Tag Archives: disney

TV Review – The Book of Boba Fett – Chapter 3

Mmm boy there’s a lot of fan service in this one, 3.5 readers.

Two hutts to replace Mighty Jabba. A defeated wookie who I’m going to guess will return. Speaking of returns, a new rancor is back.

Meanwhile, the speeder bike gang going to work for Boba is something new.

I’m enjoying this series. I do think Disney/Star Wars has lost its way a bit in charting a course and perhaps the overall lesson is that stories that veer too far away from the Empire timeline don’t work.

Anyway, that’s it. That’s my review.

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TV Review – The Book of Boba Fett – Chapter 2

Boba is back and there are so many hutts to blast and so little time, 3.5 readers.

BQB here with a review.

I have mixed feelings on this show. On one hand, the Boba Fett of the original films was a surprise breakout star. George Lucas was a baby boomer who like those of his generation, grew up on a steady diet of Western films, so when he had his chance to put space on film, he imagined much of it as wild, lawless territory – places where might makes right and those who can kick ass live to fight another day.

Boba Fett always reminded me of Clint Eastwood’s silent but deadly (seriously, no pun intended, I just don’t know how else to describe him) old West character. He never said much but he could punk a man out with a cold stare. Thus, when it came to Boba, less was always more. He said very little but his armor, helmet and gadgets were quite menacing indeed.

Ergo, I’m not sure we needed a story about who the person is under that mask. He was way cooler with it on.

On the other hand, Disney paid boku bucks for the Star Wars IP and if you count it all as one great big expensive experiment, they’ve learned so far that all the money at the House of Mouse’s disposal can’t put together a writing team that can make a decent Star Wars flick set outside of the time of Luke vs. Darth Vader (or directly thereafter).

Long story short, Boba is one of the last few characters from that era who is still alive and kicking, so we must make do.

My next complaint is Boba is the galaxy’s greatest bounty hunter, isn’t he? Don’t we want to see him, oh, I don’t know, hunting bounties?

But I admit, the after credits scene following the last episode of The Mandalorian where Boba blasts Bib Fortuna and takes a load off on the late Jabba’s throne was pretty kick ass and enough to get me invested in a Boba series. The past two episodes have piqued my interest, so all in and all, I’ll give it a try.

To Disney’s credit, if you preferred the Boba who rarely spoke, The Mandalorian introduced us to the Manadalorian religion, where the most devout from that respective planet travel the galaxy, earning a living as bounty hunters and never taking their helmets off, believing the only way to not incur an enemy’s wrath is to keep their identities hidden. Ultimately, we’re given a whole race of silent but deadly (sorry) Boba types and we further learn the actual Boba was never a Mandalorian religion practitioner but rather was just a dude who liked the armor.

In this episode, we are given a double hutt douse, a brother and sister team who have returned to Tatooine to fight Boba for Jabba’s throne. They have a kickass wookie, so that’s cool. I gotta be honest, a lot of this feels like fan service but I’ll take it.

Meanwhile, we’ve yet to learn why Boba sleeps in a bacta tank, but whenever he does, he has flashbacks to a Dances with Wolves type of arc where he was captured by the sand people only to win them over and become their BFF.

STATUS: Shelf-worthy. Disney Plus does seem to be a better home for Star Wars, at least until they figure out how to make a decent film.

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TV Review – Hawkeye (2021)

So many arrows, so little time, 3.5 readers.

BQB here with a review of Disney Plus’ Hawkeye.

It’s about time The Avengers’ arrow blasting badass got his own movie…except I guess they didn’t want to give him one so this TV show will have to do. That’s ok, Hawky. The Hulk could never carry a movie by himself either, even with those big green mitts. Hulk smash everything…except box office records.

Here, Clint Barton (Jeremy Renner) is on a holiday vacay to NYC with his kids, the hawklets, in tow. After taking in an Avengers style broadway show (watch the entire thing after the end credits of the last episode), he has a run in with Kate Bishop (Hailey Steinfeld), an archery champ who was inspired to become a champion arrow slinger in her own right after witnessing Hawkeye take out some alien villains during Loki’s attack on New York back in the 2012 film when she was just a child. My, how time flies.

Kate has had her own run in with the aptly named Track Suit Mafia over a misunderstanding when she accidentally dons the Ronin costume, the same garb that Hawkeye wore during the blip phase of the last Avengers’ film, a time when he missed his deleted family and took vengeance out on the evildoers of the world with no remorse.

Assuming Kate is Ronin and wanting revenge, it’s a mad cat arrow infused romp as Clint and Kate shoot their way out of this mess, one flying pointy stick at a time.

At first, I felt there was a bit of a bait and switch here. Vile patriarchist that I am, I’m not a fan of this trend to replace longstanding male characters with females. In some cases, like when a character is more of an idea than a person and anyone can step in and be them, it works. In other cases, where the studio is just like, “OK this dude has a vag now” it makes little sense. It’s like the studios are saying that women can never be fully complete unless they grow ding dongs and become dudes, as if they were born deficient when they were born vaginized.

Moving on, my main complaint was that it looked like we were going to get very little Hawkeye and a lot of Kate Bishop, which seemed deceptive for a show called Hawkeye, but ultimately, we got a lot of the Hawkster. It’s basically like a mismatched buddy cop show about an old veteran arrow slinger taking a fresh, naive, lots to learn rookie arrow slinger under his wing.

I have to give this show kudos because it does show the dangerous side of super-heroing, particularly when the hero is just like, a person with no supernatural and/or scientifically assisted abilities. (Sidenote – isn’t it a gaping plot hole that Tony Stark never just outfitted the entire team with his Iron Man armor?)

Clint is deaf, having had a front row seat to plenty of gunfire and explosions in his day. Movies never tell the viewer this, but explosions and guns are loud. In the movies, people just stand around explosions like nothing’s wrong but in reality, if you’re lucky enough to not be vaporized in the blast radius, you’d still most likely be knocked on your butt and/or left with long-lasting, perhaps life-long hearing loss.

Kate and Clint get knocked around throughout the show and to the show’s credit, the pain shows. They’re constantly hurt, and they are never without band-aids and stitches on their face, so A plus to Disney for giving us a look at how hard it is to be a super-hero when you’re not a God, or haven’t been gifted with amazing strength and/or health regeneration, be it through magic or science. When you’re just Joe or Jane Average, getting your ass kicked hurts, a lot, and afterwards, you’re going to be limping and covered with bandages and you’re probably going to need a drink and a nap. Also, a dog. Bonus points to the show for adding a dog.

STATUS: Shelf-worthy, but SPOILER ALERT. Looks like Kate will take over the Hawkeye role, so where does that leave Clint? Where does that leave Jeremy Renner? Is he exiting the franchise? Will he come back as Ronin? Probably not since he burned the costume, then again, a new costume is only a call to the tailor shop away.

Meanwhile, Lady Thor is on the way and I guess, I don’t know, they’ll probably chop off the Hulk’s ding-a-ling eventually just to be fair to out of control green lady rage monsters.

Double bonus points because Vera Farmiga is in it. I have had a crush on her since she appeared scantily clad in The Departed.

Triple bonus points because the show is Christmas themed.

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Movie Review – Home Sweet Home Alone (2021)

Keep the change, you filthy animals.

BQB here with a review of the latest Home Alone sequel.

Little Archie Yates stole the show as Jojo’s BFF slash fellow sufferer in the Hitler Youth Nazi Scout Corps in Jojo Rabbit, so it was only a matter of time before Disney put him in something. That something was a Home Alone knockoff, none of which have been as good as the original but if you’re looking for a fun diversion to watch with the kids, you could do worse than this movie.

Here, Yates plays Max Mercer, a little boy who, you guessed it, is accidentally left home alone when his large, hard to count family runs off to Tokyo without him. Cue the various overdone cliches and homages to the original Macauley Culkin film of old.

Naturally, bandits must invade the home, which the lad defends at all costs with a series of traps that cause cartoonish violence in the film (though in real life, they’d leave said intruders dead or vegetablized). Here though, the home invasion is all over a misunderstanding about a rare German doll worth $200,000. Parents Pam and Jeff McKenzie (Rob Delaney and Kimmy Schmidt’s Ellie Kemper) think Max swiped it and in so doing, robbed them of their chance to keep their home from being foreclosed on. Max says he would never swipe a doll that ugly, or anything for that matter. In the end, it will all somehow be sorted out.

I’ll give the film kudos for finding a way to make the home invading crooks more likeable/understandable. I’ll tell you, back when the original came out in 1991 – well, it didn’t matter if you were black or white, male or female, gay or straight, or a member of any of the various religions, literally everyone at the time was united in the belief that if crooks dared to cross the threshold of a home that wasn’t theirs with the intention of stealing, they deserved any form of hilarious comic punishment a little boy was able to dish out. Alas, today, people worry more about those crooks, their bad childhoods, how it was really society’s fault that they became criminals and do the McAllister’s really need such a big house and so much stuff? Why can’t they share?

There’s a cameo from the original film’s mean big brother Buzz (Devin Ratray.) Unfortunately, the cameo is kind of pointless as it sort of leads you to think Buzz is going to bumble his way through the entire film as a bumbling cop who fails to foil the break in plot, but then he sort of just disappears and goes nowhere. A little more Buzz would have gone a long way.

STATUS: Shelf worthy. IMO, it reminds me of a glorified Hallmark film. I do wonder why with all the money and talent in the world to draw from, why Hollywood can’t bang out more hits like the original Home Alone…i.e. a movie that is funny, unique and gives us an experience like we’re seeing something fun for the first time. Ah, but maybe therein lies the rub. It’s all been done before.

Stream on Disney Plus.

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Movie Review – Cruella (2021)

Hey 3.5 readers. Your old pal BQB here. Just wanted you to know I just finished my screenplay for “Jeff!” a villain origin story about the fun adventures that Jeffrey Dahmer went on as a kid. What? No one wants to see a movie that would glorify a man who kidnapped and cannibalized a bunch of poor unsuspecting victims? Got it. That makes sense.

Whew. Good thing you warned me, 3.5 readers. I would have been very embarrassed if that movie had been made. But it’s not like Hollywood would have made such drek anyway, right? I mean, it’s not like they once greenlit a trio of films about the childhood and early adulthood of the man who would go on to be Space Hitler, the idea being that sure, he killed a lot of people but hey, he used to be an adorable little pod racer and what? They made it. Yeesh.

OK but surely, Hollywood would NEVER and I mean NEVER make a movie that glorifies a villainess who runs around trying to kidnap a bunch of Dalmations so she can skin them and turn their hides into coats and fashion accessories and wait…they’re doing it? THEY ALREADY DID IT?

Huh. OK then. BQB here with a review.

Part of me gets why Disney makes movies like this. They have a great big catalog of characters that fans love and the more media they make about these characters, the happier the funs are and besides, if they don’ t keep whipping out schlock based on their IP, then some other rival studio might make something similar. No, some other studio couldn’t make their own film about Cruella, but give Cruella enough time in the vault and out of the public’s eye and some other studio might just get away with making a film about their own villainous fashionista and we can’t have that now, can we?

Part of me doesn’t get it. Villains are bad and to make movies about their early years, the ones that molded them into the evildoers they are today seems to send the wrong message. I suppose it’s silly to read too much into it, though these films sort of suggest that evil adults are allowed to justify their misdeeds of the present as long as they had rough childhoods in the past and if that’s true, then I guess we all get away with being supervillains, don’t we?

Not quite.

At least in Maleficient (spoiler alert) we learn that we’ve been misunderstanding Disney’s favorite witch and secretly, she was trying to protect the princess all along. DOUBLE SPOILER ALERT – here in Cruella, we learn that Cruella doesn’t really have a penchant for turning puppies into coats (her villainous behavior is an act to attract publicity for her fashion label). Even so, if you watch the original 101 Dalmatian films, it doesn’t seem like an act. It seems like she really wants those puppies to become designer handbags.

But movies are all about the suspension of disbelief I suppose.

The plot? It’s a battle of the Emmas as Emma Stone plays the titular Cruella, born Stella to a kind mother who tries her best to parent Stella out of her evil ways. When said mother dies tragically, young Stella is orphaned and hits the streets of London, meeting the dudes who would become her henchmen, the trio becoming grifters and living off the spoils of trickery, fraud and petty crime.

Eventually, Stella is taken under the wing of London’s then leading fashionista, The Baroness (Emma Thompson), and it seems like all of Stella’s dress designing dreams will come true until she learns that the Baroness is actually a horrible person whose comeuppance is due. Enter Cruella, Stella’s secret (and eventually, only) identity who lives to upstage the Baroness at every fashion show at every turn.

Were there a lot of people clamoring for what ultimately boils down to a Disneyfied version of The Devil Wears Prada? Probably not and there’s the problem with this film. Most of these Disney flicks depend on cute animals. Readers, I don’t know if you are aware of this, but kids really like cute animals. Adults like cute animals too but are savvy enough to understand that cute animals poop and pee and love to chow down on expensive furniture and so on.

In other words, the main selling point of 101 Dalmations were, you guessed it, all the adorable puppies. Dogs are part of the act here, but not as prominently. If you were hoping for lots of cute canines in every frame, you’ll be disappointed. The point of Cruella was to just put the puppies in peril so you, the viewer, end up with a better appreciation for the puppies upon their inevitable rescue…so take away the puppies and you’re left with…dueling fashionistas? Yes, I know. Every kid is dying to rush out and see movies about fashionistas.

I do have to give the movie points for great costumes, some funny moments, and a fantastic soundtrack, basically a sampler of 1960s and 70s counterculture songs. The film spans both decades, from Cruella’s 1960s youth to her young adulthood in the 1970s as sort of a punk rock type figure. Yes, the great irony of Disney making a punk-ish, counter-culture film.

STATUS: Shelf-worthy but I’m not sure who the movie is for. Adults who are into fashion have more choices for media about fashion. Kids who love puppies have more choices when it comes to movies that feature puppies. That’s mainly my chief complaint about this movie – it needed more puppies. Otherwise, Emma Stone provides a fabulous Cruella impersonation.

Is it worth the $30 rental fee on Disney Plus? Unless you’re really dying to find out how Cruella became Cruella, I’d say you could wait until this one’s streaming for free or at least for the regular Disney Plus subscription price.

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TV Review – WandaVision (2021)

Wanda + Vision = WandaVision!

BQB here with a review of Disney Plus’ foray into Marvel based TV.

At first, I thought this show was a gimmick. It begins with Wanda Maximoff aka The Scarlett Witch (Elisabeth Olsen) and Vision (Paul Bettany), basically the two lowest ranking Avengers, on a 1950s era sitcom. In each episode, the sitcom shifts a decade – i.e. Brady Bunch style for the 1970s, Growing Pains style for the 1980s, Malcolm in the Middle style for the 90s, and everyone stops once in awhile to give a documentary style interview ala the office for the early 2000s.

How the heck did this happen? For those who forgot the last Avengers film, Vision croaked so its a mystery as to how he’s alive and of course, there’s the greater mystery of how these two are living in a sitcom world.

Where was I? Oh right. Why did I think this was a gimmick? I thought it was just a set-up where Olsen and Bettany stopped by to do a few sitcom skits while lesser knowns do all the non-sitcom action. While Vision and Wanda hang out in the sitcom world, Avengers sidekicks like Monica Rambeau (i.e. Captain Marvel’s BFF’s all-grown up daughter), Jimmy Wu, the FBI agent who kept tabs on Ant-Man or Darcy Lewis, Jane’s intern from Thor) investigate, setting up shop outside the town that has been taken over by the sitcom world.

So admittedly, I groaned at this. It reminded me of the disappointment that was Agents of Shield. I thought that show was going to be awesome but it was just like, an occasional Avengers sidekick would stop by and be like, “Ha ha, I just talked to Thor” but then you never see Thor.

Spoiler Alert – I was wrong. As the series progresses, you get a lot of Wanda and Vision action and a lot of movie quality effects, fight scenes and superhero action. So I take it all back. This show is worth a watch.

I am curious as to where the Marvel cinematic universe is going next. The last Avengers films were great but they wrote themselves into a corner, with the main avengers riding off into the sunset. Sometimes it feels like they’re scraping the bottom of the barrel. I mean, Wanda and Vision are great here but then again, come on Vision is a freaking red robot man and that’s kind of silly, isn’t it? Then again, if you think about it, it’s all silly.

Bonus points that Kathryn Hahn, criminally underutilized by Hollywood, really gets a chance to shine here.

STATUS: Shelf-worthy.

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The Mandalorian – Season 2, Episode 3 Review

Oh Mando. You came and you murdered some fish men. They no longer want to be your friend. Oh Mando.

BQB here with a review of the latest episode of The Mandalorian. Check out IGN’s review below:

It’s pretty great how this show packs a lot of action into an hour. Here, Mando has fulfilled his quest to locate other Mandos to assist him in his journey to give The Child (Baby Yoda) to the Jedi.

But there’s a hitch. In quite a harrowing action scene, Mando must help his fellow Mandos hijack an Imperial freighter full of weapons that these sect of Mandos want to use to take back their home planet of Mandalore. I just hope that these Mandos will be good to all the Mandos of the Mando world.

Katee Sackhoff, aka every nerd’s favorite sci-fi fantasy babe, appears as Bo Katan, head of a sect of Mandos who believe it is OK to take their Mando helmets off. This disgusts Mando, who belongs to a sect that believes that all Mandos must leave their Mando helmets on. Luckily, they are able to work out their differences and back each other up during the Mando attack.

Ultimately, I like to say Mando over and over again. Mando.

Nerds who dive deep into Star Wars canon will be happy to know that a live action Ashoka Tano will likely appear in the next episode, she being teased as the Jedi who will help Mando in his quest to put The Child into Jedi hands. Tano was a character in the animated Clone Wars series so it will be interesting to see how she comes across as a live action character.

STATUS: Shelf-worthy. Stream on Disney Plus.

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The Mandalorian Review – Season 2, Episode 1

Hey 3.5 readers. BQB here.

I have been remiss in posting about The Mandalorian, and Disney Plus in general.

First, is Disney Plus worth it? When it first came out last year, yes. I had a great time streaming all the Marvel and Star Wars movies…until I got sick of them and never wanted to see any of them again. Well, at least not without a break.

As for original content, Disney Plus has a lot of catching up to do if they want to go head to head with the head honcho of streaming, Netflix.

If you have a kid, the service is probably worth it. You’d go broke buying all these movies on demand when you can have them all there for a monthly fee.

For me, the Mandalorian has made a subscription worth it. Sadly, Disney has lost its way when it comes to Star Wars. It seems that Luke vs. Vader collection of stories were really the only thing that was interesting and attempts to branch out i.e. with the past in the prequels or in the future with the sequels were lackluster.

The Mandalorian is a rare diamond in the modern Star Wars rough though. You’ve got a bad ass bounty hunter, so that satisfies the adult nerds who want to see battles and mayhem. You’ve got an adorable sidekick so that satisfies the kids as well as the execs who want to make bank on stuffed animal merch.

And you actually have a story line. Whereas JJ Abrams just pulled stuff out of his butt with the recent sequels only to go nowhere, this series feels like it is going somewhere, albeit I’m not sure if the writers know exactly where as of yet.

The Mandalorians are…well, are they people, a race, are some of them aliens and some humans, I don’t know….but it’s fair to say they follow a religion of sorts. After suffering all sorts of alluded to past war atrocities and carnage, they make their way through the galaxy as bounty hunters, refusing to ever remove their helmets so that they conceal their identities, for they often have to do illegal and immoral stuff to catch their prey and collect their money.

It’s probably all just a ruse to allow for a Boba Fett-esque character while we know Boba Fett was (as for as we know) eaten by the Sarlacc pit monster in Return of the Jedi…or was he?

But the ruse works.

Anyway, last season, “Mando” was, at a time post the fall of the Empire, hired by Imperial loyalists to find and bring back a bounty. Mando has done this thousands of times, catching scum and bring said scum to other scum. Beings that are wanted. Beings that owe money to criminals. Etc. No biggie.

Ahh, but this package is a “The Child” or a cute little Baby Yoda. Mando grows a conscience, escapes with the kid and thus the series formula is born. Mando and the Child travel the galaxy, going from planet to planet to evade capture and along the way, there is almost an A-Team like vibe as Mando uses his mando skills to help people and or aliens in need.

In the season 2 premiere, Mando visits Tatooine in search of other mandos who might help him protect Baby Yoda and return him to his race of aliens, whoever they are. Hearing tell of a mando here, he investigates, only to find that it is merely Timothy Olyphant wearing mando armor that he bought off some pesky jawas.

Mando demands the armor returned, for according to mando law, mando armor may only be worn by other mandos. Timbo says the problem isn’t so easy, for he has only been able to protect his city with the use of the mando armor. He’ll give it back, but only if Mando helps kill a massive underground worm like Krayt dragon thats about to come up under the town and eat everyone.

Mando agrees but to bring the beast down, they’ll have to make friends with the dreaded sand people.

It’s a fun episode and as an Olyphant fan it was nice to see him shine here.

Overall, this show seems to be keeping SW alive. I’m not sure the wonder of the originals can ever be recaptured, but all nerds asks for is at least an attempt to adhere to rules and past canon…and have some semblance of a story…i.e. when you are handed a trail of bread crumbs, you will be able to follow it to something. This and Rogue One did that so that’s probably why both have faired well.

I’ll say this. It’s the first show in awhile, since the end of Game of Thrones, that I consider appointment watching. Coming home Friday nights and switching it on after a long week is my new favorite pass time.

STATUS: Shelf-worthy.

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Movie Review – Mulan (2020)

Be a man, 3.5 readers.

BQB here with a review of Disney’s live action Mulan.

God, I’m old. When I was a young lad, newly minted driver’s license in hand, I took a girl to see the cartoon version of this movie and we were blown away by it, for it was ahead of its time. I think it might have been like my first actual date.

In the blink of an eye, 22 years and my hair are gone and the original film is now considered culturally insensitive because it had a talking cartoon dragon who, I’m just saying, sold the movie.

And what the hell happened to that girl anyway? I’d look her up online but I’m worried she might have lost her hair too.

Fun sidenote: She taught me how to put sauce on Taco Bell tacos after the movie. Up until then I didn’t know you were able to request a sauce packet to squirt on your taco. It blew my mind and I think of this girl whenever I squirt sauce into my taco and yes I know how that sounded and I’m sorry for poor phrasing but you’re the one with the dirty mind because I’m just meditating on a time when I was young and innocent and blown away by things that seem silly and trivial to adult eyes. And yes, I stand by the decision of taking a date to Taco Bell.

But enough about me. Mulan is back, in live action form this time. There’s a cast of martial arts movie maestros including Donnie Yen and Jet Li. Liu Yifei takes on the role of the everyone’s favorite girl who pretends to be a boy so she can save her father by taking her place when the Emperor comes looking for soldiers to fight an invading army.

Lots of dazzling special effects, stunts, swordplay, etc. It is more of a fantasy war epic. I don’t really know what the kids like nowadays but I assume they will like it. Merch opportunities are gone as there won’t be any cuddly Mushu stuffies to sell and if Disney doesn’t like that, they aren’t saying anything.

I have to say I still like the cartoon version better, because, and OK, I get it, if you cut out the un-woke parts, the part where Mulan takes out the invading army by starting an avalanche is cool and also the part at the end where it looks like its a celebration only for there to be a surprise ending where Mulan has to foil the bad guys once again….cool stuff.

Also, you can’t beat the Emperor’s line in the old one. While encouraging the captain to go after Mulan, he says, “You don’t meet a girl like that every dynasty.”

That line always stuck in my head. There was a girl I met later in my 20s who was one of those girls. I wish the Emperor had been around to remind me that you don’t meet a girl like this every dynasty, so I guess I can blame the rise of communism for missing out a great catch and the fact that now the highlights of my day are microwave dinners for one and writing on a blog that is only read by 3.5 people.

Sidenote: I actually did look this girl up and she kept her game tight so…yeah I don’t know, since I didn’t I probably did her a favor by being an oblivious dummy who decided to play the field without realizing that the field was destined to play him.

At any rate, this new Mulan is still pretty good and worth a watch. Is it worth the 30 bucks that Disney makes you pay for it via Disney Plus? Eh, that’s up to you. Theaters would have been packed for this so Disney missed out on all that revenue, so I get they have to make it back somehow.

It does make me wonder about the future of film. While people sometimes cheer the downfall of movie theaters, I think people have to remember that a lot of these special effects heavy blockbusters can’t be made unless you have that first wave of ticket sales, then the second wave of rentals and then finally whatever is left that comes from cable and streaming.

So, let’s keep hoping that COVID goes the way of the dodo, or the Mushu (sorry, Eddie) and that theaters will be at full capacity and slinging popcorn soon.

STATUS: Shelf-worthy.

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Movie Review – The Lion King (2019)

Briefly, 3.5 readers, I’m not sure I get Disney’s remake everything with live action initiative, even though I assume they’re generating a ton of revenue and not having to spend money on writing new stories as they’re just taking the old stories and re-doing them.

It sort of makes sense when there are human characters but something about a talking CGI animal cast is odd.  That’s the fun part of cartoons.  Why cartoon animals talking doesn’t seem silly I don’t know.  Maybe just the idea of real-ish looking animals talking seems weird.

But at any rate, it’s fun, though again, for some reason, cartoon lions fighting seemed ok but something about letting kids see real lish lions fight seems strange.

It was a good time but I don’t know.  I’m not sure CGI-ing everything is the way to go.  Don’t believe me?  Check out that Cats trailer.  I’ll probably rant about the Cats trailer at some point.

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