Tag Archives: movie reviews

Movie Review – Jack Reacher: Never Go Back (2016)

So a hot babe and a short man walk into a bar…

BQB here with a review of Jack Reacher: Never Go Back.

Author Lee Child has a loyal following for his Jack Reacher novels which chronicle the life of an ex-Military Police officer as he wanders the earth and solves mysteries, beats up bad guys, and rattles off quips and one-liners.

I’ve never read them but people who have tell me they’re excellent.  A few told me that when the 2012 Jack Reacher film came out, their main disappointment was that Tom “Shortest Man in Hollywood” Cruise was cast to play a man who, according to the books, is nearly seven feet tall and all muscle.

And just throwing it out there – there probably aren’t a whole helluvalot of parts out there for an aspiring actor who is close to seven feet tall so the Cruise Missile probably could have allowed some exceptionally tall actor to have this one but oh well.

My take on the first Jack Reacher film is about the same as this one – there’s lots of action that you can eat your popcorn to but then there’s also a lot of snore worthy information being thrown out you to the point where it feels like you’re watching an extended Law and Order episode.

Like most mystery movies, I, at some point, just start nodding at the screen. “Yup. Uh huh. So and so worked here, now he does this, and he was seen there and he transferred some money and a witness said this so uh huh…yeah…no please don’t draw it out any longer I’ll just take your word for it that he’s the bad guy because I am too busy to get a notebook and a pen and sketch this all out in a diagram.”

Cobie Smulders, as her name suggests, is smolderingly hot.  I’ve always liked her as an actress, going back to her How I Met Your Mother days.

Like her character Robin in that show, she seems intelligent and hot, a babe who has read a book or two.

Jack Reacher as a movie character is hard to pin down.  Is he the American anti-Bond?  He has little patience and does not suffer fools lightly so he does a lot of fighting and insulting but not much charming or beguiling.

Cruise is OK in the role if you can get over his lack of height.  At times, you lose track of the fact that Cobie and Cruise are supposed to be romantically interested in one another because it looks more like a hot chick is being forced to drag around her elderly yet well preserved due to Scientology alien worship uncle.

I won’t give away the plot, mostly because I can’t because I never did draw that diagram, but basically Cobie’s character, Major Turner, is framed for espionage by bad dudes doing bad things and it is up to Reacher to clear her good name.

Together, they go on the run and along the way, they rescue Samantha (Danika Yarosh) who may or may not be Jack’s daughter because Jack may or may not have banged her mother because Jack bangs a lot of chicks and doesn’t remember their names or anything.

So he is the American Bond!

There are some plot holes and questionable choices. Case in point – when Turner and Reacher are on the lam, Turner talks a cabbie into giving her his baseball cap.

From thereon, Turner wears the hat around town as if the hat provides her with some kind of cover but she’s still a hot chick with big boobs wearing military fatigues and the bad guys are aware that they’re supposed to be looking for a hot chick with big boobs in military fatigues so…I’m not sure the hat did her much good but oh well. She tried.

I’m happy for the Cobe-ster. She’s been plugging away at the Hollywood game a long time and though she has had a supporting role in The Avengers movies for awhile, this is her first lead role in a major film and hopefully we’ll see her in more.

STATUS: Shelf-worthy, but more of a rental.

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Movie Review – The Accountant (2016)

Guns! Thrills! Chills!

Math?!

1+1=2 and 2×2=stick around for this review, 3.5 readers.

(FYI 1.75 X 2=3.5)

BQB here with a review of The Accountant.

You know 3.5, ever since you all came into my life, I spend most of my time watching movies thinking about how I’m going to explain what I’m seeing on the screen to all 3.5 of you.

This movie was so complicated that it took some serious thinking on my part, but here goes:

Ben Affleck stars as Christian Wolff, a highly functioning autistic man who, by day, appears to be a mild mannered, run of the mill accountant.

However, he’s much more than that.  Although socially awkward, obsessive compulsive, and unable to connect with people, he utilizes his Rainman-esque ability with numbers to perform forensic accounting for all manner of international criminals, gangsters, what have you.

Because this profession is dangerous, he is often called upon to use his genius mind to kill all sorts of enemies.

Ironically, when he’s hired for a legit gig to help a robotics company locate some missing money, things get very dangerous as he ends up having to save junior accountant trainee/discrepancy in the books finder Dana Cummings (the ever adorable Anna Kendrick) from a dastardly hitman played by Jon Bernthal (formerly Shane of The Walking Dead.)

Meanwhile, treasury agent Ray King (J.K. Simmons) has been tracking “the Accountant” for years.  With an impending retirement looming over his head, he recruits treasury analyst Marybeth Medina (Cynthia Addai-Robinson) to figure out who this vile bookkeeper is.

The plot is very complex with many moving parts.  Many, many threads are exposed and you spend most of the film waiting for them to pay off and fear not, for eventually they do.  Whoever wrote this must have had a giant flowchart to keep track of it all.

This was a different kind of role for the Benster.  Though he has played dark and brooding before (The Town) this character is altogether different.  At times we get to see glimpses of goodness in this murderous bean counter, mostly brought out through his interactions with Anna.

STATUS: Shelf-worthy, but bring a pencil, a notebook, and a slide rule to keep track of everything.  I’m still not sure myself.

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Star Wars – Rogue One Trailer #2

Hey 3.5 readers.

New trailer out for Star Wars: Rogue One.

We learn a bit more, namely, that the heroine’s father is somehow the inventor or some kind of major player in developing the Death Star.

We see a little more of Darth Vader and all in all it is some kind of Star Wars espionage spy thriller movie.

It does look like more effort was put into the plot than past films.

What say you, 3.5 readers?

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Movie Review – The Girl on the Train (2016)

There’s a girl.  There’s a train.

That’s it. Goodnight everybody.

Oh ok, I’ll write a review.

SPOILER ALERT.  “The Spoiler on the Blog.”

BQB here with a review of The Girl on the Train.

Rachel (Emily Blunt) is a booze fiend. Big time alcoholic. Loves the sauce. Mmm…drinky drinks get in my belly.

Every day she rides a train that passes by the homes of two couples that she’s unable to stop thinking about.

One couple is Megan (Haley Bennett) and Scott (Luke Evans).  They appear to live an idyllic life as happy lovers and remind her of the marriage she lost due to her alcoholism.

Ironically, she’s so depressed that her boozing destroyed her marriage that she can’t stop drinking.

SIDENOTE: Haley remains a Jennifer Lawrence doppleganger and has absconded with yet another part from J-Law. First The Magnificent Seven, now this.  3.5 readers, if you look like J-Law, head to Hollywood, for there’s apparently a good living to be made as a J-Law double.

The other couple is Rachel’s ex-husband, Tom (Justin Theroux), now married and the father of a child with Anna (Rebecca Ferguson.)  It breaks her heart to have to constantly see the house she once co-owned inhabited by a woman that isn’t her and a baby that she wanted to have.

When Megan goes missing, everyone becomes a suspect and since Rachel is an alky/epic maker of bad decisions/person who constantly embarrasses herself with bad behavior, she’s not the most trustworthy protagonist for viewers to rely upon.

At times, it was confusing.  The action moves often from Rachel as main character to flashbacks of the other characters’ lives and scenes where Rachel isn’t involved.  Multiple perspectives.

At the end of the film, the lady sitting behind me in the theater loudly blurted out this wasn’t as good as the book.

Being a gentleman, I didn’t want to disparage her by informing her that she was at the top of my list of types of moviegoers I can’t stand – i.e. person who reads the book the movie is based on, then insists on being haled as a genius all throughout the movie.

Heck, for all I know, she could be right. I did buy the novel written by Paula Hawkins.  I did read the first few chapters. They seemed interesting. I just lacked the time to finish it.

Initially, I thought this was going to be a modern take on the 1954 film Rear Window with Jimmy Stewart – i.e. two people gawking out a window only to end up gawking at something that terrifies them.

That would have been cool but uh, well, not to give it away, but no, this isn’t that.

This movie is a win for Blunt.  She showed Oscar worthy greatness in last year’s snubbed Sicario and this year, she uglies herself up and becomes a pitiable but sympathetic character.

I mean, sure, not everyone goes into an alcoholic tailspin after a marriage, but who among us haven’t been left feeling gut punched by the ending of a relationship?  Blunt captures the epic sadness that comes from having to cope with the fact that your beloved is now with someone else vs. the cruel reality that the world is still turning, you still need to get up and go about your day, and the people around you only have so much sympathy so stop complaining and suck it down deep already.

I’m going to give it shelf-worthy status largely because I got to see Haley Bennett’s tucas, which arguably is the same as seeing J-Law’s tucas.

Or is it? I don’t know.  I haven’t seem them in a side-by-side comparison.  I only run a modest blog for 3.5 readers. I’m not famous enough to make shit like that happen.

STATUS: Shelf-worthy.

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Movie Review – Masterminds (2016)

I feel like I’ve been watching this trailer of Kristen Wiig getting punched in the cooter forever and now this movie is finally here.

BQB here with a review of Masterminds.

Based on the true story of a 1997 heist for $17 million dollars from armored car company Loomis Fargo (the largest in history), this comedy stars the eternally awkward Zach Galifinakis as armored car driver/thief David Ghannt.

Ghannt is a loser engaged to creepy weirdo fart enthusiast Jandice (Kate McKinnon), but pines for co-worker Kelly (Kristen Wiig).

When Kelly’s friend Steve (Owen Wilson) devises a plan to rip off Loomis, Ghannt ends up on the run in Mexico, Steve and his wife Michelle (Mary Elizabeth Ellis) go on a lavish, attention grabbing shopping spree, and Kelly ends up caught up in the middle – trying to save Ghannt from Steve’s double-cross.

There are many parts that are laugh out loud funny.  Zach has a knack for playing clueless dummies who aren’t self-aware.  Owen played a great douche.  Kristen was a good confused love interest. Kate will continue to make a fortune for staring creepily into the camera.

Also – Jason Sudeikis as a hitman who enjoys his work too much and much to my surprise, Devin Ratray (aka Kevin’s older brother Buzz in Home Alone) all grown up as one of Steve’s flunkies.

Meanwhile, Leslie Jones gets the chance to flex a little acting muscle as the FBI agent trying to crack the case.

Sounds cliche, but if a comedy makes me laugh, it wins.

My main worry – I wonder if it is a good thing to make a movie about these people.  It almost turns a bunch of criminals into heroes.

Then again, it does explain how these were regular, working-class people who ended up being around more money than they could ever have dreamed of and weren’t able to control themselves.

Still, I can’t condone it, but I suppose all these years later we can laugh at it.

STATUS: Shelf-worthy.

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Movie Review – Deepwater Horizon (2016)

A real life oil rig catastrophe is turned into a movie.

SPOILER ALERT? Well, didn’t you have the TV on at all in 2010?

BQB here with a review of Deepwater Horizon.

This movie tells the story of the oil rig explosion that led to oil being spilled into the Gulf of Mexico for eighty-seven days in 2010.

Remember that news story, folks? Every day you’d turn on the TV and they’d have the video of all that oil spouting off into the water?

Yikes. Those days surely sucked.

Interestingly, this movie is all action, yet it also seeks to educate.

 

There’s a lot of science and engineering behind oil rig drilling. Thus, the film’s challenge from the beginning is to take a subject that experts take years to learn about and pass off the basics to the viewer, or at least the info they need to know so the movie isn’t entirely baffling.

At times, I felt like I learned something. At other times, the characters get into the complexities and my eyes glaze over and I’m just like, “Yup. This thing’s gonna blow up. Got it.”

As the film tells it, oil rig boss Jimmy Harrell (Kurt Russell) squares off against BP executive Vidrine (John Malkovich).  The overall implication that comes out of the movie is that BP was cutting corners, ignored Harrell’s advice and blah, blah blah I’ll let you watch it yourself but suffice to say, the whole thing went kaboom.

Here’s the big thing I noticed. This was an action film…but it was a realistic action film.

You know those action films where there’s an explosion and two seconds later the hero is fine?

Yeah. This isn’t one of those.

As the rig comes down, we see bones break, people get burned, thrown around, crushed and badly injured.  People end up running around in pain (and the pain shows) with pieces of glass and debris stuck in them.

In the midst of it all, people are people. Some do great, heroic things. Others get scared and panic.

As a viewer you’re like, “Wait!  Isn’t Arnold Schwarzenegger going to swoop in any minute now and save everyone and never get a scratch on him and then he’ll say a clever one liner?”

Nope. Heck, Mark Wahlberg as technician Mike Williams doesn’t even give us an SNL inspired, “Say hello to your mother for me.”

Gina Rodriguez stars as rig worker Andrea Fleytas and Kate Hudson stars as Mike’s wife.

Mmmm.  Kate Hudson. I’d jump off a burning oil rig to swim to her, by God.

What? Too soon to make jokes? Come on. It’s been six years.

This movie left me with a greater appreciation for people who have rough, dangerous jobs. If you know an oil rig worker, give him/her a hug…well….ask first. Remember, no means no.

STATUS: Shelf-worthy.

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Movie Review – Hell or High water (2016)

Bank robbers. Sadness. Landscapes. Intergenerational poverty.

BQB here with a review of Hell or High Water.

SPOILER ALERT – Be forewarned of spoilers.

Chris Pine and Ben Foster team up as brother bankrobbers Toby and Tanner Howard in a scheme to rob and screw over a Texas bank chain that screwed them.

However, despite Chris and Ben’s performances, the state of Texas is the star.  Some great cinematography in this film where you, the viewer, end up feeling as though you’re practically driving through the Lone Star state yourself and able to look around the flat plains and see land for miles and miles in every direction.

We’re also taken into the world of poor southern life and poverty in general, how problems are passed from one generation to the next and it usually takes one generation to do something pretty drastic (bank robbery is definitely too drastic) to change the situation for the family’s future.

I don’t know what a good example of a drastic change would be to change a family’s financial future.  Maybe inventing robot underpants or some great new gadget that sells well.

Sorry. That was out of left field. Moving on…

There are a lot of themes in this movie, as well as attempts to get viewers to pay attention to problems they may not be aware of.

For example, we see the blight and decay facing many poor Texan towns, communities that used to thrive around farming and ranching, now falling apart and losing population because there are few, if any, opportunities left due to corporate takeover of many of these industries.

The banking industry is the villain of the film as Toby and Tanner are put through enough crap in their lives that you end up sort of understanding (though not necessarily condoning) why they end up driven to a life of crime.

Hunting the brothers down are Texas rangers Marcus Hamilton (Jeff Bridges) and Alberto Parker (Gil Birmingham.)

I won’t explain this well because I don’t know about how Texas lawmen are ranked but ultimately, Marcus is the head ranger, lamenting his upcoming retirement and Alberto is his second-in-command, slated to replace him as the boss.

They have this great buddy cop, love to pick on each other bromance that in my mind, may go down as one of the top (and most heartwarming) bromances in movie history.

Marcus makes mean, highly politically incorrect jokes about Alberto’s Mexican and Native American heritage.  Alberto returns the favor by joking about how he can’t wait for Marcus to croak.  There’s definitely love there.

And the thing about good writing is by the end of the movie, you find yourself hoping that some how everyone will win.  You want the brothers to get away. You also want the rangers to catch them.

Fear not, I won’t tell you what happens.

Instead, what I will tell you is that some how, some way, and much to my surprise as an ugly rights advocate (note my many columns on the #OscarsSoPretty movement in which I demand that the Academy nominate more visually displeasing actors and actresses), Hollywood suits were prevented from filling up this film with good looking people.

Chris Pine is basically the only one in the film that could win a beauty contest.  (I assume there’s a requirement that all movies must have at least one over the top good looking person in them.)

Now, I’m not dumping on the rest of the cast when it comes to looks.  Ben Foster, for example, has built his career on playing psychos and true to form, he looks and comes off as one in this movie.

And Jeff Bridges looks good for an old dude and I can only assume he bagged his fair share of chicks when he was in his prime. Hell, for all I know maybe he still is.

I’m talking about the extras.  Watch this movie and look at the bars, the casino, all the people who are either in the background or maybe have a line or two – many are ugly (or well, to put it in more PC language, “not traditionally good looking”).

Instead, many of them look haggard, broken down, depressed, like they’ve lived lifetimes of woe and misery as poor Texans and it shows on their faces.

I don’t know how they did it. Maybe they put out a casting call for people who look like all their dreams have failed.  Surprised I didn’t get a CC on that memo.

But that’s not all.  What really warmed the cockles of my heart was that hot and chubby actress Katy Mixon (you may know her as Mrs. Kenny Powers in Eastbound and Down) is featured as a love interest to Chris Pine.  Chris friggin’ Pine.

Just…I mean…holy shit, people. I don’t think you understand how big this is for Hollywood.

A movie was made in which epically handsome stud muffin Chris Pine played a character that fancied a chubby woman.

Sure, they found the hottest chubby woman available but still, this is great progress for Hollywood.

CUE THE RE-ENACTMENT

HOLLYWOOD SUIT #1 – Sir, we need you to approve this film that features Chris Pine taking a romantic interest in a chubby woman.

HOLLYWOOD SUIT #2 – How fat are we talking here? Orca fat or had a little too much on Thanksgiving and could get rid of it with a few months at the gym fat?”

HOLLYWOOD SUIT #1 – The latter.

HOLLYWOOD SUIT #2 – How’s her face?

HOLLYWOOD SUIT #1 – Hot face. Hottest chubby chick we could find.

HOLLYWOOD SUIT #2 – Approved. Ugly rights advocate BQB will literally shit his pants in the theater when he sees this.

And I did. I feel bad for the movie theater clean up crew. Those aren’t milk duds.

It is now only a matter of time before they cast a hideous gargoyle like me as a love interest for Charlize Theron.

Eh…ok.  We’re not quite there yet. Baby steps, Hollywood. Baby steps.

Be optimistic, ugly and/or chubby people.  We will see ugly and or/chubby people doing it with good looking people on screen by the year 2050 now that the path towards ugly acceptance has been started by this film.

There are traces of Oscar worthiness in this film.  If it were to be nominated as a Best Picture, I think that would be great. On the other hand, it was released kind of early. Most Oscar type movies are released at the end of the year.

So we’ll see.  But even so, it is, IMO, the best movie I’ve seen in 2016 (at least when it comes to serious drama as opposed to comic book type movies) thus far.

STATUS: Shelf-worthy.

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Movie Review – The Magnificent Seven (2016)

Guns. Horses. A town in trouble. White hats and black hats.

BQB here with a review of The Magnificent Seven.

So yesterday I railed against Hollywood reboots and now I’m going to be a hypocrite and tell you that I really enjoyed this remake of The Magnificent Seven (1960) starring Yul Brynner (dead), Charles Bronson (so dead), Steve McQueen (a badass even in death), Brad Dexter (also dead), James Coburn (totally dead), Horst Buchholz (the German James Dean who, like the American James Dean, is dead,) and Robert Vaughn (still alive, huzzah!)

Admittedly, I never saw the original, so the new version was new to me, which just goes to show that reboots are always new to someone and when the inevitable Back to the Future reboot comes out and some dumb kid asks, “There was an original BTTF?” then I will know my time has run out and it is time for me to dig my own grave, lie down, and wait for the worms to eat me.

But I digress.  The new seven are:

  • Denzel Washington as lawman Sam Chisholm
  • Chris Pratt as drunken gambler/comic relief Josh Faraday
  • Ethan Hawke as the troubled yet smooth talking Goodnight Robicheaux
  • Vincent D’Onofrio as grizzly mountain man Jack Horne
  • Byung-Hun Lee as knife thrower Billy Rocks
  • Manuel Garcia-Rulfo as mysterious Mexican Vasquez
  • Martin Sensmeier as Native American warrior Red Harvest

Peter Sarsgaard, who’s built a career on playing epic douches, stars as epic douche/evil businessman Bartholomew Bogue who notifies the townsfolk of Rose Creek that they have three weeks to sell their land to him on the cheap or be killed.

Not willing to roll over for Bogue’s chicanery, Emma Cullen (Haley Bennett, who looks so much like Jennifer Lawrence that movie studios could save a bundle by hiring her instead of J-Law and no one would know but movie nerds like myself) scrapes her life savings together and uses it to hire the seven.

The first half of the film is basically Chisholm wandering the countryside recruiting the seven, during which time we learn about who they are and what they’re capable of and then this all leads to the second half, the ultra violent, action packed showdown.

I loved it. It had all the Western tropes that I love.  The townsfolk want to bend over and take it from Bogue rather than risk incurring his wrath.  Sigh.  Western townsfolk always want to take it from the bad guy rather than cooperate with the good guys. Also, there’s card playing, drunkenness, prostitution, duels, gambling and so on.

I applaud Hollywood for making historical movies at a time when they aren’t doing so well.  Earlier this summer, I enjoyed the Ben-Hur remake (meaning I’m a hypocrite again, though I hadn’t seen the original so it was new to me) but it did not do well at the box office.

I hope this film does well so that Hollywood will be encouraged to keep making historical movies.  In fact, you should go see it to add to the ticket sales.

STATUS: Shelf-worthy.

 

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Movie Review – Sully (2016)

Do I really have to call SPOILER ALERT when this was all over the news in 2009?

Oh well.  Assume I just did.

BQB here with a review of Sully, the Clint Eastwood directed film about U.S. Airways pilot Chesley Sullenberger’s miracle landing of an airline on the Hudson River.

Stupid geese.  They ruin everything.  And all those years ago (seems like it was just yesterday, doesn’t it?) they flew into Sully’s engines and knocked them out.

With little time to think and a plane that was going down, Sully (Tom Hanks), with the help of co-pilot Jeff Skiles (Aaron Eckhart) made a split decision to land the plane in the Hudson River.

The film takes us through the event from a number of perspectives – office workers who see the low flying plane and fear it is another 9/11, illustrating the toll on the American psyche that attack has taken, the frightened passengers, the flight attendants who keep their cool and lead the passengers through what they need to do, the rescue workers who respond to the scene in time to save the passengers from freezing to death in the bitter January cold.

It was a heck of a story when it happened.  There have been many plane crashes in history, though none that I can think of where everyone survived.  Sully was the toast of the town immediately thereafter, hailed as a hero and brought on as a guest on multiple talk shows and news programs.

But what we didn’t realize is that behind the scenes the ole Sullymeister was being railroaded big time.  Thus, the brunt of the movie focuses on NTSB investigators (boo!  gubmint bureaucrats! boo!) attempting to string Sully up with computer simulations indicating that it would have been possible for Sully to have landed the plane at LaGuardia or in New Jersey.

With flashbacks to his youth as a crop-duster and military pilot interspersed throughout, Sully fights to preserve his good name, his reputation, his wings, his pension, and ultimately to prove that he wasn’t flying some video game, this was the real deal and he did what he needed to do to save the day.

One thing that struck me as I watched was just how densely populated New York City is, how tall the buildings are, combined with giant planes flying overhead constantly, one wonders how there aren’t more crashes and ultimately, you walk away with a greater appreciation for pilots like Sully who move these giant metal beasts through the sky over populated areas everyday.

And that’s the rub. Sully didn’t just save his passengers, but also the people in the city his plane would have crashed into.

STATUS: Shelf-worthy.

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Movie Review – Don’t Breathe (2016)

Crime doesn’t pay, kids.

No joke.  An old ass man might literally chase you around his house for two hours if you try to steal his pay.

BQB here with a review of the horror thriller, Don’t Breathe.

Its ok 3.5 readers.  You can breathe.  But the SPOILERS might leave you breathless.

God I’m such a hack.

Rocky, Alex and Money (Jane Levy, Dylan Minnette and Daniel Zovatto, respectively) are a trio of teenage house robbers.

Their latest target is an elderly blind man, a war veteran rumored to have a ton of cash stashed in his house.

Seems like an easy enough job but…nope…for a blind man this guy sure has some deadly ass skills and the kids end up taking on a lot more than they bargained for.

I can’t tell you much more than that or else I risk blowing the whole movie for you.

In some ways, its a standard horror movie. A lot of “Oh no! Don’t go in there!” and so on.

But, there is some originality in that the baddie is blind.  There’s a lot of skulking about the dark, scenes shot in night vision as the kids move inches away from their opponent without him realizing and so on.

Jane Levy might be the breakout star here.  She looks and sounds a lot like 1990s in her prime Reese Witherspoon, at least in my opinion anyway.

Stephen lang is scary as shit as “the blind man.”  Lang often plays military men, the two that come to mind being the roles he played in Avatar and Terra Nova.

PRO:  Some scary moments, shocks, surprises.

CON:  More brutality on screen than I’d like to see.  I prefer on-screen violence to be cartoonish and unlikely, rather than to see people being pummeled (which sadly, happens too often in real life.)

Oh, and uh…there was one part where it sort of jumps the shark. I don’t want to give it away but I found myself blurting out, “Oh come on!”

Add me to the list of worst moviegoers. I’m a spontaneous blurter.

STATUS: Shelf-worthy

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