Tag Archives: wrestling

Glow – More In-Depth (After Watching Full Season) Review (2017)

Hey 3.5 readers.

So, I ate these episodes up like popcorn over the weekend and I have to say that yes, it’s worth watching.

I especially like the overall theme that this is a bunch of failures who are tired of failing and want a win.

Pretty much all of the women are failed actresses, babes who moved to LA seeking stardom but got crap instead.  GLOW is their last chance for TV notoriety.

Sam Sylvia (Marc Maron) is a B horror movie director, addicted to booze and coke.  GLOW is his last chance to do something that people might like, plus producer Sebastian has promised to fund his next movie, as no one else in Hollywood seems interested in doing so.

Sebastian aka “Bash” is a rich young man who has everything and access to a ton of his wealthy mother’s funds.  He could do anything but he has essentially taken all of the opportunities his mother could give him and squandered them.  He wants to be a big time Hollywood big shot and sees GLOW as his ability to buy his way into the big time.

Most of the girls have their own “I’m trying to make a comeback” story but the two main wrestling gals in particular are Ruth Wilder (Alison Brie) and Debbie Eagan (the amazing big breasted Betty Gilpin.)

SIDENOTE:  You get to see Brie’s boobs but Gilpin’s big ripe casaba melons are never unleashed.  What a ripoff.  Maybe Netflix can offer her some more dough to go topless in season 2.

Anyway, Ruth takes acting very seriously, going to all sorts of acting classes, appearing plays – she treats acting like any other job.  “You should hire me because I have the credentials.”  But no one is hiring her, and GLOW is her last shot at stardom.

And not to give it away, but Debbie’s husband, Mark (Rich Sommer) is a dick cheeseburger with extra buttwipe fries.  Seems lame because if Debbie were my wife, I’d worship her and those magnificent mammaries and do whatever she required of me to maintain her everlasting happiness.

But that’s me.  I feel bad for Sommer.  He’s been typecast as a dick.  He’s a dick in GLOW and he was a dick in “Mad Men.”  Mad Men was in the 1960s.  GLOW is in the 1980s.  Casting agents must be all like, “We need an actor to play a dick in a period piece!  Oh, I know!  Call Rich Sommer!”

Returning to the main point, yes, even Debbie seeks a comeback, becoming a pro-wrestler to get back some of the control she lost at home.

SPOILER ALERT:

I particularly enjoyed the USA vs. Russia i.e. Debbie as Liberty Bell vs. Ruth as Zoya the Destroyer.  People think of the Cold War as a 1950s/1960s thing but it was even happening in the 1980s, though Reagan and Gorbachev did a lot of work to cool it down by 1990.  Ironically, it seems to be heating up again today.

At times, the show also looks at past issues through present eyes.  All of the characters played by the girls are stereotypes.  One wrestler is a black woman called “Welfare Queen” who laughs at the audience about how they all have to work while she stays home and lives off their tax dollars.  She even pulls food stamps out of her bra and throws them at downed opponents.

Meanwhile, an Indian woman plays a Middle Eastern terrorist character, reminding people that terrorism (and related stereotypes) were alive in the 1980s.  9/11 had not happened yet, but as the show points out, terrorist airplane hijackings were constantly in the news.

Interesting to note though you do get to see the dark side of these stereotypes.  At times, the girls object, then they get roped into thinking it’s ok and will help them on the road to stardom, then they see how ugly and obnoxious the crowd gets, hating on the wrestlers because some in the crowd are too dumb to realize that characters like “Welfare Queen” and “Beirut” are real people underneath the costumes and are not the characters they are portraying.

STATUS: Shelf-worthy.  Come for Brie’s cheez-its.  Stay for (we can only hope) the great unleashing Gilpin’s sweater cannons in season two.  Let me know in advance if that’s going to happen, Netflix.  I want to take a day off just to watch.

 

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TV Review – GLOW

Alison Brie’s boobs!  Alison Brie’s boobs!

“Community” fans rejoice!  “Annie’s boobs” are finally on screen!

BQB here with a review of the new Netflix comedy/drama “GLOW.”

There was a period of several years where I would watch Alison Brie play it straight as a young, suffering wife to a philandering scoundrel on “Mad Men” only to flip the channel and watch her play perky, nerdy overachiever Annie on “Community.”

Now, it’s like she’s all grown up…and showing her boobs.

“GLOW” is the tale of the “Gorgeous Ladies of Wrestling,” the cheap and cheesy 1980s all female wrestling show, where scantily clad women would put on stupid costumes, speak in politically incorrect accents, make jokes that would totally not fly today, body slam the crap out of each other and do their best Hulk Hogan with boobs impression.

It’s the 1980s, so think big hair and yuppies galore as the flower children of the past are gone and money grubbing social climbers have taken their place.

Alison Brie stars as Ruth, a down and out actress who has moved from Omaha to LA.  She’s classically trained and has appeared in a number of plays, but can’t get a paying acting job to save her life and is facing all kinds of financial woes.

Enter GLOW – a new wrestling show directed by B-movie, super crappy horror film director Sam Sylvia (Marc Maron) who revels in showing how little he cares about this project and how deeply below him he deems it.  Maron puts his comic skills on display as he occasionally takes cocaine snorting breaks to ridicule the ladies, tell them how ugly, stupid and useless they are, etc.

When Ruth auditions, she too believes the show is beneath her but faced with either calling it quits on her dreams of fame or getting in the ring and rolling around with the gals, she chooses the latter and a star is born.

I have only watched the first episode thus far, but it caught my interest, so I will keep watching. While I am a fan of Jenji Kohan, this show seems to take a different turn from the snappy one liners of Weeds and Orange is the New Black.  The show features a darker, subtle, understated form of comedy and it’s more of a dramatic period piece than anything else.

I know from Mickey Rourke’s The Wrestler, professional wrestling isn’t all it is cracked out to be.  Sure, it may be “fake” but there’s a lot of physical activity going into those pratfalls and body slams.  It takes a toll on the body and the slightest mistake can leave a person badly injured.  I think that angle will be explored as we delve deeper into the show.

I never really watched “GLOW” as a kid.  I was aware of it but for whatever reason, never checked it out.  I was only a little kid during the 1980s and Hulk Hogan vs. the Iron Shiek captivated me.  I stuck with men’s wrestling all through high school, even in the Hulkster’s evil NWO days.  I was aware of women wrestlers and lady wrestlers would occasionally stop by to duke it out on men’s wrestling but overall, I guess GLOW was one of those things that escaped me.

But as long as it features Annie’s boobs I will keep watching.

What I liked about the first episode the most is it seems like it will be a show about losers who are tired of losing and fighting desperately to become winners.  We see Ruth living a life of absurdity as a budding actress, waiting in audition rooms filled with candidates all vying to play a secretary on a TV show with a five second line.  We see her paying the little money she has for acting lessons from a teacher who keeps falling asleep during her performance.

We see Sam on the tail end of his directing career, down and out, cast aside from making the movies he loved, directing a bunch of crazy women as they beat the crap out of each other.

Neither Sam or Ruth think GLOW is worthy of them…but they both see this as their last shot to do something worthwhile with their lives, so they are going to fight for it.

STATUS: Shelf-worthy.

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Hulk Hogan vs. Gawker

e59d1b66c3aa6c9bc9e4613b3fde1414d00e6da18c099b3bf5d3d9f8eaa4d26dHey 3.5 brothers.

BQB here.  Have you read the news that Hulk Hogan won $115 million dollars in his lawsuit against Gawker?

Here’s a CNN article about it if you want to catch up.

The brief rundown – Hulk Hogan was caught on tape having sex with a friend’s wife. Gawker somehow (I haven’t cared enough to find out how) got ahold of it and put a clip on their site.

We could probably debate all day long about whether or not the Hulkster is a good guy or an a-hole.  If you’re an 80’s kid, chances are you spent a fair amount of time watching him go toe to toe against the Iron Sheik and you probably have some fond memories of that nonsense.

But then again, he’s had his share of scandals and inappropriate behaviors.

Let’s not get into that.

Instead, let’s get into what this suit means…we are bloggers after all…not at the level that Gawker is at but still, we have to remember to watch our P’s and Q’s lest we end up with a lawsuit of our own.

I’ll bring it down to a debate question – Do you 3.5 readers think a sex tape is newsworthy or does it qualify as something private and not necessary for the public to see?

Personally, I fall on the latter side of this question.  No one needs to see the Hulkomaniac go at it, brother.

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Movie Review – Foxcatcher (2014)

Steve Carrell.  Channing Tatum.  Mark Ruffalo.

And so many scantily clad dudes rolling around on the floor that I swear I caught Aunt Gertie staring at the screen just a little too longingly.

Bookshelf Q. Battler here after FINALLY having had the chance to catch last year’s Foxcatcher.

I’m loathe to use the word “SPOILERS” for a film about a horrific crime that’s nearly 20 years old but honestly, while I’d generally heard about the case, I didn’t know the specifics until I began reading about the film.  If you’d like to find out on your own as you watch, you might want to rent it first and then read this review later.

Movieclips Trailers – Foxcatcher – Sony Pictures

Wealth.  For some it’s a blessing.  For others it’s a curse.

Throughout history, there have been people who have been born into great circumstances, their lives preordained before they even opened their eyes and took a look at the world for the first time.

Some individuals take the vast resources at their disposal and do their families proud, achieving new levels of greatness.

Others party hearty and are destined to become paparazzi fodder.

In the middle, there are folks who enjoy their riches, coast along and somehow manage to make jackasses of themselves.

Then there’s John du Pont.  Heir to a massive chemical company fortune, he’s an odd duck to say the least.  He’s socially awkward, almost painfully so.  It’s like he knows what he wants to say but has a hard time expressing himself, assumably because he’s lived such a sheltered life.

The majority of the film takes place in the late 1980’s, when du Pont is in his late fifties.  He lives on a sprawling estate which he dubs Foxcatcher Farm, fox hunting having been a popular activity for well-to-do visitors to the grounds.

The movie makes it clear – du Pont believes himself to be a great man and he wants the rest of the world to agree.  He doesn’t really want to do anything to achieve that goal.  He just wants to spend large sums of money and purchase the acclaim he believes he deserves.

At the heart of his need for glory?  A rivalry with his mother Jean (played by one of the few remaining Old Hollywood stars Vanessa Redgrave) leaves him with a burning desire to prove his worth to her.

One gets the impression that the rivalry is one sided.  Jean trains show horses on the estate and proudly displays her trophies in the family mansion.  du Pont envies the horses and wants his mother’s attention.  Despite being almost 60 years old, he’s like a little kid yearning for Mommy’s approval.

Meanwhile, brothers David (Mark Ruffalo) and Mark (Channing Tatum) Schultz have each won an Olympic gold medal for wrestling.  Keep in mind we’re talking about real wrestling, the kind that involves knowledge of various moves and techniques, and not the scripted garbage on Monday night.

From the film, it’s clear the brothers have a deep love and admiration of one another, but while David has found happiness with a loving wife and family, Mark is alone, living on ramen noodles in a tiny house and at the start of the film, earning a twenty dollar gratuity for speaking at an elementary school (it’s made obvious that Mark needs that twenty bucks).

Mark feels that even though he’s earned his notoriety, anything he does is overshadowed by his brother.  If he has success, the public attributes it to David’s mentorship of Mark and not Mark himself.  Mark wants to accomplish something on his own, and to make matters worse, he needs money.

Enter du Pont with a miraculous offer for the Schultz brothers.  du Pont wants them to come to his estate, select a wrestling team, train themselves to compete in the upcoming 1988 Olympic Games in Seoul and train their team mates while they’re at it. He’ll pay them and give them houses on his property to live in for free.

David, not wanting to uproot his family, isn’t interested.  Mark, seeing a chance to break out of his brother’s shadow, takes the deal.

And for awhile he excels at Foxcatcher.

But alas, it is an understatement to say that du Pont is weird.

He insists that people refer to him as “America’s Golden Eagle.”  He orchestrates a large awards ceremony for himself, and in a sad commentary about society, it’s well-attended by the rich and the powerful.  He wants to be a wrestler too and organizes a senior citizen wrestling competition, only to pay off his geriatric competitor to take a dive.

That’s not all.  du Pont purchases a tank with the ease that one might order a book from Amazon.  When it arrives, he throws a fit that it doesn’t include a 50-caliber machine gun as promised and refuses to sign for the shipment.

He snorts cocaine with reckless abandon, takes his helicopter everywhere, and its not-so-subtly implied that his generosity towards the sport of wrestling might have been a front to allow him to roll around with young sweaty men.

Throughout his Pennsylvania community, du Pont is known as a gracious benefactor, a man who doles out the cash just so he can be a part of everything.  The local police department practice on his shooting range and he shoots guns alongside them.

Poor and crazy?  You’re crazy.  Rich and crazy?  You’re eccentric.  Not to fault the movie, but if you perform a web search on du Pont, you’ll come up with an endless supply of allegations, many of which weren’t portrayed in the film.  That’s not a knock on the film at all.  It’s just that the man was so nuts that there just wasn’t enough time to capture it all on screen:

Some of the allegations I was able to find on the web that weren’t featured in the film:

  • That du Pont put razor wire in the walls of his house because he thought it was haunted by ghosts
  • He crashed multiple cars into a pond on his property
  • He bought a look-alike police car and pulled over people who drove near his property.
  • Believed that Nazis and Russian spies were frequenting the property, often demanding that his employees search for them.
  • Kicked black wrestlers off the team claiming “the KKK runs this place”
  • That du Pont, after his mother’s death, sets her horse barn on fire with the horses inside.  The film only shows Carrell let the horses go.  Perhaps horses being burnt up is too graphic for the screen.

Again, there wasn’t just enough time in the movie, but the film more than manages to portray the fact that the man just was not right in the head.

Steve Carrell is no stranger to playing characters who aren’t exactly grounded in reality.  After all, he played the dimwitted bumbling boss Michael Scott on The Office for years.  But while Scott’s antics were relatively harmless, du Pont’s instability is (and as we see later) a disaster waiting to happen.

Barely recognizable under gray hair and a large prosthetic nose, Carrell earns his Oscar nomination as he plays du Pont, capturing his overall style of a hopelessly depressed ego-maniac slash elderly man child.

If I keep going, I’ll give too much of the film away.  It climaxes when du Pont, spurred on by his ongoing desire to achieve greatness (by letting others earn it for him) makes David an offer he can’t refuse to come be part of the Foxcatcher wrestling program.  Mark, who’s been sucked into du Pont’s unhealthy drugging lifestyle, feels betrayed by du Pont (at one point du Pont tells Mark he understands and supports his desire to win on his own), that he’s lost his chance to win without his brother’s help, not to mention he’s under intense pressure from du Pont to succeed.

Later, Ruffalo as David makes a face as if he’s losing his soul when a documentary film maker du Pont has hired to produce a glowing film about himself asks David to say du Pont is his mentor.  David is perhaps the most genuinely lovable character of the whole film, caring for his family, concerned for his brother’s well-being and at a crucial moment in the film, stands up to du Pont on Mark’s behalf.

SPOILER ALERT (Again, I hate using that term here but I have no idea what else to say.)

After losing in the 1988 Olympic games, Mark leaves the Foxcatcher program and the film ends with du Pont driving his car to David’s house.

Here’s the scary part.  I’ve known for years that du Pont shot David Schultz just because it was a well-known, highly reported on crime.  And I’ve been reading more about it since the movie came out.

Yet, even though I knew it was coming, I just wasn’t prepared for it and was startled anyway.  While David is standing in his driveway, du Pont pulls up, asks, “Do you have a problem with me?” then shoots David.

An employee riding with du Pont who had no idea what his boss was up to tries to stop him.  David’s wife comes out of the house and du Pont points his gun at her, sending her back in the house.

David struggles to crawl to safety but du Pont shoots him twice more in the back then drives back to his house to hole up.

The expressionless face, the clear lack of interest in the gravity of what he’s done…Carrell as du Pont arguably portrays a villain in that short moment that rivals Hannibal Lecter.

But while Lecter made it clear he wants to eat you, du Pont is one of those people who seems off, but no one realized just how off he was or what he was capable of until it was too late.

Accounts I’ve read online typically describe the situation in that du Pont was known throughout his community as being an oddball but his antics seemed harmless and people were happy to take advantage of the generous donations he offered, thus placating his bad behavior while failing to realize he was a ticking time bomb all along.

One can’t help but feel sorry for the Schultz brothers throughout the film.  Olympic wrestlers are in a tough position.  They’re paid no money to train and yet have to a) train all day in order to compete and b) still somehow find a source of income to pay their bills.

A benefactor swoops in and offers to pay them a salary and gives them houses on his estate to live in while they practice the sport they love?

Hell, be honest.  You’d ignore the tank too.

If you’re interested in reading more about the case, here are two articles I found helpful:

CNN – “Foxcatcher – The Crazy du Pont Next Door” – Reporter Ann O’Neil discusses what her childhood was like living near the Foxcatcher Estate

A Millionaire Madman Murdered My Olympic Champion Brother – Jane Ridley, New York Post.  Mark Schultz provides his account of the tragic loss of his brother.

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