Tag Archives: television

TV Review – GLOW

Alison Brie’s boobs!  Alison Brie’s boobs!

“Community” fans rejoice!  “Annie’s boobs” are finally on screen!

BQB here with a review of the new Netflix comedy/drama “GLOW.”

There was a period of several years where I would watch Alison Brie play it straight as a young, suffering wife to a philandering scoundrel on “Mad Men” only to flip the channel and watch her play perky, nerdy overachiever Annie on “Community.”

Now, it’s like she’s all grown up…and showing her boobs.

“GLOW” is the tale of the “Gorgeous Ladies of Wrestling,” the cheap and cheesy 1980s all female wrestling show, where scantily clad women would put on stupid costumes, speak in politically incorrect accents, make jokes that would totally not fly today, body slam the crap out of each other and do their best Hulk Hogan with boobs impression.

It’s the 1980s, so think big hair and yuppies galore as the flower children of the past are gone and money grubbing social climbers have taken their place.

Alison Brie stars as Ruth, a down and out actress who has moved from Omaha to LA.  She’s classically trained and has appeared in a number of plays, but can’t get a paying acting job to save her life and is facing all kinds of financial woes.

Enter GLOW – a new wrestling show directed by B-movie, super crappy horror film director Sam Sylvia (Marc Maron) who revels in showing how little he cares about this project and how deeply below him he deems it.  Maron puts his comic skills on display as he occasionally takes cocaine snorting breaks to ridicule the ladies, tell them how ugly, stupid and useless they are, etc.

When Ruth auditions, she too believes the show is beneath her but faced with either calling it quits on her dreams of fame or getting in the ring and rolling around with the gals, she chooses the latter and a star is born.

I have only watched the first episode thus far, but it caught my interest, so I will keep watching. While I am a fan of Jenji Kohan, this show seems to take a different turn from the snappy one liners of Weeds and Orange is the New Black.  The show features a darker, subtle, understated form of comedy and it’s more of a dramatic period piece than anything else.

I know from Mickey Rourke’s The Wrestler, professional wrestling isn’t all it is cracked out to be.  Sure, it may be “fake” but there’s a lot of physical activity going into those pratfalls and body slams.  It takes a toll on the body and the slightest mistake can leave a person badly injured.  I think that angle will be explored as we delve deeper into the show.

I never really watched “GLOW” as a kid.  I was aware of it but for whatever reason, never checked it out.  I was only a little kid during the 1980s and Hulk Hogan vs. the Iron Shiek captivated me.  I stuck with men’s wrestling all through high school, even in the Hulkster’s evil NWO days.  I was aware of women wrestlers and lady wrestlers would occasionally stop by to duke it out on men’s wrestling but overall, I guess GLOW was one of those things that escaped me.

But as long as it features Annie’s boobs I will keep watching.

What I liked about the first episode the most is it seems like it will be a show about losers who are tired of losing and fighting desperately to become winners.  We see Ruth living a life of absurdity as a budding actress, waiting in audition rooms filled with candidates all vying to play a secretary on a TV show with a five second line.  We see her paying the little money she has for acting lessons from a teacher who keeps falling asleep during her performance.

We see Sam on the tail end of his directing career, down and out, cast aside from making the movies he loved, directing a bunch of crazy women as they beat the crap out of each other.

Neither Sam or Ruth think GLOW is worthy of them…but they both see this as their last shot to do something worthwhile with their lives, so they are going to fight for it.

STATUS: Shelf-worthy.

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Bring Back 2 Broke Girls!

Hey 3.5 readers.

BQB here.

This probably sounds like an unmanly post but whatever.  I like “2 Broke Girls.”  It’s my kind of humor.

I just finished it up to the end of the sixth and apparently last season.  I mean, I don’t want to spoil it but suffice to say the girls have better luck at life this season than the previous seasons.

Still, the overall point of the show is to highlight the struggle people have, especially young people who grow up thinking the world will be their oyster only to face the grim reality of every door of opportunity they try to walk getting slammed in their faces.

Along the way, the come across all sorts of characters who are also down on their luck.

Perhaps it seems silly to worry about a show that’s basically a big pile of fluff but from the very first episode, the girls chart out a course – they’re going to lift themselves out of poverty and become big time cupcake selling superstar moguls and I just think CBS is in the wrong for ending the show before that happens.

So if any other network out there wants to pick it up for at least a final wrap-up season (I’m looking at you, Netflix) I know you’d at least have me as a viewer.  I can’t guarantee my 3.5 readers will come along.  They never listen to me.

Overall, it sucks when networks do this.  These shows build up fans over the years that grow attached to the characters and invest time in watching their stories.  It’s uncool to leave the fans hanging.  We were told Max and Caroline would be super, ridiculously successful one day.  We should find out if that happens.

Hollywood, if you can’t make this happen, at least put Kat Dennings and Beth Behrs in something else.  Kat, and her copious bazongas are a delight.  Beth is fabulous too though she lacks Kat’s bazongas.  (As far as I know it’s cool to joke about this as it is a running joke in the show.)

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Top Ten TV Dads of All Time

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Happy Father’s Day, 3.5 readers.  Today’s the day to grab the family patriarch a cigar, a beer, and a steak and treat him like a king, to make up for the other 364 days a year where you walk all over him.  Come on.  You know you do.

In honor of this illustrious day, from BQB HQ in fabulous East Randomtown, it’s the Top Ten TV Dads of All Time:

#10 – Ward Cleaver (Hugh Beaumont) “Leave it to Beaver”

The man worked hard and he rested hard.  Came home every day to a clean house and a nice home cooked meal.  June would have his slippers and newspaper waiting for him so he could chill by the fireplace.  He’d dispense some words of wisdom to his sons, Wally and the Beaver, but then June would take care of all the washing their clothes and cleaning behind their ears bullshit.  Yup, you might assume June went out of her way to keep her man happy because it was the 1950s but I submit that maybe, just maybe, Ward’s pimp game was strong and June bent over backwards for Ward because his bedroom game was strong.  (I assume off camera Ward and June pushed their twin beds together and knocked boots.  Where else did Wally and the Beaver come from?)

#9 – Ben Cartwright (Lorne Greene) – Bonanza

Based on modern standards, you might assume that Ben Cartwright was a very long suffering, put upon, taken advantage of father seeing as how his three adult sons, Adam, Hoss, and Little Joe all stayed on the family ranch well into adulthood and oddly enough, despite coming from a super rich family, none of the boys ever found a long lasting relationship with a woman.

But then you have to remember that the family homestead, “the Ponderosa” was said to have taken up a large chunk of Nevada so…yeah, if your Dad owned Nevada then you can be given a pass for still living at home when you’re forty.

Ben would lead the boys on all sorts of adventures every week – robbers, cattle rustlers, scammers, schemers and the like.  Also, did I mention the Cartwrights were rich?  So literally ever other villain was like, “Those dirty rich ass Cartwrights screwed me over so now I must have my revenge!”

Shit.  Everyone dumped all their problems on the one percent even in the 1800s.

Still.  I feel bad that Adam, Hoss, and Little Joe had such little game with the ladies.  I mean, seriously, if you can’t get your hands on some poon with a pickup line like, “Hey baby, my pops owns Nevada” then you are hopeless.

#8 – Dan Conner (John Goodman) Roseanne 

This show gave the nation a glimpse into how the other half lived, and if Roseanne was the anti-June cleaver, then Dan was the anti-Ward.  Chronically unemployed, audiences got to see the toil that struggling to be a good provider for his family can take on the male ego.  Dan was practically laid off every other week, but after taking a hit to his self-esteem, he’d pick himself up, find a new job, or create one if he couldn’t find one, doing all sorts of menial labor.

Along the way, he’d put up with bickering daughters, a bickering wife and sister-in-law, dopey young men who didn’t seem like they’d amount to much of anything chasing after his daughters, he’d be left unappreciated often but he muddled through.

Most men wish they could be Ward with June fetching the paper and slippers but alas, most men are like Dan, coming home tired after a long day at work only to be chewed out by an angry wife and have to put up with a bunch of nonsense from smart aleck kids.

#7 – Fred G. Sanford (Red Foxx) – Sanford and Son

Sigh.  It’s inevitable.  If parents live long enough, they eventually become the kids and the kids become the parents.

Fred and his son, Lamont own an LA junk dealership in the Watts neighborhood of LA.  Lamont, well into adulthood, dreams of going out into the world on his own and being his own man.  Alas, he’s so worried about his troublemaking father that he sticks around, afraid that the old man will ruin himself with one of us ill advised get rich quick schemes.

And did Fred appreciate his son?  Not outwardly, seeing as how he openly referred to Lamont as “dummy.”  But he loved him, as he loved his long deceased wife Elizabeth, so much so that the slightest symptom of illness would cause him to grab his chest, look to the sky and shout out, “This is the big one!  I’m coming to join you, Elizabeth!”

We have a mother’s day and a father’s day.  There should probably be a “Caretaker of a Very Difficult Elderly Parent Day” to honor people like Lamont.

#6 – Andy Taylor (Andy Griffith)  “The Andy Griffith Show”

That opening scene says it all.  Even though Sheriff Andy Griffith is an officer of the law, he always has time to sneak off of work and take his son Opie (little Ron Howard) fishing.  It probably helped that they lived in a small town where the only criminal was town drunk Otis who would report to the station whenever he had one too many and lock himself in.  Plus, Deputy Barney Fife (Don Knotts) usually had shit on lockdown.

#5 – Tony Micelli (Tony Danza) – “Who’s the Boss?”

You got to love a man willing to go the extra mile for his daughter.  Down and out ex-baseball player Tony Micelli, a true manly man, takes a job as housekeeper for big shot businesswoman Angela.  You’d think that would be a surefire way for most men to feel like their balls have been snipped off and put in a mason jar, but Tony never lost his manly machismo no matter how many beds he made or meals he cooked.

#4 – Dr. Jason Seaver (Alan Thicke) – “Growing Pains”

Yes, it was the 1980s, the country was getting a little less “traditional” and women were working more.  Thus, Dr. Jason Seaver sets up his psychiatry practice in his house (hopefully he had a separate entrance for all the crazies) thus giving him more time at home to watch over the kids while wife Maggie went to work as a journalist.

Yes, like Tony Micelli, he was another man who pushed through this non-traditional situation while retaining his manliness and keeping his nut sack intact.

RIP Adam Thicke.  You are missed.

#3 – Danny Tanner, Jesse Katsopolis, Joey Gladstone (Bob Saget, John Stamos, Dave Coulier) – “Full House” 

Oh, the best laid plans of mice and men.  When Danny Tanner’s wife kicks the bucket far too soon, he recruits his brother in law Jesse and friend Joey to move in and help him raise three precocious daughters.  Danny would be epically lame, Jesse would still find time to jam with his rock band, and literally no one thought it was creepy that Joey lived in the basement and talked to his puppets.

“Men can be mothers too!” Hollywood cried and alas, we menfolk have been fetching our own newspapers and our own slippers ever since.  I doubt there will be another Ward every again.  I hope Ward knew how good he had it.

#2 – John Walton, Sr.  (Ralph Waite) – The Waltons

It was depression era Virginia and John Walton Sr. literally had like nine trillion kids.  Seriously.  The family was a big ensemble cast and I can’t count how many kids were living in that house.  The man was severely put upon, running a struggling saw mill and doing other odd jobs just to make ends meet, taking care of his voluminous family as well as his elderly parents.

Somehow, he did it all with a grimace on his face that often turned into a smile.  Plus, even though he and his family were poor as hell, he didn’t give his son John Boy shit about being a writer.  John Boy’s struggles to become a famous writer was the main plot point of the show and if you’re a struggling writer, you know that even in families that aren’t struggling through the depression where everyone’s walking around barefoot because they can’t afford shoes, the family patriarch is usually screaming at the kids to drop ideas about pie-in-the-sky dreams and focus on something practical.

Hell, my Uncle Hardass commands me to stop writing and get a real job every day even now.

But nope.  John Sr. never slapped John Boy upside the head once and told him to drop his stupid books and get a real job.  He didn’t even slap son Jason upside the head and tell him to drop that stupid banjo, stop trying to become a musician and get a real job.

The man just continued to suffer, sawing extra wood and taking extra jobs all the while his dumb sons kept writing and playing music.  If you are a creative person just starting out in the world, pray for a father like John Walton Sr.

#1 – A TIE!

Homer J. Simpson (Dan Castellanetta) “The Simpsons” and Al Bundy (Ed O’Neill) – “Married with Children)

Homer J. Simpson is literally dumber than a box of rocks.  He’s also extremely lazy, often found asleep at the switch at his job at the nuclear power plant or enjoying a tasty donut.  “Mmm donut.”

Yet, somehow he always finds the time to make Marge suffer with one of his ridiculous schemes, or to strangle son Bart (yet avoid capture by child protection services) and to be made to feel stupid by brainy daughter Lisa.

He may be bald, but otherwise, he hasn’t aged since 1989.  Oh, the benefits of being a cartoon.

Meanwhile, Al Bundy would come home every night from his job at a Chicago shoe store were obese women would give him shit for not being able to find shoes that would fit their enormous feet.  His wife, Peggy and kids, Bud and Kelly, would treat him like a human ATM machine, fighting over who gets to snatch what little money was left in his wallet.

Yes, the Ward days were gone, as Peggy refused to cook, or clean, or literally do anything to contribute to the family’s well-being other than to sit on the couch and eat bon bons all day.  Meanwhile, Kelly was the town tramp who would bring home a series of idiot boyfriends whose asses Al would have to kick while Bud was something of a boy genius yet shared in his father’s inability to get any respect from anyone.

Yes, Al was miserable but he didn’t take it lying down. With his next door neighbor/friend Jefferson, he established the organization known as “No Ma’am” (the National Organization of Men Against Amazonian Masterhood) where he and likeminded, put upon men would meet and complain about how their wives didn’t appreciate them.  Also, they would drink beer.  Lots of beer.  In my opinion, the No Ma’am episodes were among the best of that show.  Why that organization didn’t get off the ground with a chapter in every city and town I’ll never know.

In retrospect, it seems kind of odd to me that Al was so pissed off every time wife Peggy demanded sex.  I mean, Peggy was no Marilyn Monroe but she was still pretty hot, and if anything, a lack of sex is usually a husband’s burden.  But I assume the joke was that married people find themselves stuck in a rut, putting up with the same ole, same ole, day in and day out.

Sure, Al may have lusted over his copies of “Bigguns” and taken the occasional trip to the nudey bar with Jefferson, but he always came home to Peg.

Plus, you have to hand it to a man who is able to make a single moment last a lifetime.  No matter how bad things got, Al always reminded people of his life’s single greatest accomplishment – he once scored four touchdowns in a single game.

YOUR FAVORITE TV FATHERS

Is your favorite not on the list?  Discuss in the comments.

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RIP Adam West – 1960s Batman

Hey 3.5 readers.

BQB here.  You know, after a while, I decided I wasn’t going to write about every celebrity’s death.  Unfortunately, they happen often, and talking about it just makes me sad.

But this is a nerd blog and Adam West is an icon to nerds everywhere.

When I was a kid, I loved Batman.  The Michael Keaton Batman movie came out in 1989 and I became obsessed with the idea that maybe a man could become a superhero without any superpowers but rather, just a lot of money and training.

The training would be easy to find, I thought, and what kid doesn’t automatically assume that he’s going to be a billionaire the second he becomes an adult?

Oh well.  My Batman plan didn’t pan out, although I did become the owner of a blog read by 3.5 readers, so I’d say I broke even.

After school, I would watch reruns of the old 1960s Batman TV show.  I’m not sure as a kid I got the humor.  The writing seemed hacky and even as a boy I remembered scratching my head and thinking, “Bat Shark Repellant?  Really?”

I also was incredibly confused as to why every episode ended on a cliffhanger where Batman and Robin would be put into some kind of intricate killing device set up by the evildoer, only to easily break free in the next episode.  One wonders why the villain just didn’t pull out a gun and blast the Caped Crusader and the Boy Wonder, but I suppose that would have been anti-climactic.

All I know is that even though you knew they were going to get free, that dramatic voice announcer asking “Will Batman escape this time?  Tune in next week, same bat time, same bat channel” always got me to tune in to the same Bat channel at the same bat time.

But I loved the show, the bright colors, how it looked like a comic book had been brought to life, complete with the “Biffs” and “Pows” flashing on screen during every Batman vs. henchmen scene.

It was only as an adult that I realized a) the writers were goofing on the comic book genre and b) it was the 1960s, a time when adults were expected to put away childish things and comic books were considered the ultimate in silly kid stuff.  Attempts to portray Batman as a serious crimefighter would have fallen flat.  Therefore, the only way Batman could have succeeded was as a wacky, campy show for kids.

Adam West played the role perfectly, being very serious as Bruce Wayne/Batman, saying ridiculous things in a completely deadpan style, as if you were the one who is an oddball for thinking it is weird that Batman keeps a hefty supply of Bat Shark Repellant on hand at all times.

In later years, Adam West found a resurgence as his fans got older themselves.  He was cartoon-ized as the Mayor of Quahog, Rhode Island on Family Guy, again called upon to say things that are hysterical in a voice that says, “I don’t think the Mayor realizes this is hysterical.”

One thing to keep in mind is that without the 1960s Batman show, all subsequent Batman films and possibly other comic book superhero films, TV shows may not have ever happened.  The Hollywood suits had to be shown that comic book fans would follow their favorite characters to TV and film, and West paved the way.

He will be missed.

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Writing Choices – Orange is the New Black and Polarizing Social Issues

Hey 3.5 readers.

BQB here with another installment of “Writing Choices.”

If you’re like me, you look forward to OITNB’s return in June every year on Netflix.  It’s been a guilty pleasure for me for a long time now.  Hard to believe the fifth season started streaming yesterday.

I have only watched the first episode of the fifth season so I can’t give you any new spoilers and would appreciate you not giving me any.

That’s ok because I actually want to talk about the last episode of Season 4.

Police shootings and/or fatalities in police custody have been in the news a lot lately in the past few years.  This topic is often polarizing.  One side usually says something like, “There’s no excuse when people die in police custody so throw the cops in jail!”  and then the other side is all like, “You have no idea how hard it is to be a police officer, what with the split second, life or death decisions that they have to make every day.  You could never do it yourself so stop being so hard on the police.”

Is it possible that there are times when an accident happens and no one is at fault?

Case in point, and LOOK AWAY BECAUSE A BIG SPOILER IS COMING, at the end of Season 4, dies while being pinned to the floor by CO Bayley.  We’re never really given a clear explanation as to how the death happened.  Basically, he holds her down and after a short time, she’s not moving or breathing anymore.

Tragic.  Sad.  The public demands someone to blame.  The company that oversees the prison immediately wants a scapegoat to present to the public.  At first, they demand Warden Caputo get on TV and portray Poussey in a negative light, that she was a bad egg, out of control, etc.

Caputo won’t do that so then the company shifts gears and demands that Caputo throw Bayley under the bus.  They find an old photo of Bayley dressed up as Rambo for Halloween and want to portray him as some kind of violent, militaristic nut job.

Caputo refuses to do that either.  Instead, he goes on TV and gives his take – that the prison is overcrowded, understaffed, and that a young officer who was barely trained was thrown into a situation he had no idea what to do with and a tragic accident happened.

Caputo’s explanation satisfies no one, especially a public that tends to see issues as black and white and demands that a villain be strung up anytime something goes wrong, but he is convinced he made the right call.

In a flashback episode, we see CO Bayley and Poussey at an earlier time, before they ended up at Litchfield as an officer and an inmate, respectively.  Bayley is a recent high school graduate and a total doofus who has just been fired from an ice cream parlor job for giving free ice cream to girls he likes.  Poussey is young and care free as well.

Bayley and his buddies and Poussey and her friends go on an outing to New York City.  In one fleeting scene, Bayley and Poussey pass each other on the street, neither noticing the other because they had yet to meet and had no reason to recognize each other but the point was clear – life may seem great now but you never know when it will take a turn for the worse.  You’re out there today, trying to live your life, trying to make the most of it but then, wham, it could all come crashing down in an instant.

But the other meaning behind this scene – they were both young, dumb kids.  Poussey was doing her best until she made a mistake that landed her in prison.  Bayley was trying to do his best, getting a job at a prison in the hopes of supporting himself, restraining an inmate as he was ordered to do except he did it wrong…life is good, until you screw up, and then it isn’t.

Poussey never set out to become a convict.  Bayley’s life long dream wasn’t to kill someone.  Somehow, shitty things just happen and shitty results happen.

Overall, I felt Season 4 of OITNB handled this very polarizing issue in a way that was fair to all sides.  Perhaps there are times when a tragedy happens and there isn’t someone who can be clearly pointed to as the villain.

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Writing Choices – Game of Thrones and an Overabundance of Characters

Sigh.  Why must I wait until July for Game of Thrones to come back on the air?

Oh well.  This one will be a short one.

Game of Thrones has so many characters – so, so many characters.  And many of them are key players.  All in all, we’re talking like, hundreds of parts.

I suppose it makes sense in a wide-sweeping epic.  Then again, I’ve found that in my own writing, sometimes it is difficult to just keep track of the names of the bit players.  If you have a secretary named Janet who gives your hero a key piece of info, you want to make a note of it so you don’t name another character Janet.

Sure, in real life, you’ll probably run into multiple people named Janet.  People don’t check to see many Janets there are around you before deciding whether or not to add one more Janet to the mix.  But, to the reader, two characters with the same name will be confusing.

Plus, how do you describe all those characters?  There are only so many ways to describe a person.  At the end of the day, we all aren’t snowflakes.  Sure, we all look different and those differences are readily noticeable to the eye but on paper?  “He’s old, she’s young, he’s tall, she’s short, he’s skinny, she’s fat” I mean, really…how do you come up with unique descriptions for over two hundred people or more?

YOUR ASSIGNMENT:  Can you keep up with all the characters on Game of Thrones?  How do you do it?  I’ve been watching the show since the beginning and I still just refer to many of the characters as, “The guy who did the thing.”  Also, tell me how you keep track of the characters in your stories.

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Season 3 of Unbreakable Kimmy Schmidt is Here

What’s your favorite Kimmy Schmidt moment from the entire series?

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Bombing at Ariana Grande Concert in UK

Hey 3.5 readers.  Very sad news as I’m reading that at least 19 are dead after a bombing at an Ariana Grande concert in England.

Sad news.  Sad news indeed.  This is not the same world I grew up in.

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TV Trailer – Young Sheldon (CBS)

Hey 3.5 readers.

BQB here.

So on The Big Bang Theory, scientist Sheldon Cooper has often referred to his difficult upbringing in rural Texas, raised by a family that did not understand or particularly care for his brilliance.

CBS, in keeping with Hollywood’s trend of never being original, has devised a Big Bang spinoff, Young Sheldon, chronicling the life and times of Sheldon as a ten year old high school student in the late 1980s.

Gotta admit, the idea sounded terrible to me until I saw the trailer.  Then I found it really moving.  So perhaps, on occasion, a spinoff has the potential to be great.

For example, in the trailer above, Young Sheldon becomes a boy narc, ratting on every student he sees for trivial rule violations.  To Sheldon, this seems only logical.  People do something wrong, they should be called out on it.

However, Sheldon’s dad explains that he was once a football coach, and he saw some inappropriate activity and reported it.  Was he applauded?  No.  He was fired.

Thus, Sheldon learns a valuable lesson – that his father isn’t the failure that he thought he was and also, there’s logic and then there’s social etiquette.  Bottomline – pick your battles.  Suck up and look the other way on the petty stuff so that you’ll be prepared when the time comes where you really have to report a serious wrong.

Looks great.  I’m a little iffy on whether or not it will have any long lasting staying power, but it’s worth a try.

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TV Review: Norm MacDonald: Hitler’s Dog, Gossip and Trickery

Norm.  Normy.  The Normster.

He was a staple of 1990s SNL.  A former Weekend Update anchor, he developed a following based largely on his incredibly dry, deadpan delivery.

Half the time, what Norm has to say might not even be all that funny coming out of the mouth of a regular person but when Norm says it in his sardonic monotone, it’s comedy gold.

When I was growing up, there was a divergence of opinion vis a vis Norm, or at least there was one amongst the people I knew.  Some, like me, found his droll wit hysterical.  Others didn’t get him at all.

The people who didn’t get him tended to be squares.  Coincidence?  I think not.

Norm has always struck me as a comedian that a lot of people probably told him to not get into show biz.  He’s not flashy.  He’s not stylish.  He’s not a hunk that all the ladies want to be with.

In his early days, he tried his hand at movies.  “Dirty Work” is a cult classic and depending on who you ask, they’ll tell you it’s garbage or hysterical.  I fall into the latter camp, but I also know someone who actually walked out of the theater twenty minutes into the movie.  There just doesn’t seem to be a happy medium with the Normster.  People either love him or hate him.  Personally, I love the guy.

No, he never became the “It” guy that Hollywood would tap for box office gold.  Far from it.  Even so, he often shined as supporting characters in comedy films.  Despite it all, he found a following and a long career thanks to a fan base of nerds who got him.

The man’s an inspiration to every nerd who ever tried his hand at comedy, wasn’t universally loved by anyone, but essentially said, “Eh, screw it.  I’m here now.  What else am I going to do?”

No, the man’s not a show horse.  He’s a work horse.  But hey, let’s face it.  That horse pulling a cart is a lot more respectable than that pretty horse that just shows up to get his picture taken for the cover of “Horse Magazine.”

In many ways, I think if I were ever to become a stand-up comedian, I’d be a lot like Norm.  “Hey everyone, here are my jokes, let me muddle through here and you’ll find the most comedy in my delivery, so let’s get this over with.”

And it was never lost on me that the best impressions he ever did were of people who had similar dry, “This is me, take it or leave it” personalities.  Burt Reynolds.  1996 Presidential candidate Bob Dole.  Larry King.  Yikes.  Blast from the past there.  I know my high school buddies and I would walk around doing Norm’s Larry King impression, based on Larry’s USA Today column where he made incredibly obvious statements – “You know gang, when it comes to rape, I’m against it!”

Love is the name of the game with this comedy special, now available on Netflix.  Ironic, because Norm never struck me as the sentimental type.  But, as he points out, dogs are better than humans when it comes to love.  They love their owners unconditionally, no matter what.  Even Hitler had a dog that loved him.

It’s a little tough to see Norm has gotten older.  It feels like it was just yesterday I was a teenager trying to explain to some stuck up girl why Norm MacDonald was funny.

Long story short.  She didn’t get him…and I didn’t get any.

:::Pulls out my Norm MacDonald style mini-tape recorder:::   “Note to self.  Learn how to pick battles.”

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