in other online criticism in that the previews made us think we were getting a pretty awesome UFO flick while the movie itself is very long and the first half is mostly dedicated to how shitty the Hollywood animal training business is and how perhaps it shouldn’t even exist because humans are stupid, treat living things like props and attempts to control living things inevitably explode in dangerous ways. All valid points and feel free to make an entire movie about that, but as a viewer, you just sit around, look at your watch, and wonder when the UFO is going to appear.

The last half featuring a showdown between the flying object, the Haywoods and their buddies Angel, an IT tech and documentarian Antlers Holst (Brandon Perea and Michael Wincott) who serve as the cameramen tasked with documenting the phenomenon while the Haywoods draw it out.

Perhaps Holst provides the movie’s message. “This dream you’re chasing, where you end up on the top of the mountain and everyone is cheering for you. It’s the one you never wake up from.”

In other words, we’re all fools and the lengths we go to in order to get noticed, to get rich, are all silly and ill-advised. Maybe the work-a-day stiffs have it right. Earn a living, keep your head down, stand by your family. Everyone else trying to be famous will never find what they’re looking for.

STATUS: Borderline shelf-worthy. I almost ranked it non-shelf worthy but it has fun moments. The movie’s running joke, where OJ sees danger, says “Nope” matter of factly, then hides from it, is funny and perhaps is the best strategy for life. When you sense something is wrong, usually it is, so don’t run toward it in hopes that you’ll achieve fame. OJ is the reluctant hero as he doesn’t really long for fame and fortune and is only participating in the alien photography project to save the business his father and family created and built. Ultimately, I think the film’s extra long run time makes it suffer and Peele needed to decide if he wanted to make a movie about UFOs or about how the Hollywood animal training industry sucks. You might not believe he eventually does tie the two together, but you do have to wait for it.

The stars are good. Kuulaya plays a quiet man so doesn’t get a lot of material, but uses what he gets well. Keke is funny as an attention grabber. Steve Yeun gets a chance to shine and this might be his most interesting role since playing The Walking Dead’s Glenn. Everyone does their part, I just think the movie wasn’t sure what it wanted to be.

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TV Review – She-Hulk: Attorney at Law (2022)

It ain’t easy bein’ green, 3.5 readers.

BQB here with a review of the super silly She-Hulk: Attorney at Law.

I have to admit I waited a week or two before diving into this, largely because of the social media tomfoolery over it. Various memes and posts suggested the primary focus was going to be an assertion that every woman secretly has an angry green rage monster brewing inside them that they keep at bay at all times because society treats them so harshly, the flip side being that all men live on easy street and la dee da through life with nary a problem.

Though I know women have it rough in many respects, I always thought social media is a place where nuanced arguments go to die. It is very much an either/or place. Post that you love cookies and everyone will accuse you of despising muffins. No, you just happened to really love cookies at a particular moment in time and wanted to share your love of it, but that doesn’t mean you hate muffins or gasp, even cupcakes. Mmm cupcakes.

At any rate, the world is a harsh place like Sisyphus of Ancient Greek legend fame, we all have our own comically massive boulder to push up our own neverending hill forever and ever. Me complaining about my boulder was never meant to imply you don’t have your own boulder or that my boulder is bigger than your boulder or what have you. Sometimes we just need to complain about our boulders and have people listen. Other times if we complain about our boulders, people might, just might either get out of the way or even help give our boulders a little push in the right direction.

Ultimately, we have to stop talking past each other and too each other and social media is a place where that rarely if ever happens.

Bottomline: She-Hulk is a lot of fun in my book. It’s a comedy. It’s light yet mixes in the action and it recognizes and arguably even fixes one of Marvel’s longest running problems, namely that The Incredible Hulk (and other variants by proxy) is an awesome, fan favorite character when part of an ensemble, but when heading up a stand-alone film, he’s box office poison.

Much of the problem, at least with the first two attempts at a Hulk flick in 2003 and 2008 is that said films usually focus heavily on the science (gasp I know, right?) and Banner running around avoiding the law and government agents who want to catch him and study him and avoiding getting angry for fear of losing control and going into Hulk smash mode and then when Hulk is the Hulk he is a big dummy so it’s hard to direct him toward productive activities.

Long story short, She-Hulk embraces the “women have it way tougher than men” narrative to, well, make the long story short. We know how Batman became Batman, we know how Spidey became Spidey and we know how hulks become hulks, so thankfully the show didn’t spend an entire season on an origin story, or rather, at least one in which She-Hulk comes to grips with being a lady hulk.

Instead, the show is a parody, lampooning the superhero genre.

The plot? SPOILER ALERT. Overworked attorney Jessica Walters (Tatiana Maslany) goes on vacation with her cousin, the one and only Dr. Bruce Banner (Mark Ruffalo). When a frigging spaceship cuts them off in traffic because that’s life in a world where superheroes exist, Bruce cuts his arm, his hulk infected blood accidentally squirts onto Jessica, and now she’s infected with hulkism and has to live her life as a goddamn frigging hulk.

Sounds like a pain in the ass, right? Bruce whisks his cousin away to a secret island facility, advising her that her life as she knew it is over. Apologetic and solemn, he councils her that as he once did, she too will go on a multi-year journey where she learns to control her rage and learn to use her hulkism for good. Daily training and exercises and…yeah, blah, blah, blah, not so much. Turns out like all women, Jessica was always great at controlling her rage and only male hulks have to sit around and do yoga to learn how to keep from going into unbridled hulk smash mode.

I mean, yeah, it openly embraces the women rule and men drool motif but come on, it’s funny. It’s done in a humorous way and I don’t know about you, but I really didn’t want to watch five seasons where Jessica lives in a cave, outcast from society until she finally learns to control her anger and channel her hulk and neither did you.

Turns out, she doesn’t want to be a superhero either. Yeah, she has a special power now. She can turn into a super strong and enormous lady hulk at will, but she has no interest in running around with the Avengers. They don’t even get paid, she opines, and she has a career as a lawyer to get back to as well as law school loans to pay off.

And so, she returns to her practice, content to hide her hulkism until she learns that old adage “with great power comes great responsibility.” When a supervillain breaks into court one day, hellbent on murdering the entire jury box, Jessica realizes she can’t in good conscience not hulk out and save the day and so She-Hulk she comes to be.

Given the shaft by the legal industry (the bastards don’t want the liability of a She-Hulk on the payroll), she is hired by a major law firm to head up their new superhero law division, because you know, people with super powers tend to destroy a lot of shit so someone needs to handle the legal fallout of that. Her first case? Handle the parole hearing of Abomination (Tim Roth reprising his role as the villain from the 2008 film), a real conflict of interest as the dude tried to kill her cousin, but he swears he’s better now.

STATUS: Shelf-worthy. This is an example of a show trusting the fans to already know what they need to do and delving right into the nitty gritty, rather than boring us with hours upon hours of origin. It dives right in and comes out swinging. It’s funny. It’s got a lot of action. At a half hour per episode, it’s even short and sweet. It’s your own personal Rorschach test. If you think the “women have it tougher than men” narrative is right, then it’s reinforced. If you think it’s wrong, then it’s poked fun at. Ultimately, it is all handled with good humor.

Bonus sidenote: I really enjoyed the scenes with Jessica’s family. Who hasn’t gone to a family dinner only to be peppered with nonsensical questions, to be heavily criticized and talked over and yeah if you had hulk powers, your family would be constantly demanding that you lift their heavy stuff and fix things for them all the time.

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TV Review – House of the Dragon – Episode 1 – The Heirs of the Dragon (2022)

Quiet in the realm, 3.5 readers.

GOT is back, albeit in prequel form.

BQB here with a review.

Ah, Game of Thrones. What a wonderful show it was, full of Tolkien-esque fantasy, as well as murder, betrayal, deception and titties. So many titties. Honestly, 90 percent of the reason I watched was the titties.

When GOT came on the scene in 2011, it was like nothing we viewers had seen before and we were instantly hooked. For most of the past decade, I know every spring Sunday night I’d be glued to my TV at 9:00 PM sharp, woe unto whoever disturbed me and those who did really needed a good excuse, like a fully severed limb. If it was hanging by a thread, then they’d have to wait till after the show for me to drive them to the hospital. I kid, I kid. Or do I? All I know is this was the nerd superbowl.

HBO pulled off this trick in the 2000s with The Sopranos, launching what TV aficionados might call a golden age of TV where cable companies suddenly realized they could get away with airing a lot of depraved violence, sex, murder, crime, people cutting tags off mattresses, you name it, as long as it was on cable and people actually had to choose to put channels with such debauchery on their TV. Good old staples like network TV could hardly compete.

Alas, while HBO gave us one era defining show per decade, they also gave us one shitty ending to said shows per decade. Once HBO sucked as much money out of Sopranos viewers as possible, they rushed it to an absurdly fast and unsatisfying conclusion. Same with Game of Thrones.

And we dopes took it. There we were, collectively the long-suffering wife, standing at the front door in our bathrobe and curlers, begging our cheating hubby to stay, for surely we had more good years left together. Nope, off that hubby went, driving away in his mid-life crisis sports car with a bimbo on his arm.

Long story short, HBO is back, not unlike the old hubby who realizes his days of carousing are over, and he’d like to remarry us so we can cook his dinner and rub his feet and take care of him in his old age.

Sigh. And we dopes are going to do it.

At least, we’ll try. The Many Saints of Newark, the prequel movie to the Sopranos was red-hot garbage, largely fan fiction nonsense.

However, my initial assessment of the new GOT prequel, based on watching the first episode:

#1 – It’s worth watching episode 2 and likely, more.

#2 – I didn’t really see anything so far that made me say, “OMG I must binge immediately!” Rather, it’ll be an I’ll get to it when I get to it thing.

#3 – Fans are familiar with the world, the customs, the culture, and are able to dive-in. I know there was some criticism of a cast of relative unknowns but don’t forget, many of GOT’s original cast were unknown until the show made them stars (though Sean Bean did lead the first season.)

All in all, it’s good so far. I don’t know anything could meet GOT’s initial WOW factor. Sometimes, you just have to be that new, original thing that people didn’t know they wanted until you gave it to them. HBO is trying to give us more albeit with a cheaper cast. The good news is they have time to possibly WOW us again while the players aren’t household names. The bad news is given HBO’s track record, they’ll likely pull the rug out from under house and rush yet another series to a silly, unsatisfying halt when it gets too expensive as per their usual modus operandi.

The plot? What this series does best. A bunch of spoiled royals who have a lot fighting over who gets to have more, namely, ye olde Iron Throne.

Nearly 200 years before GOT, the Targaryen family, everyone’s favorite bleach blonde ultra-perfectionist dragon riders from across the sea, rule over a peaceful and prosperous Westeros. War hasn’t occurred for 70 years because all opponents to the Targaryens have a strange habit of being burned up into extra crispy dragon chow.

King Viserys (Paddy Constantine) reigns but largely serves as a rubber stamp to his council of treacherous lackeys. When Queen Aemma (Sian Brooke) tragically dies giving birth to King’s long awaited male heir (who SPOILER ALERT) also dies in birth, it becomes clear that all-out war amongst these platinum blonde goofballs is on the way.

While the King appears to be in otherwise good in health, kings in this world rarely last long without getting ye olde hot sword injection, typically in the back, and yes I am talking about an actual sword, pervert. Hurt feelings abound when Viserys names his daughter Rhaenyra (Milly Alcock) as his heir, forcing all lords to bend the knee and swear their allegiance to her in the event of his passing.

Alas, as foretold in the show, the Targaryens were so strong that theirs was a house that could only crumble from within. Potential heir A unhappy at his lack of being named heir is the king’s younger brother, Prince Daemon, Commander of the Kingsguard who loves whores but hates crime, thus providing the most lurid scenes of the episode when he patronizes ladies of the evening and beheads hapless reprobates with equal parts gusto.

Potential heir B is the King’s sister, Princess Rhaenys Velaryon (Eve Best.) We haven’t seen much of her yet other than an introduction where the king (and her) father, Old King Aerys, declines to name her heir to the throne due to her lack of a penis, opting to name Viserys instead, due to his lack of a vagina. She is given the nickname “The Queen Who Never Was” as a result, having come so close yet so far.

Both parties have their strengths. Daemon commands a loyal army of brutes who love him because he purchases them whores on the regular (talk about a great boss, wait, what’s that itch?). Rhaenys’ husband Corlys (Steve Toussaint) is a member of the council who has the king’s ear.

Meanwhile, Daemon is likely displeased with King’s hand Otto Hightower (Rhys Ifans, he of Spiderman Lizard fame), who lives to talk trash about the prince into the king’s ear thus leading to the king’s rare move of appointing his non-penis having daughter rather than his penis having brother so some type of battle between those two is likely a-brewing.

Complications? Rhaenys is young, possibly a lesbian getting jiggy with Hightower’s daughter who I suspect Hightower wants to see married to the king for his own duplicitous power grabbing ends despite quite an age difference between the two and if this happens, Rhaenys would be getting lezzy with her stepmother. (This is a theory at this point but it looks like where the show is going to me.)

Daemon is a wildcard, a villainous reprobate who loves whores, possibly more than Tyrion ever did, who really loved whores. He’s an all-around D-bag, though formidable. Having lived in his older brother’s shadow as younger brothers tend to do, especially in royal families or families with big money, he has gone out of his weigh to prove himself in battle whereas Viserys just seems to go along with whatever the council wants. Ironically, there are signs that despite Daemon’s d-baggery, he likely would have been a lifelong loyal defender of his older brother had he not been declined as heir.

STATUS: Shelf-worthy. You know, if you are one of my original fans from back when I started his blog a whole 8 years ago, you’ll know GOT was pretty much all I blogged about non-stop in the beginning so it will be nice to get back to blogging about it again, though likely not with as much gusto as the original.

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Better Call Saul – A Great Show with a Stinky Ending

BQB here.

So, obligatory SPOILER WARNING. If you don’t want to know how BCS ends, look away now. No one else reads this blog anyway so feel free to join the club.


If you saw it, here’s my list of reasons why the ending stinks:

#1 – While the last few Gene-centric episodes were fun, they aren’t really fitting with the character. Saul was always a contradiction. Very loud, flamboyant and obnoxious but also very devious in his planning and careful in carrying out his plans. TBH, it’s hard to believe a guy on the run with a bag of diamonds and a recognizable face/highly wanted man wouldn’t just lay low in a hole in the wall apartment for a few years before going out into the world as a Cinnabon manager, but they wanted to turn that line from BB about him managing a Cinnabon into something real so, OK.

Fun as the last few episodes were, it’s hard to believe that Saul, when being harassed by a dude from ABQ who recognizes him wouldn’t just call the vacuum cleaner repairman and relocate again.

But OK, I’ll buy that “Gene” was bored, restless, got a taste for scamming, went back to his old ways, got greedy, and got caught.

#2 – One of the central themes of the show is that the legal profession is a very rich and very pedigreed club. If you want a job at a prestigious big city law firm, you might be one of the lucky few who gets there on their own, but more likely you a) need a rich family who can bankroll you through a prestigious undergrad and a prestigious law school as well as the connections to get you in and all the coaching on how to get in i.e. entrance exams, applications, interviews and so on, not to mention all the internships and experiences you’ll need to get to the big time. Ultimately, if you’re a slug like Jimmy McGill, you need not apply and thus, that was the heart of the show. The slug runs circles around the fancy lawyers all the time.

Jimmy’s brother Chuck is the rare top firm lawyer/self-made man so it is tragic when Jimmy bests him. The rest of the fancy lawyers are all country club dimwits who would be working at a drive-thru burger joint without family connections and money. Admittedly though, smarmy pantload that he was, it was still horrible what Jim and Kim did to Howard Hamlin.

Ultimately though, when Saul talks the big time fancy hot shot US attorneys from like, a bazillion years in prison all the way down to 7 in Club Fed, this is like Saul’s masterwork. His entire joy in life was bamboozling top shelf lawyers who view him as pond scum because of his American Samoa degree.

So, I have a very hard time believing that Saul, as in the character who has been built up over the past 14 years, would ever crap on his greatest legal wrangling achievement by copping to the whole enchilada thereby opening the door for him to get slammed with 86 years. I just don’t buy it.

I sort of get what the show was going for. There’s an argument that Saul was such a slippery weasel that the only lawyer who could successfully prosecute Saul was Saul. He wasn’t going to give it to the prosecution. He needed to make them know that he had the power to get up, do a song and dance about how Walt made him afraid and yeah, Walt’s reputation for murdering those who disobeyed him was so well known it is believable that one juror would have bought it and he only needed one.

So he let the fancy lawyers know he could have beat them, and essentially he did, then copped to it. Essentially, he prosecuted himself and put himself away for far longer than a whole slew of fancy US attorneys could have.

This is something that would have only happened on TV. Frankly, the 7 year deal was a stretch. I debate that. He did still make a boatload of money and surely there are money crimes but I suppose he could always argue Walt made him do it.

It’s just very unbelievable that the world’s most slippery weasel would have bailed on such a fabulous deal.

#3 – I do get it is the BB-verse and here, this is a place where crime never pays. Everyone who so much as bites a slice of the forbidden fruit that is the rotten apple of crime pays and pays dearly. So it would not have fit that theme if Saul had won. I think we all wanted to see Saul end with a big legal showdown where he walks scot free and maybe even goes back to practicing but ok. In the end, Jimmy felt bad about how he lived his life, wanted to atone, and saw the only path to pay for his evil deeds was to go to jail forever. In real life, I don’t buy it. Jail is a horrible place. If you can get off in 7 in a quasi resort style jail with golf and ice cream, literally no one will say no please send me to the supermax. Yes, the show was clear to point out that all the inmates love Saul for his defense of crooks everywhere but yeah, not all are going to love and protect him forever. Again, jail is a horrible place.

All in all, if they wanted a Jimmy redeems himself or pays for his crimes ending, another route might have been plausible.

#4 – A lot is left on the table and unanswered or at least I don’t understand it. Is Kim still on the hook for Howard? I feel like Jimmy copping to it only makes her situation worse, not better. Think about it. Kim admitted to a lot of bad stuff in her affidavit. They won’t prosecute because there is no body and neither Jim or Kim know where it is? OK. Not sure but I believe that is true. If there is no body then they could never 100 percent know for sure that a murder took place.

Even so, she did admit to fraudulently painting a prominent attorney as a drug addict, going so far as to even drug him so it looked like he was on drugs, for the purpose of damaging a law firm’s reputation so as to convince its clients to take a settlement offer early rather than continue with the case just so she and Jim could get their pay days early…come on. That’s a prosecutable crime, isn’t it? Doesn’t Jimmy’s confirmation hurt her?

Again, all crooks pay in this universe, so Kim will face a big time civil lawsuit. Still, eh…even without a body I’m pretty sure there’s some stuff that as long as she said she did it, she can be prosecuted for it. Jimmy could be prosecuted too.

Oh, that and they kinda sloughed off the whole forgetting to prosecute Jimmy for drugging and robbing a bunch of rich guys then threatening to strangle an old lady with a telephone cord to keep her from calling the police.

#5- There is a lot of good writing here. The time travel thing comes up again. The first time, Mike says if he could time travel, he’d go back to the first time he took a bribe and not take it, presumably to ensure that he lives a decent, law-abiding life. He regrets the path he took and understands the money isn’t worth all the evil he has done and a life as a regular, middle-class Joe would have been better. He also says he’d go to the future to check on his family. A laudable goal.

Saul says he’d go back in time to when Warren Buffet took over Berkshire Hathaway and invest 1 million so that it would be worth multi-billions today. Jerk. All about the money.

Time travel comes up again with Walt. Walt is his usual dickish self and as usual, blames Gretchen and Elliot rather than conceding he might have been a dick about that whole friendship breakup. Still, he brings himself to admit he should have stuck with the duo for he’d have big legal and legit bucks today. He at least sort of admits that he is a prideful dick.

Saul would go back to a time when he broke his knee in a slip and fall and not slip and fall so hard. Nothing about, oh I don’t know, not slipping and falling altogether.

The third time, Chuck tells Jimmy it’s not too late for Jimmy to change careers. Jimmy scoffs, telling Chuck that Chuck never changes so why should he? Jimmy leaves and Chuck picks up a copy of HG Wells’ Time Machine. Presumably, this is a sign that both brothers dream about time travel and the ability to go back and right their wrongs and fix their mistakes. If only their relationship was better, they could talk to rather than past one another and figure out how to help each other be happier.

So in the end, Jimmy does finally learn that it was wrong for him to be a scumbag and he sets forth in a very unlikely way to pay for his scumbaggery.

There is also great symmetry when Jimmy and Kimmy share a smoke in the end, as they did in the first episode where they first became co-conspirators/love interests. I think here, if they ended it with Kim saying with a smirk, “OK how do we get you out of here?” that would have landed the dismount. In other words, Saul copped to his wrongdoing, went to jail, now can these two tricksters figure out a way to get him out? But I suppose that wouldn’t be Jimmy paying for his crimes.

SIDENOTE: I have a hard time believing that Kim would still have a New Mexico bar card after that affidavit she signed.

IN CLOSING: Thanks Vince Gilligan and co. and cast and crew for the 14 years you spent on creating a very riveting TV show universe. BB had a great ending. This one, I really expected it would but was disappointed. I’m not sure how it could have been better. I suppose we all wanted to see Saul outwit everyone and I suppose an argument can be made that he did, but I just didn’t buy it.

I will give it credit. This is one of those shows that was hard to quantify. It was a legal procedural, but also a comedy about a scumbag who took pride in his scum-baggery and his absurdly humorous scummy methods, a saga about cartel gangsters at war (where many of such episodes rarely even involved Saul), and a show that was part prequel and part sequel, going back and forth to points in time before and after Breaking Bad yet somehow it did it well.

I just don’t buy Saul giving up a 7 year deal. Crime doesn’t pay and that’s one of the things this show gets right, but if they wanted Jimmy to take responsibility for his crimes, they might have found a more believable way. What that way would have been, I’ll admit, I don’t know.

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Better Call Saul Ends Tonight!

Hey 3.5 readers.

Better Call Saul ends tonight. I assume it ends. If it ends on a cliffhanger that introduces yet another variation of the Breaking Badaverse that is explored in another sequel show down the road, all us fans will be irate.

In Vince Gilligan’s defense though, he does know how to give us an ending. Other shows leave us hanging but he usually does bring us to some kind of a conclusion.


#1 – I gave up on this show midway through Season 3. It’s not that I gave up on it so much as I said I’d stream the rest of it later only for years to go by and I was like, “Is that still on? I’ll get to it later.” With the last season in the news this year, I re-binged Breaking Bad, then re-binged the first few seasons of BCS then finally got caught up.

#2- TBH, this might be the way to do it. BCS is by and large, the longest, most expensive exercise in fan fiction ever produced. Especially when you get to season 4, I mean, did we need to spend all that time on the Germans who built Gus’ underground meth lab? There are so many little homages and callbacks to Breaking Bad that if you haven’t seen it in a while, you’ll miss them. Whether that matters, up to you.

#3 – Maybe I misunderstand the Jimmy/Saul/Gene character but I felt like in later seasons, they really made him meaner and unforgiveable than usual. I admit over the years I glazed over Saul from BB as a sleasy lawyer who gilded the lilly a bit only to be sucked down the rabbit hole by Walt. When I rebinged I remembered, oh yeah, he really was a criminal in and of himself, introducing Walt and Jesse to various criminals and committing crimes himself to keep Walt and Jesse out of jail. Hiring bad guys to take a rap, openly advising money laundering, intro’ing your meth dealing client to a meth kingpin via a third party, these are all things no legit lawyer would do.

But I always thought Saul was about the money and somewhat practical about the crimes that lead to money. He often counseled Walt against revenge and rocking the money boat. Ergo, all the nasty stuff he and Kim do to Howard – while hookers showing up at his lunch to demand money was funny, framing him as a coke head was not. Yes, in the end it was about money, getting HHM to look bad so the clients would settle the Sandpiper case and Jimmy and Kim would get their paydays but surely there was a way to do that that didn’t lead to Howard’s total destruction. Howard hits the nail on the head in his final confrontation with the pair, that their lives were hard so they must have felt a man who came from a wealthy background and had an easier life was a target that deserved all manner of nasty punishment. However, Howard is still a person and didn’t deserve what he got and ironically, was the only one who stood up for Jim and Kim multiple times.

#4 – The show also let Jimmy off the hook for Chuck. Chuck was painted as a bad guy for getting Jimmy disbarred but come on. Chuck was a self-made man who rose to be one of New Mexico’s greatest attorneys and his stupid little brother screwed with some document forgery to make him look like a fool and ruin his reputation. Chuck saved Jimmy from criminal charges and got him down to just a temporary law license suspension. Chuck had a right to be pissed.

I would have liked to know more about Chuck’s aversion to electricity. The show waned back and forth from it was real, to it was in his head, to it was in his head so bad that it was real. At times you wonder if he really did suffer from a very rare allergy so rare that modern medicine science has never studied and therefore never cured it. At other times it seems obvious he made it all up in his head but why? My only guess is he was getting older, probably had a harder time keeping up with the fast pace of the law profession but being a prominent lawyer was all he had so mentally, he cooked up a fake illness that gave him an excuse to slow down and do less work from home. It’s clear when Chuck is pushed out of the firm that he kills himself because being a lawyer was his entire identity and that was gone so he felt like he had nothing.

At any rate, the show moved on from Chuck’s death pretty quick. If Jimmy ever felt bad about it we didn’t see much of it, though maybe the point is Jimmy is a sociopath that is just about what he needs and wants.

#5 – The show is almost two shows in one. Especially in later seasons, it veers almost entirely to Mike, Ignacio and the cartel wars. There almost could have been two shows – Better Call Saul and I Like Mike. The Ignacio storyline has to be the longest fan fiction exercise ever, all designed to bring us to the point of that throwaway line in Breaking Bad where Walt and Jesse in ski masks try to intimidate Saul at gunpoint only for Saul to say something about he thought Ignacio said they were cool. At the time it just seemed that the purpose of this line was to show us Saul was so crooked that when someone kidnapped him and put a gun to his head, he had so many scumbags in his life that he assumed it was another scumbag entirely and thus, dear audience, this man is so crooked.


Funny thing is I let this show go a long time, but then the past half-season I have been glued to my seat. I have never had appointment watching like this since Game of Thrones. Sidenote: I have to watch it Tuesday nights so please don’t post any last episode spoilers in the comments. I’ll have to get through Monday night and all day Tuesday without reading any.

#1 – As Gene tells Kim in the last episode, Mike’s dead. Lalo’s dead. Gus Fring is dead. Add to that Walter White is dead. Jesse Pinkman is presumed on the run. There’s no one alive who can testify against them so who’s to say Gene can’t come out of hiding, beat any cases against him and become Saul again? Gene did do criminal stuff as Gene, but are there any witnesses willing to testify?

#2 – Jimmy loves Kim to the point where he comes out of hiding to cop to everything and get Kim off the hook.

#3 – Jimmy goes into hiding somewhere else with the help of the vacuum cleaner salesman. Or he doesn’t because Robert Forster died so maybe the vacuum man/relocator died too. If only Forster had lived, wouldn’t a relocator series have been fun? Younger actor in a prequel relocator series, Vince. Look into it.

#4 – Gene gets arrested for his Gene crimes and is ID’d as Saul and pays for Saul’s crimes.

#5 – A fun theory going around is the story ends with Saul being locked up next to Walter White who as it turns out, survived his gunshot wound. BCS indicates Walt is dead though, but perhaps only dead to the public. Maybe the relocator relocates Saul and a recovered Walt together in a 2 for 1 deal. They live out their golden years as an Oscar and Felix odd couple. Cue new series.

ULTIMATE PREDICTION: The show is adept at defying prediction so the outcome will be something we won’t predict.

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TV Review – The Orville (2017- )

Space. It’s big, huge, and a never-ending source of comedic fodder.

BQB here with a review.

I have been meaning to check this show out for a long time and finally have, after noticing it was available through Disney Plus.

I’m six episodes in. My first impressions:

#1 – Critics call it a Star Trek rip-off but it’s an obvious Star Trek parody. Seth MacFarlane, the man behind the raunchy, constantly pop culture lampooning Family Guy, is obviously a big Trekkie, and relishes the chance to cosplay a spaceship captain. If you take Star Trek, then add in the ability to make crude jokes, you’d get this show.

#2 – I get why some might call it a rip-off in that it goes beyond the humor to build adventure of its own. If you stay for the funny, you’ll get plenty of serious. In my binge session thus far, I’ve seen Captain Ed Mercer (MacFarlane) and crew rescue an agrarian society living (unbeknownst to them) in an ecosystem built into a massive spaceship, a historic ship dealer who travels back in time to steal spaceships of the past and sell them to collectors of the future, and a battle to prevent a hostile alien species from getting their hands on an aging device. All of these sound like they could be straight out of Trek, so when you see the Trek like uniforms, the Trek like military organization, the Trek like set up of the ship, it’s hard to not feel like MacFarlane didn’t just hijack Trek, change a few things around, then add in plenty of dirty sex jokes.

#3 – Speaking of sex jokes, while I enjoy it, Disney Plus really isn’t the place for it. I get Fox and Disney are part of the same company now and apparently Disney Plus is breathing new life into the series by offering a sequel New Horizons, which is basically just a continuation of the show. However, young kids shouldn’t be watching it. It’s probably fine for teenagers, but if you’re one of those parents who subscribed to Disney Plus so you could park the kids in front of it while you do housework, eh, take another look.

All in all, Trek is the granddaddy of all space opera. Many would say Star Wars, but SW just changed the game by introducing badass special effects. Trek was the first who challenged us to go where no man has gone before. (There are probably others who would say Lost in Space or other 1950s offerings beat them all.)

At any rate, Trek is a 20th century view of what military style space travel would be like. The Trek ships are set up more or less like a large ocean going vessel, so one might argue that Trek doesn’t really “own” that concept. Then again, when you watch The Orville, when you see the captain, you think Kirk, the science officer, you think Spock, the engineer, you think Scotty. Then again, does Trek own the concept of a captain, a science officer, an engineer and so on?

STATUS: Shelf-worthy. Enjoyable. In the end, I don’t think this takes anything away from Trek, and if anything, it’s a humorous love-letter to Trek. Maybe if Trek had been more open minded about captains finding their wives in bed, messing around with blue goo spurting aliens, MacFarlane might have made a deal to create Funny Trek. Ultimately, he did, with just the names changed to protect the innocent. Come for the funny, but stay for the space drama.

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Better Call Saul Series Finale Predictions

Hey 3.5 readers.

I enjoyed this show at first but must admit I let it fall by the wayside for years. Then upon hearing it was ending this year, I went on a binge and got all caught up.


My main criticism is after season 3, when Chuck is killed off, the show descends into wacky fan fiction territory. It’s definitely for the hard core Breaking Bad fans, with every little aspect of BB getting expounded on. I’m not sure all of it was needed. For example, did we ever care how Hector got his little bell? I had already assumed someone just gave it to him to help him communicate through dings so I’m not sure there was anything else we needed to know. And Gus’ crew constructing the underground meth lab. I mean, sure, I suppose it’s interesting but why don’t we just spend a whole season on watching Walt’s tumor grow while we’re at it?

Anyway, for those who caught the mid-season finale, it was very tragic and shocking. Longtime Jimmy nemesis Howard Hamlin was in the wrong place at the wrong time and maybe that’s all I should say about that.

Perhaps in future posts I’ll go into my thoughts about other parts of the series but for now, my predictions as to how the show will end.

#1 – “Gene” gets to be Saul again.

In black and white vignettes, we see Jimmy/Saul as Gene, a mild mannered nobody managing a Cinnabon in Omaha, Nebraska. Living the life of an average schmuck was Jimmy’s worse nightmare and now it has come true. Once boisterous and full of life, he now keeps his head down and avoids all manner of personal connection, just trying to get through the day without being noticed.

We’re never quite sure when the Gene days happen or how much time has passed. Is it years after the Heisenberg debacle? Is it right after?

If it is right after, then seeing as how Walt dies and Jesse goes on the run and all the Nazis are dead and Gus is dead and all the major cartel players are dead and all the Madrigal players are dead Hank and Gomie are to our continued shock and horror, dead and loyal Francesca will play dumb, is there anyone out there left who could testify against him? If not, is there anything stopping him from dipping into that diamond bag, coming out of hiding, opening a new law office and Sauling it up once more? Maybe in a big league market like New York or LA this time?

I’ve been checking out theories and no one has predicted this scenario so I’m going to. It would be awesome.

#2 – Walt Whacks the Guy Who Recognized Saul

Word has it that Aaron Paul and Bryan Cranston will reprise their Jesse and Walt rules for guest starring roles on the end of the series. Not quite sure how that would work. If the Gene days are right after the whole mess, I can only picture it as somehow they both stop by Nebraska on their respective ways out.

Gene tells the vac salesman/professional evil-doer relocator (the late Robert Forster) he’ll take care of the problem himself. For those who don’t remember, the problem is a former ABQ resident moved to Omaha who recognizes Saul and apparently intends to make his life miserable. Could “handling it” mean a phone call to Walt telling him he owes Saul one and he’d better handle this problem for him? Maybe on his way back to ABQ to harass Gretchen and Elliot and commit mass amounts of Nazi murder, he stopped on Omaha to take that menacing cabbie out to do his old lawyer a solid.

I don’t know how Jesse would get involved though, yo. Stopping in Omaha while on the run from ABQ to Alaska seems like a detour the disappearer wouldn’t have made. Then again if it is years and years later, maybe Jesse visits Saul for…some reason. Doubt it is to kill the cabbie. Jesse as we know doesn’t like doing such things.

#3 – Reunite with Kim

From the start of the series, we assume the Jimmy and Kimmy romance doesn’t last because after all, Kim wasn’t seen at all in Breaking Bad. There is a fun fan theory that she was behind the scenes all the time, perhaps as the mastermind behind Saul’s crooked tax dodging scheme “Ice Station Zebra Associates.” After Saul visited Walt and Jesse, he’d go to his love for advice on how to help these dumb yahoo meth cooks stay out of jail and she was the real maestro behind Saul’s operation but just stayed out of the limelight to not get her hands dirty.

Eh, that seems unlikely, though anything is possible. A safe assumption, what with the Lalo mess, is Jim and Kim breakup. Whether it’s just sort of a low scale breakup where Kim says she doesn’t want to be crooked anymore and goes back to a quiet law abiding life and never sees Jimmy again, or perhaps something bad happens that she herself must enlist the disappearer’s services, we don’t know…yet. Keep in mind though according to the show, Kim grew up in the Nebraska area so perhaps she went home to live with her mom and so when Gene says he’ll take care of the cabbie, he means he’s going to call his old flame who is also in hiding to bail his ass out one last time.

But then again it’s possible she just stayed in ABQ and went back to a normal life and just kept Jimmy out of it.

There’s always the possibility that something horrible happens. Maybe Kim dies by the end of the series. That would truly be awful but BCS and BB have never shied away from embracing the fact that a life of crime comes with truly disastrous and horrifying consequences.

However, if Gene and Kim could reunite in hiding that would be awesome. Maybe even come out of hiding. Didn’t she call herself Giselle when she and Jimmy did their scams? Maybe Jimmy and Giselle ride again. Maybe Saul gets to be Saul again and Kimmy is his co-counsel Better Call Giselle. Better Tell Giselle?

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Breaking Bad Binge

Let’s party like it’s 2013, 3.5 readers.

I recently went down the rabbit hole of a Breaking Bad binge. I haven’t watched it in years, so much of it was fresh. It’s also funny how when I first watched it when I was younger, I identified more with Jesse and all the angst that comes with growing up and realizing you’re on your own because the adults don’t know as much as you thought they did. Now I’m old and I identify more with Walt, i.e. the older you get, the less shits you have to give because the bitterness grows as you realize with age comes wisdom but also with more doors slamming in your face.

Of course, the whole moral of the story was just when you think it can’t get any worse so you might as well give up on all semblance of morality and engage in any evil deed you desire, you will discover that there always is something else to lose. Walt comes to the meth business with a suburban Karen-esque mentality i.e. “I need to speak with the meth biz’s manager because the meth gangs aren’t playing fair.” As he learns, dealing meth isn’t like being a teacher. You can’t complain to the union when things go wrong. Various baddies threaten Walt, his kids, his loved ones. Crime doesn’t pay and there’s always something more to lose.

At any rate, this is one of those shows that benefitted from the early days of streaming. It’s premise, a man with a cancer death sentence decides to embrace a life of crime because screw it, if he gets arrested he’ll be dead soon anyway, sounded kind of sad. And truly, it is. Writer and producer Vince Gilligan doesn’t let his characters off the hook with happy endings. He explains how they got into this terrible life and adheres to a rule of those who do bad things get bad consequences.

I could talk about this show from a writing standpoint forever, but instead, let’s watch Walt Jr. rap about breakfast:

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