I have decided to greenlight this very important project:

I have decided to greenlight this very important project:

Booze and hoops. Booze and hopes.
BQB here with a review of the Ben Affleck drama, “The Way Back.”
It’s a story we’ve seen again and again in a film. A curmudgeonly coach takes on a new team. He’s doubtful at first but as he gets to know the kids, he learns they are winners and just need someone to guide them. He provides that guidance and in doing so, finds his own redemption.
That essences is here, and yet…not. This isn’t the Bad News Bears. There’s no humor and there’s no schmaltz. Alcoholism has gripped Affleck’s Jack Cunningham in its icy hand and it is not letting go without a knock down, drag out fight. From the booze he hides in his office to the cases upon cases that fill his fridge, Jack is a rummy through and through. We see how this disease weighs him down, tearing his life apart, destroying his relationship with his family and making it nearly impossible for him to find any real meaning.
There’s no overnight miracle here. Coaching the kids helps and Jack finds he isn’t as useless on the court as he is in most areas of life. But there’s no happy, feel good moment where Jack pours out the hooch, quits cold turkey and becomes the greatest coach of all time. As any recovering addict will tell you, fighting that monkey on your back is a daily grind, and this film shows that grind in all its gross glory.
This film might have also been about Affleck exercising his own demons. Affleck has spoken publicly about his own battle with alcohol. Jack has to come to grips with his divorce and estrangement from his wife, and Affleck has said publicly that he regrets his divorce Jennifer Garner. In fact, coping with regret is a big part of the film – accepting what we cannot change, learning how to improve upon our mistakes where we can, learning how to not tear ourselves apart over the proverbial spilt milk where we can’t.
STATUS: Shelf-worthy. It’s a decent film. Not something I’d watch over and over. Not something that’s Oscar bound. Affleck exercises his dramatic chops and it might give you some food to thought if you’re battling your own demons. Other than that, I wouldn’t call it a good or bad movie, just somewhere in the middle.
“Hawk is the name of a motherfucker with a cool gun. Spenser is the name of the guy who does your taxes.”
I might have mangled that line, but it’s the closest approximation I can remember from a scene in the new Netflix movie. Mark Wahlberg is reviving the 1980s Boston based private detective TV show based on the series of novels by Robert Parker. Winston Duke of Black Panther fame plays his trusty sidekick, and the line above is from a part where the dynamic duo squabble over who gets to wield the coolest gun in a shootout with nefarious ne’er-do’wells.
The setup? Spenser went to prison 5 years ago for kicking his Captain’s ass. So frustrated was he with his captain’s corruption and unable to prove anything that would stick, he resorted to violence and paid the price.
5 years later, he’s been released and is trying to get his life back on track. His friend, Henry (Alan Arkin) who trained him in his gym, gives him a place to stay, allowing him to room with Hawk, a fighter he is training.
Spenser is about to leave Boston for good, saying goodbye to his old life of fighting crime, choosing to be a truck driver instead when the captain whose ass he kicked is murdered and a good cop is framed for the deed.
Unable to put himself over his need to do the right thing, Spenser recruits Hawk to help him on a quest to bring down the baddies and clear a good cop’s name.
There’s action. Thrills. Dogs. Lots of dogs. Marc Maron stops by as a blogger willing to spread tales of Spenser’s daring do.
Comedienne Ilza Schlesinger doesn’t just steal the show as Spenser’s perpetually angry ex-girlfriend, Cissy She hijacks it and comes back for more and more. Angry at Spenser one second for his refusal to think of himself and let crimes go unsolved one second, loves him and wants to support him the next. A scene where she points out that Spenser, Hawk and Henry are basically three grown adults trying to play Batman is particularly funny.
The movie is worth watching and it also sets up a formula. Spenser can step into the role of a private eye now, being a man who really wants to settle down and have a normal life, yet knows how to solve crimes and can’t sit by while injustice is afoot. Hawk provides the muscle while Henry and Cissy stop by for comic relief.
Hopefully, this will be the start of a series. I could seeing it being a TV show, though perhaps Wahlberg is too big for that. A film series that builds on the formula could be interesting.
STATUS: Shelf-worthy.
Hey 3.5 readers.
Your old pal, BQB here.
I began this fine blog 6 years ago, deciding to try my hand at the blogging game.
I did it on a whim and had I put some thought into it, I would have done a lot of things differently.
My initial idea was that I would just create a little web presence. I’d blog once in a blue moon and I was going to focus on book reviews. In the mean time, I’d concentrate on writing books of my own.
As time went on, I found followers and things got silly. I developed the persona of Bookshelf Q. Battler, a nerd in secret, was an adventurer who fought zombies, werewolves, chupacabras, aliens, traveled the world, time traveled, went to space and so on.
In the past couple years, I got old. Relaxing and watching TV at the end of the day became more appealing than blogging for the entertainment of 3.5 readers. (No offense, 3.5 readers.)
On top of that, I decided the little time and I energy I do get would be better spent focusing on novel drafts. I always have something in the works and hold out hope that I’ll be a successful novelist one day, though the older I get, the more I realize this is something I can’t bank on.
I’m not crazy about the pen name “Bookshelf Q. Battler.” It doesn’t really sound like a name and if I could do it again, I might have picked something that sounds like an actual name. The actual name could have been given a fun backstory of being a reclusive adventurer or something.
Anyway, here’s to another 6 years and hopefully by then, you 3.5 readers will multiply and there will be 7 of you.
What is new with all 3.5 of you?
Get lots of references for your new hires, 3.5 readers.
BQB here with a review of this Oscar Winner for Best Picture.
I know a lot of people won’t watch movies with subtitles, not out of an aversion to foreign films but because if they want to watch a movie, they don’t want to read.
I get it and I admit, the subject matter really has to intrigue me to watch a subtitled movie. Ultimately, to read the subtitles requires a lot of concentration. You can’t do other things during the movie, and you definitely can’t get up to take a wizz or microwave a chimichanga.
Thus, I waited for an evening where I could give my TV my full, undivided attention and I’m glad I did.
This movie starts out strong as a fun, lighthearted comedy. The Kim family are poor in cash but rich in spirit, taking their impoverished lives as basement dwelling pizza box folders in stride, making jokes as they search for free wi-fi, all the while dodging the various bug and homeless bum urine streams that threaten to wreak havoc on their cramped home.
When Son uses forged credentials to defraud his way into a position as a tutor to the daughter of the wealthy Park family, inspiration strikes. One by one, the Kims paint a humorous masterpiece of deceit, setting up the Park family’s servants to be fired so that they can, whilst posing with fake identities, take on those jobs themselves. Sister, Dad, Mom all get in on the act and before you know it, they are all on the Park family payroll and able to pay for luxuries like wifi and pest extermination. Alas, the peeing bum never stops peeing.
It’s hard to not root for the Kims. They are poor through no fault of their own. We learn that Dad has suffered through one lousy job after the next, being laid off or having companies he worked for go out of business. The world economy has suffered greatly over the past several years, and when there is a mention of a security guard position that gets 500 applicants with college degrees, one can’t help but think that poor folk like the Kims can’t pull themselves out of the gutter without a bit of subterfuge.
Meanwhile, the Parks are lovable but hopelessly naive and trusting. Having not suffered much in life, they never developed that inner bullshit detector that causes them to question certain situations so as to avoid being duped. Mother Park is all about fancy parties and doting on the children while servants do all the heavy lifting. Father Park is all about business. You eventually come to love both families. You want the Kims to succeed, but you don’t want the Parks to be hurt.
Unfortunately, at the midpoint, the film takes a dark turn and goes from witty comedy to blood soaked horror fest. The laughs are lost and the mayhem ensues. While I get the film had to go somewhere, I don’t agree with the direction it went at all and feel there were plenty of other options.
I won’t give it away, though I’m not sure it jived with the film’s overall message, or at least my interpretation of it. I thought the film was trying to say a) sometimes a family can do everything right and still be poor and when the economy tanks, it’s hard to blame them for trying to fib their way to the top. B) When you juxtapose the plenty of the Parks with the little of the Kims, it can be easy to hate on the rich and demand they turn over all of their shit to the poor. But then again, keep in mind that there are nice rich people and kneecapping the people who are winning the race of life doesn’t really do much to help those who are losing win.
A happy ending would have been great but….for some reason, there was just a lot of murder. Maybe there are no happy endings when it comes to class warfare.
STATUS: Shelf-worthy. I’d like to see a re-cut with a happy ending. There was actually one point in the film where I thought it was going to ramp up the silliness and lead to a silly ending but…nope. That point was abandoned for murder. So much murder.
Maybe after you 3.5 readers have a chance to see it I’ll say how I thought it should have ended.
Hey 3.5 readers.
This won’t be so much of a review as an opinion piece.
Having seen the ads for Call of the Wild earlier this year, I read Jack London’s classic novel of the same name. If you haven’t, you should. It’s only like 60 pages, but he covers a lot of ground in a short amount of time.
For the uninitiated, it’s the story of Buck, a pampered dog who lives a life of luxury as a pet on a rich judge’s California estate. His carefree life is uprooted when a dirtbag swipes the pooch and sells him into doggy servitude, sending him up north where he ends up on the dog sled team of a pair of French Canadian mail carriers.
From there, he’s passed from one owner to the next, beaten and abused, forced to fight for his life and so on.
Essentially, it’s a story about learning to adapt and persevere when life throws a monkey wrench into the machinery of your plans.
The movie is good, though it’s a Disney product full of schmaltz. It has to be to cater to its primary audience of kids. While in the book, Buck goes from being weak and timid to becoming a murderous, killer alpha dog, whereas in the film Buck grows in spirit and strength by doing good deeds and saving others along the way. Further, I’ll admit the book has plenty of politically incorrect moments (it was written in early 1900s after all) that understandably had to be cut out in the movie version.
Anyway, see the movie, but also read the book and just try to ignore the non-PCness and learn the various lessons. Don’t crumble when life throws you a curve ball. When you learn something new, you’ll fail and it will hurt but stick with it and you’ll get better (how Buck sucks at first as a sled dog but keeps at it and becomes a great sled dog, for example.)
Also, lessons about leadership, from Buck’s early masters who get his obedience through club beatings, to John Thornton, who is just such a good man that he inspires Buck to blind loyalty.
Is this movie an award winner? Not really. It will probably come and go without a lot of fanfare.
However, I think Harrison Ford should be considered for a Best Actor award for this one. He was in some great films in the 70s and 80s, not just nerd faves like Star Wars and Indiana Jones, but thrillers and dramas as well.
Then in the late 90s, early 2000s he, no offense because it happens to all of us, but he got old and seemed in many of his roles like he’d rather not be there, like he was phoning it in. Ironically, I know that’s part of his personality and charm, that he comes across as though he could take or leave fame.
Long story short, he shines in this role and is full of emotion. As a depressed old man who moves to the Yukon to get away from humanity only to find his humanity again with the help of Buck.
Overall, Ford looks like he enjoys what he’s doing in this movie and that he had a good time making it.
At 77, I doubt he will get a chance at many more plump, juicy roles, so I think a case could be mean that he deserves it for this one, if not for the performance but to recognize his body of work.
Hopefully someone in the Academy is one of my 3.5 readers and will make this happen.

Robocop! Oh, Robocop.
You are the oft-forgotten,
Not nearly celebrated enough gem of 1980s times,
What with the way you defeated those who would dare to commit crimes.
In Old Detroit you patrolled,
While OCP used its mind control,
Though you could never let go of the man you used to be,
And that man was once named Murphy.
Yes, Murphy! A beat cop with a kid and a wife,
A cop who came to the end of his life,
When he was shot to hell by that guy who went on to play Eric Foreman’s dad.
No, that experience was not very rad.
But thanks to OCP, your survival was a guaranteed lock.
They brought you back as a cyborg, a man-machine without a…penis.
Is life worth living without a ding dong?
At that point, it could become insufferably long.
Robocop, you were #MeToo before there was a Twitter.
The way you shot that rapist in the Johnson made my heart flitter.
You put an anti-violence against women message on the silver screen,
Nearly 40 years before the mass media had to come clean on Harvey Weinstein.
Robocop! Anne Lewis was your number two.
Not that hot by today’s standards but in the Reagan era, she’d do,
Though it’s not like it would have mattered to you, for you did not have a bait and tackle anyway.
She was your friend and confidant and together you overcame many challenges to take down OCP and Eric Foreman’s old man.
Then peace and harmony erupted all over Old Detroit Land.
Until Robocop 2 and the Nuke drug crisis almost destroyed you.
Robocop 3 is when your franchise began to flounder.
Though honestly, I don’t think we can blame C.C.H. Pounder,
For an actress is only as good as the script she is given, for words are used like a smith uses a tool.
And your 2014 reboot is the only reboot that I ever found cool.
Will they ever make another?
I sincerely hope so my steel clad brother.
But in the future, I hope OCP gives you a robo-wang that will make the ladies hollar.
No doubt they will cry, “I’d buy that for a dollar!”
Snoochie noochies, 3.5 readers.
I don’t think there was a single 90s kid who wasn’t in possession of a well-worn “Mallrats” VHS tape, quoting lines from Jay and Silent Bob and acting like this somehow made them all very subversive.
Personally, I’ve always found Jay and Silent Bob Strike back to be the funniest film in Kevin Smith’s View Askewaverse, the series of flicks he made that featured recurring characters stuck in the nightmare of New Jersey suburbia. While other films were funny, they also tried to channel some kind of message, whereas there was no real message in JASBSB. It was just laughs for the sake of laughs. The pot dealing protagonists start out knowing nothing and end up knowing less.
You might remember in that 2001 film, Jay and his hetero life mate Silent Bob had to travel cross country to stop a movie from being made about them.
Well, turns out this reboot is about Jay and SB travelling cross country to stop a reboot of the movie that was made about them from being made.
As author Thomas Wolfe reminded us, you can’t go home again. After all, you’ve changed and grown so much and there are too many painful reminders of your dumb, wayward past at home. While many films would try to avoid this, J and SB cash in big time on 90s nostalgia, asking what kind of a “broken fuck” would want to watch a reboot of an old 90s movie before looking knowingly past the fourth wall to the viewer that plunked down an exorbitant amount for an on demand rental.
Sadly, the film didn’t get a big movie theater release, one can only assume because everyone who gets the 90s references is as old and wrinkly as all the actors who usually do cameos in Smith films. That same cast of characters came back this go around, albeit with grayer hair and more lines in the face. What can I say? Time is a bitch.
While humorous, especially to those of us who get 90s humor, there were times when this stroll down memory lane saddened me, making me wonder where did all the time go? It seems like just yesterday I was fapping it out to Shannon Elizabeth of American Pie fame. Now, she returns in her role as Jay’s ex-girlfriend, except you can tell from her face that time has paid her a visit to her as well, as it does to all of us. I’m not knocking her. I’m just saying it is sad what time does to all of us sooner or later.
Eh, not gonna lie. I’d still fap one out to her.
Long story short, as it turns out, Jay and his ex, Justice, had a daughter that Jay never knew about. For reasons too stupid to bother explaining, Jay and Bob must give Jay’s estranged offspring and her friends across country without outing the secret of Jay’s father status to the young woman.
Jay’s daughter, Millie (short for Millenium Falcon) is played by Harlee Quinn Smith, and yes, Kevin Smith did that to his daughter, but I guess if you’re born to a famous dad you can survive a wacky name. Jokes about nepotism and Millie referring to Kevin Smith (who appears in the film as himself as well as Silent Bob) as a creepy old fuck abound.
I laughed. I cried, not at the nostalgia, per se, but at the fact that twenty years have gone by and all I have to show for it is this blog read by 3.5 readers. The me who was alive when J and SB came out for the first time would be very disappointed in himself.
But kudos to Smith, who keeps finding new ways to make dough off of Gen X’s pop culture fixation.
STATUS: Shelf-worthy.