Tag Archives: poetry

Text of “The New Colossus” By Emma Lazarus

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

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Text of Ulysses by Alfred Tennyson

It little profits that an idle king,
By this still hearth, among these barren crags,
Match’d with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.

I cannot rest from travel: I will drink
Life to the lees; all times I have enjoy’d
Greatly, have suffer’d greatly, both with those
That loved me, and alone; on shore, and when
Thro’ scudding drifts the rainy Hyades
Vext the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honour’d of them all;
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy,
I am a part of all that I have met;
Yet all experience is an arch wherethro’
Gleams that untravell’d world, whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnish’d, not to shine in use!
As tho’ to breathe were life. Life piled on life
Were all too little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.

This is my son, mine own Telemachus,
To whom I leave the scepter and the isle—
Well-loved of me, discerning to fulfil
This labour, by slow prudence to make mild
A rugged people, and thro’ soft degrees
Subdue them to the useful and the good.
Most blameless is he, centred in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.

There lies the port; the vessel puffs her sail:
There gloom the dark broad seas. My mariners,
Souls that have toil’d, and wrought, and thought with me—
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads—you and I are old;
Old age hath yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
‘Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Tho’ much is taken, much abides; and tho’
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

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Text of “Ode On a Grecian Urn” by John Keats

Thou still unravish’d bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy’d,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy’d,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say’st,
“Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know.”

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Text of Hamlet’s “To Be or Not to Be” Soliloquy by William Shakespeare

To be, or not to be-that is the question:
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles
And by opposing end them. To die, to sleep–
No more-and by a sleep to say we end
The heartache, and the thousand natural shocks
That flesh is heir to. ‘Tis a consummation
Devoutly to be wished. To die, to sleep–
To sleep-perchance to dream: ay, there’s the rub,
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There’s the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th’ oppressor’s wrong, the proud man’s contumely
The pangs of despised love, the law’s delay,
The insolence of office, and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered country, from whose bourn
No traveler returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o’er with the pale cast of thought,
And enterprise of great pitch and moment
With this regard their currents turn awry
And lose the name of action. — Soft you now,
The fair Ophelia! – Nymph, in thy orisons
Be all my sins remembered.
Read more at http://www.monologuearchive.com/s/shakespeare_001.html#56MjVFyjjM7Tucct.99

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Text of She Walks in Beauty by Lord Byron

She walks in beauty, like the night

Of cloudless climes and starry skies;

And all that’s best of dark and bright

Meet in her aspect and her eyes;

Thus mellowed to that tender light

Which heaven to gaudy day denies.


One shade the more, one ray the less,

Had half impaired the nameless grace

Which waves in every raven tress,

Or softly lightens o’er her face;

Where thoughts serenely sweet express,

How pure, how dear their dwelling-place.


And on that cheek, and o’er that brow,

So soft, so calm, yet eloquent,

The smiles that win, the tints that glow,

But tell of days in goodness spent,

A mind at peace with all below,

A heart whose love is innocent!

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Text of Ozymandias by Percy Bysshe Shelley

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”


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Text of Gunga Din by Rudyard Kipling

“Gunga Din”

By: Rudyard Kipling

You may talk o’ gin and beer
When you’re quartered safe out ’ere,
An’ you’re sent to penny-fights an’ Aldershot it;
But when it comes to slaughter
You will do your work on water,
An’ you’ll lick the bloomin’ boots of ’im that’s got it.
Now in Injia’s sunny clime,
Where I used to spend my time
A-servin’ of ’Er Majesty the Queen,
Of all them blackfaced crew
The finest man I knew
Was our regimental bhisti, Gunga Din,
He was ‘Din! Din! Din!
‘You limpin’ lump o’ brick-dust, Gunga Din!
‘Hi! Slippy hitherao
‘Water, get it! Panee lao,
‘You squidgy-nosed old idol, Gunga Din.’

The uniform ’e wore
Was nothin’ much before,
An’ rather less than ’arf o’ that be’ind,
For a piece o’ twisty rag
An’ a goatskin water-bag
Was all the field-equipment ’e could find.
When the sweatin’ troop-train lay
In a sidin’ through the day,
Where the ’eat would make your bloomin’ eyebrows crawl,
We shouted ‘Harry By!’
Till our throats were bricky-dry,
Then we wopped ’im ’cause ’e couldn’t serve us all.
It was ‘Din! Din! Din!
‘You ’eathen, where the mischief ’ave you been?
‘You put some juldee in it
‘Or I’ll marrow you this minute
‘If you don’t fill up my helmet, Gunga Din!’

’E would dot an’ carry one
Till the longest day was done;
An’ ’e didn’t seem to know the use o’ fear.
If we charged or broke or cut,
You could bet your bloomin’ nut,
’E’d be waitin’ fifty paces right flank rear.
With ’is mussick on ’is back,
’E would skip with our attack,
An’ watch us till the bugles made ‘Retire,’
An’ for all ’is dirty ’ide
’E was white, clear white, inside
When ’e went to tend the wounded under fire!
It was ‘Din! Din! Din!’
With the bullets kickin’ dust-spots on the green.
When the cartridges ran out,
You could hear the front-ranks shout,
‘Hi! ammunition-mules an’ Gunga Din!’

I shan’t forgit the night
When I dropped be’ind the fight
With a bullet where my belt-plate should ’a’ been.
I was chokin’ mad with thirst,
An’ the man that spied me first
Was our good old grinnin’, gruntin’ Gunga Din.
’E lifted up my ’ead,
An’ he plugged me where I bled,
An’ ’e guv me ’arf-a-pint o’ water green.
It was crawlin’ and it stunk,
But of all the drinks I’ve drunk,
I’m gratefullest to one from Gunga Din.
It was ‘Din! Din! Din!
‘’Ere’s a beggar with a bullet through ’is spleen;
‘’E’s chawin’ up the ground,
‘An’ ’e’s kickin’ all around:
‘For Gawd’s sake git the water, Gunga Din!’

’E carried me away
To where a dooli lay,
An’ a bullet come an’ drilled the beggar clean.
’E put me safe inside,
An’ just before ’e died,
‘I ’ope you liked your drink,’ sez Gunga Din.
So I’ll meet ’im later on
At the place where ’e is gone—
Where it’s always double drill and no canteen.
’E’ll be squattin’ on the coals
Givin’ drink to poor damned souls,
An’ I’ll get a swig in hell from Gunga Din!
Yes, Din! Din! Din!
You Lazarushian-leather Gunga Din!
Though I’ve belted you and flayed you,
By the livin’ Gawd that made you,
You’re a better man than I am, Gunga Din!

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Text of the Queen Mab Speech from Shakespeare’s Romeo and Juliet


O, then I see Queen Mab hath been with you.
She is the fairies’ midwife, and she comes
In shape no bigger than an agate stone
On the forefinger of an alderman,
Drawn with a team of little atomies
Over men’s noses as they lie asleep;
Her wagon spokes made of long spinners’ legs,
The cover, of the wings of grasshoppers;
Her traces, of the smallest spider web;
Her collars, of the moonshine’s wat’ry beams;
Her whip, of cricket’s bone; the lash, of film;
Her wagoner, a small grey-coated gnat,
Not half so big as a round little worm
Pricked from the lazy finger of a maid;
Her chariot is an empty hazelnut,
Made by the joiner squirrel or old grub,
Time out o’ mind the fairies’ coachmakers.
And in this state she gallops night by night
Through lovers’ brains, and then they dream of love;
O’er courtiers’ knees, that dream on curtsies straight;
O’er lawyers’ fingers, who straight dream on fees;
O’er ladies’ lips, who straight on kisses dream,
Which oft the angry Mab with blisters plagues,
Because their breaths with sweetmeats tainted are.
Sometimes she gallops o’er a courtier’s nose,
And then dreams he of smelling out a suit;
And sometimes comes she with a tithe-pig’s tail
Tickling a parson’s nose as ‘a lies asleep,
Then dreams he of another benefice.
Sometimes she driveth o’er a soldier’s neck,
And then dreams he of cutting foreign throats,
Of breaches, ambuscadoes, Spanish blades,
Of healths five fathom deep; and then anon
Drums in his ear, at which he starts and wakes,
And being thus frighted, swears a prayer or two
And sleeps again. This is that very Mab
That plats the manes of horses in the night
And bakes the elflocks in foul sluttish hairs,
Which once untangled much misfortune bodes.
This is the hag, when maids lie on their backs,
That presses them and learns them first to bear,
Making them women of good carriage.
This is she!

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Bookshelf Battlecast Episode 001 – “Invictus” by William Ernest Henley – Analysis and Discussion

I’ve made a resolution to podcast once a month in 2018 and seeing as it’s very late on January 31, I’m really squeaking by.  In fact, I’m cutting it so close that WordPress will probably date this post as February 1 but oh well.  Like I can tame the WordPress gremlins who screw with my fine blog.

The text (and my notes.)


By: William Ernest Henley

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
BQB NOTE: Shit happens and while Henley isn’t sure exactly what god or gods may be out there, he thanks them for the fact that he can control his reactions to the shit coming his way.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
 My head is bloody, but unbowed.
BQB NOTE:  We are caught in “the clutch of circumstance.”  Life throws shit our way and often we can’t control many things.  All it takes is one major shit storm to ruin all the work we put in towards a goal and suffer a major setback.  Henley feels like the constant stream of unexpected, unrequested shit is knocking him over the head and leaving his head bloody, but he’s not going to cave into the shit.  He’s not going to bow down and be all like, “OK shit, you got me!”
Beyond this place of wrath and tears
 Looms but the Horror of the shade,
And yet the menace of the years
 Finds and shall find me unafraid.
BQB NOTE:  Life sucks and then you die.  Don’t like life and all the unfair shit that happens.  Sorry.  Guess what happens next?  You’re worm food, bitch, so start trying to find whatever little joy you can amidst the shit because soon you’ll be in the shit.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate,
I am the captain of my soul.
BQB NOTE:  I can’t control life but I can control myself.  Am I going to fall apart when life doesn’t go my way?  No, I’m going to be a straight up baller, son, and I’m gonna keep doing me and all the shit in life can go suck a D.
Your thoughts?  Share in the comments.  Did you like my podcast?  Leave a review.  Didn’t like it?  Did you know there are many interesting cat videos on the Internet to watch?
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Bookshelf Battlelog #3 – I Must Murder 1,000 Chupacabras

3.5 readers, it isn’t easy being BQB.  I have to murder vampires, zombies, werewolves, all of that.

But I must all destroy the lesser known freaks, like chupacabras.  Yes, chupacabras.  Have you heard of them?  Maybe yes, maybe no.

They aren’t as popular.  They literally suck the skin off goats, so you know, there’s not going to be a Twilight for chupacabras.  No one’s writing a chupacabra love story.  I mean, I could, because I’m that good a writer (and humble) but I’m busy.

Look, you don’t need the details.  Suffice to say, an evil warlock has threatened to magically turn the wife of every man in the greater Tri-state area into a clone of Sarah Jessica Parker.

Now, yeah, I’ll admit, for some dudes with hideous wives, that’ll be an improvement.  Plus, you might be like, “SJP is hot!” and like yeah, if you look at her from one angle, I’ll give you that, but then if you look at her from another angle, she’s got a horse face.  Like, she looks like a horse lady.  Like, I wouldn’t know whether to kiss or click my tongue three times and give her an apple and brush her coat.  It’s confusing.  Men don’t need that problem.

So, fear not.  I will murder 1,000 chupacabras and then the warlock will be on his way.

While you’re waiting for me to finish besting this goat suckers, why not read some of Search Engine Optimized Poet’s SEO Optimized Poetry?  Full of buzz words that are sure to rack up the clicks!


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