Tag Archives: LeBron James

Movie Review – Space Jam: A New Legacy (2021)

I couldn’t help but notice the distinct lack of Seal’s “Kiss From a Rose,” but I’ll review it anyway.

I was a kid when the original Space Jam came out and my thought at the time was, “This is the dumbest movie ever made.”

And then I blinked, half my life passed me by and now they’ve made the dumbest sequel to the dumbest movie ever made.

But let me back up. The sequel inspired me to watch some clips of the original and I’ll admit, as an adult, I appreciate the original a bit more and I somewhat understand what everyone involved was trying to do.

Basically, in the 1990s, Michael Jordan conquered basketball, but unlike Alexander the Great, he didn’t weep, because there were plenty of other worlds to conquer…and boy he tried, oh how he tried. His Royal Airness tried to dominate baseball but didn’t get too far. He got into shoe design and succeeded, Air Jordans being more popular than ever.

And he attempted a foray into Hollywood with the original, “this is so bad it is kinda good” movie…at the very least it developed a cult following. If you were a 1990s kid and you loved cartoons and basketball, then you loved this movie.

Meanwhile, the Looney Tunes had grown stale, stagnant. The world had become a rougher place and there was less appreciation for their brand of pie in the face, slapstick comedy.

Thus it was a match – a movie that allowed Jordan a Hollywood victory while keeping Bugs and Co. alive well into the twenty-first century.

Skip a head a couple decades and some change and Lebron James is today’s numero uno basketball star. Hollywood is remaking literally everything, so I suppose it was only a matter of time before they remade a movie that was odd to begin with.

The main criticism you may have read already? It sells out. The entire movie comes across as one great big commercial for Warner Brothers’ movie catalog, perhaps even taking advantage of the opportunity to rekindle old IP claims.

Disney is a master at this and there are times when Mickey and Co. collaborate with the House of Mouse’s stars, only for the audience to gasp at how far reaching their cinematic universe is.

So it feels like WB wanted to mimic that…but I mean…you know…come on now…how many kids were waiting to see a cameo from Casablanca, or A Clockwork Orange or What Happened to Baby Jane? (I actually thought that one was an odd looking Marilyn Monroe until the web told me different).

My 2 cents is the massive sell-out saves the movie, and is probably the only way it could have been made. The plot, if you can call it that, centers around “Warner 3000” or the Warner Brothers Studio server, controlled by an algorithm or to be exact, “Al G. Rhythm” and honestly, I’d love to be the writer who came up with that name. He was probably like, “Yeah I have to get this draft in soon and I don’t want to be late for pilates so Al G. Rhythm it is.”

Even worse, Al is played by the great Don Cheadle. Part of me feels bad that Don, a longtime established thespian who has taken on great, dramatic roles and appeared in some of the biggest movies of the past few decades, lowered himself to appear in this drek…but then the other part of me reminds myself that Don cashed the check so…moving on.

Al considers himself a great genius deserving of glory and will never be famous for as long as he remains hidden in the Warner Server-verse. So, blah blah blah, long story short, he hatches a plan to kidnap Lebron’s son Dom and challenges King James to a basketball game, to be livestreamed to the public, the clicks of which will no doubt give him the attention he desires.

At first, Lebron thinks this will be a cinch, for he can call on WB’s greatest champs, like Superman, the Iron Giant, King Kong and so on to take on Al G.’s Goon Squad consisting of NBA and WNBA greats mashed up with animals to become b-ball dunking monsters.

‘Alas, you guessed it…Bugs Bunny and friends are the only back up that the Warnerverse will put at Lebron’s disposal.

In my opinion, the Tuney crossover into the Warnerverse saves the movie. I get why people think it’s a sell out, but 30 minutes into watching Lebron act (hey no offense, but everyone has one talent gifted from God and people want to see basketball players act about as much as they want to see Meryl Streep dribble a ball)…watching Bugs chase down his pals who migrated to other corners of the Warnerverse gave me the laughs I needed to keep watching.

For me, Wyle E. Coyote and the Mad Max villains chasing Road Runner and Wyle E. holding up a sign that reads “Witness Me!” was all I needed to stay…and at a run time of 2 hours for a plot as thin as tissue paper, you really do need a good laugh.

On the one hand, it’s fun. It’s got a lot of pretty colors and great graphics. If your kids like sports, they’ll like it. If they don’t like sports, just fast forward through the first half hour until Bugs shows up.

On the other hand, I have to question several of the cameos. While Disney’s characters are family friendly…much of the Warnerverse? Not so much.

Examples? Rick and Morty return the Tazmanian Devil to Bugs, after apologizing for conducting experiments on “his weird badger thing.” Yes, R and M is a cartoon but no, this is def not a toon you want your kids watching. Frankly, you shouldn’t watch it either. It’s that naughty.

Others? Well…the game at the end is attended by a vast, sprawling audience consisting of WB characters, with one side devoted to the villains who cheer Al G. on. Some are fun…like an assortment of Batman villains, decked out in their garb from the 1960s, 80s, 90s and so on. Danny Devito’s Penguin hanging with Michelle Pfeiffer’s Catwoman and Cesar Romero’s Joker etc. The Flying Monkeys from the Wizard of Oz? Sure.

Of course, good guys like The Jetsons, the Flintstones, Scooby and the Gang show up to cheer for Lebron and Co.

But then the cameos take a weird turn. Pennywise – seriously, who thought a clown who murders children would be good in a kids’ film? The Nuns from Ken Russells’ The Devils, a film so sexually explicit that WB had to make big cuts to it during the 1970s, which was basically the Wild West period of filmmaking – post Hollywood’s Golden Era where people just agreed nothing naughty should be on film and before the 1980s’ invention of the rating system, which at least gave viewers a heads up if they were about to watch something naughty.

Perhaps the strangest of the strange cameos are the Droogs. Keep in mind that noted skunk pervert Pepe LePew was cancelled, forever banned from the Loony Tunes line up. Those unfamilar? He was a skunk who spoke with a French accent who fancied himself the world’s greatest lover. In each of his toons, a female black cat would accidentally be painted with a white stripe down her back, thus fooling Pepe into thinking there was a hot lady skunk afoot. The Pepester would then pursue the female cat with reckless abandon, refusing to take no for an answer, constantly hitting on her and usually getting clobbered to funny effect in the process.

All I can say is once upon a time, context existed. Pepe never existed to say that men who act like him are to be admired – far from it. He was a character used to make fun of such men and show how ridiculous they are and how women are reviled by them.

But all 2020s Twitter saw was a pervert skunk…so be it. The stinky twerp was cut from the film. I mean, a good writer could have drummed up a quick take where Pepe is called into WB Studios and told that he’s being fired for being a problematic, socially unacceptable pervert skunk (I thought I read somewhere they tried something like that but even a scene where Pepe is shown as problematic would be problematic apparently.)

Where was I? Ah, yes. The Droogs. Have you seen Kubrick’s A Clockwork Orange. Don’t. It will warp your mind. It focuses on mind control experiments where the government tries to wash all violent, sexual and evil thoughts and actions from London’s criminal gangs. One such gang, the long john wearing, bowler hat sporting Droogs, conduct a home invasion where they abduct a poor, unsuspecting woman and do horrible things to her.

I won’t belabor the point but like so many who have already opined on this, I find it odd that the pervert skunk had to go, so awful was he that he couldn’t be included even with a joke about him being a pervert skunk, but a gang of brutal rapists, also from the 1970s pre MPAA ratings period, were placed front and center at the b-ball court.

No one seemed to find it odd that Game of Thrones cameos were included. On one level, dragons and white walker zombie cameos are fun and ostensibly kid friendly, just as long as kids don’t ask their parents if they can watch Game of Thrones…because that surely isn’t a show for kids.

Overall, I could go on and on about this point. Warner Bros wants to flash all of its kid characters on screen? Sure. Have it. Flintstones? Jetsons? Scooby? Bring it on. But leave the cameos from adult movies and shows at home. The adults won’t find them that interesting and won’t want to have to explain who that is and who that is to kids who are better off not knowing who they are.

Alas, I can picture the thought process of the WB suits (who, to their credit, are also parodied). “Sure we can cancel Pepe the Pervert Skunk but…WHAT?! You want the Droogs out of the movie?! But someone might see it and want to watch it and then we’ll make more money!”

Which just goes to show that Pepe LePew could have gotten away with sexually harassing poor, unsuspecting white stripe painted female felines for decades to come as long as he made Hollywood money. Disagree? Research the Harvey Weinstein and Bill Cosby cases and get back to me.

STATUS: Shelf worthy. I applaud it’s good message where Lebron advises his son that whatever he wants to achieve in life, he needs to put in the work. An early scene shows a young, unfocused teenage Lebron who almost lost a game due to a lack of focus, a mistake he vows to never again make, thus leading to his success. Focus and hard work. You won’t get far with out either.

There’s also the inevitable lesson for kids who feel pressure from their parents to choose a career path they aren’t interested in, to abandon a dream that seems unlikely. Lebron and Dom lock horns as Lebron wants his son to follow in his b-ball footsteps, while Dom dreams of becoming a video game creator. (I mean, not exactly relatable as most kids might dream of being a b-ball star or a video game creator but instead, their parents want them to go to plumbing school to learn how to install toilets or something, but you get the gist.)

But I must knock off 1 million shelf points because many of the villain cameos were inappropriate and ill advised. Warner, you aren’t Disney, ergo, you might have a Warnerverse, but leave the murderous kid killing clowns and roving gangs of 1970s London based rapists in the vault.

And you know what? Adults don’t really want to see this stuff in a lighthearted kids’ movie either. I get sometimes writers/producers of these movies will throw in the occasional joke that will sail right over the kids’ heads and make the adults laugh as a thank you to those who bought the tickets, but do adults who signed up to watch a movie about Bugs Bunny and Lebron James playing basketball want to see murderous clowns and rapists and evil nuns and so on in the background? No. No we do not. WB should have asked a focus group that question and would have easily found the answer is no.

Want to feel old? The star of Space Jam 3 probably hasn’t even been born yet, or at least hasn’t started playing ball. Here’s hoping I’ll be alive to make fun of the third installment in another 25 years.

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Movie Review – Trainwreck (2015)

A hard partying, traditional lifestyle loathing gal is forced to face her fear of commitment when she meets a man worth committing to.

Bookshelf Q. Battler here with a review of Amy Schumer’s comedy Trainwreck.

SPOILERS ahead that will totally wreck your good time if you haven’t seen it yet.

Trainwreck – Movieclips Trailers

3.5 Readers, let me start with this:


Male or Female, I think she’s the funniest comedian out there right now.

Her Comedy Central show, Inside Amy Schumer, regularly leaves me in stitches.  In particular, two sketches she put out this season have caused her stock to rise:

  • Last F*&kable Day – Amy has a picnic with Julia Louis Dreyfus, Tina Fey and Patricia Arquette and hilariously discuss how the media puts an expiration date of female actresses, leaving them unable to play anything other than frumpy mother types whereas male actors are left to play leading men until a ripe old age.  (“Remember how Sally Field played Tom Hanks’ love interest in Punchline and then five minutes later she was his mom in Forrest Gump?”)
  • Twelve Angry Men Inside Amy Schumer – In a parody of the classic jury deliberation film, twelve men deliberate whether or not Amy is hot enough to be allowed on TV, thus pointing out how women are often judged more on their looks than what actual talents and qualities they have to offer.

But before you rush to label her some kind of radical feminist, keep in mind she’s an equal opportunist when it comes to dishing the dirt, and in this reviewer’s eyes, there’s no better sign of a great comic than pulling no punches.

In other words, while she’s been great at pointing out difficulties women go through, she also gets men have it tough at times as well.  Thus, there’s the sketch where she dons the guise of a karate sensei and educates men on how to verbally spar with their angry girlfriends (“She will be unable to defy the authority of therapy and Oprah”)  or the sketch where women walk through the “Museum of Boyfriend Outfits” and react to various bad outfits worn by boyfriends as if they were some of history’s greatest atrocities. (In other words, sometimes women judge men a bit too harshly as well).

In short, she’s great.  I’m a big fan.  A big, big fan.

That’s why it’s hard for me to say answer this question:

Is this a good movie?

Answer:  It depends.

If you’re going because you love her TV show and were hoping this movie was going to be Amy’s big break to knock it out of the park, then you might be disappointed.

At least I was.

I judge comedies based on one question:

Did it make me laugh?

Answer:  Only a few times, and mostly at characters other than Amy’s.

Laughter is the most honest of emotional reactions.  Either something tickles your funny bone or it doesn’t.

For the most part, this didn’t.

Everyone’s sense of humor is different.  You might disagree and love it.

Colin Quinn doesn’t disappoint as Amy’s dad, Gordon, the womanizing commitment phobe whose bad example sets Amy up for a lifetime of cheap one-night stands and avoidance of any real intimacy.

Surprisingly, NBA superstar LeBron James steals the show.

Often times, sports star cameos in movies are flat.  Athletes aren’t trained in the theatrical arts, after all.  But LeBron, who plays himself as the friend of sports doctor Aaron (Amy’s love interest), turned in a funny performance that left me feeling like he was comfortable in front of a camera.

Hell, if this basketball thing ever stops working for him, he has a second career waiting for him as a thespian.

But while Colin and LeBron provided me with some chuckles, Amy just didn’t razzle my dazzle in this one.

Am I being too hard on her?  Maybe.  Maybe it’s just because her show is so great that I was expecting to roll in the aisles for this movie.  Maybe I built it up too much in my head.

Or maybe gut busting laughter wasn’t what the film was meant to be about, because if your goal in seeing it is to take in a sweet romance (albeit with R rated debauchery mixed in), it does actually deliver.

The theme that ties the movie together?  People today are so interested in petty nonsense that doesn’t matter.  Looks.  Status. Fashion.

Amy works at a stereotypically fluff magazine where she and her co-workers write catty articles that judge people all day.

But as the story points out, if you’re too focused on getting drunk and random hook-ups, then you might let someone who’d bring a lot of joy into your life pass you by.

There’s been a bunch of movies where the man is the one who needs to tone down his playboy lifestyle in order to let a special lady into his heart.  Here, Amy puts a modern twist on that old rom-com trope by being the woman who needs to decide whether meaningless trysts are worth passing up a good life with a wonderful man who’d do anything for her.

For me, the scene that makes the movie work comes when Amy’s nephew asks his aunt whether or not she likes Aaron.  Amy stumbles, says yes, but then starts to go into a longwinded explanation as to why that’s not enough, but the kid just interrupts with a, “Why don’t you invite him over?”

TRANSLATION:  So many potentially great relationships hid the skids when people talk themselves into dumping people they like for silly, superficial reasons.

If two people like each other and get along, they need to hold onto each other for dear life, because those kinds of relationships are hard to find.  If passed up, they rarely, if ever, come along again, at least not anytime soon.

STATUS:  C- Comedy.  B+ Love Story.  Amy and Bill get a chance to display their acting chops.  Not the knockout I hoped it would be, but don’t feel too bad for Amy.  Her mug’s all over the place these days.

Not shelf-worthy but worth a rental.

(But for the record, few people in the entertainment industry have done more to champion the idea that people shouldn’t be judged based on their looks than Amy Schumer, so on that note, A+)

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