Tag Archives: bryan cranston

Movie Review – Jerry and Marge Go Large (2022)

Well, it’s official. I’m a Paramount Plus subscriber now.

How did that happen? This freaking movie.

Let’s discuss, 3.5 readers.

I love Bryan Cranston and have been binging Breaking Bad as of late. Somehow, the internet oompa loompas who feed tailored ads to my computer must know this because they have been peppering me with ads for this film. Frankly, the best description of it is if the Hallmark Channel made a sweet, charming version of Breaking Bad that old ladies can enjoy, but still has enough humor for everyone else too.

Based on a true story, retired cereal factory worker Jerry Selbee has had a lifelong gift for number crunching that no one has ever appreciated. Adjusting to retired life, he feels useless and unproductive until he finds a flaw in a lotto game. After performing some calculations (and trust me, the film tries to explain it but you might be mentally better off if you just nod and politely agree that the math works and means the things that the characters say it means) Jerry figures out a way to game the system.

Alas, when his home state of Michigan discontinues his favorite lotto game, he and wife Marge (Anette Bening) spice up their stale marriage by making monthly trips to the Bay State, purchasing tens of thousands of lotto tickets at a time, to the point where they become BFFs with rural MA convenience store owner Bill (Rainn Wilson.)

Ahh, but the Selbees are altruists at heart. Noticing that their little town of Evart is down in the dumps of an economic downturn, they convince their friends and neighbors to pool their resources, creating a corporation that does nothing but buy lotto tickets, pays taxes on the winnings and distributes profits amongst the shareholding townsfolk. In the process, the newly rich Evartians are able to invest boku buckaroos in their fair burg, opening up shops and fixing up locations that had been rotting away unused.

Steve (Larry Wilmore) serves as the Selbees’ co-conspirating accountant, the joke being that no one else in town prior to the lotto wins had much money so he had to take on a second job because no one in town had any money to account for.

Naturally, any decent film needs a point of contention right? That’s where a group of smarmy Harvard students come in. These whiz kids have also figured out how to game the lotto. The Michigan townsfolk and Cambridge brainiacs butt heads, for if one side drops out, then that increases the winnings for the other and all’s fair in love, war, and playing the lotto, right?

STATUS: Shelf-worthy, though this is the oldest I’ve seen Bryan Cranston. He plays a grandfather here, an old who is having a hard time adjusting to the so-called golden years. I’m not knocking old age it’s just it seems like yesterday Bryan was cooking meth with Jesse as Walt and now he’s playing grandpas who have to wrestle snacks away from their grandkids to prevent them from finding out said snacks are a secret cash stash.

Hey, it convinced me to sign up for Paramount Plus and I felt it was worth it after seeing it, so if that isn’t a ringing endorsement, I don’t know what is. Chalk up another role for Cranston as a older person looking back on life, feeling like they missed out by not taking this or that shot, and finding some unique way to make big bucks before time runs out. At least Jerry did something legal here. Walt? Not so much.

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Movie Review – Why Him? (2016)

Why him?  Ugh…why me?

The things I do for my 3.5 readers, like bothering to review this movie.

BQB here with a review of Why Him?

So, at the outset, the premise sounds like a pretty standard Christmas comedy.  Dad does not like the man his daughter he is dating but powers through it and realizes that the guy isn’t that bad.

Problem is that there’s a big age difference between the couple and uh, well, it’s creepy.

Bryan Cranston is businessman Ned Fleming, who has been asked by his daughter Stephanie (Zoey Deutch) to come out to California to spend the holidays and meet her new boyfriend, Laird (James Franco).

Problem is Stephanie is 22, Laird is 32 (although if you’re a movie buff like me, then you know that Franco is closer to 40 which just makes the whole thing odd).

Laird isn’t just an eccentric weirdo, he’s also an Internet millionaire app developer, which is apparently the only way anyone came become a millionaire these days, but don’t get me started on the economy.  That’s a whole other article altogether.

Where was I?  Cranston is put with the paces, cashing in on a big holiday film after breaking through with Breaking Bad.  Laird is into all sorts of oddball things and Cranston goes through all of them to comedic effect.

I can’t lie.  There are parts of the movie that are hysterical.  It was nice to see Megan Mullally with a big film part as Cranston’s wife/Stephanie’s mother as she is overdue.

Griffin Gluck is funny as the goofy little brother.  Cedric the Entertainer is great as Cranston’s second-in-command at the office.  Keegan Michael-Key is a riot as Laird’s estate manager Gustav.

Kaley Cuoco (Penny from The Big Bang Theory) actually steals the show as the voice of Laird’s home AI.  It’s fun to hear Penny say naughty things.

All in all, it’s got all the great trappings of a fun holiday comedy/date movie but…eh…maybe it’s my #OscarsSoPretty activism but I just couldn’t over the age difference between the Stephanie and Laird.

The age difference is addressed in the film, Laird comes across as a good dude that’ll do right by her and everything but let’s be honest:

Rich guy 40 year old dates your 22 year old daughter – you’ll probably be cool with it.  It’ll be weird at first but he’s rich and shit.

Ugly broke 40 year old dates your 22 year old daughter – you’ll be reaching for your shotgun.

It’s funny.  It’s actually a decent film as throw away comedies that you’ll never watch again go but…eh, the age difference weirded me out.

STATUS:  Borderline shelf-worthy.  No need to rush to the theater.  Worth a rental.

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TV Review – Breaking Bad (2008-2013)

I am the one who reviews!

High school chemistry teacher with cancer + his former student who calls everyone “bitch” = show that most critics would agree is the best television show of the twenty first century thus far.

BQB here with a review of Breaking Bad.

When this show came out in 2008, someone close to me had just died from cancer, so I wasn’t interested at all.  I saw the previews for it and was like, “eh” then I saw the previews for Showtime’s The Big C, a show that came out around the same time about a woman trying to keep her life together while fighting cancer and I was just like, “Look Hollywood, cancer is not funny or glamorous and it is the last thing I want to see on TV when I’m looking for an escape, thank you very much.”

So the years passed and then somewhere in the early 2010s I heard people talking about this show so I gave it a chance on Netflix and was immediately hooked.  And from what I’ve heard, the invention of streaming media breathed life into this and a lot of other shows.

Because when you think about it, a show about a high school chemistry teacher dying from cancer doesn’t exactly sound like good time appointment viewing, but once it was available in a format for people to check out when they had a free moment, boy howdy did they get hooked.

And truth be told, the show isn’t so much about cancer as it is a study of a) the sadness people feel when they reach the end of their lives feeling like they never reached their full potential and b) how much the legal system keeps us all behaving like good doobies without us ever realizing it.

Remove a) the fear of dying because you are already dying and b) the fear/humiliation of ending up in prison (because you’re dying) and the nicest person you know might end up walking down an evil path.

The set-up – Walter White (Bryan Cranston) was, in his youth, a promising chemistry scholar who starts a business with friends Elliot (Adam Godley) and Gretchen (Jessica Hecht).

Walter sells his share of the company early, the company becomes huge, like Facebook huge.  Meanwhile, Walter grows old and bitter, having spent his life in mediocrity as a high school teacher with a part time job at a car wash just to make ends meet.

Somehow he manages to snag a hot wife, Sklyer (Anna Gunn) while his son, Walt Jr. (RJ Mitte) oozes happiness and gets along as a typical teenager despite a handicap.

When Walt is diagnosed with terminal cancer, his despair over his untapped potential haunts him. He’ll die without using his genius brain to make it big.

Alas, his brother-in-law Hank (Dean Norris), a DEA agent, takes Walt on a ride along.  Walt catches a glimpse of just how much cash a good drug dealer rakes in and the little hamster starts rolling around the wheel in his brain.

What begins as an idea to use his chemistry know how to cook crystal meth in order to leave some extra cash behind for his family turns into a long journey into the proverbial heart of darkness, as Walt uses his smarts and fearlessness (because, hey, he’s dying anyway) to rise to the highest ranks of the criminal underworld.

He takes on Jesse Pinkman (Aaron Paul), his former student turned junkie as his partner in crime and together, they become expert meth cooks.  As Jesse becomes like a second son to Walter, their relationship is sometimes tragic and sometimes even hilarious.

Add to the mix criminal lawyer (the show stresses you are to read this as a “lawyer who is a criminal”) Saul Goodman (veteran comedian Bob Odenkirk) who steals the show with his obnoxious TV lawyer ads.  Saul teaches the boys how to launder their money, dodge law enforcement, get out of trouble, etc. etc.

Mike Ehrmantraut (Jonathan Banks) is the old ex-cop/problem fixer that Walt works with. The combination of the grizzled old man who has seen and done it all and the chemistry teacher who sees things through gentrified eyes is comical.

Meanwhile, Giancarlo Esposito as crime boss Gus Fring is one of the scarier bad guys on television.

Throughout the series, Walt struggles to keep his public and private lives separate.  He continues to pose as a good dad and husband while sneaking off to cook meth and deal with criminals with Jesse.

All the while, lovable Hank, and I do mean lovable, is chasing some criminal without realizing the man he wants is his beloved brother-in-law that he spends the weekends with grilling burgers and shooting the breeze.

If anything, the Hank/Walt dynamic is what really makes the show. The show runners could have made Hank the stereotypical tough guy cop but instead they made Hank an average joe.  He loves his wife, Skyler’s sister Marie (Betsy Brandt), loves his in-laws Walt and Skyler, loves his nephew Walt Jr. and brews beer in his garage as a hobby.  He is, one might say, a true mensch.

The star of the series is Vince Gilligan, the show’s creator and man behind the scenes.  Every detail, every little thing that happens means something.  Take notes as you watch because if someone so much as sneezes it will turn out to be important later. Not letting a single second of time go wasted has become Gilligan’s signature.

So many shows take off and then descend into chaos.  The actors get too big for their britches and want to leave for bigger, better things.  Ironically, prior to this show, Bryan Cranston wasn’t that well known, his other biggest acting gig having been as the father on Malcolm in the Middle.

Like Walt, Bryan found fame and fortune late in life (albeit legally) but he never forgot the viewers and juggled all the big movie roles that came his way with Breaking Bad, keeping it all together to keep the show going.

And sometimes writers run out of gas, but Vince and company keep viewers on the edge of their seats to the very end.

In fact, if you’re a wannabe writer, I highly suggest checking out this show. (At present, all five seasons are available on Netflix.)

And catch the prequel, Better Call Saul on AMC. It doesn’t have a lot to do with Breaking Bad but you get to learn how Saul and Mike worked together before Walt came along.

STATUS: Shelf-worthy.

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