Tag Archives: writing

#31ZombieAuthors – Day 24 Interview – W.J. Lundy – WTF

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My guest today is soldier/writer W.J. Lundy.

A veteran of the U.S. Military with service in Afghanistan, W.J. has over fourteen years of combined service with the Army and Navy in Europe, the Balkans, and Southwest Asia. W.J. is an avid athlete, backpacker and shooting enthusiast.

After being asked in jest about how it would be possible to defend against a zombie attack, W.J. began taking notes about his ideas and sure enough the Whiskey Tango Foxtrot series was born. In fact, W.J. wrote the first book of the series, Escaping the Dead in a small, spiral bound note book and later tapped it out on a keyboard once he got back home.

So it just goes to show you, 3.5 readers. You never know where or when inspiration might strike.

 NOTE: BOLD=BQB; ITALICS = WJ

61iZBK4i3+L._SX353_BO1,204,203,200_ Q. W.J., welcome. Thanks for talking to me today and thank you for your service. Obviously, I’m not a military man but I’m going to wager that “Whiskey Tango Foxtrot” translates into “WTF” or in other words, a phrase I might yell if I see a zombie, correct?

A. Absolutely, it is a bit of military vernacular. There are so many common phrases like this, and when I came up with the story line WTF fit the tale best, it really punctuates that first flash message to your brain when the target refuses to go down. It also translates nicely into civilian speak.

Q. I’m just going to throw it out there. I’m envious of your multi-tasking skills. I’m always whining that I’m never able to find the time to write and yet here you are, serving in the military, fighting evil, being an all around bad ass and such, and you still find time to write and publish. Meanwhile, if I feel a little cranky, or tired, or if there’s a good movie on HBO then I call it quits on writing for the rest of the day, so my hat goes off to you, sir. How do you do it? For aspiring scribes like myself, what advice do you have to balance work and writing?

A. I have to admit I find it very difficult. When I first started writing it was to fill the voids and occupy the down time while overseas, I could pour words on the page. As I returned from Afghanistan, my downtime was replaced with family time and many, many, other things. Now that the series and demand for more books has taken off, I typically find myself writing in the midnight hours of the day. I have pushed a lot of TV viewing and pleasure reading to the back for a while.

Breaks tend to help me and motivate my writing. Recently I was out on a 12 week training stint, it pulled me completely out of my creative zone, those reboots slow down my production, but I also come back with fresh ideas and a stronger drive to tackle a project. I like opening a document back up after one of those extended breaks, it’s like seeing something from a different POV and the characters really begin to take off again.

Q. There’s an old adage that goes, “Write what you know.” Obviously, you’re doing that here. How does your military experience inform the journey of your protagonist, Staff Sergeant Brad Thompson as he and his brothers and arms fight the zombie hordes?

A.  The biggest connection to my experience is with the character development and the character interactions, I also like to take readers to different parts of the world, places the average civilian will never experience. At the heart of the story, I like to stay true to my service background, and the military’s core values. Even if it at times it makes the story line feel stiff, I will choose realism over fantasy action scenes. In a civil breakdown like in WTF, it would all fall down to discipline and small unit leadership. Most of my real world missions have all been Joint service and I like to describe the “one team-one fight” relationship that the different branches of the service have. As long as those things remain after the balloons go up, I think we have a chance. If people stop working together and the military and law enforcement fall into anarchy and chaos we are all F’d….

Q.  Divided We Fall, which is Book Six of the Whiskey Tango Foxtrot series, has currently sold 150,000 copies and has 1,000 five star reviews by Amazon customers. Admittedly, I’m no publishing expert, but I am a book nerd and in my experience, that’s pretty amazing. The average of all your customer reviews is 4.8 and to put things in perspective, George R.R. Martin’s Game of Thrones has a 4.5 average. I’m not putting down Game of Thrones, but it just goes to show even the likes of the great George R.R. will have the occasional crabby reviewer throw a monkey wrench in the works. Can you take my 3.5 readers and I under your wing, oh wise one, and put us on the path to greatness with a few writing tips? How are you able to acquire such a high level of customer satisfaction?

A. Honestly I am amazed at my readers and the kind reviews I have received. The best thing I can say is write in your own voice, and don’t try to paint a picture in someone else’s vision … If that makes sense. I’ve helped a few aspiring writers and some of the worst things I’ve read is when a writer is trying to mimic another work, or write in someone else’s voice. Just tell the story the way you’d tell it to a friend, describe the scenes the way you see them. And of course find a quality trusted editor that you like and enjoy talking to. If you don’t like your editor, or have a bond with them it will show in the end result.

Q. Do you have any plans to branch out and possibly have the military fight other types of monsters? Just spitballing here, but Army Dudes vs. Cthulhu would be pretty sweet.

A. The Darkness Series is an Alien\Zombie hybrid tale, I have big things in mind for that series. The tone really hardens in the second book of the series The Shadows. If you like Body Snatchers with a mix of Battle of Los Angeles I think you will dig The Darkness. It is a fast developing Science fiction horror tale with some hard hitting guerrilla warfare dropped on top. The setup has been laid down with TD and I am really letting things go wild in TS.

Q. W.J. thanks for taking the time to speak with me today. Before I go, do you have any last minute advice that might help my friends and I brave the East Randomtown Zombie Apocalypse?

A. Zombies are synonymous with any threat (hurricane, terror attack, random violence). Stay vigilant, stay alert and stay alive. Whenever possible travel in pairs, know when to fight and when to run, and when you must fight, then fight as a team. Know your terrain and most importantly, always have a plan and a place to regroup with family if you lose comms.

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BQB’s Zombie Apocalypse Survivor’s Journal – Day 24

I tied a string to the locked door handle and carried the other end to the middle of the locker room.

“Call me MacGyver because I’m about to turn something into nothing,” I said.

“You’re going to encourage them to floss?” Alien Jones asked.

“No,” I said, handing the Esteemed Brainy One the string. “You yank on this when I’m in position and as soon as our captors open the door to investigate, I will round house kick them in the face, steal their weapons, and we’ll make a run for it.”

“That’s the dumbest thing I’ve ever heard,” VGRF said.

“Not really,” Alien Jones replied. “Funny story, but that’s actually how the Tardoznians conquered Solano.”

“Not exactly a MacGyver move though,” VGRF said. “MacGyver would take like a paper clip and a milk carton and make a tactical nuke.”

“Does anyone have a better idea?” I asked.

Hearing none, I took a spot next to the door.

Alien Jones yanked the string. The handle rattled a bit.

Everything was quiet for a minute, then from the other side of the door, Carl yelled, “Hey! Stop rattling the handle!”

I looked at Alien Jones and nodded. The little green guy yanked the string again.

“Seriously!” Carl yelled. “That’s mildly annoying! Knock it off!”

Alien Jones yanked the string again.

“Fine!” Carl yelled. “You all want to be a bunch of jerks and make noise all day? Fine by me! Rattle away!”

We gave up.

“OK,” I said. “That was a shit plan.”

“What now?” Blandie asked.

“Sit here and wait for our imminent demise,” I said.

Everyone huddled around Alien Jones’ space phone to watch Netflix.

Bernie hanged back.

“Yo homie, I got yo back.”

“Thanks Bern.”

“Nah G,” the wannabe rapper said. “I been thinkin’ a lot about that shit you said to me back at Price Town. You was mad right yo.”

“I was?”

“Hellz to the yeah,” Bernie said. “I need to get my shiznitty together. Get a day job. Pay my bills and get me a fresh crib so I can work on the Funky Hunks revival in style.”

“I thought I said to give up the Funky Hunks.”

Funky Hunks represent.

“You was wrong about that, playa,” Bernie said. “It’s Funky Hunks or die as far as I’m concerned. But you’re right. I need a job until that happens. And luckily, thanks to the Internet and technology, I can kick my fresh rhymes and deliver them straight to the public without the middle man.”

“You’ve got a point,” I said. “I run a blog for 3.5 readers. You could probably find 3.5 forty something ladies in blue denim stretch pants who’d appreciate the Funky Hunks’ wholesome style, just as the soccer moms of the past did.”

“Damn straight, sucka,” Bernie said.

He bumped my fist and then we performed an elaborate handshake.

“You still remember our shit?”

“You know it.”

Bernie turned himself into a human beatbox, dropping a beat with his mouth. Then he launched into our signature song, “We Be Recylin.”

WE BE RECYCLIN

MC PLOTZ:

Yo. 1999. It’s Funky Hunk time!

Check it!

You mixed in your cans with a banana peel.

Fool, you why you givin’ Mother Nature a raw ass deal?

Recyclin’ is what you need to do.

To save the world and make a difference too

Bernie paused and handed me an imaginary mic.

I was reluctant at first.  It’d been so long since I picked up the mantle of Read N’ Plenty.  But then I just went for it.

READ N. PLENTY:

Give me the mic!

And let me recite

About the trash in my can that I pack in tight!

I keep the bottles from the cans and the cans away from paper!

We only got one world and it’s up to us how we’ll shape her!

We turned to the group, struck the classic 90’s rapper folded arm pose and said in unison:

Word to Gaia, bitch!

Alien Jones scratched his head, unsure of what to make of the spectacle. Blandie rolled her eyes. VGRF stood up and clapped her hands.

Carl piped in from the other side of the door.

Read N. Plenty

Read N. Plenty

“Are you guys doing that Funky Hunk stuff? Aww, I loved those songs! That’s so cool and non-threatening! Reminds me of the simpler days of my youth! Can you do, “Look Both Ways Before Crossing the Street, Bitch?

“Umm,” I said. “OK.”

“Cool.”

We heard the door unlock.

“Hold on,” Carl said. “I’m going to come in and watch.”

I ran into position next to the door. We all looked at each other, unable to believe Carl was this stupid.

The hill billy walked through the door and BAM! I round house kicked him right in the face, sending him crashing to the floor.

I grabbed his rifle.

Quickly, we made it to the hallway only to find George and Billy coming up from the other side.

“Damnation!” George said to Billy as soon as he spotted us. “I leave your idiot brother in charge for two seconds and look what happens!!”

George and Billy took a few shots at us. I returned fire. All three of us were terrible shots. NRA memberships were definitely not in our futures.

In the middle of the hallway, there was a door. I grabbed the handle and covered the group as they ran in, sending a hail of suppressing fire at our captors.

I learned that move from watching Video Game Rack Fighter play War Shooter for hours on end.

Finally, when everyone was in, I locked the door.

George and Billy and pounded their fists on it.

“Believe you me,” George yelled. “That ‘aint a room you want to be in, Battler!”

The room was pitch black. We couldn’t see anything.

Groans. Grunts. Ugghs.

“Did you leave one of your pornos going on the space phone?” VGRF asked.

“I don’t think so,” I said. “Um, I mean no, I don’t watch stuff like that.”

“Humans, I sense a problem,” Alien Jones said.

I found the light switch and flicked it.

We were in an empty room filled with at least twenty zombies. They all lunged at us. There wasn’t much room to fend them off.

“Ideas?” VGRF asked.

“The Mayor isn’t ready for you to meet them yet!” George shouted.

I opened the door. My group and I returned to the hallway to find George and Billy pointing their weapons at us.

George locked the door. The zombies on the other end pounded on it.

“They’re for your trial,” George said. “The Mayor’s going to have some fun with you, boy.”

“Can you stop calling me, ‘boy?’” I asked. “No offense, but it makes you sound like you’re from Deliverance.”

George grabbed me by the back of the neck.

“Come on, nerds! Back to the showers with you!”

We were returned to the girls’ locker room. Carl’s knocked out body was collected and we were locked in.

“Try another stunt like that and every last one of you will be executed where you stand!” George warned.

“Thank you,” I said. “Thank you, guy who used to cut my hair for five dollars and hand me a lollipop when I was a kid. Good to see the zombie apocalypse has worked its magic on everyone.”

I looked at Alien Jones.

“Do you have to hack it up again?”

“Nope,” the Esteemed Brainy One said as he handed me the space phone. “I just stashed it in my pocket this time. These cargo pants are fun AND functional!”

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#31ZombieAuthors – Day 22 Interview – Ryan Casey – Zombies and TV Style Serialization

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By: Special Guest Interviewer, Alien Jones

Attention all humans. Today’s guest is Ryan Casey, author of the critically acclaimed zombie apocalypse series, Dead Days. Zombie fans will also enjoy Infection Z and mystery buffs should check out the Brian McDone Mysteries series.

Known for tales filled with dark, page-turning suspense, complex characters and knockout twists, Casey has a BA in English with Creative Writing from the University of Birmingham. A resident of the United Kingdom, he enjoys American serial television and wastes too much time playing football manager games.

Thanks for taking my call, Ryan. I hope you don’t mind being interviewed by an alien. BQB was kind of a wuss about touching a phone covered in intergalactic goo. Go figure.

NOTE: BOLD=Alien Jones; ITALICS=Ryan

Q. Let’s get the important stuff out of the way. Are we talking American football as in the NFL or the game Americans call soccer but the rest of the world calls football?

A. Oh, soccer. Absolutely soccer. I’m a massive sports fan all round though and NFL’s profile is definitely growing in the UK, much like soccer in the US. Football Manager games are the height of addiction, mind. If you want to offer up a portion of your productivity to the gods of procrastination, go ahead and pick up a copy. You’ll absolutely regret it.

510gVdAGSWL._SX331_BO1,204,203,200_Q. Dead Days is the story of a group of survivors in a UK based zombie apocalypse. The description of Season Two of Dead Days states, “the only survivors were those willing to sink to the most brutal depths of humanity in order to further their own existence.”

So I just have to ask, if only the most depraved are able to survive an apocalypse, should we be concerned that a-holes are destined to inherit the Earth?

If I’m being cynical, I’d say yes, that’s a very big concern. Nice guys really do finish last a lot of the time, as I’ve unfortunately discovered through experience on way too many occasions. So if you want to survive an apocalypse, get practicing being a depraved arsehole — fast!

In all seriousness though, I don’t think it’d quite play out like that. I think humanity would struggle, naturally, especially if communications and luxuries of a material world suddenly become irrelevant. I like to think there’d be a lot of room for good, positive movements, too. They just don’t make for quite as good reading.

Q. Piggybacking on that last question, when a zombie apocalypse requires survivors to “sink to the most brutal depths of humanity,” is there anyone left for the reader to root for?

Yes! Absolutely. I love these characters and apparently so too do readers. I think what makes them so relatable — or more specifically, empathetic — is that they all go through shit. They all make bad choices. They all do things in the heat of the moment that stay with them, haunt them.

But the difference between the heroes and the villains of Dead Days? The heroes overcome their demons. They face up to their sins, take responsibility. The villains succumb to their problems. Which, unfortunately, often makes them even more dangerous.

Q.  A lot of people want to write but not as many study writing formally. You studied Creative Writing at the University of Birmingham. Did you find that experience helpful and would you recommend Creative Writing as a major to other aspiring writers?

I found it a helpful experience. There were some good teachers and some fantastic fellow students, for example Stuart Meczes, author of the brilliant HASEA urban fantasy novels. But I’d say it’s all just a part of the wider learning program of being a writer. The learning doesn’t stop when we leave university. The learning continues, constantly.

I believe the only way to keep writing fresh is to consistently push myself. I want the novel I’m working on to be the best novel I’ve ever written… and for the next novel to be even better. I write a lot, but I throw away even more. Seriously, you do not want to see my unfinished novels folder.

Q. You like serialized television and it shows in your writing. In fact, Dead Days is offered to readers in a serialized format, meaning episodes come out at regular intervals to eventually form a seasonal box set. As an author, what inspired you to present your work in this way rather than in one large novel?

Dead Days was an experiment that worked out beautifully. I’m a big fan of serialised television, like you note, and was particularly influenced by this golden age of television we’re living in. Shows like Breaking Bad, Game of Thrones, True Detective, The Walking Dead — some truly stellar writing, better than anything the movie industry offers at present, in my humble opinion.

I always thought the serialised form went hand in hand with this generation of shorter-attention spans and constant distractions, but I was disgruntled with how many “serial” projects were actually just novels broken up into parts.

The intention of Dead Days was, and still is, to transform a television experience onto the page, and not just tear a novel to pieces for financial gain.

Q. A number of authors are embracing the serialized TV style format of writing. For aspiring writers out there, are there any advantages to this style? Any disadvantages?

A major advantage is, like I mentioned, how hand-in-hand with the television format it goes. I think in a world of infinite distractions—iPads, smartphones, Netflix, news—the serialised form is a great way to deliver tighter experiences to readers, so they can enjoy the story then get on with other elements of their busy lives.

A disadvantage is that you have to learn TV structure. As I mentioned, far too many writers just jump on the serialised craze and split their novels into chunks because they think it’ll lead to financial riches. That’s not how it works. If you want to write a serial, you have to learn the craft of television writing before you jump into it. You have to learn about episodic arcs, series arcs, all kinds of things like that. To me, it’s not a negative because I like learning and already had some experience in TV writing. But if you don’t like doing the work, it could be a disadvantage.

51pY7O7uCLL._SX311_BO1,204,203,200_ Q. Infection Z is your other zombie apocalypse series. It follows Hayden McCall, a jobless layabout in his mid-twenties. Assuming his landlord has paid him a visit to collect the overdue rent, Hayden learns that his landlord has become zombified and the story begins. Is it a challenge to write an underdog’s way out of a zompoc? Would it have been easier had Hayden been a muscle bound military man/weapons expert? But of course, would Hayden have been as relatable to the average reader?

A. I don’t strictly believe in ‘write what you know,’ but I believe in ‘write what you can empathise with.’ I have more in common with a lazy underdog than a military expert (unfortunately), so I just find it easier to get into the heads of characters like Hayden. Only difference between him and me is he overcomes his demons. I’d be the guy locking himself in the bathroom whimpering until the zombies finally barged their way inside…

Q. Ryan, thanks for taking the time to be interviewed by an alien. Before I go, do you have any last minute words of wisdom that might help my human charges and I survive the East Randomtown Zombie Apocalypse?

I’d get punching that alien stomach of yours some more. If there’s a space phone in there, who knows what else is hiding within? A space machete? A space rifle? A space CURE?! You’ll only find out by trying.

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BQB’s Zombie Apocalypse Survivor’s Journal – Day 22 (Part 2)

The door read:

GIRLS’ LOCKER ROOM

The DiStefanos pushed us in and locked the door.

VGRF and I walked in. Blandie, Bernie, and Alien Jones were sitting around on changing benches.

“Aww, BQB,” Bernie said. “All through high school, I dreamed about living inside the girls’ locker room, but not like this, yo!”

Blandie stomped her foot and made her typical mad face.

Boo! Blandie is still the worst!

Boo! Blandie is still the worst!

“What did you do, BQB?! What did you do?!”

“Silence, blonde human,” Alien Jones said as he hopped off his bench. “BQB has done nothing wrong. Well, I mean he has done wrong in so many, many other ways. His life is a total mess but in this particular instance, he is blameless.”

“We’ve been set up,” I said. “Alien Jones, can you use your mind reading powers to detect who framed us?”

“It was Hauser,” AJ replied.

We all let out a collective gasp followed by a “WHAAAT?!”

“He’s struck a deal with Morganstern,” Alien Jones said. “The General contacted Hauser and threatened to blow up the rec center and all the survivors in it unless Hauser kills you and offers evidence of having done so.”

“So why doesn’t he just put a bullet in my head and get it over with?” I asked.

“Because you have replaced Hauser as East Randomtown’s favorite son,” Alien Jones explained. “You’ve brought a modest amount of glory to your burg by setting up a WordPress site that attracts the attention of 3.5 readers. It’s not much, but it’s more than Hauser’s done lately. His thirty-second stint on a 1980’s cop show is old news. Because you’re so loved by the citizenry, Hauser knows he can’t just shoot you. He needs to turn the public against you.”

“By making everyone believe you’re a dirty supply thief,” VGRF said.

“Precisely,”  AJ said.

“So now what?” I asked.

Alien Jones hopped back on a bench.

“We wait.”

“Are you kidding me?” I asked. “We need to bust out of here.”

“There’s no escape,” Alien Jones said. “The DiStefanos are guarding the door.”

“Vaporize their sorry asses with your powers!”

“Hauser is the only rec center resident outside this room who knows I’m an alien,” AJ explained. “Everyone else just thinks I’m a deformed human child. The Mighty Potentate would never approve of me outing myself.”

“Makes no sense,” VGRF said. “You out yourself on the Bookshelf Battle Blog all the time.”

“Only to 3.5 readers,” Alien Jones said. “And for the most part, they usually just assume BQB is pretending to be an alien and that I’m not real. The Mighty Potentate would be tried for violation of Intergalactic Space Law were it to ever come out that he’s interfering with Earthly affairs, namely by sending me to help Bookshelf Q. Battler. His Potentosity would certainly vaporize me on his way out.”

“A trial,” I said as I sat down. “So how bad could that be? We’ll just convince the jury we’re innocent.”

“It’s not that kind of trial,” Alien Jones. “Here, all issues of guilt are decided by…a trial of zombie combat!”

“Aw snap,” Bernie said. “I gots to bust some zombie ass?”

“Did you just say, ‘snap?’” Blandie asked.  “That’s so 1999!”

“OK,” I said. “We can get through this. I’d better call a zombie author for advice and…aw crap!”

Everyone looked at me.

“The space phone!” I shouted. “I left it out there!”

“No worries,” Alien Jones said. “I anticipated the evildoers’ moves and was able to smuggle it…”

“…in your pocket?” I asked.

“…inside of me,” Alien Jones said.

I shook my head.

“I don’t get it,” I said. “How? You don’t have a butt! You have no orifices to speak of!”

“I do have one.”

Alien Jones punched himself in the stomach and then started hacking up a lung. He sounded like a cat stuck on a hairball.

Hack…hack…hack…HACK!!!!

He looks like he's laughing but he's really barfing...up a space phone.

He looks like he’s laughing but he’s really barfing…up a space phone.

SPLAT!

The space phone popped out of the Esteemed Brainy One’s mouth and onto the locker room floor, covered with sticky alien spit.

“You may make your call now.”

“Um…thanks…you know…I think I’m going to pass on this interview,” I said, staring at the messy phone. “You wanna take this one for me, buddy?”

“Humans,” Alien Jones said as he picked up the device. “Such pansies. You’ll wear the same undies for a week but a little intergalactic spittle freaks you out.”

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BQB’s Zombie Apocalypse Survivor’s Journal – Day 22 – (Part 1)

The morning was off to a bad start.

George the Barber

George the Barber

George the Barber, accompanied by the DiStefano brothers, were in the office VGRF and I used as our bedroom. We were half-asleep on an old cot when they barged in, shouting and pointing their guns at us.

“Get your ass up, traitor,” George said.

“Excuse me?”

“Now!” the old man said as he slapped me across the face.

We got up and our captors marched us across the gym floor. Every survivor stopped what they were doing to observe the commotion.

“Want to tell me what this is all about?”

“NO TALKING!” Billy shouted as he mashed the butt of his rifle against my back.

“F&*K!” I cried. “Is that any way to treat your Deputy Mayor?”

“Oh, I have a hankerin’ all your rights and privileges have been revoked, boy,” George said.

The trio lead us out into the parking lot where Doug, Mario, and a few armed goons were standing around the Compensator, the SUV my friends and I had driven over from the mall.

“Bookshelf Q. Battler,” Hauser said.

“Doug, I’m not supposed to be outside, remember? Morganstern’s been itching to get me away from the rec center so he can blow me to smithereens.”

“You think I care after your betrayal?”

“What?” I asked.

Doug nodded at Mario, who in turn, opened the back door of the Compensator. It was overflowing with pilfered stuff. Food. Boxes. Cans. Packages. Much needed supplies.

“I trusted you with a position of authority and you robbed us blind!” Doug shouted.

Mayor Hauser

Mayor Hauser

I didn’t know what to say.

“That’s not…I didn’t do that!”

“A likely story,” Doug said. “The three hoodlums you came in with are already in custody. We’ll give you some time to rot and think of what you’ve done until we can organize a trial. May God have mercy on your soul, Bookshelf Q. Battler.”

Carl grabbed me and Billy grabbed VGRF. We struggled as they dragged us back to the rec center.

“Wait,” VGRF said. “BQB didn’t do this!”

“That’s noble of you to protect your beau, girly,” Doug said. “But you need to start thinking about yourself. If he forced you to help out with this, now’s the time to come clean.”

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BQB’s Zombie Apocalypse Survivor’s Journal – Day 21

Another morning in the computer lab.

Coming Soon - Johnny Gunhands: A Farewell to Hands (hands to be edited out in post-production)

Coming Soon – Johnny Gunhands: A Farewell to Hands (hands to be edited out in post-production)

I paced the floor and slurped on stale coffee while Alien Jones typed the words as they flowed from my cake hole.

“Johnny Gunhands. He’s muscular, rugged, virile, and in his late twenties.”

“ERRRNT! Wrong!” the Esteemed Brainy One replied.

“Wrong?”

“Wrong! How could someone become such a skilled master at taking down criminals without a bit of life experience behind him?”  Alien Jones asked. “Personally, I picture Johnny Gunhands pushing forty.”

“Aww but then the young people won’t read it,” I said. “Everyone under thirty-five is convinced that everyone over thirty five is a bunch of corrupt old farts who’ve sold their souls to the man!”

“What does everyone over thirty-five think about everyone under thirty-five?” AJ asked.

“That all they do is snapchat and take selfies all day.”

“Are these assessments accurate?”

“Surprisingly so on both counts,” I said.

I took another sip of my java. Bleh. It was rank, but my only source of caffeine. It would have to do.

“Fine,” I said. “We’ll compromise. Johnny Gunhands is thirty-two. Old enough to get some respect from gray haired readers. Young enough that the selfie stick crowd won’t think he’s Methuselah. Can I go on?”

“Please.”

“So in the opening scene, we see a butcher’s knife. A random mobster holds it up in the air and a ray of moonlight glistens off of it. It comes down with a WHACK and then the mobster says, ‘That’s what you get for arresting the boss, see?’”

“SHIT!” Alien Jones cried.

“Oh like you could do any better.”

“No,” AJ said as he nursed his hand. “The mouse. It got white hot and…”

Sparks flew out of the monitor. To our amazement, a foot came out of the screen, then another one, then a torso, arms, and a head.

“What the F%$K is that?” I yelled.

“It’s an e-zombie!” AJ replied.

The monster let loose with a terrifying growl and then lunged at me.

I did what any man trained in martial arts could do.

I performed a round house kick to the beast’s head, knocking it clean off.

It rolled to the floor but it was still alive. It grunted and it’s eyes moved around.

I stepped on it, pressing my foot down until I felt the skull crack under my shoe, the damned creature’s brains going kerplooey.

“I’ve heard about a computer virus but this is ridiculous!” I said. “Who knew that e-zombies were even a thing?”

Alien Jones handed me the space phone.

“There’s an author who knows all there is to know about this.”

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#31ZombieAuthors – Day 19 Interview – Eric A. Shelman – It’s Never Too Late

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Today’s guest is Eric A. Shelman, author of the Dead Hunger series.  Readers can follow the journey of Flex, his niece Trina, Gem, Hemp and Charlie as they make their way through a zombie infested world.

Eric’s first book was a non-fiction work.  Co-authored with Dr. Stephen Lazoritz, Out of the Darkness: The Story of Mary Ellen Wilson tells the story of the first successful rescue of an abused child in America.  Specifically, nine-year old Mary Ellen was saved from a terrible situation in 1874 by the American Society for the Prevention of Cruelty to Animals, or ASPCA.  The case shined a much needed light on the dangers children face and was the precursor to many of the child abuse prevention laws in place today.

Thanks for helping me out today, Eric.

NOTE: BOLD=BQB; ITALICS=ERIC

Q.  Zombies.  They shuffle along.  They groan and grunt.  They eat brains.  You’d think authors would have run out of ways to make them unique and original by now but sure enough, writers are always coming up with new spins on the zombie genre.  How do they do it and what’s your secret?

A.  Zombies can absolutely be shufflers and shamblers and have some new features, too.  My Dead Hunger series has several interesting aspects to it; the very process that reanimated them also incorporated other chemical reactions within the zombies, which I suppose is to be expected.   These reactions became abilities.   This is even more true in my females who were pregnant when they turned.   What in nature is created – no matter how it’s created – without any offensive or defensive skills?   The lowly cow is even designed with its eyes on the sides of its head so that it has better peripheral vision to assist it in escaping predators before it’s too late.   Birds have talons, sharp beaks and great eyesight.   Most creatures are equipped for the task at hand.    Why not zombies, too?

Q.  My first observation about Dead Hunger is the collection of characters.  People from different backgrounds working together for survival.  There’s scientist/mechanical engineer Hemp, punk rocker Charlie, Flex the electrician and Gem the artist.  What is it about a zombie apocalypse that brings people together?  Would these folks have likely bothered with one another without a common threat facing them?

A.  I believe in any apocalyptic situation, you’re going to encounter compatibles and non-compatibles.   The latter you’ll just say hi and bye to, but the former you’ll try to get to come along.  Sometimes the latter want to kill you and take your stuff!   That’s when you’re forced to take them out.   But with regard to Flex and Gem, of course they’d have been together … eventually.  They were once together, after all.   No, they would likely have never met the likes of Hemp and Charlie, and Hemp and Charlie would never have encountered one another, but that’s the beauty of a disaster, right?   Giving strange bedfellows a chance to actually become “familiar bedfellows.”    AND to find out that the other isn’t so strange after all.

Q.  Hemp experiments on zombies in a mobile lab to figure out what makes them tick.  While I don’t mean to ask for spoilers, do you have any general thoughts on zombie physiology?  Are there any prevailing theories on what could, hypothetically speaking, cause a human to become zombified?

A.  In Dead Hunger, each individual cell within the zombie’s body is converted into a meat-seeking entity.  If you were to take a lil’ microscopic chunk of raw beef and insert it into the epidermis of a zombie, all the neighboring cells would zip right in and devour it.   Because the eyes still work, and the senses that ramp up hunger, the muscles coordinate and move in the direction of sustenance.   Yeah, that would be us … human meat.   So … my zombies reanimate on a cellular level – whatever the hell that even means.

Q.  On your author page, you mention that in 1999, after writing a 53,000 word book about witches and reincarnation, you couldn’t figure out how to finish it and ended up on a twelve year writing hiatus only to be inspired by reading about the success of other zombie authors on Facebook.  It’s never to late to pick up a delayed dream, is it?  For anyone who’s set a goal aside for awhile, what advice would you have to motivate him/her to pick it up, dust it off and give it another try?

A.  I was a fool to have quit writing for so long.   Imagine all the fiction I could’ve produced in that decade?  I mean, I’ve got 15 books now, and 11 of them were written just since 2011.  Just FOUR years!  So yes – it’s never too late to start pursuing your dream of becoming whatever it is you want to become.   It’s important to remember though, that in my early writing career, I sent out queries and did all the things you’re supposed to do.  I never really had any success back then.  All that rejection helped me hone and polish my skills, though, and I believe every writer has to do the work and experience that negative feedback in order to figure out where improvement is needed.   As for me, I guess maybe I needed that additional dozen years for things to become easier for individuals, through programs and offerings such as CreateSpace, Kindle  and ACX for audiobook production.   They made it possible for me to kick the old guard to the curb and hatch my own creations.    Some of what we indies put out are hits – others misses.   I hope my readers feel I’ve given them more hits than otherwise. 

Q.  You’ve also written non-fiction with the case of Mary Ellen Wilson.  What drew you into writing about this case?

A.  Back in the mid-nineties, I was ready to write a novel.   I was a big fan of horror, and had written several short horror stories, but found that the market for publication of these stories seemed to be shrinking.   The logical next step was to go all out and finally just write a book.   I discovered a book of what were deemed “amazing-but-true” stories, and thought I would take one of those “true” stories and use it as the basis for a horror novel.   Within the book, I discovered the story of a little nine-year-old girl named Mary Ellen, who, in 1874, was rescued from her abusive home by the American Society for the Cruelty to Animals.   (ASPCA)  I immediately became interested, as it was essentially the story of the beginning of the child protection movement, but nobody had ever written about her before.

After researching her case, I began the book.   With more research, I found the man who would eventually become my co-author, Dr. Stephen Lazoritz.  He was a pediatrician who specialized in child abuse cases.  Together, we made connections that allowed us to be the ONLY people in America to secure a copy of the court transcripts for the trial that prosecuted Mary Ellen’s foster mother, Mary Connolly.   These transcripts also allowed us to complete the book, with all of the newfound knowledge the transcripts contained.   The book was released in 1999, and since that time, thousands have been sold and both Stephen and I have spoken at national conferences and on CSPAN-2’s Book TV.  (1999)

Q.  For those interested in writing non-fiction, do you have any tips to share?

A.  Find a compelling story that nobody’s written enough about – then write about it!  Figure out how you want to impart the information, and have a LOT of people read it before you publish it.

Q.  Eric, thanks for offering your expertise in light of my zombie infestation.  Before I go, do you have any list minute words of wisdom that might help my friends and I survive the East Randomtown Zombie Apocalypse?

Get a good group of loyal people around you and get to a remote location where you don’t have far to go for food and water supplies.  Develop defenses – spiked pits, anything that can get between you and them.   Set up makeshift alarms in the woods – use cowbells.    Zombies run into shit.  So that’s pretty much it!    Oh, yeah … try to figure out what caused it, because that might help you figure out how it can be stopped, at least on an individual basis.

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BQB’s Zombie Apocalypse Survivor’s Journal – Day 18

shutterstock_236377990“Deputy Mayor Battler!  Deputy Mayor Battler!”

As I strolled through the gym, my constituents peppered me with questions.

“We’re running low on gas.”

“People are eating too much.”

“I can’t find my shoes.”

“Ration, ration, and they’re on your feet,” were my immediate answers.

“BQB,”  VGRF said.  “Is it me or are you more decisive lately?”

“Well, I have been taking alpha male lessons from Gillian Zane, so could be.”

The DiStefano brothers found me.

Carl showed me his cell phone.  On it, there was a video of a large group of people wearing gas masks and toting assault rifles walking past the security fence.

“We scoped this guys near the north perimeter,”  Carl said.  “What do you make of it?”

“Are they military?”  I asked.

“I don’t think so,”  Carl replied.  “Shit, they’re all in plain clothes.”

“Huh,”  I said.  “Did they see you?”

“Yup.”

“And they didn’t interact?”

“Nope they just moved on.”

“Weird,”  I said.  “Could be someone trying to make a move on us.  Could be just another group of survivors passing by.  Keep an eye on it and let me know if anything happens.”

“Sure thing, Deputy Mayor.”

The DiStefanos walked away.

I sat on the bleachers with VGRF.  We gabbed it up for awhile until Mario Guzman found me.

Before the fall of humanity, Mario had been an accountant.  Today, he used his CPA skills to keep a running inventory of all our supplies.

“Deputy Mayor, can I show you something?”

“Sure.”

VGRF and I followed Mario to the rec center’s storage room.  It was full of boxed and canned food, nothing tasty of course, but everything was chock full of preservatives and guaranteed to last a long time.

Mario closed the door behind us.

“We’re being robbed.”

“What?”  I asked.

“There’s a thief in our midst,”  Mario said as he showed me a clip board.

“I have no idea what these numbers mean,”  I said.  “I hate math.”

“I’ve been keeping a daily count of everything we have since our community began,”  Mario said.  “So far, the numbers have added up but a few days ago, I noticed we’ve been consistently down ten percent of everything.”

“Everything?”

“Everything!” Mario replied.  “Look.  Powdered milk -10%.  Toilet paper -10%.  Bottled water – 10%.  Cereal -10%  Rice – 10%.  If it was just one or two items I wouldn’t be worried but someone is pilfering our stuff regularly.”

“Who has access to this room?”  I asked.

“Just Hauser and his inner circle of advisors,”  Mario said.

“Let’s change that,”  I said.  “Put a trustworthy guard in charge of this room.  Anyone who enters has to sign themselves in and out and note what they’re taking.  The guard will keep an eye on people while they’re in here to make sure no funny business transpires.”

“You’ve got it,”  Mario said as he exited the room.

VGRF and I were alone.  My girlfriend rubbed her hands on my chest and leaned in.

“I think I’m going to like this new you.”

“Yeah well, get used to it, baby.  I’m alpha nerd all the way now.”

VGRF leaned in for a kiss.

“Is that a space phone in your pocket or are you just happy to see me?”

“It’s a space phone,”  I replied.  “Speaking of, there’s a zombie author I’d better call.”

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#31ZombieAuthors – Day 17 Interview – Jeremy Laszlo – The E-Mail That Launched a Self-Publishing Career

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FIND THIS ZOMBIE AUTHOR ON:

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Today’s guest is Jeremy Laszlo, the best-selling author of over thirty novels, including the Left Alive series, which chronicles the journey of Charles as he strives to make good on a promise to his dying wife to deliver their children to safety in the midst of a zombie infested nightmare of a world.

Jeremy’s works have broken the top ten of over ninety Amazon lists by genre, at times reaching the top ten of all books on Amazon.

Our noble scribe resides in Louisiana, where threats to his well-being include alligators, oversized mosquitos, and scorching temperatures.  Luckily, he avoids all that by chilling out in his air conditioned workspace, where he spends most of his time either writing or being boxed by children wearing cartoonishly large Hulk hands.

A pleasure to speak with you, Jeremy.

NOTE: BOLD=BQB; ITALICS=JEREMY

Q.  When it comes to a good zombie apocalypse novel, how much do the zombies actually matter?  Is it the zombies themselves that attract readers or the threat of a lawless, no holds barred post-society world that said zombies represent?  Would it be possible to replace the zombies with hurricanes, tornadoes, plagues, or locusts and achieve the same result?

A.  First, thanks for having me. I think the notion of zombies really pulls from a deeper, darker, cruder portion of the human psyche. There is a part of everyone that craves chaos, especially in a world such as ours where there are rules and limitations enforced on every aspect of our lives. Zombies simply play into that less evolved portion of who we are. In a story, they don’t need to be the driving force, they certainly aren’t in my LEFT ALIVE series. But that element of devolved, cannibalistic people adds a dark edge to any story that readers can really associate with.

Q.  You’ve written so many novels.  Where do you get the ideas from?  For those of us who whine about writer’s block or a lack of inspiration, do you have any advice?

A.  I do write a lot. I’m actually shooting for 4 more releases before the end of the year, including another zombie trilogy. Ideas come from everywhere. My family and life experiences are a great source of inspiration. Truthfully though, most of my books start with a ‘What if’ scenario. It is really the building block for all of my novels, and a concept I explain in detail in my ‘Kindle Fiction Mastery’ book aimed to help struggling writers. For the LEFT ALIVE series, I simply asked myself what would happen if a strain of genetically modified fertilizer had unintended mutations and ruined the world’s ecosystem killing all plants on Earth. You can see how that alone could be an entire series of apocalyptic books (Coming soon), but what if coming into contact with the infected soil had consequences as well? What if it deteriorated neurons and brain tissue? That is how my zombies were born.

Q.  I read an interview on “The Bearded Scribe” in which you discuss how an errant email convinced you to go the self-publishing route.  Specifically, you submitted your work to a traditional publishing house only to receive an e-mail from a pair of interns joking about how one of them had just batch rejected 600 authors.  (Note to readers – watch out for that ‘Reply All’ button!)

Could you explain how this experience convinced you to take control of your own destiny as a writer?

A.  Ah yes… the intern. He will end up a character in one of my novels, eventually. I simply haven’t decided how to kill him yet.

What can I say? It was not only a direct blow to my own confidence as a writer, but also an eye-opening moment about the REAL state of the publishing industry.

The old model of publishing doesn’t care an ounce about writers. They actually artificially control supply and demand by doing precisely what was done to me, and batch rejecting the vast majority of writers without so much as reading the first word of their work. By limiting the number of books published, they can create a false sense of limited choices, and herd readers like cattle to purchase what they produce, simply because it was all that was available. They controlled trends in genres. They controlled the prices of books. They controlled who and what got published, and in many cases it was more about who you knew, rather than how well you wrote.

The intern laughing about rejecting my work without even reading it, along with nearly 600 others, was just the final straw. There was really no reason to wait around while agent after agent and publisher after publisher form rejected my work (even though some showed interest).

There was another option, and I went all in. Since then, I’ve met a ton of wonderful authors and a great community of people built around those authors. I’ve self-taught myself in graphic design to create the majority of my covers. I’ve spent countless hours learning the secrets of writing, publishing, marketing and promotion. There really isn’t anything writers can’t do for themselves. That’s not to say that I wouldn’t entertain a publishing contract from a large publishing house. I certainly would. But they’d better have some respect, and understand that I can do it on my own.

BQB EDITORIAL NOTE: Yes! Viva la revolucion!

Q.  One of my 3.5 readers is a big orc fan and I noticed you’re also the author of the Orc Destiny series which follows the adventures of Orc warrior Gnak.

For me, this begs a question for the ages.  Orcs vs. zombies – who wins in that scenario?

A.  That is a tough question, but one that is sort of answered in the Orc Destiny trilogy. Orcs actually fight the undead in the series! That said, Orcs win. Hands down. Every time. Why? Because Orcs, that’s why. They’re big, hulking warriors. They fear nothing and kill everything. I’m a big fan myself.

Q.  You’re a marine.  Thank you for your service.  How does that experience come into play with your writing?

A.  You’re welcome…? That’s always been awkward for me. I appreciate your appreciation, truly.

Being a Marine is hard to explain. It isn’t just a way of life, it becomes a part of who and what you are. I suppose the obvious would be to say that my battle and fight scenes are probably a tad more graphic than many writers. I don’t shy away from the gore and the real emotion of the battlefield. But it goes further than that. Marines are known around the world for being determined and focused. We don’t surrender. Ever. The same goes with my writing. I knew I could do it, and I refused to let a few rejections deter me. I have the focus and stamina of a Marine, which allows me to sit and write until a story is finished. The third novel of my Blood and Brotherhood Saga, The Changing, is 87,000 words long and I wrote it in three days. I don’t intend to quit. Not even when my name is known in every household around the world.

Q.  Your books have topped various Amazon charts.  What’s your secret?

A.  Determination. Experimentation. Research. Commitment. That’s what it really boils down to. If you want to be a writer, first and foremost you have to write and keep writing. No matter what. Then you have to learn the business side of being an Author. It isn’t a part time job. If you write as a hobby, it will always be a hobby. If you want success, you have to earn it toiling away countless hours learning the ins and outs of the industry. Or, of course, you could read my Fiction Masters series, which details much of what I’ve learned these past years and how to employ my secrets and strategies.

Q.  Jeremy, thanks for your help.  Before I go, do you have any last minute advice that might help my friends and I survive the East Randomtown Zombie Apocalypse?

A.  If the media tells us anything, it’s be a redneck with a crossbow. Not only will you be a badass, but troves of women will follow you anywhere. If you’re going to survive the apocalypse, if might be nice to have a lot of… um… company.

If you can’t be a redneck, use bait. Use your brain, and be evil… it’s an advantage. I suggest driving an iron rod deep into the ground in the middle of your yard. Place a ring of cars around the rod, leaving a clearing between them about twenty feet wide. Then, go find a young guy. A healthy one. One that acts like he was probably an asshat before the apocalypse. Befriend him. Team up with him. When he’s sleeping, tie him up and cut off one of his feet. Don’t forget a tourniquet just above the ankle so he doesn’t bleed out. Then chain him to the stake in the middle of the cars. Now you have your bait.

He’ll scream, which will attract the zombies, but that’s ok, because you’re going to move off a safe distance and pick off the zombies as they struggle to get over the ring of cars. It’s not only entertainment, but it will also help to clean up the neighborhood. And don’t worry about whether or not it is humane. It is a kill or be killed world, and you’ll certainly be thought of as a hero, which leads us back to having lots of company.

Oh, and food… nah, never mind the food. Just put a sign up that says “Cellphones work here” with an arrow pointing towards the ring of cars. The idiots will likely have food. Let the zombies handle the idiots, you can collect their food later. After all, you have company to entertain.

Aside from that, if you have any questions about the apocalypse or zombies you can get in touch through my website at www.jeremylaszlo.com

Or Facebook at www.facebook.com/bloodandbrotherhood

BQB EDITORIAL NOTE:  Well, I’ve got to hand it to you, Jeremy.  You sure put a lot of thought into that last question.  Thanks for stopping by!

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BQB’s Zombie Apocalypse Survivor’s Journal – Day 17

Fort Hauser aka the new name for the East Randomtown Park/Rec Center, ran like a finely tuned precision race car.

Everyone had their job and despite the chaos brewing outside the fence, people worked hard to do what they could to make life on the inside better.

Doug and his squad went on daily scavenger missions. I wanted to help but I knew that Morganstern would, as promised, launch a cruise missile up my ass as soon as he spotted me through one of his surveillance drones.

Technically, that made no sense.  Wouldn’t Morganstern, if anything, shove a missile “down my throat?”  Because if a missile is coming from the sky, it would have to come downward to get me.  It wouldn’t come down and then go up my ass.

You know what?  Forget it.  Let’s not quibble about semantics.

Besides, Doug insisted I stay on the premises to provide leadership as Deputy Mayor in his stead.

Since all the residents were so well disciplined, the job was mostly ceremonial, and thus I was left with plenty of time to write.

And that was good, since Alien Jones’ boss, the Mighty Potentate, had threatened to conquer the Earth in the event that I die before delivering a novel written well enough to inspire the masses to abandon reality television.

The Mighty Potentate - Earth's new ruler if BQB doesn't write the best novel ever before he dies.  So yeah, sorry Earth.

The Mighty Potentate – Earth’s new ruler if BQB doesn’t write the best novel ever before he dies. So yeah, sorry Earth.

Talk about pressure.

I sat in the computer lab and clicked away:

The Amazing Adventures of Johnny Gunhands

“No,” I said. “It needs to be catchier.”

Alien Jones, having nothing better to do, sat in a chair next to me and acted as an instant critic to every word I typed.

“The Mighty Potentate will demand more gusto.”

I retyped the title.

Johnny Gunhands: A Farewell to Hands

“I don’t get it,” Alien Jones said. “And I get everything as I hail from a genius species.”

“It’s a play on Ernest Hemingway’s A Farewell to Arms,” I explained. “This will be the first part of the series, the origin story in which we learn how Johnny not only lost his hands, but how they were replaced with guns.”

“First part of a series?” AJ asked. “You mean you intend to write MORE of this schlock?”

“Every writer always intends to write more of their schlock now,” I said. “Build a good fanbase and you can keep your stories going on forever.”

“I just don’t see much of a market for Johnny Gunhands,” AJ replied.

“Well, if you have another idea for a book that will ween the masses off of reality television, I’m all ears,” I said.

“As a matter of fact, I do!”

Alien Jones pulled the keyboard away from me and typed out the following synopsis:

Ms. Humphrey’s Way

Riddled with disease, desperation and despair, drug addict Vanessa Humphrey wages an uphill battle to get clean and sober. Rather than continue to ignore the personal demons that drove her to such a lowly state, she faces them and in doing so, overcomes them.

Years later, Vanessa has turned her life around and is now well-respected English teacher, Ms. Humphrey, who uses lessons from Shakespeare’s plays to convince troubled inner city youth to better themselves.

Ms. Humphrey takes a particular interest in one of her pupils, the depressed yet talented Arnold Baker. Arnold’s short story has the potential to win him a four year college scholarship, but he’ll need Ms. Humphrey’s assistance to see the project through.

Along the way, Ms. Humphrey discovers that Arnold is in fact the child she gave up for adoption years before in her addict days.

Is the learning disability that makes it difficult for Arnold to record his ideas into written form Vanessa’s fault for hitting the crack pipe hard while she was pregnant?

Is it possible for a woman to change her life so dramatically so as to become completely unrecognizable to her former self?  Should society blame people for past sins forever?

And will it ever be possible for Vanessa to forgive herself?

All these questions and more will be answered as Ms. Humphrey must make a crucial decision:

Should she reveal to Arnold that she is his real mother or should she leave well enough alone?

“That’s all yours if you want it,” Alien Jones said as he handed the keyboard back to me.

I read his synopsis.

The Esteemed Literary One

The Esteemed Literary One

“This is poignant,” I said. “Breathtaking. Brilliant. It will win every major literary award and will surely be turned into an Academy Award winning film…”

“Why thank you,” Alien Jones said.

“…that only 3.5 people will bother to see! Get your head out of your ass!”

“I don’t have an ass!”

“Well get one and get your head out of it,” I said. “No more schmaltzy awards bait!  Action and explosions are the only things that put asses into seats!  Johnny Gunhands it is!”

“As if you’ll ever fling that turd past the traditional publishing goalie,” Alien Jones said. “The traditional publishing world is nothing if not a community of high standards.”

“Four words for you,” I said as I typed them out onto the screen:

Christian Grey flavored popsicle.

“OK you’ve got me there,” Alien Jones said. “Still, you shouldn’t cut off any options. Consider self-publishing your Johnny Gunhands nonsense if no one in the traditional world bites.”

“Good idea,” I said. “I better consult a zombie author about this.”

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