Tag Archives: bookbloggers

Public Domain Horror Fiction – Mary Shelley’s Frankenstein

Green face.  Bolts in the neck.  Lumbering walk.  Says, “Grr!  Arrgh!” all the time.  No wonder that Frankenstein monsters did not take pop culture by storm in the way that vampires did.  While there are umpteen million stories about a heroine who must choose between a vampire or a werewolf, you’ll never see one where she has to choose between a vampire or a Frankenstein monster.

Still, Mary Shelley’s Frankenstein is an epic tale of a) man’s desire to cheat death b) man’s awareness of his own mortality c) man’s futile attempts to control nature through science and well, if you learned any other lessons from reading it, feel free to post them below.

Published in 1818, Mary Shelley’s copyright over this work isn’t coming back to life, even if you strap it to a table and wait for a lightning bolt to zap it.  Thank you Mary for writing a work that has withstood the test of time.

And thank you Project Gutenberg for preserving it:

http://www.gutenberg.org/ebooks/41445

“How dangerous is the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to be greater than his nature will allow.”

– Mary Shelley’s Frankenstein

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Public Domain Horror Fiction – Bram Stoker’s Dracula

Vampires.  They sure do suck these days.  Pun intended.

You’ve got your Twilight vampires who are all glittery and filled to the brim with existential enui.  Then there’s the True Blood vampires who think their whole purpose in life is to act out a different Penthouse forum letter everyday.

Let’s get back to vampirism’s roots, with the bloodsucking fiend that started it all – Count Dracula.  I don’t know about you, but I prefer my vampires to wear capes and medallions, have slicked back hair, and go, “Bleah!  Bleah!” all the time.  Call me old fashioned.

Published in 1897, a stake was driven through the heart of Stoker’s copyright long ago, so you can check out Project Gutenberg’s Free E-book here:

http://www.gutenberg.org/ebooks/345

Happy Reading, Suckers!

“Do you not think that there are things which you cannot understand, and yet which are; that some people see things that others cannot? But there are things old and new which must not be contemplate by men´s eyes, because they know -or think they know- some things which other men have told them. Ah, it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain.” – Bram Stoker’s Dracula

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Public Doman Horror Fiction!

It’s Halloween time and while the dead rising from the grave is not unheard of at this time of year, rest assured – the copyrights of some of history’s greatest horror authors are as dead as a door nail.

To promote the great horror classics, I’ll be sharing excerpts from the likes of Poe, Shelley, Stoker and King.  Wait, wait my lawyer just called.  King’s still alive.  OK, no King!

Links will be to http://www.gutenberg.org – the home of Project Gutenberg, a wonderful ongoing effort to digitize and preserve the classics, making them free and available to everyone.  Please check their site out and if you can, donate.

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The Writer’s Battle – Expression Challenge – “It is what it is.”

EXPRESSION: It is what it is.

MEANING: A situation that is difficult yet must be accepted as is, for it is unchangeable.

EXAMPLE: MARGOT: Hi Becky. Just wanted to say I am sorry to hear that your lousy husband stole all your money, ran off with your sister to Paraguay, and started a folk music jazz fusion band together. Moreover, I was chagrined to hear that their new hit single, “Becky Sucks in Every Conceivable Way,” which is basically just a list of all of your faults set to a melody, has not only gone triple platinum but has had a Sirius XM channel devoted to playing it on a continuous loop 24/7.

BECKY: It is what it is.

COMMENTARY: I really despise this one. These days, I mostly see it posted all over facebook, social media, etc. People trying to be cool about a situation by saying the obvious – “It is what it is.” Of course it is! What else could it be? Unfortunately, we live in a society where everyone is so sensitive about every little thing that if you complain about something negative in your life people start to become amateur psychologists and try to diagnose you with depression. No one can just take two seconds to complain about a crappy situation without everyone getting all flustered. “Oww! I hate that I stubbed my toe! That really bugs me!” “Really? Sounds like you are well into the advanced stages of the early onset of clinical depression! Get ‘ye to an insane asylum posthaste!”

So to avoid people making a big deal about something, people just say “It is what it is.” It sounds negative without being negative. It lets someone complain without complaining.

ORIGINS: “It is what it is.” Surely, that has to be a grandiose philosophical statement of epic proportions. I can see Socrates, Aristotle, and Plato all sitting around in their togas, pondering the mysteries of this phrase.”

PLATO: What is it?

ARISTOTLE: It is something, surely. Something it must be.

SOCRATES: It is what it is.

ARISTOTLE AND PLATO: Whoa!

Over time, various philosophers and political movements got their grubby mitts on this expression and twisted it to suit their own ends:

COMMUNISM: If it’s yours, it should be ours!

FACISM: If it’s theirs, it should be ours!

CAPITALISM: Screw you! It’s mine!

EXISTENTIALISM: It is to the extent you believe it is.

NIETZCHEISM: There it is…enjoy it while it lasts.

MACHIAVELLIANISM: Make it yours before the other guy makes it his.

1960’s HIPPY-ISM: It is like whatever, man.

DARWINISM: If it is the best, it lasts longer than the rest.

PREPARE TO HAVE YOUR MIND BLOWN: That’s right. You heard me. I’m about to tilt the world’s philosophical axis, right here on a dorky book blog website. Check out my own flawless philosophy:

It is what it is.

If it is what it is, then —> Is it not what it is not?

BUT —> If it IS NOT what it IS NOT…

THEN—> IT MUST BE WHAT IT IS NOT!

AND THEREFORE:

The transitive property teaches us that IT is both what IT IS *AND* what it IS NOT!

I know! I should have told you to sit down for that one, right! Are your heads ok? Did they blow up? Did I just lose half my readership? Am I down to only six readers now? I’ll have to make it six more to make it an even dozen.

You may scoff, but if you think about it – is a person not defined by a) what he is and at the same time b) what he is not? Is a person who is a) a good person also b) not a bad person? Is a person who is a) a dentist also b) not a race car driver?

Put that in your pipe and smoke it. Go tell it on the mountain! It’s the Expression Challenge now till Labor Day on bookshelfbattle.com where once in awhile, the proprietor actually does review a book!

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Book Review – Fletch by Gregory McDonald

BASIC BOOKTOMETRICS

TITLE: Fletch

Author: Gregory McDonald

Publisher: Vintage Crime/Black Lizard

Publication Dates: First Published 1974; Published 2002 by Vintage Crime/Black Lizard

GENRE: Crime/Mystery/Humor

FORMAT REVIEWED: Paperback

NUMBER OF PAGES: 197

I have a new hero. His name is the late, great Gregory McDonald.

There are some books that are giant, unrelenting tomes. You break your back carrying such books around and yet despite the voluminous number of pages, the story goes nowhere.

Then there’s Fletch. In a little under 200 pages, McDonald, in his streamlined, use one word instead of ten, writing style manages to successfully provide the reader with a story about an anti-hero who solves not one but two complex mysteries.

If you’re old enough to remember the Reagan administration, then you may have seen the Fletch movies by Chevy Chase – Fletch and the sequel, Fletch Lives. Both were funny and gave Chase his moment in the sun. Sadly, after reading the novel, I’ve realized that the movies were really only loosely based on McDonald’s work. The films served as a vehicle for Chase to show off his multiple character talents. For some reason, the epitome of the gold star for a comic is to star in a movie where he gets the chance to do various accents and pretend to be all different varieties of people. As movie Fletch, Chevy puts on all kinds of goofy costumes and buffoons his way through solving crimes while tricking people into giving information to the various personas he takes on.

If you lived during the 80's, you'll remember Fletch.  Also, Destro.

If you lived during the 80’s, you’ll remember Fletch. Also, Destro.

The novel is a bit different. Make no mistake, on top of everything else, it is funny. But while the movies were zany funny, the novel could probably be described best as a dark comedy. The reader finds himself laughing at things that he probably should not laugh at in polite society.

The plot? Fletch’s real name is Irwin Maurice, or I.M. (I am) Fletcher. He’s an LA based reporter posing undercover as a bum, trying to trick various beach dwelling hoodlums into helping him find the supplier of a constant flow of drugs to the beach scene for a story he’s writing.

His cover is so good that he fools wealthy business executive Alan Stanwyck into thinking that he’s merely a degenerate drifter. Stanwyck picks up Fletch and makes him the following proposition, which I’ll post below so you can get an idea of the quick-draw, rapid fire pace at which McDonald writes:

What’s your name?”
“Fletch”
“What’s your full name?”
“Irwin. Irwin Fletcher. People call me Fletch.”
“Irwin Fletcher, I have a proposition to make to you. I will give you a thousand dollars for just listening to it. If you decide to reject the proposition, you take the thousand dollars, go away, and never tell anyone we talked.”
“Is it criminal?”
“Of course.”
“Fair enough. For a thousand bucks I can listen. What do you want me to do?”
“I want you to murder me.”
Fletch said, “Sure.”

Stanwyck claims to have terminal cancer and offers Fletch $50,000 to return to a week and shoot him in his study. He tells Fletch this will allow him to avoid suffering through a prolonged, agonizing death and as it will appear like a burglary gone bad, his wife will obtain a hefty insurance payment. Fletch may be a degenerate (he is haunted by his two ex-wives’ divorce lawyers throughout the novel) but he’s no dummy. Refusing to take Stanwyck at his word, he sets out on an investigation to find out whether or not Stanwyck is telling the truth. By posing as various people (insurance investigators, lawyers, “old long lost friends,” etc.) he manages to trick the people in Stanwyck’s life to give up the dirt. In the process, he even discovers the source of drugs on the beach along the way.

I really enjoyed this book. If you’ve seen the movie, you haven’t experienced the full story. It amazes me that in such a short novel, McDonald manages to provide the reader with a rich, in-depth experience. Rarely do I read a novel and want to read the series, but I think I might actually do it with this one. In case you are interested in the reading order for the Fletch novel series, I’ll post it below.

Note that while Fletch was McDonald’s first novel published introducing the Fletch character, he also published prequels, so Fletch is not the first novel in chronological order.

Reading Order for the Fletch Series of Novels by Gregory McDonald

Fletch Won

Fletch, Too

Fletch and the Widow Bradley

Fletch

Carioca Fletch

Confess, Fletch

Fletch’s Fortune

Fletch’s Moxie

Fletch and the Man Who

Son of Fletch

Fletch Reflected

McDonald was a newspaper reporter himself, so I imagine that he had an idea of the difficult life of a reporter that Fletch faced. It’s always interesting when authors write about environments they have personally experienced. I’m putting him next to Joseph Heller of Catch-22 fame as an author who can be funny and serious at the same time.

As always, Bookshelf Battlers, thank you for stopping by. Shameless plug – please follow this blog, and if you’re on Twitter, follow @bookshelfbattle I’ll keep writing reviews as long as somebody keeps reading them. May your days be filled with booktastic goodness.

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