Tag Archives: ryan reynolds

Movie Review – Deadpool and Wolverine (2024)

G’day 3.5 reader mates.

Time to throw a review on the barbie.

“Welcome to the MCU. You’ve come at a bad time.”

Such is Deadpool’s greeting to Wolverine and not a bad welcome to anyone who is just getting into the Marvel Cinematic Universe these days. What was once a great cinematic achievement i.e. Hollywood figuring out how to finagle multiple highly paid actors, writers and directors to get them to all tell stories that weaved their way into an over-arching narrative, it has since fizzled out into complete drek.

And it’s not the MCU alone. Movies in general are suffering. 3.5 readers, did you even notice that I didn’t even go to the movies for most of the month of June? Had this bad boy not come out, I probably would have skipped the popcorn for the entire month, which would have been great for my waistline, but I digress.

The good news is that this film is the best the MCU has offered in awhile and it fully makes fun of the fact that the last several installments have sucked really hard. I have to hand it to Disney for poking fun at themselves.

It also serves as a love letter to the early days of Marvel movies, those first entries in the late 90s and early 2000s, brought to us through Fox/Marvel collabs. If I name them then I will give away the many fun cameos so you’ll just have to go and watch yourself. If you were sentient during the Clinton/Bush years then you can already guess. It’s unfortunate these films often get panned when in reality, they were the canaries in the coal mine, the films that lighted the way that plotted the course toward the eventual MCU we came to know and love.

The plot? The merc with the mouth is back yet again and once again, he’s broken up with girlfriend Vanessa (Morena Baccarin). So depressed is he after being turned down for a job with the Avengers that he hangs up his swords and goes to work selling used cars for a living. Sad as that sounds, he still eeks out a life with his friends, the regulars from the previous films who stop by but sadly don’t have much of a role in this one. Come to think of it, I’m going to criticize this movie because Deadpool’s friends like Dopinder, Negasonic Teenage Warhead, Weasel and so on really made all the jokes come alive. Weasel isn’t even in this one.

But for the uninitiated, way back on the dewy slopes of 2009, Ryan Reynolds starred in a critically panned, total flop of a Wolverine movie that sucked really hard. The intention was that RR’s side character, Wade Wilson, would be developed into Deadpool in a standalone movie but the film sucked so bad that the idea of a Deadpool film was shelved for nearly a decade. In the Deadpool films that came later, Deadpool makes fun of that movie often, going so far as to make jokes about Hugh Jackman’s aussie accent and so on.

So the collab we’ve long waited for is finally here and it is a fun buddy cop type movie.

The bad news? It mostly focuses on the TVA and I freaking hate the TVA. To the film’s credit, even Deadpool hates the TVA, pointing out that you really needed to watch a specific episode of Loki to understand any of this shit. Marvel has gone really off the deep end when it comes to multi-versal theory, time travel and timelines and its all very silly and confusing, such that I don’t even attempt to try to understand any of it.

The overall problem? Wolverine is so important to our universe that because he died in 2018’s Logan, our universe is now disintegrating. Thus, it’s up to Deadpool to travel the many universes and find a suitable Wolverine to return to our timeline and help him save the day from the big bad and repair our timeline from certain doom.

POSITIVES: It’s a lot of fun. It’s the best Marvel has made in a while. It’s intent is to entertain whereas so many Marvel movies these days seem highly agenda driven. The fun trip down memory lane to characters from the early days of Marvel movies is great and done well.

NEGATIVES: I didn’t laugh as much at this one. There were a few good laughs but I recall watching Deadpool 1 and 2 and being in absolute gutbusting, tears in my eyes hysterics the entire time. That wasn’t the case for me, though I noticed many in the theater did, so maybe I’m just getting old and not getting the humor. The film did drag butts into seats, which is rare these days. My theater even had a guy in a Wolverine suit taking pics with customers which was fun.

Speaking of the Wolvy suit, Jackman wears the infamous yellow suit for the first time and its a nice touch. Deadpool, who breaks the 4th wall throughout, occasionally busting on Wolverine’s actor, dumps on Jackman for being too much of a priss to have not worn a bright yellow cartoon suit for the past 20 years.

This is Deadpool’s first foray into the Avengers universe. To the best of my nerd knowledge, Deadpool and Wolverine were classified as X-Men and were therefore owned by Fox and as such, were not allowed to go romping about with Captain America, Iron Man, the Hulk and other properties that went to Disney when the House of Mouse bought Marvel.

However, Disney has since bought Fox and now the X-Men and the Avengers can be BFFS on screen as they were in the comics. Problem is, those X-Men movies came out 20 some odd years ago and all those actors are getting long in the tooth. Hell, even some of the Avengers actors are getting up there. It might be time to reboot the whole enchilada, but Marvel seems determined to just keep the whole storyline going forever and just make old characters young through time travel, multi-verse theory and so on.

Personally, I don’t like seeing a movie with this much swearing and naughty jokes being released under the Disney name. I think Walt Disney’s head would be spinning in its cryo chamber. The Disney name really should mean wholesome family entertainment such that a rated R movie and Disney should never mix.

Does that mean Deadpool has to never be on screen again? I don’t know the logistics, but I wonder why he couldn’t have been released under the Fox brand or barring that, create a new brand for naughty comic book movies. It’s all a shell game, I suppose, if its all owned by Disney anyway but even so, I just don’t think a movie where bad guys get Wolverine claws shoved up their butts and worked like a puppet to semi-comedic effect should be released under the Disney brand.

Is this Disney’s first R rated movie? I don’t know enough of movie history but I think it has to be. If you know, let me know.

One last criticism. 2018’s Logan was so good that it was nominated for an Oscar. It was a sad but somber end, a fitting hero’s end to a long journey. A very long one indeed as Jackman holds the record for playing the same superhero in the most number of films for the longest period of time.

But I guess none of that matters now thanks to multi-verse theory and timeline travel because whatever serious consequences happen in one film, they can just be undone in another film. I’ll hand it to the film for making fun of this. It begins with Deadpool digging up Wolvy’s adamantium metal skeleton from the Logan movie and doing an impression of Jackman’s voice while making his skull talk. “Disney gave me a bunch of money to come back, mate!”

STATUS: Shelf-worthy. There’s a clip at the end that shows Jackman and some of the other actors/actresses in some of the early Fox/Marvel movies and they look so young. I was young then too. Amazing how time flies. This movie is gross and silly and like most Marvel movies as of late, relies way too much on time travel and multi-verse nonsense. But it is a good time so if you like this sort of thing, then go see it.

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Movie Review – If (2024)

So many imaginary friends, so little time.

BQB here with a review of this heartwarming kids’ movie.

I wasn’t going to see this, but happened to be around a movie theater tonight with nothing else to do so thought, what the heck. Glad I did. While it’s not the typical type of movie I’m into, it has heart and if you’re looking for something the whole family can enjoy, then you can’t go wrong here.

The plot? 12-year-old Bea (Cailey Fleming) has suffered too much in her young life. Visits to her grandmother (Fiona Shaw) ‘s apartment in NYC can only mean one thing – one of her parents is in the hospital. She spent some time there as a little girl while her mother was dying from cancer and now, as a tween, she’s back, staying in the city while her father (John Krakinski) undergoes heart surgery.

Alas, poor Bea fears she may be on the verge of losing another parent when new wild and wacky friends come into her life. She discovers she is one of very few people who can still see imaginary friends long past the little kid stage of life.

Another such person is Cal (Ryan Reynolds) who lives in an apartment on the next floor in Bea’s grandmother’s building. While Bea finds her ability to see “IFs” amusing, Cal has long considered it a curse, because these weirdoes won’t leave him alone! Since he’s the only adult who can see them, he has a duty to help them find new kids to be BFFs with, seeing as how their previous kids grew up and forgot all about them.

Cal runs a placement agency for the IFs out of his apartment but it isn’t going well. He has the knowledge, but the IFs drive him nuts. Bea is young and inexperienced, but she has patience and easily establishes a rapport with the imaginary creatures.

And so, a partnership is created as Cal and Bea set out to place every last forgotten imaginary friend with a new kid who needs a BFF. Said IFs range from a big blue furry monster, a British bug girl, a talking glass of water, a talking banana (well, they all talk), a robot, a superhero raccoon, a pink alligator, a unicorn, a Shakespeare reciting ghost, a noir-style private detective and more.

The understated and/or unstated theme of the movie seems to be that kids are savvier than ever these days, so getting them to believe in the non-existent is difficult, ergo finding kids to pair the imaginary friends with is quite a chore. The movie gets a little schizophrenic as the writers can’t quite seem to decide whether the goal is to pair the IFs with new kids or to reunite them with their old kids who forgot them, who are all now adults and sadly, as we see, many of those adults are going through hard times and could use reminders of their happier childhood days.

Steve Carrell lends his voice to the big fluffy monster Blue, while the late, great Louis Gossett Jr. delivers what I believe is his final performance (unless another movie buff knows better) as the wise old teddy bear Lewis.

STATUS: Shelf-worthy. I’m not sure this one will go down in the annals of children’s movie classic history, but I give it a solid A. You’ll love it. Your kids will love it. It has a good message about finding little bits of joy amidst the endless stream of sorrows that life provides. Never too early to teach your kids that life is one great big pile of shit and they need to dull the pain with imaginary fantasies of wonders that will never, ever be. OK I’m not entirely sure that’s what the movie was trying to say but that’s what I got out of it.

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Movie Review – The Adam Project (2022)

Ryan Reynolds stars as himself, traveling to the past to join forces with…his younger self.

BQB here with a review.

This movie is fun but somewhat basic. It’s typical Ryan Reynolds fast talking funny guy schtick, mixed with some great special effects. Not the most captivating backstory, one of those films you’ll munch popcorn to while it happens but the next day you’ll forget all about it. In other words, it’s standard Netflix fare.

RR stars as middle aged Adam from the future, who travels to the past to evade evildoers of the future who want to abuse the time travel tech his father Louis (Mark Ruffalo) invented. Along the way, he joins forces with his 12 year old self (Walker Scobell doing a pretty funny kid version impression of Reynolds). Jennifer Garner rounds out the cast as mother to the Adams.

STATUS: Shelf-worthy, but not a lot more to say about it.

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Movie Review – Red Notice (2021)

I don’t know how it’s possible for a movie starring The Rock, Ryan Reynolds and Gal Gadot to be a boring stinkfest but darned if Netflix didn’t find a way to make it happen.

BQB here with a review.

I don’t know how Netflix tricked me again, seeing as how I’ve written about how Netflix has tricked me before. They put out promos for awesome looking movies with big stars and you can’t wait and then it drops and it stinks.

The way I see it: Apparently, Netflix can hire big stars or great writers, but it’s rare for the company to bring both together.

Ironically, the plot sounds as awesome at the stars. Rival art thieves (Gadot and Reynolds) go to war over Cleopatra’s (she of Ancient Egypt fame) prized golden eggs, with FBI agent The Rock caught in the middle. Double crosses, triple crosses, globe trotting, heists, explosions, and Nazi secrets abound and yet…YAWN.

Why? Heavy on the exposition dumps. I hate exposition dumps. You hate exposition dumps. Writing 101. Show us. Don’t tell us. We go to movies for entertainment, not to be given a bunch of facts up front that we have to commit to memory so we can understand the plot later.

Sometimes I wonder if I’m too hard on these movies because Netflix made them but I don’t think so. If one really strikes my fancy, I’ll give it its due, like I did recently with Army of Thieves, but I think when it’s billed as a film with three top stars, you go in expecting a lot of razzle dazzle and instead well…imagine if like, a sophomore English major banged out a movie script in an hour but for some reason, was rich enough to hire The Rock, Reynolds and Gadot to star in it…maybe its not THAT bad but still. I expected more. I expected these three would look at the script and be like, “Um…keep the money. I don’t want to be in sucky movies.”

To be fair, the film has its moments, as many do. Its a fun distraction to eat popcorn to but there’s zero character development and I get it. Most of these flicks don’t have any character development but at least there’s an attempt. The biggest question left on the floor is how did a musclebound FBI agent end up as an art expert? What convinced him to use his art knowledge to fight art crime?

I do have to give it some points in that it let Gadot be the villain, which is a big change for her. Even so, Reynolds rattles off his “Who, me?” one liners. The Rock kicks ass. Gadot is that rare person who is both beautiful and kind, such that even when she applies an electro shock device to The Rock’s nards, it’s hard to believe she isn’t secretly concerned for her adversary’s safety.

STATUS: Shelf-worthy, but I’m wise to this scam. From now on, I won’t get excited by these streaming service blockbuster ads because I know deep down, they’ll spend big on the special effects and actors, but skimp on the writing, so I will never again watch a…OH MY GOD! DISNEY PLUS JUST RELEASED A NEW HOME ALONE MOVIE?! I GOTTA GO WATCH THIS THING! THAT SOUNDS AWESOME!

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Movie Review – Criminal (2016)

A CIA agent’s memories are planted into a murderer’s brain in a last ditch effort to save the world from annihilation in this star studded thriller.

BQB here with a review of Criminal.

Be forewarned – SPOILERS will be implanted into your brain if you read any further.

Movieclips Trailers – Criminal (2016)

I have to admit it. I went into this film wanting to hate it. Kevin Costner is old as dirt and though that’s not something to make fun of him about because it happens to the best of us, his last action movie 3 Days to Kill was lame to the point where I wondered maybe he ought to start playing older respectable folk (like he did well in Man of Steel) and let the parts that involve running around to the youngsters.

Yet, he surprised me here as he was well suited to the part – a bumbling oaf who would never be able to pull off a spy mission without having a spy’s memories implanted into his brain.

Did that sound like a backhanded compliment? OK yes but it wasn’t meant to be. (Or was it?)

Ryan Reynolds is Billy Pope, a CIA agent who dies before he’s able to share crucial information with his superiors that could prevent a terrorist from destroying the world. Yes, the whole damn world is at stake.

This is Reynolds’ second brain transfer movie.  He and Sir Ben Kingsley swapped brains in Self/Less.  Super hero flicks and brain transfer movies are what Double-R is all about now.

Gary Oldman, as CIA boss Quaker Wells, enlists Tommy Lee Jones’ Dr. Franks to step up an experimental memory transfer process that’s he’s never tested on humans before.

The guinea pig is Jericho Stewart (Kevin Costner) a convicted criminal who, due to a brain injury as a child, has no concept of right or wrong or how to behave in society.

He’s very dangerous but he’s not Hannibal Lecter.  Lecter knew what he was doing.

Jericho, on the other hand, is basically an old feral animal. If he wants something, he takes it. If someone gets in his way, he kills them. If he wants to do something then he does it without a grasp of why he shouldn’t.

Costner shined in this part, playing Jericho as a broken down ignoramus who, thanks to the memories of nice and noble Billy Pope, suddenly develops knowledge and skills he can use to defeat the evil terrorist Heimdahl (Jordi Molla).

Gal Gadot leaves her lasso at home to play Pope’s wife and help Jericho on his mission.

Michael Pitt, who you may remember as Jimmy Darmody in Boardwalk Empire, plays “the Dutchman” i.e. the man who can help Jericho save the day.

In short, when I go to a movie wanting to hate it and come out liking it, it’s a rare surprise.

Is there the occasional plot hole? Sure. One thing I noticed was despite what a dangerous monster Jericho is portrayed as, the various agents don’t seem to put a whole helluva lot of effort into his security…but…hey.  It’s an action movie.

Go see it.

STATUS: Shelf-worthy

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Movie Review – Deadpool – (2016)

Swears, gratuitous violence and naked chicks in a superhero movie!

Whodathunkit?!

BQB here with a review of DEADPOOL!

SPOILERS!

Oh my God.  This movie was like a space shuttle launch.  So much had to happen before it could finally happen.

  1. Fans had to convince Hollywood that super hero movies are profitable by showing up en masse.
  2. A new generation had to grow up, become adults, and be cool with a super hero on screen who does and says horrible, horrible things.
  3. Hollywood had to be convinced that there was an adult audience for a raunchy R rated super hero movie, because films about heroes in spandex fighting evil are traditionally geared toward kids.
  4. And to top it all off, this movie was first teased in 2009 when Ryan Reynolds was in that horrible, godawful Wolverine movie!!!  (Remember the one with Will. I. Am?  God that was awful.)

And it’s here!  It’s finally here!  And it’s got sex, violence, ridiculous amounts of swearing.  Filthy jokes galore.  You get to see Morena Baccarin’s boobs for like a second (actually they might be stunt boobs – I can’t confirm.)

Come to think of it, that’s what surprised me the most.  A Marvel movie with boobs.  And not just Morena’s or her stunt boob double.  More naked chicks.  More boobs.  And a cooter.  That’s a scientific term.  A cooter in a Marvel movie.  Who knew it was possible?

The 50 cent tour if you’re not up to speed on Deadpool.  Wade Wilson (aka Ryan Reynolds) a mercenary with a sense of humor, is diagnosed with cancer.  His girlfriend, played by Morena, who is his match in the humor department (I hate to be cynical but only in the movies, either that or I’ve never met a woman with that kind of humor but I’m not sure she exists.)

So he volunteers for an experimental procedure and yadda yadda yadda…it does not work out as planned.  A villain gets involved, X-Men Colossus and Negasonic Teenage Warhead pitch in, shit goes down.  It’s pretty epic.

I won’t spoil it anymore but on top of the firsts mentioned above (first R rated super hero movie, first Marvel movie with a cooter) it is, I think unless someone can correct me, the first movie of its kind to be crushing the box office on a Valentine’s Day Weekend.

What the shit.  There weren’t any women who would have wanted to go see a movie like Deadpool with me on Valentine’s Day weekend back when I was a Funky Hunk, I’ll tell you that.  And it wasn’t me.  Well, it was but it was mostly because chicks just weren’t into those kinds of movies.  Women have seriously mellowed out that some studio exec was convinced this would be a good Valentine’s weekend date movie and be correct.

Funny.  Lots of action.  Lots of heart.  My one complaint is the best jokes were spoiled by the trailers but it’s still great.

Ryan Reynolds really shines in this.  And as you know from my #OscarsSoPretty rants, you know I’m very biased against good looking people.  Don’t get me started or I’ll rant all day about pretty person privilege, how the attractive have life handed to them on a silver platter, etc. etc.

RR shows he’s more than a handsome face.  He’s got the charisma and sense of humor of a genuine ugly dude who needs to work for it and that’s a compliment straight from good ole BQB.

STATUS: Shelf-worthy.  Come for the jokes.  Stay for the cooter.  Oh and stay for the credits.  There’s another Deadpool movie on the way, though Deadpool told me not to tell you.

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Movie Review – The Woman in Gold (2015)

Nazis.  Damn they sucked.

The Woman in Gold

The Woman in Gold

Bookshelf Q. Battler here with a review of The Woman in Gold.

Based on real events, the film follows the story of Maria Altmann (Helen Mirren) and Randol Schoenberg (Ryan Reynolds) in an underdog against the odds quest to return a famous painting once stolen by Nazi’s from Maria’s family.

The year is 1998 and Maria is an elderly boutique owner in California.  Young Randol (Randy) is the son of an old friend of Maria’s.  Randy’s a newly minted lawyer and having a rough go of it.  His practice just went under, he and his wife (played by Katie Holmes) just have a newborn baby, and he’s just managed to secure a position with a big time law firm.

It all begins with some polite free advice – Maria consults Randy about what to do in light of the fact that the Austrian government has been making an effort to return artwork stolen by the Nazi regime to their rightful owners.

The painting in question?  The much admired “Woman in Gold” painted by artist Gustav Klimt.  Over the years, it moved from Nazi hands to a public art gallery and has become beloved by the country as “the Austrian Mona Lisa.”

https://www.youtube.com/watch?v=geJeX6iIlO0

The Woman in Gold – Movieclips Trailers

But to Maria, it’s a picture of her dear Aunt Adele.

The movie switches back and forth from past to present.  Randy and Maria take on a government that doesn’t want to return the painting.  In the past, young Maria once lived a happy life in a prominent Jewish family, where her father played the cello and there was much singing and dancing by all.

Alas, the Nazis come to power, roll into Austria, and Jewish people are robbed blind, their homes stripped of possessions.  Nazis takeover Maria’s home and haul off all the artwork inside, including the portrait of Adele.

They’re forced to undergo all manner of humiliations, often cheered on by onlooking non-Jewish Austrians.

Maria’s family had worked hard for what they had and the Nazis took it all.  So many decades later, for the elderly Maria, the fight for the painting’s return isn’t so much about the painting itself, or about the money (its worth at the time was 150 million), it’s a desire for the Austrian government to admit it did wrong – that Austrians welcomed the Nazis into the country with open arms and openly supported the mistreatment of Jewish citizens.

In the past, we see young Maria and her husband make a heroic and daring escape out of the country, after which they make their way to America.  For the rest of her life, Maria feels resentment at those who turned Austria into a place she had to leave.  She also feels guilt for leaving her family behind, and is angry at those who made her do so.

In the more recent past, the late 90’s, we see Randy go from viewing the case as a nuisance, then a chance to make some loot when he realizes how much its worth, and finally a chance to right a past wrong.  Randy puts his career on the line and loses everything in pursuit of the case.  Meanwhile, Maria goes from wanting to pursue the case to wanting to forget it all.

It becomes an international and complicated case as Randy battles the Austrian government in Austria, and later before the U.S. Supreme Court.

Do they win?  Well…that’s a spoiler in gold, isn’t it?  Ha ha ha.

This was an interesting and enjoyable film.  It’s not getting a lot of press. It’s a film I like to call “Oscar-ish.”  Hollywood often makes Oscarish films, movies about serious subjects and give actors a chance to flex their serious role chops but for whatever reason, they don’t end up in the Oscar running.  That’s not to say this film won’t, though it is rather early in the season.

It’s also a story that needed to be told.  I’m often amazed that even after so many WWII movies, even today there are stories that are still emerging.  Maria’s family had worked hard for what they had, contributed to their society and the thanks they received was the government and their fellow citizens cheering on the Nazis in their anti-Jewish reign of terror.

Go see it, noble readers.

STATUS:  SHELF WORTHY

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