Tag Archives: TV Reviews

BQB’s Twilight Zone Reviews – S3, Ep. 25 – “The Fugitive”


I did not like this episode at all.  It was stupid, weird, dumb…especially to the eyes of a person in 2018 but honestly, even though values were different back then, I’m not sure how this episode didn’t leave a few 1960s people scratching their heads either.

OK.  So here goes.  And SPOILER ALERT because I can’t complain about it unless I lay it all out there.

J. Pat O’Malley plays Ben, an elderly man who spends a suspiciously large amount of time playing with the neighborhood children.  That’s weird but OK, initially it’s like…fine, it was the 1960s and adults were more “adultier.”  Maybe adults were more trustworthy or maybe child abuse claims were swept under the rug more back in those days I don’t know, but it was a common staple of old black and white television shows to see old people just hanging out and having fun with little kids that just lived near them that they were not related to whatsoever and the impression wasn’t that these adults were pervs or anything but rather were just nice old people who were nice to kids.

SIDENOTE:  Please don’t let your kids hang out with random neighborhood adults.  Honestly, don’t trust people you know or are related to either.  You know what?  Just keep your kid next to you at all times.

Back to the review.  Ben has a special power -he can turn into any living thing.  He plays a space game with the kids where the kids pretend to be space travelers and he turns himself into a scary martian.

The old man’s best friend is eight year old Jenny and surely this sentence is creepy even by 1960s standards.  Oddly enough, Jenny’s aunt/guardian, played by Nancy Kulp of Miss Hathaway from “The Beverly Hillbillies” fame is portrayed as the villain, yelling at the little girl to stay away from the old man and yelling at the old man to stay away from the girl.  She’s portrayed as an evil battle-axe trying to keep two friends apart but you know, 2018 me is like, “The aunt is the voice of reason!  If that kid was my niece I’d tell that old bastard to stay away from the kid too!”

Moving on, there are a couple of mysterious dudes chasing after Ben.  He ditches them by turning into a mouse (which makes me think Michael Jackson might have been inspired here with his song about Ben the rat).

Blah, blah, blah – the ending.  The dudes are Ben’s subjects. Ben is the king of a faraway planet.  He didn’t want to be the king anymore so he ran.  The subjects like him and want to bring him back.

Ben and Jenny pull the old switcheroo  – they both turn into Jenny and so, the subjects must take both Jennies to the planet if they want the King.  I couldn’t help but think that it will be hard for the aunt to lose her niece, but I guess the writers felt she had to be punished for the crime of thinking that her eight year old niece shouldn’t be spending all her free time with a sixty something year old man.  Go figure.

The twist?  Rod Serling, as he was known to do, pops out of the woodwork holding a picture of a little boy.  Turns out that Ben was a little boy all along and…I guess…what…we’re supposed to think it’s ok that Ben and Jenny run away together?  I mean, you really need to suspend disbelief because Jenny is eight whereas we were told earlier that Ben is over 1,000 years old so I mean, come on, even if he’s a boy he’s like an adult in a boy’s body, unless boys live for a thousand years on that planet before they become adults and ugh…I just went cross eyed.

It’s weird.  It’s creepy.  It’s insane.  I have no idea if the writers intended this, maybe they were just lazy and wrote themselves out of a corner but I mean, yeah, there’s just no circumstance in which it’s cool for this kid to be running away with aliens…especially one that’s over 1,000, who has taken the form of an old human man.

I don’t know.  There were a lot of episodes and they all can’t be winners I suppose. This one was a big time stinkburger.

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The Walking Dead – Season So Far

Hey 3.5 readers.

BQB here.  I don’t have time for an in-depth review, but wanted to know what you all think about this season of “The Walking Dead” thus far.

I think it is one of the better seasons, I especially love the recent tension with Eugene.  I will say though the show has a tough decision.  The goal seems to be to kill Negan, the worst, most dastardly villain the show has ever seen and yet, he’s also the most interesting character the show has seen in a long time.

What say you, 3.5?

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Glow – More In-Depth (After Watching Full Season) Review (2017)

Hey 3.5 readers.

So, I ate these episodes up like popcorn over the weekend and I have to say that yes, it’s worth watching.

I especially like the overall theme that this is a bunch of failures who are tired of failing and want a win.

Pretty much all of the women are failed actresses, babes who moved to LA seeking stardom but got crap instead.  GLOW is their last chance for TV notoriety.

Sam Sylvia (Marc Maron) is a B horror movie director, addicted to booze and coke.  GLOW is his last chance to do something that people might like, plus producer Sebastian has promised to fund his next movie, as no one else in Hollywood seems interested in doing so.

Sebastian aka “Bash” is a rich young man who has everything and access to a ton of his wealthy mother’s funds.  He could do anything but he has essentially taken all of the opportunities his mother could give him and squandered them.  He wants to be a big time Hollywood big shot and sees GLOW as his ability to buy his way into the big time.

Most of the girls have their own “I’m trying to make a comeback” story but the two main wrestling gals in particular are Ruth Wilder (Alison Brie) and Debbie Eagan (the amazing big breasted Betty Gilpin.)

SIDENOTE:  You get to see Brie’s boobs but Gilpin’s big ripe casaba melons are never unleashed.  What a ripoff.  Maybe Netflix can offer her some more dough to go topless in season 2.

Anyway, Ruth takes acting very seriously, going to all sorts of acting classes, appearing plays – she treats acting like any other job.  “You should hire me because I have the credentials.”  But no one is hiring her, and GLOW is her last shot at stardom.

And not to give it away, but Debbie’s husband, Mark (Rich Sommer) is a dick cheeseburger with extra buttwipe fries.  Seems lame because if Debbie were my wife, I’d worship her and those magnificent mammaries and do whatever she required of me to maintain her everlasting happiness.

But that’s me.  I feel bad for Sommer.  He’s been typecast as a dick.  He’s a dick in GLOW and he was a dick in “Mad Men.”  Mad Men was in the 1960s.  GLOW is in the 1980s.  Casting agents must be all like, “We need an actor to play a dick in a period piece!  Oh, I know!  Call Rich Sommer!”

Returning to the main point, yes, even Debbie seeks a comeback, becoming a pro-wrestler to get back some of the control she lost at home.


I particularly enjoyed the USA vs. Russia i.e. Debbie as Liberty Bell vs. Ruth as Zoya the Destroyer.  People think of the Cold War as a 1950s/1960s thing but it was even happening in the 1980s, though Reagan and Gorbachev did a lot of work to cool it down by 1990.  Ironically, it seems to be heating up again today.

At times, the show also looks at past issues through present eyes.  All of the characters played by the girls are stereotypes.  One wrestler is a black woman called “Welfare Queen” who laughs at the audience about how they all have to work while she stays home and lives off their tax dollars.  She even pulls food stamps out of her bra and throws them at downed opponents.

Meanwhile, an Indian woman plays a Middle Eastern terrorist character, reminding people that terrorism (and related stereotypes) were alive in the 1980s.  9/11 had not happened yet, but as the show points out, terrorist airplane hijackings were constantly in the news.

Interesting to note though you do get to see the dark side of these stereotypes.  At times, the girls object, then they get roped into thinking it’s ok and will help them on the road to stardom, then they see how ugly and obnoxious the crowd gets, hating on the wrestlers because some in the crowd are too dumb to realize that characters like “Welfare Queen” and “Beirut” are real people underneath the costumes and are not the characters they are portraying.

STATUS: Shelf-worthy.  Come for Brie’s cheez-its.  Stay for (we can only hope) the great unleashing Gilpin’s sweater cannons in season two.  Let me know in advance if that’s going to happen, Netflix.  I want to take a day off just to watch.


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TV Review – GLOW

Alison Brie’s boobs!  Alison Brie’s boobs!

“Community” fans rejoice!  “Annie’s boobs” are finally on screen!

BQB here with a review of the new Netflix comedy/drama “GLOW.”

There was a period of several years where I would watch Alison Brie play it straight as a young, suffering wife to a philandering scoundrel on “Mad Men” only to flip the channel and watch her play perky, nerdy overachiever Annie on “Community.”

Now, it’s like she’s all grown up…and showing her boobs.

“GLOW” is the tale of the “Gorgeous Ladies of Wrestling,” the cheap and cheesy 1980s all female wrestling show, where scantily clad women would put on stupid costumes, speak in politically incorrect accents, make jokes that would totally not fly today, body slam the crap out of each other and do their best Hulk Hogan with boobs impression.

It’s the 1980s, so think big hair and yuppies galore as the flower children of the past are gone and money grubbing social climbers have taken their place.

Alison Brie stars as Ruth, a down and out actress who has moved from Omaha to LA.  She’s classically trained and has appeared in a number of plays, but can’t get a paying acting job to save her life and is facing all kinds of financial woes.

Enter GLOW – a new wrestling show directed by B-movie, super crappy horror film director Sam Sylvia (Marc Maron) who revels in showing how little he cares about this project and how deeply below him he deems it.  Maron puts his comic skills on display as he occasionally takes cocaine snorting breaks to ridicule the ladies, tell them how ugly, stupid and useless they are, etc.

When Ruth auditions, she too believes the show is beneath her but faced with either calling it quits on her dreams of fame or getting in the ring and rolling around with the gals, she chooses the latter and a star is born.

I have only watched the first episode thus far, but it caught my interest, so I will keep watching. While I am a fan of Jenji Kohan, this show seems to take a different turn from the snappy one liners of Weeds and Orange is the New Black.  The show features a darker, subtle, understated form of comedy and it’s more of a dramatic period piece than anything else.

I know from Mickey Rourke’s The Wrestler, professional wrestling isn’t all it is cracked out to be.  Sure, it may be “fake” but there’s a lot of physical activity going into those pratfalls and body slams.  It takes a toll on the body and the slightest mistake can leave a person badly injured.  I think that angle will be explored as we delve deeper into the show.

I never really watched “GLOW” as a kid.  I was aware of it but for whatever reason, never checked it out.  I was only a little kid during the 1980s and Hulk Hogan vs. the Iron Shiek captivated me.  I stuck with men’s wrestling all through high school, even in the Hulkster’s evil NWO days.  I was aware of women wrestlers and lady wrestlers would occasionally stop by to duke it out on men’s wrestling but overall, I guess GLOW was one of those things that escaped me.

But as long as it features Annie’s boobs I will keep watching.

What I liked about the first episode the most is it seems like it will be a show about losers who are tired of losing and fighting desperately to become winners.  We see Ruth living a life of absurdity as a budding actress, waiting in audition rooms filled with candidates all vying to play a secretary on a TV show with a five second line.  We see her paying the little money she has for acting lessons from a teacher who keeps falling asleep during her performance.

We see Sam on the tail end of his directing career, down and out, cast aside from making the movies he loved, directing a bunch of crazy women as they beat the crap out of each other.

Neither Sam or Ruth think GLOW is worthy of them…but they both see this as their last shot to do something worthwhile with their lives, so they are going to fight for it.

STATUS: Shelf-worthy.

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TV Review – Mystery Science Theater: The Return (2017)

Lousy old time science fiction movies!  Snarky robots!

BQB here with a review of Mystery Science Theater 3000: The Return.

Big time nostalgia factor for me here, 3.5 readers.  When the original MST3K film came out in the 1990s, my buddies and I watched it over and over again.  Oh, how we laughed and laughed.  We used to run around quoting lines like, “Science!  Men with screwdrivers!  Twisting things…and turning them!”

Ahh, you had to be sentient in the 1990s to get it.

Hmm…now I think I realize why I ended up as a lowly blog proprietor with only 3.5 readers.

Anyway, if you’ve never checked it out before, now’s your chance.  It’s back, this time with a series on Netflix.  Oh, Netflix.  Is there anything you won’t green light?

The premise is basically the same as the original.  A human is trapped in a space lair of some sort, forced by an evil villain to watch terrible old science-fiction movies for hours on end, supposedly as part of some study of how the brain operates while watching crappy movies.

The majority of the show is devoted to the human, Jonah Ray (Jonah Heston) and robot sidekicks Crow and Tom Servo, watching these horrendous films and busting on them with reckless abandon.  When you watch, you’ll see the film in your screen, with just three little shadows of the hecklers in the lower right hand side.

The movies are awful, old, poorly thrown together, devoid of any kind of decent plot, and usually suffer from a combination of laziness and a lack of special effects technology, because, you know, they were made a long time ago.  Also, they’re often foreign.  At any rate, there’s a strong chance that but for MST3K, you would have never have even heard of any of these films, that’s how bad they are.

The movie is broken up with Jonah and his bot buddies in various segments, doing interesting, wacky things.  Noted Internet nerds Felicia Day and Patton Oswalt star as Kinga Forrester and TV’s Son of TV’s Frank (crazy name), the villains who are keeping Jonah and the bots captive.

The segments are produced with low quality, low budget effects, assumably to mock the films that are being watched, but more likely because the studio didn’t want to shell out the cash.

I can’t quite put my finger on it.  It may be that when I was younger, I had a less discerning sense of humor.  Or maybe the original movie was great and then other versions, i.e. the 1999 show, the web show, or this Netflix show, are just attempts to recreate the glory of one very awesome film.

Maybe the 1990s were just a happier time where people weren’t as jaded and thus they laughed easier.

Maybe the big joke behind the concept was original then, but now it’s sort of played out.

I’ve only watched part of the first episode, Reptilicus, thus far.  In this one, the boys heckle what is essentially the 1960’s Dutch version of Godzilla.  It’s about as 1960s as you can get, complete with male scientists being surprised that women might know anything about science.

Much to my surprise, Erin Gray, aka Kate Summers aka Ricky Schroeder’s step-mom on the 1980s sitcom Silver Spoons, has a cameo.  I know.  I am ashamed of myself for knowing who she was.  Still, for a broad in her late sixties, she looks pretty good.  I would watch shitty movies with her anytime.

Overall, it’s a fun distraction and something to put on when you want to be entertained but don’t want to expend a lot of brain power.  It’s also a fun exercise to see what movies used to be and how far along they have come.

Moreover, it’s a tribute to the olden days, a time when networks would actually try to keep you entertained between commercials.  Local TV stations would often run a movie, then have some kind of weird character introduce it and talk about it between the commercials.  I mean, so I’ve heard.  I’m not that frigging old.

At some point we learned that the movies should not suck of their own accord and that a host shouldn’t have to keep the movie interesting.

STATUS:  It’s fun.  One issue is that the movies are, you know, long movies, so the episodes often run like an hour and a half.  That’s a big time commitment but hey, in true Internet style, if you put it up there, someone will check it out.  3.5 someones in my case.

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TV Review – The Big Bang Theory

Nerds.  So many nerds.

BQB here with a review of CBS’ The Big Bang Theory.  SPOILERS ABOUND.

Now in it’s tenth (my God, time moves so fast) season, this show follows the shenanigans of Cal Tech scientists Leonard, Sheldon, Howard and Raj (Johnny Galecki, Jim Parsons, Simon Helberg and Kunal Nayyar, respectively).

Oh, and all but Raj have significant others.  As of the tenth season, Leonard is married to hot next door neighbor babe/non-nerd struggling actress turned pharmaceutical rep Penny (Kaley Cuoco), Howard is married to short, sweet sounding yet gets angry often Bernadette (Melissa Rauch), and Sheldon is currently dating Amy (Mayim Bialik in her best role since Blossom.)  Alas, Raj remains single and strikes out with the ladies on a regular basis.

The one thing I notice when I talk to people about this show is that they either love it or hate it, but there’s little room for opinions that are in-between.  People who hate it feel this is a show that gives you a stereotypical view of a nerd, i.e. that all nerds are scientists and love comic books and so on.  My usual reply is, “Yeah.  Nerds are nerds and nerds do nerd things.”

In the show’s defense, it would be one thing if all the actors/actresses weren’t nerds in real life.  One thing I hate is the Hollywood version of a nerd, i.e. where they take a hunk or a babe and just whip a pair of glasses on him/her.  That’s essentially engaging in “nerd face” if you will.

I get the impression that all of the actors/actresses are nerds in real life, save Kaley Cuoco who is not a nerd and that is fine because she plays the hot neighbor girl that Leonard drools over.  Jim Parsons, in particular, strikes me as a super deluxe mega nerd, so much so that I’m not sure if his career as an actor would have ever taken off had he not landed the role of Dr. Sheldon Cooper.

By the way, don’t we all know a Sheldon Cooper of sorts?  Perhaps not to such a Sheldony degree, but surely we all know someone who we wish would show more empathy, someone who is super smart when it comes to book learning but incredibly dumb when it comes to human interaction.  FYI if you don’t know anyone like that then you might be that person.

Further criticism might come from the fact that Leonard lusts after Penny rather than, say, a nerd girl in his league.  My reply is that a) in earlier seasons Leonard, finding it impossible to gain any ground with Penny, does give nerd girls a try and they treat him just as shabbily.  In my personal experience, sometimes when it comes to the dating world, nerds can be worse to fellow nerds than non-nerds and b) at times, the show has flipped the script and made it out as though Penny is the one at a disadvantage, i.e. having never gone to college yet dating a scientist with a doctorate.

Ultimately, there’s a give and take, back and forth between Leonard and Penny that’s fun to watch.  We male nerds tend to chase after hot non-nerd babes like dogs chase after cars.  In this show, Leonard basically shows us the hilarity that ensues when a nerd actually catches a hot babe, i.e. he’s that dog who catches the car and now needs to figure out what to do.

Throw in creepy weirdo Howard and perpetually single Raj and you’ve got a sitcom.

Count me in as one of the people who like the show.  Admittedly, I did not watch it for years, but only because for years it was up against the NBC Thursday mega block that featured The Office, Parks and Recreation, Thirty Rock and Community.

Once that block ended, I started binge watching Big Bang and now I’m all caught up.  And yes, there are nerds who have tried to tell me that Community was the better nerd show.  To that, I just wonder why the nerd shows just can’t get along.  The more nerd shows, the merrier.

I’m impressed by the show’s ability to make jokes about incredibly complicated scientific concepts.  Sheldon and Leonard will be working on an experiment and say something complicated yet funny.  I won’t understand the complications but oddly, I’ll still understand why the joke is funny.  There are also little things, like the way Sheldon rips on Howard for being an engineer.  I never knew scientists dumped on engineers.

Ironically, it is possible to be a geek and not a nerd.  Nerds are super smart and love comics and fantasy.  Geeks also love comics and fantasy, yet aren’t necessarily super smart.  That’s why I’d say Community was more of a geek show than a nerd show, but again, geeks and nerds must learn to love one another, largely because we’re so nerdy and geeky that no one cool will have us.

To the show’s credit, there’s even a geek.  Stuart (Kevin Sussman) regularly appears as the gang’s not that bright but super geeky pal/comic book store owner.

Also, the girlfriends make the show.  The early seasons, where Leonard, Howard, and Raj are single sad-sacks are a tad depressing.  Sheldon is single in those days too but he’s sort of beyond human emotion and doesn’t seem to notice or care.  While Penny is Leonard’s love interest from the beginning, things get funnier when Bernadette and Amy are brought into the mix.

STATUS:  Shelf-worthy.  My one complaint is I feel like it has been ages since Penny put Sheldon to sleep with a rousing ballad of “Soft kitty, warm kitty, little ball of fur..”

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TV Review – One Day at a Time (2017)

A single mom, two kids and a hot eighty-five year old reboot the Norman Lear classic sitcom, exclusively on Netflix.

BQB here with a review of One Day at a Time.

As a Gen X-er (I swear we exist), I have vague memories of the original One Day at a Time.  Single mom Bonnie Franklin balanced raising two daughters, a job and a friendship with a wacky landlord during a time when TV viewers were just starting to accept seeing divorced characters in lead roles on TV.

I recall the show being mildly interesting but it wasn’t, say Facts of Life or Family Ties or one of those 1980s shows that has been handed down through the ages.  It was one of those shows that you’d watch while you were waiting for one of those other big shows to watch.  I can’t remember much from it other than it introduced the world to Valerie Bertinelli.

The show’s been rebooted with a modern flair with a Cuban-American family.  Justina Machado stars as single mother/Afghanistan war veteran/nurse Penelope.  She juggles her day job, raising two kids, her “I’ve made a deal with the devil to keep looking this young” mother Rita Moreno and a friendship with wacky landlord Schneider, who has been given a hipster makeover for modern times.

It has all of the sitcom cheesiness: canned laughter, silly jokes, formulaic plots and so on.  The family faces millennial problems that Bonnie Franklin couldn’t have dreamed of, i.e. daughter Isabella refuses to have a quinceanara because she thinks it is an outdated, misogynistic ritual, for example.

At any rate, the show is a good example of a reboot done right.  It takes a show that was popular back in the day but didn’t really develop a long lasting, post-run fan base, capitalizes on the name and the plot formula, yet makes it fresh and new.

And besides, Schneider was a hipster before hipsters even existed.

STATUS:  Shelf-worthy.

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TV Review – Last Man Standing (2011-Present)

If you were alive in the 1990s, chances are you, at least one time in your life, turned on your TV to watch Tim Allen grunt like a gorilla as he played with power tools.

Home Improvement was born out of Allen’s stand-up schtick in which he poked fun at men who begin playing with power tools only to feel surges of testosterone that cause them to regress into primates.  The schtick evolved into a show in which Tim would work on his home improvement television show by day then be a father at night.

I’m very late to the Last Man Standing party, mainly because I believe that by and large, the sitcom formula, though not technically dead, is certainly on life support.  Cheesy jokes, holding back on swears, formulaic plots, cookie cutter characters – all out the window ever since cable TV started producing their own television shows.

However, I noticed it was on Netflix the other day and feeling nostalgic for my youth in which Tim “the Tool Man” Taylor was one of celebrity father figures my TV offered me, I checked out and yeah, I have to admit, as cheesy as it is, it offered me an occasional laugh or two.

Allen has recycled his gorilla grunting tool man schtick into the form of Mike Baxter, an executive of sorts at “Outdoor Man,” a large Bass Pro Shop/Cabella’s type sporting goods store.

By day, Mike sells crossbows, knives, and hunting equipment, complaining about how unmanly men have got all the while.  By night, he reconciles his macho tendencies with the fact that he is outnumbered in his own home by his wife (Nancy Travis) and three daughters with no one but his infant grandson Boyd to turn to.  At times, he finds allies in the form of his hard ass boss Ed (Hector Elizondo) and his daughter’s boyfriend Kyle.

Gorilla grunts have been traded in for complaints about millennial hipsterism.  Baxter is sort of a less offensive Archie Bunker-esque character, unabashedly unapologetic with his conservative views yet twist his arm enough and he might try to see everything from the millennial hipster’s point of view.

An episode in the first season sums up the character.  When his company’s baseball team is forced to go co-ed (let females play), Mike is torn between his belief that men should be allowed to have their own time when they can grunt, snort, burp, drink beer and tell dirty jokes without worrying about offending women.

Co-ed sports are lose-lose for men as Baxter explains that if a man beats a woman at baseball he’s considered a bully, but if he loses to a woman he’s considered an embarrassment.

On the other hand, as a father of three girls, he dislikes the idea that someone might tell his daughters they can’t do something.  Ultimately, he recruits his most tomboyish daughter for a spot on the team and she crushes all the dudes.

Mike, who rants regularly on in videos on his store’s website, sums up a feeling that a lot of men think but few are willing to say out loud, “I want a world where women can do everything a man can do…and just don’t want to.”

Tim Taylor has grown up and morphed into Mike and Mike, like many of us modern men, suffer from an identity crisis.  Women have no idea what they want us to be anymore and we’re just as equally clueless.

But one thing’s for sure – we men need crossbows, and beer, and hunting equipment, and on occasion, the ability to burp and drink beer and tell obscene jokes without being judged by the women folk.

We’re just too evolved now to tell the womenfolk that they can’t join in on the outdoor crossbow hunting trips, but they’d better start burping and drinking beer and telling obscene jokes if they want to keep up.

File under – “Women Have the Right to Act Like Men Now…But Why Would They Want To?”

STATUS: Shelf-worthy.  Available on Netflix. Good show for when you need something not too complicated to watch for twenty minutes before you fall asleep.

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TV Review – Haters Back Off (Miranda Sings)

“Hey, where my baes at? Wicky wicky!”

Slather on some extra lipstick and hike up your pants, 3.5 readers.

BQB here with a review of Miranda Sings’ TV debut with Haters Back Off, streamable now on Netflix.

As a pop culture nerd, I’ve been aware of Miranda Sings’ YouTube channel for awhile. I can’t quite put my finger on when I first learned of her. Rather, it seems like the sun or water, she’s just always been there.

The character is so larger than life that you might be surprised there’s a real person under those pants.

Colleen Ballinger (honestly, I never knew the name of the person behind Miranda until she got her own Netflix show) has explained the genesis of her alter ego and I’ll try to do it justice (with some of my own assumptions that may or may not be accurate.)

Years ago, Colleen was an aspiring singer and as such, she was surrounded by all kinds of egotistical “look at me girls” who performed song covers in their bed rooms in front of video cameras, posted the videos on YouTube and then immediately thought doing so would launch a music career.

The odds of getting discovered like that aren’t great, so rather join them, she invented Miranda and made fun of them.

It was 2008, the early days of YouTube and Colleen aka Miranda became a comic genius.  She not only lampooned the egotistical “I want to be a success overnight by posting dumb videos” phenomenon that so many millennials have become swept up in, but she also got the chance to make fun of a variety of music stars in the process.

Great plan if you ask me, because if you head on over to YouTube and do a search for your favorite modern pop hit, chances are, if you scroll down far enough, you’ll see Miranda with her poorly applied lipstick and Steve Urkel-esque pants singing a cover of the song terribly yet congratulating herself on a job well done in her nasal voice anyway.

To Colleen’s credit, she’s embraced Miranda to the hilt low these many years.  She’s gone on tour and appeared on TV shows as Miranda and only as Miranda i.e. similar to the way Sascha Baron Cohen would go on a TV show as Borat and everyone would treat him as Borat.

Like Lady Gaga, Colleen has kept her poker face. Go to Miranda Sings’ Twitter and you’ll find a bevy of misspelled yet egotistical tweets as Miranda compliments herself on her latest activities whilst being clueless as to her skills, talent, or rather, lack thereof.

And Miranda has even developed all sorts of catch phrases. With “Haters Back Off” she has essentially immunized herself from YouTube criticism.  YouTube commenters are notorious for savagely ripping into YouTubers, often being a little too harsh on people who are just trying to show the world their interest in song, dance, entertainment or what have you.

But since Miranda is already parodying the “Oh my God someone wrote a bad comment about me on the Internet and it has ruined my life” lifestyle, it is hard to bring her down with a negative comment.  (Well, its hard to bring Colleen down. Miranda, for humorous purposes as we see in the first episode of her show, gets emotionally ruined by the slightest online criticism.)

Her other catchphrase is, “No porn.”  Miranda fancies herself classy.  If you dress in a skimpy outfit, she’ll likely accuse you of “doing porn.”

Social Media has truly exploded over the last decade and not always for the better.  This election, with friends and neighbors squabbling over their preferred candidate, is proof of that.

But the best thing about social media is it has allowed people with talent to shine and be discovered in a way that is usually reserved for people with connections, contacts, agents, and/or just a tremendous amount of luck.

Therefore, I tip my hat to this YouTuber as she took an idea, produced it out of her bedroom, nurtured, grew it, kept it going and eight years later, has her own TV show.

Now with many pop culture sensations, a TV show or movie based on said sensation usually ends up being crap.  Hollywood suits get together, attempt to ride a popular name for as long as they can, but then don’t give a lot of thought to the plot.

That’s not the case here.

In this show, we see Miranda’s life, and not just the parts from YouTube.

A homeschooled nerd devoid of style, manners, common sense, and/or talent yet overflowing with (you might say undeserved) self-confidence, the show begins with Miranda recording a poorly performed song and loading it to YouTube.

Miranda’s Uncle Jim is an assistant fish store manager and is as clueless and egotistical as Miranda is, convinced that he’s going to manage his niece’s entertainment career all the way to the top.

FYI Jim is played by Steve Little who you might remember as Kenny Powers’ clueless weirdo friend from HBO’s Eastbound and Down. Steve did such a good job with that role he is apparently going to be playing clueless weirdos forever now.

Eh, there are worse jobs, right?

Angela Kinsey (Angela the accountant from The Office who was always judging Pam when she wasn’t busy being Dwight’s creepy love interest) plays Miranda’s mother Bethany.

Bethany is convinced she has undiagnosed fibromyalgia (but more likely has hypochondria) and has a dress and a casual wrist brace, neither of which are necessary.

She nurtures Miranda to a fault and encourages Miranda’s unlikely music career and caters to her every egotistical whim (Miranda bosses her mother around similar to how Zach Galifinakis bosses his mother around in The Hangover.)

Rounding out the family is Emily (Francesca Reale) who is Miranda’s sister and the only normal, level-headed member of the family.

As I saw Emily reading a book entitled, Living with Crazy, I caught the point of the show.

Yes, a bunch of people got together and figured out a way to make a buck off the Miranda Sings character, but this show is much more than that.

This show puts “the other half” on full display, in all their glory.

So many shows are filled with beautiful people with beautiful people problems.  “Oh no, which of my many suitors will I pick? Everyone loves me, whatever will I do?”

Or worse, there are so many sitcoms with perfect parents and perfect children.

In the real world, real families have real problems.  Sometimes families aren’t even traditional, as in the case of a hypochondriac mother and a creepy uncle raising an egotistical daughter who is convinced she should be a superstar and another daughter who just yearns to live a normal life.

There’s something for everyone to relate to in this show.  Maybe YOU are the one in your family with a crazy problem.  Or maybe you are like Emily and you just want to be normal but you’re forced to deal with your family’s craziness.

And ultimately, the show is a lampooning of the quest for Internet fame.

Yes, people, you do live in an age where it is possible to bypass agents, auditions, and entertainment industry decision makers and gain notoriety on your own.

BUT – just because the technology is there doesn’t automatically mean you have the talent to make it happen.

Because you can do it doesn’t necessarily mean you should do it…and you just might make an ass out of yourself along the way.

Ahh, but here’s the rub.  “Get some confidence” is the advice we’re always told when we pursue our dreams.

What happens if your confidence outweighs your talent?

Such is Miranda’s dilemma.

I hand it to Colleen/Miranda.  Had she opted to be just another girl singing covers in her bedroom and posting the videos to YouTube, the odds are she wouldn’t have gone anywhere, but by creating a character to poke fun at these girls, she created an empire with little more than a pair of hitched up Urkel pants, some caked on lipstick, and a nasal nerd voice.

I hope this TV success doesn’t mean that Miranda is going to leave us anytime soon.

However, after seeing Colleen as herself on Jimmy Fallon, I can tell that it won’t be long before Hollywood starts knocking on her door with parts that are reserved for starlets and not nerds.

She deserves it but as her star rises, I just hope she doesn’t throw those hiked up pants away.  She needs to keep them in the back of her closet to remember that so many of her fans are, in fact, more like Miranda than they are like a Hollywood star.

I’m in awe of people who got in on the ground floor of the social media craze.

My initial reaction then was, “Eh, this is interesting but why the shit do I want to be on a website where everyone talks about what they had for lunch and posts a photo of their lunch?”

But Colleen found her niche, made a bold decision to be funny and not take herself seriously by inventing a hilarious character and eight years later, people are taking her seriously now.

Impressive.  Where my baes at?

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TV Review – Pushing Daisies (2007-2009)

This is the best show that you probably never saw.

Dead revival powers + lighthearted mysteries + awkward (and dangerous) romance = Pushing Daisies.

BQB here with yet another TV review.

It often astounds me what the network suits decide should be cancelled and what should stay on.  It was truly a “grave” (ha, puns!) injustice that this show didn’t get more seasons.

How to explain it?

As a child, Ned learns he has a mysterious, supernatural power – he can bring the dead back to life with his touch.

Of course, nothing is that simple and there are some catches:

  • If he brings a dead someone or some thing back to life, a live someone or some thing in the surrounding area will die to balance things out.
  • If he touches the revived dead again, he/she/it will die again, this time permanently, and the touch will not work on that subject again.

As an adult, Ned (Lee Pace) has opened up his own pie show, “The Pie Hole” but it is failing financially.

So, he teams up with private investigator Emerson Cod (Chi McBride).  Ned touches murdered people, he and Emerson ask them how they died and (hopefully if they know, who killed them).  They only have sixty seconds to make their inquiries and then Ned must touch the person before someone else in the area dies in the revived dead person’s place.

Emerson then passes it all off as though he solved the crime through his masterful detective skills and splits any ensuing reward money with Ned.

The situation becomes complicated when his childhood friend Charlotte aka “Chuck” (Anna Friel) returns to her hometown, but not as Ned would have hoped.

Chuck has been murdered, but when her body is shipped home for burial, Ned brings her back to life.

Chuck is grateful and joins in Ned and Emerson’s crime solving routine.  Alas, Ned and Chuck must figure out a way to keep their romance alive despite Ned not being able to touch Chuck ever again because if he does…she’ll die.

Without giving too much away, it involves a lot of plastic wrap.

I’m not sure where you’ll be able to watch it, 3.5 readers. At the time of this writing, I wasn’t able to find it on Netflix.  I’m sure it must be around somewhere and I suppose if you have the dough and love the show enough you could buy it but if you know where it can be streamed let my 3.5 readers and I know.

STATUS: Shelf-worthy.

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