Category Archives: Movies

Movie Review – War for the Planet of the Apes (2017)

Yikes.  This movie was so bad I wanted to fling some monkey poop at the screen.

BQB here with a review of “War for the Planet of the Apes.”

Here’s my first observation – there wasn’t a war.  I mean, a war was on in the background but mainly, this film is a prison break picture.  They should have called it, “The Great Escape of the Planet of the Apes” because it’s basically “The Great Escape” meets “Planet of the Apes.”

The humans are in a civil war, as a rogue colonel (Woody Harrelson) has gone above and beyond with tactics that the other humans aren’t comfortable with, seeking to eradicate the apes altogether and going against any kind of hope for a peace between man and primate.

Ape leader Cesar goes on a mission to take out the colonel but soon learns the more pressing situation is that the colonel is holding tons of apes in captivity, forcing them to do hard labor in ape camps.  Even worse, the apes are not paid in bananas.  Some apes have grown so used to their oppression that they have become Uncle Tom apes, i.e. they jump whenever their human masters say jump.

Ergo, Cesar and ape friends hatch a scheme to break the apes out.  Therefore, it’s a prison break film and not really a war film.

The movie is long, cumbersome and it meanders all over the place.  At times, it is boring, especially in long scenes where CGI simians talk to each other using monkey sign language.

Also, there are things that are introduced that go nowhere.  For example, one of the monkeys saves a little girl and takes her on as his own daughter.  The moral is that sometimes you have to do the right thing even if it is beyond the norm, i.e. a monkey takes care of a human kid.  However, spoiler alert, we never learn what happens to the human kid by the end of the movie.

Overall, it’s a stinkfest.  While “Dawn” and “Rise” were decent, this end of the trilogy should hopefully end the ape movies for awhile.  I mean, at this point, they’re going to really need to come up with a kick ass idea to justify making another one of these things.

It’s just sad because I know how the conversation went down:

HOLLYWOOD SUIT #1 – Boy, we have a lot of creative, original scripts to choose from.

HOLLYWOOD SUIT #2 – Make another monkey movie.

It’s enough to drive a man bananas, 3.5 readers.

STATUS: Un-shelfworthy, a label I don’t apply lightly, but seriously, it is worthy of much monkey poop being flung at it.  A dumb end to a prequel series where the first two were pretty good.

RIP George Romero and Martin Landau

Hey 3.5 readers.

First, as I am a zombie lover, it is my sad duty to inform all 3.5 of you that George Romero, director of “Night of the Living Dead” and the inventor of the zombie genre has died.

All zombies will be required to eat their brains at half mast.

Second, Martin Landau, who won an Oscar playing down and out, drug addled Dracula actor Bella Lugosi in “Ed Wood” has died.

The creator of zombies and Dracula, gone in one day.  Truly a sad day for horror nerds.

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Movie Review – Gold (2016)

I always hate it when Hollywood puts a handsome actor in ugly face.

BQB here with a review of the snoozefest that is “Gold.”

There’s gold in them there hills 3.5 readers…or is there?

Matthew McConaughey plays Kenny Wells, the heir of the respectable Washoe Mining Company, started by his grandfather and built into something by his father.  Alas, Kenny proves to not be as great as these men.  He’s a bit of a screw up, a total drunk, a loser, not that bright, balding, has a paunch belly and is kind of ugly.

But he tries.  He really tries.  Alas, failure follows him everywhere.  Just as the family business is about to collapse, he risks what little he has left on the highly speculative work of Mike Acosta (Edgar Ramirez), a prospector who is certain he has found a massive gold deposit in Indonesia.

In order to cash on in this find, Kenny will have to rustle up cash quick.  In order to keep it, he will have to fend off any number of 1980s Gordon Gecko style Wall Street robber barons.

Oh and he loves his wife, Kay (Bryce Dallas Howard).  As an ugly man with a hot wife, Kenny feels a constant need to impress his lady with his business and money making skills, yet sadly, too often turns a deaf ear to Kay’s entreaties that she doesn’t really want any of that, she just happy with his ugly, broke ass just the way it is.

Overall, the film moves slow and will likely put you to sleep.  I mean, there’s some lovely Indonesian landscapes, some interesting backroom deals, but ultimately, the film has the unenviable task of trying to explain how the mining business works and not only that, but to make it interesting.

I will say I took some knowledge from the film.  Mining is apparently a very tough and speculative business.  Mining companies can take samples, do studies, get a general hunch that a certain valuable substance might be in the ground somewhere, yet ultimately, they never know for sure until they start drilling and that requires raising obscene amounts of money without any sort of guarantee that the drilling will lead to anything.  Often, these digging expeditions go nowhere, leaving the investors without a pot to pee in.

I just wish that Hollywood would stop hiring good looking people to play uggos.  Somewhere out there, there was an actual ugly actor with real balding hair and a real ugly face and a real paunch belly who would have loved playing a down on his luck gold prospector.

STATUS:  Shelf-worthy, but you know, if you miss it, you won’t miss much.  This is one of those Oscar light films where actors get together to show off their chops in the hopes that critical praise will be forthcoming.

 

 

 

Explaining Pee Wee Herman to a Modern Kid

I had the following conversation, more or less, with a kid who discovered Pee Wee Herman while browsing Netflix:

KID:  Why is this guy so…I don’t know.

ME:  Weird?

KID:  Yeah, he’s so stupid.

ME:  He’s like an adult who hasn’t figured out he’s an adult yet so he acts like a kid.

(ME IN MY MIND): Crap.  Should I just tell the kid to turn this off?  I really don’t want this kid thinking it is ok to talk to adults who think they are kids.  Adults who think they are kids are freaking perverts.

KID: Was this a long time ago?

ME: Yes.

KID: Did you watch this when you were a kid?

ME: Yes. All the kids loved to watch Pee Wee when I was a kid. We would watch Pee Wee every Saturday morning and scream real loud whenever he said the secret word.

ME IN MY MIND: Yeah, because it was a more innocent time when there wasn’t a freaking thirty year old who has yet to grow up trying to lure kids into his weirdo bachelor pad on every street corner.  Or perhaps there was just as many adult man child perverts back then but the media didn’t report on it as much because the TV only had like three channels to watch in those days.

KID: He’s funny.

ME:  Yeah he is.  Hey, just an FYI this is all make-believe.  If you ever see an adult who acts like a kid, run away real fast and don’t talk to them ok?  Because adults who act like kids are super weird and they might hurt you because they’re so stupid ok?

KID: OK. How old is Pee Wee?

ME:  I don’t know.  I think he just stays the same age forever.

KID: Is he still alive?

ME: Yes.  He just made a movie.  He looks the same.  He probably exercises and eats his vegetables and colors his hair and stuff.

KID: Why isn’t his show on now?

ME: He got busy.

ME IN MY MIND: He did a terrible thing.  Also, whereas in my day there were a plethora of children’s shows in which neighborhood children would visit the homes of grown adult men they weren’t related to, ranging from Pee Wee, to Mr. Wizard to Mr. Rogers, today, you just don’t see shows like that, because the safest thing a parent can do is chain their kid up so no one gets the kid and especially never allow the kid to visit the home of a random adult and especially not without supervision.

FINAL THOUGHT: I watched “Pee Wee’s Big Adventure” with the kid in question and it holds up.  It was so funny back then and it is equally hilarious today.  I feel bad that Pee Wee ruined his career by doing what he did in a porn theater.  I mean, seriously, all that money he made, he couldn’t afford a home VHS?  Seriously.

 

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Movie Review – Spider-Man: Homecoming (2017)

Strap on your web slinger, true believer.  It’s going to be a bumpy ride.

BQB here with a review of Spider-Man: Homecoming.

I’m just going to say it, 3.5 readers.  This is the best movie ever made about America’s favorite wall crawler.  The first two Tobey Maguire films were great.  The first Andrew Garlfield one was decent but this one blew me away.

In this incarnation, a very young, inexperienced Peter Parker (Tom Holland) is fresh off his big mission helping Tony Stark fight a rogue Captain America.  Months have passed and Stark has named Peter his “intern.”  Peter hopes this means another awesome mission is coming his way but alas, Stark thinks Peter is too young.  He has a point.  At a mere fifteen years old (and being played by an actor around that age), this is the youngest Spidey we’ve seen on film.

Not willing to rest on his laurels and take the time to hone his skills (as Stark advises), Peter seeks action and finds it in the form of the Vulture, Michael Keaton as a contractor who is screwed out of a contract to clean up they city after an Avenger vs. aliens fight and decides to use the alien technology he finds for nefarious purposes instead.

The movie moves fast, putting Peter in all sorts of trouble, ranging from a rescue mission at the Washington monument to a showdown on the Staten Island ferry.  Throughout this whole ordeal, Peter tries to balance out his social life, trying to score babes at parties, building lego sets with buddy Ned, competing in the Academic Decathlon and bringing dream girl Liz to the Homecoming dance.  The film brings just enough high school drama so you realize what pressures a teenage hero is under without turning the whole thing into American Pie with tights.

Overall, Disney/Marvel has spent nine years building an extensive cinematic universe, filled with its own backstory and folklore.  This film is the ultimate payoff.  Because so much has been built already, we can dive right into the action and be spared the origin story that’s been drilled into us so many times before.  There’s no need for us to see Peter cry as he realizes he failed to save Uncle Ben.  Been there.  Done that.

STATUS: Shelf-worthy.  Worth a trip to the theater.  Check it out, 3.5 readers.

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Movie Review – The Belko Experiment (2017)

Blood!  Guts!  Gore!  Mass murder!

BQB here with a review of the totally twisted psychological thriller/horror flick, “The Belko Experiment.”

In Bogota, Columbia, 80 Americans work in a high rise tower owned by the international corporation, “Belko Industries.”  High security cuts the building off from the outside as the employees conduct their business in South America.

One day, completely at random, a scary voice comes over the loudspeakers.  The employees are told they are expected to kill a certain number of their fellow co-workers by a certain time.  Should they fail, even more employees will be killed.  Even worse, actions are taken to assure the employees that this demand is real and not a joke.

As you might expect, chaos reigns supreme as a group of once mild mannered office workers go batshit crazy.  Factions are raised.  Sides are taken.  Lines are drawn and crossed.

Employee Mike Milch (John Gallagher Jr.) takes the noble position that murder is not acceptable under any circumstances, that everyone should just remain calm, refuse to kill anyone, and it will all pass.  He and his followers focus on survival and escape.

Meanwhile, company boss Barry Norris (Tony Goldwyn) takes the utilitarian approach, i.e., it would be better to kill the number of people demanded rather than allow even more people to get killed.  To that end, he creates his own murder squad with his sidekick, the uber creepy Wendell Dukes (John McGinley in his douchiest role yet and that’s saying a lot for a man who has made a career of playing douches.)

Overall, the movie is more than a bit sick and twisted.  There’s gore aplenty and the body counts really rack up, with mass executions being put on full display in which employees are rounded up, herded like cattle and summarily murdered.  It’s definitely one of the scarier, more gruesome horror flicks I’ve seen in a long time.

There’s definitely a disturbing theme throughout.  I mean, how well do you think you know your co-workers?  Sure, that guy who plugs along at work all day and gives you a warm smile when you pass him in the hallway seems nice enough, but do you really have any way of knowing that he wouldn’t hack you to pieces if it ever came down to you or him?

What is a life worth?  Are older people worth less than the young?  Are parents worth more than those without children?  All these questions are asked and more as Norris attempts to come up with the most efficient formula for committing utilitarian murder.

Who is right?  Is Milch right that there is never a circumstance where murder is justified?  Is Norris right that it’s better to kill some in order to save many?

Just how much chaos needs to be introduced into a normally sane environment before everyone goes nuts, picks up whatever implements of destruction they can find and start chasing each other down?

Overall, the film is tight.  It moves fast.  There are many parts that are downright gross and disturbing to say the least.  While we hope that a “Belko Experiment” is never conducted, I have a hunch that this film has, more or less, accurately predicted how a building full of office workers would react if somehow their usually comfortable work environment were to descend into a “Lord of the Flies on Acid” situation.

STATUS:  Shelf-worthy.  Rent it now on demand.

 

 

 

 

 

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Movie Review – The House (2017)

Casinos!  Money!  Hijinx!

BQB here with a review of “The House.”

This one has been getting bad reviews and honestly, I can see why.  When you’ve got Will Ferrell, Amy Poehler and Jason Mantzoukas of “Raffi” from “The League” fame, you’d expect better, but if you did, you were disappointed.

The premise is simple enough.  Will and Amy are parents to Alex, who has just been accepted to the university of her dreams.  Alas, when an expected scholarship falls through, Will and Amy realize they have done Jack Squat when it comes to saving so…yeah I know most people might take out a second mortgage, maybe ask the kid to get a part-time job and extend college out by an extra year or two to cover the cost but ok, they create an illegal, underground casino right in the middle of the neighborhood instead.

Their partner in crime is Frank (Mantzoukas), a degenerate gambler who has lost his wife due to the debt he has racked up.  Together, the trio works to make their underground casino the tightest club in their little town, making boku bucks so Will and Amy can send Alex to college and Frank can save his home from foreclosure and get his wife back.

Along the way, the trio comes into contact with typical casino problems.  Cheaters try to game the system.  Mobsters pay a visit.  Soccer moms engage in fist fights.  The usual nonsense.

Nick Kroll play’s the film’s villain, a city councilman who has hatched a scheme to abscond with the trio’s dough.

There’s a lot of stupidity in this film, and not the good, fun kind.  My first reaction to Will and Amy’s money woes is that they appear to have a pretty sweet, above average house, so they probably could get a loan to help their kid out.  Also, it seems unlikely that a family who had it together enough to maintain a sweet house like that didn’t have any kind of savings but ok, comedies break the rules and require us to suspend disbelief.

My rule if a comedy is good?  Did it make me laugh?  Yes.  I laughed one time, when Amy made an inappropriate gesture with a small hand torch.  Other than that, it was a pretty predictable comedy with a lot of flat jokes.

All I can say is with three top notch comedians, I expected more.

STATUS:  Borderline shelf-worthy.  Don’t bother seeing it at the theater, but it’s worth a rental if you have nothing better to do.

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Movie Review – CHiPs (2017)

California!  Fast bikes!  Lame jokes!

BQB here with a review of the schlock fest, “CHiPs.”

It seems like every old show of yesteryear is destined to be brought back as a parody today, and CHiPs, a 1970s-1980s show about a duo of California Highway motorcycle patrolmen is the latest victim.

In this go around, Dax Shepard plays Jon Baker, a motorcycle daredevil turned rookie patrol officer and Michael Pena plays Ponch, an FBI agent assigned to infiltrate CHiPs in order to expose corrupt cops within the unit.

The critics have lambasted this movie wholeheartedly.  I have to admit, it is a movie that I could take or leave.  To its credit, there were a few things I found funny that made me laugh, always a good sign of a comedy.  However, by the end, I found myself fiddling with my phone and letting it play in the background, so it wasn’t able to capture my interest all the way through.

There are some cool bike chase scenes and part of me wonders if just a straight up serious film about California bike cops vs. crooks minus the comedy might have been more successful.

STATUS: Bordeline shelf-worthy.  I laughed a couple of times but had I never rented it, I don’t think I would have missed much.

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Movie Review – Fist Fight (2017)

Ice Cube vs. Charlie Day in a fist fight?

A good premise that fizzles.

BQB here with a review of the movie that took his money and time and refuses to give either one back.

Yeah, it stinks.  It’s pretty bad, so thank me for watching it so you don’t have to.

Charlie Day and Ice Cube are teachers at a high school.  On the last day of the year, the senior pranks are out of control, ranging from paint bomb explosions to a mariachi band getting paid to follow the principal (Dean Norris) wherever he goes.

Charlie inadvertently gets Ice Cube fired.  Ice Cube’s response?  To challenge Charlie to an after school fight, a move that so many students have used to resolve their differences in the past.

Charlie is presented as a wimpy worm who then goes on a series of adventures throughout the day in an effort to keep the fight from happening.  Perhaps that would be humorous except for the reality that Ice Cube is twice the size of Charlie and twice as menacing, ergo anyone in their right mind would avoid a fight with him.  Somehow, the writers want us to think, “Ha ha what a wuss Charlie is for avoiding a fight with Ice Cube” but who wouldn’t want to avoid a fight with Ice Cube?  Ice Cube has put at least thirty years and some change into developing a “don’t mess with me” persona.

I realize in comedy, the rules often go out the window in the name of humor.  However, there is usually at least some kind of premise that the jokes can build on.  Here, there isn’t one.

It’s unlikely that a teacher would challenge another teacher to a fight, but we’re shown Ice Cube’s character is a hot head so, ok, we’ll go with it.  But even after Charlie fixes the mess he made of Ice Cube’s career and smooths it all over, Ice Cube wants to fight anyway.  There’s literally no making sense of any of it.  No matter what happens, Ice Cube wants to fight.

At some point, the writers need to create a villain, someone to blame the fight on, so Norris and the Superintendent (the guy from the All State commercials whose name I don’t feel like looking up right now) are briefly shown as firing teachers, making a lot of budget cuts…somehow we’re told the fight is the result of all the stress the bosses cause teachers except, well, if you watch it, that really had nothing to do with it.  In reality, Ice Cube’s character did something worthy of being fired and most teachers in Charlie Day’s position would not have hesitated to tell on him.

Tracey Morgan as the school’s incompetent coach who can’t win a game, Christina Hendricks as the hot French teacher who mistakenly believes Charlie is a pervert who deserves to be beaten down by Ice Cube and Jillian Bell as a sex crazed guidance counselor were not able to save the movie.

Bell’s character is particularly disturbing.  She lusts after male students, openly declaring her love of “teenage penis” or “tenis.”  I get that it’s done to parody so many news stories where a teacher has been caught doing inappropriate things with a student, to say, “hey, look, teachers who do that are bad people” but I don’t know, the jokes just seemed more gross and inappropriate than funny.  Maybe it’s because it’s so sad and disturbing when teachers abuse their position of trust like that, that somehow it just doesn’t seem like a laughing matter.

The movie culminates in a Daddy/Daughter talent show competition, as Charlie has been concerned all day that the impending fist fight will cause him to miss performing with his daughter.  At the last minute, the daughter changes the song from the theme to the musical “Rent” to a vulgar, profanity laced rap song by Big Sean.  Charlie is unaware of the song’s content so goes along with it, only to be horrified when his little girl, who can’t be more than eight years old, starts rapping and spewing out F-bombs to a horrified crowd of little kids, parents and teachers.

I get there was supposed to be a joke somewhere in the shock value, but it just made me want to pick up the phone and call child services.  I mean, I guess it’s legal to hire a little girl to say the F-word over and over again on film…but should it be?

That’s the rub when it comes to shock comedy.  When done right, it can leave you slapping your knees and rolling in the aisles.  When done wrong, it just leaves you questioning the comedy chops of the people behind the film.

STATUS:  Not-shelfworthy.  I watched it so you don’t have to.  Go ahead and skip this one.

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Movie Review – Baby Driver (2017)

Bank robbers!  Fast cars! A sick playlist!

BQB here with a review of the heist/car chase/romance/action/quasi-musical film, “Baby Driver.”

3.5 readers, I have to be honest.  When I first saw the trailer for this movie, I thought it would be crap.  It looked like a lame attempt to marry a youthful pop song vibe to a heist film, two genres whose audiences don’t mix and mingle well together.

Turns out, I was wrong.  I know.  You all look up to me but yes, it does happen once in a blue moon.  This movie is great and quite frankly, one of the best and most original I have seen all year.

Director Edgar Wright has wowed us with comedies like Simon Pegg comedies like “Shaun of the Dead” and “Hot Fuzz” and even brought us musical silliness with “Scott Pilgrim vs. the World.”

Here, Wright brings us some serious stakes but he does so with style…oh, so much style.  And that’s no easy feat, for whenever an attempt at style falls flat, a movie buff like me is standing by to shout, “lame!”

But shout I did not, unless you count shouts of joy.

Baby (Ansel Elgort) is maestro behind the wheel…literally.  He’s obsessed with good tunes and never goes anywhere without a pair of ear buds in his ears.  Sadly, he’s also forced to be the getaway driver for a heist ring led by Doc (Kevin Spacey), with robbers including Griff (Jon Bernthal of “The Walking Dead” fame), Buddy (Jon Hamm of “Mad Men” fame), Darling (Elza Gonzalez of gives me a boner fame), JD (Lanny Joon, I’m not sure what he’s famous for but he has the funniest line of the movie), and Eddie (Flea of “Red Hot Chili Peppers” fame).

When the cash has been grabbed and the police sirens begin to wail, Baby tunes out all that noise and focuses on his tunes, letting the music take control, allowing him to push his driving skills to the limit.  This makes for some pretty sweet car chase scenes where the getaway car’s movements are timed to coincide with the beat of whatever Baby is listening to.  Epically stylish.

But Baby doesn’t like this life.  He knows his foster father Joe (CJ Jones) does not approve and wants him to walk the straight and narrow path.  Plus, he falls for waitress Debora (Lily James) and envisions a life with her.  The kid just wasn’t meant for a life of crime, and he doesn’t care much for the violent actions of the criminals he’s forced to transport.

Will Baby write the ultimate getaway playlist?  Or, will he sing his final swan song?  Can’t tell you.  You’ll have to see it for yourself.

Speaking of playlists, the film’s score is great, featuring hits from a plethora of decades and genres.  No matter when you were born or what your preferred genre is, it is unlikely you’ll get out of the film without hearing at least one tune that strikes your fancy.  Music from 1970-present (with an emphasis on the 1970s if I’m not mistaken) and some of the genres I recall include pop, rock and yes, even rap.  Baby’s got an iPod for every occasion and a song for every mood and Wright uses those songs to clue the audience in on what mood they should be in.

Kevin Spacey is his usual “I’m smarter than all of you” self.  Jon Hamm finally gets a role where it doesn’t look like he just shows up on the set and says “Hi I’m Jon Hamm.  Film me because I’m a beautiful man.”  Jamie Foxx is the scary wild card and if his intention was to make me pee my pants in fear…well, I didn’t pee but otherwise, yes, I think I would if I had actually met his character in real life.

Ansel Elgort has a future and there are some touching scenes between him and CJ Jones, a deaf actor who play’s Baby’s deaf foster father.

STATUS:  Shelf-worthy, a great example of what Hollywood can accomplish when they take a break from all the sequels and prequels and give a director permission to let his freak flag fly.  I also love it whenever I go into a movie thinking it will be a pile of crap and end up being a big fan.  It’s so much better than when I go into a movie as a big fan only to be disappointed when it turns out to be a pile of crap.

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