Tag Archives: television

Daily Discussion with BQB – BQB’s Crazy Dream

Hey 3.5 readers.

BQB here.

So I had a crazy dream last night.  Here’s how it all went down.

I dreamed there was a TV show where Tom Hanks was a billionaire.  Then there’s this woman who has been down on her luck a long time.  She’s gone to job interview after job interview and no one will hire her.

Finally, she somehow talks Tom Hanks into hiring her to run a start up Internet company.  Tom buys an old historic mansion with lots of charm to serve as the startup company’s headquarters.

The problem is that this woman knows absolutely nothing about the Internet or technology or anything.  She wonders if she’s in too deep but doesn’t say anything because she is dirt broke and needs the money.

But the problem is she doesn’t know what to do with herself while she’s at work because it’s not like she knows how to do anything, so she just starts having sex with her coworkers all day.

Meanwhile, her coworkers know about the Internet and technology and stuff but since their dumb, incompetent boss isn’t really making them do anything, they all start having sex with each other all day.

So it sort of descends into this dirty, cable dramatic sitcom where Tom Hanks is paying all these people to launch an Internet business for him but instead, they’re just all having sex in this fabulous mansion all day.

Occasionally, Tom will stop by the mansion and be all like, “Hey, how’s my new business doing?”

And all the sex perverts will be all like, “Yeah Tom, it’s all going great!”

Then he leaves and they all go back to having sex.

I didn’t dream far enough but I assume that either all these sex perverts eventually get caught by Tom when they fail at the business or maybe, by some miracle, they stumble into actually starting a great Internet business by accident, somewhere during the breaks between sex escapades.

By the way, in my dream, I was watching this show.  Like I was watching it all happen and my mind kept switching from its real to its a show.

And you know what?  It’s about as good as anything else that’s on TV so I’m just going to put this one out there.  If anyone wants to put this on television just drop me a comment and I’ll tell you how to back the Brinks truck up to BQB HQ for my TV development fee.

Have you ever had a crazy dream, 3.5 readers?  Discuss in the comments.

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Top Ten TV Mothers

Super-Mom

Happy Mother’s Day, 3.5 readers.

Why are you reading this sad little blog for?  Why aren’t you out there, honoring the woman who squeezed you out of her cooter with a nice Mother’s Day brunch?

Sheesh.  I have to tell you people how to do everything.

Anyway, in honor of this fine day, I present to you, from BQB HQ in Fabulous East Randomtown, the Top Ten TV Mothers of All Time:

#10 – June Cleaver (Barbara Billingsley) – Leave it to Beaver

TV scholars may be able to tell me if there was a more prominent TV mother before June, but I do believe June was one of the first and so, she essentially started it all.  Ward always got his paper after work.  Beaver and Wally always got dinner.  June made it all happen, even while putting up with tomfoolery from Wally’s friend, Eddie Haskell.

#9 – Ruth Martin (June Lockhart) – Lassie

Mothers are often caused a great deal of heartache by their children, and I don’t think there was another mother that was cause as much anguish as Ruth was caused by that little dumbass Timmy.

Most 1950s kids were able to play outside without getting into too much trouble, whereas  Timmy couldn’t walk five feet without falling down a well, falling off a cliff, getting attacked by some woodland creature, getting kidnapped by bandits or what have you.

Luckily, Ruth was always able to depend on trusty family collie dog Lassie to save the day and frankly, Timmy should have gotten Lassie a mother’s day card as she was like his furry assistant mother.

But seriously.  It must have sucked for Ruth.  The woman wasn’t able to put her feet up for five minutes without Lassie coming into the room to woof some troubling news about her soon to her.

LASSIE:  Woof, woof!

RUTH:  Lassie, what is it girl?

LASSIE:  Woof!

RUTH:  Timmy fell down a well?

LASSIE:  Woof, woof!

RUTH:  And was kidnapped by bandits?

LASSIE:  Woof!

RUTH:  And he was attacked by a mountain lion?

LASSIE:  Woof!

RUTH:  Holy shitballs.  You know what?  Fuck this.  I’m just going to chain Timmy up in the front yard from now on and give you his room, Lassie.

#8 – Claire Huxtable – Phylicia Rashad – The Cosby Show 

OK, 3.5 readers.  Let’s just address the elephant in the room.

Did Bill Cosby apparently, allegedly, whatever legal modifier you want to add here, did he apparently drug a bunch of women for the purposes of doing the freaky deaky with them without their consent?

:::shakes my magic 8 ball:::  “All signs point to yes.”

But you know who didn’t do any of that?  Phylicia Rashad.  On a groundbreaking, hilariously funny, ahead of its time TV show that little 1980s kids like me watched every Sunday, Clair Huxtable was the working mom who had it all.  Somehow, she balanced her schedule well, allowing her to try big important New York cases by day and still raise her band of adorable cherubs by night.

Plus, she took no guff from Cliff.  There was a clear, deep, meaningful love between Clair and Cliff and they portrayed the struggles that many parents were able to relate to – i.e., balancing the love they had for their children while holding back the temptation to slap them silly whenever they did something stupid and oh lord, how the Cosby children did many stupid things.

Theo always wanted to drop out of school.  Rudy was always picking on Bud.  Vanessa was always narcing on everyone.  Denise was boy crazy.  Sondra took her parents’ money to go to law school, then quit lawyering to open up a camping store with her dopey husband Alvin.

Such is the life of a parent.  Your kids disappoint you constantly, but you must love them anyway.  Clair gave swift verbal kicks to the behind to her children and husband early and often, never mean but always with firm, fairness and love.

Drop that hoagie, Cliff.  Too much salt.

#7 – Marge Simpson (Julie Kavner) – The Simpsons

Poor Marge.  She was so studious in the 1960s, as well as the 1990s as the show has rebooted the “How Marge and Homer Fell in Love Story” at least a couple of times now.

She wanted to do great things with her life but alas, one romp between the sheets with dumbass Homer left her raising a spikey haired demon boy and donut chomping moron for the rest of her life.

Even worse, she’s been waiting forever for a reprieve to come her way in the form of her kids growing up and moving out of the house but surprisingly, Maggie has been a baby, Bart has been 10 and Lisa 8 for almost 30 years now!

Marge, you may want to take your kids to see Dr. Hibbert.  They may have stunted growth from second hand donut crumbs.

Bonus points to Marge for being able to maintain such a tall, stylish blue beehive while having to deal with so much mischief.

#6 – Peggy Bundy – (Katey Sagal) – Married with Children

Don’t get me wrong, 3.5 readers.  The women’s rights movement, was overall, a great thing that improved the lives of many a woman.

But…there was a loophole, one that by the time the 1980s rolled around, some (note that I said ‘some’ and not ‘a lot of’) savvy women like Peggy Bundy were exploiting the ever loving crap of.

Women had choices.  If they wanted to, they could still choose to stay at home and raise a family and take care of the house.  Or, if they wanted to, they could go out into the world, trailblaze their way into a career, and become empowered as they bring home the bacon.

Peggy Bundy did neither.  She split the difference by staying home and doing nothing…literally, absolutely, positively…nothing.

The days when it was considered appropriate to complain to your stay at home wife that the house was a mess and there was no dinner on the table were gone.

Al Bundy (Ed O’Neill) found himself at a new stage in human history, namely, the one where the husband is just expected by everyone to suffer while his loophole exploiting wife (and again, I’m not saying every or even many women do this) doesn’t bring any money into the household so he has to work more but also doesn’t lift a finger to help out, so he still has to wash his own clothes, do his own dishes, cook his own food, etc.

Men unfortunate enough to find themselves with a wife like Peggy are expected to suffer in silence.  Can’t complain that she’s not making money because it’s her choice.  Can’t complain that she didn’t clean up the house because damn it, don’t you know women are more than homemakers now?

Al, of course, was never one to suffer in silence.  While Peggy sat at home and watched TV and ate bon bons all day in the same red beehive hairdo and leopard print outfit, he’d slave away all day at the shoe store, taking all manner of abuse from overweight women who hated his guts because he wasn’t able to help them find a shoe to their liking.

Al would complain vociferously that Peg would never cook or clean or do anything for him but the days of the 1950s where people gave a shit about the plight of the starving, dirty shirt wearing man were over.

Yes, there are plenty of women who choose to stay at home and they do a bang up job of making sure their husbands and kids always have something to eat and clean clothes to wear.

Yes, there are plenty of women who go to work and bring up fat stacks of cash so their families can buy all the stuff they want.

Yes, there are even plenty of women who go to work, make those fat stacks of cash, and still go that extra mile to keep the household running like clockwork.

But, there’s also a slim minority of women who manage to game the system.  Women like the Pegster, who just get their money by stealing their husband’s wallets (Al always had to hand onto his for dear life) and then allow their homes to fester into stinking piles of crap while they watch television, grow their beehives out and complain about their husbands, i.e. the only people who are doing anything to help anyone in the family.

You almost have to applaud Peggy for being smart enough to figure out how to game the system.

#5 – Roseanne (Roseanne Barr) – Roseanne

Yes, the 1980s brought us shows that broke the “perfect family” convention.  Married with Children was one such show and Roseanne was another.

Roseanne Connor definitely took the June Cleaver mold and broke it, then threw the pieces into the trash can.

Like many families, hers was dirt poor.  Husband Dan (John Goodman) was always out of work or underemployed.  He tried his best but work was hard to come by and didn’t pay much when he found it.  She supplemented the family’s income by waitressing, working at a factory run by a young George Clooney with black hair and doing all sorts of minimum wage slave jobs.

She did not do it with a smile on her face and she did not suffer fools lightly.  Whether at work or at home, she took no crap from anyone.  On a regular basis, she told bosses, kids, husband and wacky sister Jackie where to stick their problems – right up their butts, because she was too busy and exhausted to baby them.

Sure, she always found time to bail everyone out of a jam but those who crossed her met with her wrath.

It was a show people could relate to.  People were poor.  They had jobs and home life responsibilities.  They were tired.  No one had the time anymore to gussy themselves up like June Cleaver.  Mom didn’t just have to work to be empowered.  She had to work just to keep the family from going under.  No one had time to June Cleaver anything.

#4 – Elyse Keaton (Meredith Baxter Birney) – Family Ties

Ahh, the 1980s.  The Reagan Era.  The time when the stock market was booming, businesses were exploding with profits and there was a new renaissance of commercial expansionism.  Simply put, the country was raking in dough hand over fist.  Yuppies (young urban professionals) were everywhere and the country lived by Gordon Gecko’s Wall Street mantra, “Greed is good.”

It was a tough time for ex-1960s flower children like Steven (Michael Gross) and Elyse Keaton.  They were parents now, so they had to put away their tie dye shirts and protest signs and actually get jobs to make money for their families, i.e. they had to “work for the man,” something they swore they’d never do at Woodstock.

Even worse, they had to watch their kids, Alex (Michael J. Fox) and Mallory (Justine Batemen) become capitalist, commercialist little shits.

While Steven and Elyse had spent their youths fighting the power and standing up to the man, their kids had become total squares.  Alex was a money obsessed Reaganite who was counting down the days until he could leave and run off to Wall Street.  Meanwhile, while Mallory wasn’t smart enough to care about Wall Street, she was a greedy consumer, a mall, boy, shopping obsessed teenage girl who could care less about the latest cause because she was too busy finding the best outfit.

Yup.  That was the 1980s, where the kids had become lamer than their parents.

Somehow, Elyse kept the family going.  She was an architect who designed buildings by day and took care of her family by night.  You can take the girl out of Woodstock but you can’t take the Woodstock out of the girl.

#3 – Kitty Forman (Debra Jo Rupp) – That ’70s Show

Poor Kitty.  It was the 1970s and she had to deal with perpetually angry husband Red (Kurtwood Smith) always threatening to put his foot up the ass of their wayward son, Eric (Topher Grace).  On top of that, she worked as a nurse where patients she’d gotten attached to would die all the time.  Did I mention that daughter Laurie (Lisa Robin Kelly) was a big time ho bag with a penchant for allowing herself to be used by unscrupulous older men?

Oh, and there was always, literally always a plethora of kids in her basement aka Eric’s friends whose parents weren’t up to snuff so she had to mother all of them as well.

Yet somehow, Kitty put up with all of this with a smile on her face…literally a big, bright beaming smile and a nervous laugh whenever things got out of hand.  She was a “smile when your heart is aching” kind of gal but once in a blue moon she would lose her cool and explode all over whoever was causing trouble, often to hilarious results.

#2 – Carol Brady (Florence Henderson) – The Brady Bunch

Carol Brady.  She was the mom of the type of family that “the Man” didn’t want to admit existed – mixed, blended families where Moms and Dads got together and brought their children from previous marriages with them.

Society didn’t approve.  Apparently, women who were divorced or widower men who had lost their wives were just supposed to sit around and be depressed all day and never find love again.   But Mike and Carol defied convention and made TV history in the process when they got together and formed the Brady Bunch.

Carol ran the family like a boss.  Hell, she even subcontracted her motherly duties to housekeeper Alice because those were the days when it was considered socially acceptable to hire a random old lady to clean your house and parent your kids for you, pay her a salary that was the rough equivalent of the leftover pocket change in your couch cushions so you could spend your time on more important things like finding stylish 1960s lady pantsuits with bell bottom cuffs.

Yup.  Carol was the woman that every 1960s kid wanted as their mother, even though she got Alice to do all the mothering for her.  Ain’t no one got time for that shit.

#1 – Shaft (Richard Roundtree) – Shaft

Oh, what?  A man can’t be a mother?  You simple minded bumpkins need to shape up and get woke.

No, Shaft didn’t have time to raise any damn kids.  He was too busy solving mysteries, fighting crime, and getting down with fine ass 1970s babes.

Still, the theme song speaks for itself:

Shaft Theme Song (Sung by Isaac Hayes)

ISAAC:

Who’s the black private dick
That’s a sex machine to all the chicks?

CHORUS:

Shaft!

ISAAC:

You’re damn right!

Who’s  the man that would risk his neck for his brother, man?

CHORUS:

Shaft!

ISAAC:
Can ya dig it?

Who’s the cat that won’t cop out when there’s danger all about?

CHORUS:

Shaft!

ISAAC:
Right on.
You see this cat Shaft is a bad mother

CHORUS:

Shut your mouth!

But I’m talkin’ about Shaft.

CHORUS:

Then we can dig it.

ISAAC:

He’s a complicated man but no one understands him but his woman

CHORUS: John Shaft.

Yup.  Shaft might have been all man, but you can’t argue with a good theme song.  He was the baddest mother around.

Did I miss your favorite TV mother, 3.5 readers?  You can leave your own tribute to her in the comments.

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2 Broke Girls Cancelled – Is this the End of Politically Incorrect Comedy?

Sigh.

Dry my tears, 3.5 readers.  Another one of my faves has been slapped onto the chopping block.

For the past six years, Max and Caroline (Kat Dennings and Beth Behrs) have been living a modern day Cinderella story, full of epic crudeness, disgusting-ness, all around raunchiness and epic debauchery.

The show was so bad that it was good.  I think the writers and cast even realized it.  The jokes weren’t just crowbarred in.  They were shoved down your throat with a plumber’s helper.

It was insensitive and super politically incorrect in a time when political correctness matters more than ever.

Gay people on the show weren’t just portrayed as gay but super flamboyant “Hey girl” lisping gay.

The girls’ boss, Asian diner owner Han Lee (Matthew Moy) was ridiculed about his height  (or lack thereof) by the girls to no end.

Hipsters were routinely dumped on.  Shameless trend followers were pooped on with reckless abandon.

In short, the show dove head first into every stereotype imaginable and yet, they managed to pull it off with a, “We’re sorry for doing this, but we really do love everyone and think everyone should get an equal shot at success in this crazy world” kind of vibe.

Comedy, and sitcoms especially,  unfortunately have a habit of reducing people to stereotypes.  It’s not always fair or even right but what else can you expect when there’s only twenty minutes (figuring for commercials) to tell a tale?

Max was born poor.  Caroline was born rich only to lose everything and for six years, Max served as Caroline’s friend and life coach, teaching her how to get by on nothing – literally nothing.

It’s a story young adults could jive with, especially in the post 2008 economy.  You thought you were going to get a big shot job and make a million dollars?  So did Caroline.  Sorry.  Those jobs don’t exist anymore.  Go grab an apron.  You’re a waitress now and no one cares if you have a fancy college degree.  It will look nice on your wall as you struggle to pay back the loan for it until the end of time.

And sure, all the characters on the show were stereotypical cookie cutter cartoon characters.  Oleg the cook was an unapologetic pervert.  Sophie the next door neighbor was built like a linebacker yet told the whole world she was hot and you were not.  Earl the cashier would occasionally pipe in with sassy jokes.

But the girls were cartoon characters too.  Max was a big boobed hustler who reviled in her ability to get men to do her bidding with the power of her boobs.  Caroline would walk around in her pearls as if this whole poverty thing was a setback and she’d be back to living the high life in no time.

I guess the point I’m making is that the girls lived in Brooklyn, a melting pot if there ever was one.  On there quest to become cupcake baking tycoons, they suffered all manner of mistreatment and setbacks but along the way, they made friends with people from all sorts of diverse backgrounds and walks of life.

Yes, everyone was reduced to being a cartoon character because that’s all the sitcom style allows for, but Max and Caroline, for all of their faults, stuck up for people.  Yes they made fun of people, but the people they made fun of would often turn the tables on them.

The moral of the story was that these girls were two wide-eyed dreamers who thought the world should go their way…and sometimes they’d crap on people in their way…and sometimes it would be fun to watch as the crapped on people crapped back on them…these were often people who had suffered more than they had and were willing to let them know that the world isn’t designed to go their way.

Yes, they ridiculed Han without mercy…but yes, they’d also bitch slap you if YOU made fun of him.  Han was like their brother.  They teased them out of love.

Although yeah, at times, I suppose it did come across as just two super hot, stuck up bitches dumping all over an Asian immigrant who was just trying to make a living.

At any rate, when the girls would get out of line, they would be reigned in.  Han used his wits to give them their comeuppance many, many times, often with hilarious results.

To be honest, I have no idea why this show was cancelled.  Maybe it was ratings.  Maybe it was business.

All I know is I invested six years into this show, wondering if the girls would ever become un-broke.  The show would always end with a running tally of how much the girls had saved on their quest to not be broke anymore.  They need to come up with some sort of resolution, as I deserve to know whether or not they become un-broke.

Recently, I also lamented the cancellation of Last Man Standing, another show that, while much, much, much more reserved than 2 Broke Girls, did not fit the PC mold.

Political correctness and comedy.  Comedy and political correctness.  They go together like oil and water.

No one wants to hurt another’s feelings but at the same time, if we all continue to walk around on pins and needles, we may never laugh again.  

2 Broke Girls offered a different approach.  If the stuck up former rich girl makes fun of you, make fun of her back!  Sometimes the most satisfying part of the show came when Caroline thought she’d gotten away with a diss on Han only for Han to turn around and say something in a completely cool, collected manner that would totally wreck her day.

Yes, we should always be nice to each other and not assume the worst of people based on whatever group they are in.  But at the same time, laughter is important and if we keep taking the bite out of laughter, then comedy is going to quickly go out of style.

I’m convinced that by 2050, the world will have become so politically correct that SNL will be nothing but an improv troupe coming out on the stage every week to recite the “Why did the chicken cross the road?” joke a hundred times, followed by a half-hour apology to chickens everywhere and people who are offended by chicken jokes.

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Last Man Standing Cancelled

Dang it!  I just discovered this show and they already cancelled.

3.5 readers, as you know, I don’t like to get political on this blog, but on this show, which I enjoyed, Mike Baxter (Tim Allen) was a conservative with one conservative younger daughter, a liberal wife and two older liberal daughters.  They sparred, they made fun of each others’ ideas and preferred candidates/political viewpoints but at the end of the day, they all gathered around the table, cared for one another and were there for each other.

This country is too big and there are too many different groups, opposing viewpoints for people to not be able to agree to disagree and be there for each other despite their differences.  “You disagree with me so you’re the enemy now!” is how civil wars break out.

Am I saying this show could prevent civil war?  No.  Am I saying that it is nice to see a family with different viewpoints coming together?  Yes.  America needs more of this.

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TV Review – Better Call Saul (2015 – Present)

Drugs!  Crooked lawyers!  Cinnabon!

BQB here with a review of the Breaking Bad prequel, Better Call Saul.

Once upon a time, Bob Odenkirk brought the comic relief to Breaking Bad as notorious ambulance chaser, Saul Goodman.  On that series, Jesse Pinkman (Aaron Paul) informs meth cook partner Walter White (Bryan Cranston) that they need a “criminal” lawyer, emphasis on the criminal – not just a lawyer who specializes in criminal law but one who engages in criminal activities to get his clients off.

And the rest is history.

Better Call Saul is a prequel of the life perpetually down on his luck attorney, Jimmy McGill, led, long before he took the name Saul Goodman or became Walter White’s lawyer.

You’ve probably seen shows that paint the law as a fantastic profession to be in.  TV lawyers are often portrayed as wealthy, fast talking beautiful people who drive fancy cars, eat at the best restaurants and make out with other beautiful people.

This show gives us a look at the grimier side of the legal profession.  Jimmy McGill practices out of a literal closet in a nail salon, drives a car with mismatched doors and barely makes ends meet.

He has a love/hate relationship with his brother Chuck (Michael McKeen), one of New Mexico’s most respected lawyers.  Chuck is a rabid electro-phone, meaning that he is convinced that anything that uses electricity is sending electric waves into his body that could kill him.

Michael McKean displays some of the best acting of his career as he sits in a dark house, eats food out of a cooler full of ice instead of a fridge, forces visitors to leave their cell phones in his mail box, and covers his home and his body with tin foil space blankets.

Meanwhile, there’s an on-again/off-again romance between Jimmy and Kim Wexler (Rhea Seehorn), an attorney that actually strives to do honest work.  Sometimes she serves as Jimmy’s conscience.  Other times, she gets dragged down into Jimmy’s world of crap.

Rounding out the cast is grizzly ex-cop Mike Ehrmantraut, the fan favorite of many a Breaking Bad viewer.  We find Mike in a lowly state at the beginning of the series, working as a parking lot booth operator who regularly feuds with Jimmy over his inability to remember to obtain the required parking validation stickers.

From there, the two start going down the rabbit hole of the Mexican drug cartel world, that same world that Walter White gives a big giant enema to in Breaking Bad.

To be clear, the show is nowhere near as good as Breaking Bad.  That’s not an insult to Better Call Saul but rather, a compliment to Breaking Bad, as that show captured lightning in a bottle and is a rare commodity.

However, just as its predecessor took an unlikely concept, i.e. a terminally ill chemistry teacher who stops giving a shit and rises through the drug underworld to become a kingpin, and spin it into gold, this show does the same with an unequally unlikely idea, namely, that the comic relief of the previous show should get a show that’s all about him.

The show has heart.  Jimmy has a dream to become a great, powerful lawyer, yet there are so many obstacles in the way.  Maybe you, the viewer, never tried to become a lawyer, but you probably had some dream.  Maybe you achieved it, maybe you didn’t but either way, most people can relate to obstacles getting in the way of their dreams.

The show features Vince Gilligan’s signature storytelling style.  It’s “show, don’t tell” to the max.  The viewer is presented with a lot of mysterious, ominous stuff.  None of it is clear at first but if you keep paying attention, the mental energy you expend will not be wasted.  Everything that happens in the show means something.  There’s very little filler or fluff that can be cast aside.

I admit when I heard this show was in the works, I had my doubts.  Breaking Bad could never be topped and perhaps if this show sucked, it would taint the legacy.  But somehow, the show, while not surpassing the first show, still holds its own and is a boon to fans who still want to see that Gilligan style on the screen again.

STATUS:  Shelf-worthy.

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The Empire Strikes Back – Tonight on TNT

Hey 3.5 readers.

It’s Star Wars day on TNT.  They’ve been playing the prequels today and they’ve been advertising that Empire Strikes Back will be on tonight.

So, if you haven’t seen any of the Star Wars films in awhile, now’s your chance.

 

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Daily Discussion with BQB – Child Actors Need Help

Hey 3.5 readers.

BQB here.  As you know, I am involved in a number of noble causes, ranging from the Oscars So Pretty Movement (we will not rest until Steve Buscemi brings home the gold) to finding a cure for Lightning Infused Toaster Pastry Toilet Death (we will find a cure).

I’m also going to throw my hat into a new ring.  Let’s do what little we can to help child actors.

I mean, there’s very little I can do as I am not a Hollywood mogul or anything.  But perhaps I can at least raise awareness amongst my 3.5 readers.

TMZ reports that at the time of her passing, Erin Moran, who played Joanie on Happy Days, was living in an Indiana trailer park.

That sucks.  And I’m not going to speculate about how she got there.  I have no idea about the journey that took her from child star to living in a trailer park.

What I have seen, in general, as a lifelong watcher of TV and observer of pop culture, is that all too often, child stars grow up thinking they’ve got it made, that America loves them as kids and pretty soon, they’ll be adults and they’ll crossover into being the lead in big time films, making lots of money and earning praise and adoration from legions of fans.

Sometimes, in the case of say, Leonardo DiCaprio, it works out that way.

More often, in the case of say, Macauley Culkin, it doesn’t work out that way.

This could be for a variety of reasons but I believe the number one reason is this:  that a kid was adorable as a kid doesn’t mean they are going to grow up to become a good looking adult.

Most kids are cute.  And some, just like those scrunchy faced pug dogs, are so ugly they’re cute…when they’re little.  Macauley Culkin nailed his role in Home Alone as a little boy who is wise beyond his years and manages to outfox two bumbling burglars.

But, adult Macauley Culkin as a leading man in a Hollywood film?  Maybe if the right film were to come along but otherwise…not so much.

Child stars becoming adult stars happens, but not often enough, and sadly, it all depends on looks.  Scarlett Johansson started out as a child star, appearing as a kid in films like Just Cause and The Horse Whisperer.  When she grew up, she turned into a hot babe and thus her career as an actress skyrocketed.

Meanwhile, who can even tell me the name of that little kid with the glasses in Jerry Maguire?

Sadly, Hollywood is a looks based industry.  That you were once a cute little kid doesn’t mean you’ll end up as a hot adult.  And sure, there might be some niche parts you might find but overall, many child actors have a tough time when they reach adulthood.

Some play it smart.  Some find a way to work in some kind of behind the scenes role in the entertainment industry.  The kid who played Chunk in the Goonies, for example, grew up to be a respectable entertainment lawyer.  Jason Hervey, who played Kevin’s older brother on The Wonder Years, became a producer.

Sure, child actors ought to try to see if their youthful stardom can translate into adult success.  But after awhile, if they’ve put their bait out in the Hollywood sea and no one’s biting, they need to be content that they had a good run and then search for a more practical way to make a living.

I know that’s easier said than done.  I can only imagine what a tremendous disappointment it must be to be on top of the world as a kid only to have no one return your calls as an adult.  You thought you had it made in the shade and now everyone is throwing you shade.  I’m sure that’s a depressing situation that can lead to epic sadness, humiliation, drugs, drinking, and so on.

I assume part of the issue is money.  Some of these kids have parents who manage their money well.  Others, not so much.  Perhaps there should be greater oversight as to what happens to the money of child actors.  Then again, it’s not like the government can worry about that what with all the other problems it has.

Perhaps some studio representative should sit the kids down when they are in their teens and say, “Hey, just because this works out today, doesn’t mean it’s going to keep working tomorrow.”  Get them working on an exit plan and on the path to supporting themselves in the event studios don’t want to give them the time of day after their 18th birthday.

There is one thing we can do as a society and that is, don’t bust on child stars who don’t continue with adult stardom.  Child stars who grow up, can’t find acting work, can’t find a behind the scenes job in entertainment, have every right to support themselves, so they should be encouraged to find any kind of ordinary, humdrum job that will support them without feeling embarrassment or shame.

In other words, if one day you enter your local burger joint and find your favorite child star all grown up and flipping burgers, just accept the burger and walk away.  No need to point or gawk or stare or write a snarky post about how that child star became a loser.  Maybe they aren’t a loser.  Maybe they are brave for getting up and carrying on everyday, supporting themselves in a regular way and learning to cope with disappointment and feelings of “what could have been.”

I have a feeling that public ridicule, i.e., “That child star just flipped my burger ha ha ha” is a big reason why child stars who can’t catch a break in Hollywood when they grow up don’t pursue traditional jobs to support themselves.  We normals can’t do anything to help adult ex-child stars get Hollywood jobs, but we can control ourselves and not be dicks when those ex-child stars seek traditional employment.

Anyway, that’s my 3.5 cents, 3.5 readers.

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RIP Erin Moran

Sad news in the entertainment world, 3.5 readers, as Erin Moran, who played Joanie on Happy Days and the spinoff, Joanie Loves Chachie, has passed away at 56.

Too early, 3.5 readers.  Too early.  As I said with Charlie Murphy, everyone should get at least 100 years guaranteed.

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TV Review – Mystery Science Theater: The Return (2017)

Lousy old time science fiction movies!  Snarky robots!

BQB here with a review of Mystery Science Theater 3000: The Return.

Big time nostalgia factor for me here, 3.5 readers.  When the original MST3K film came out in the 1990s, my buddies and I watched it over and over again.  Oh, how we laughed and laughed.  We used to run around quoting lines like, “Science!  Men with screwdrivers!  Twisting things…and turning them!”

Ahh, you had to be sentient in the 1990s to get it.

Hmm…now I think I realize why I ended up as a lowly blog proprietor with only 3.5 readers.

Anyway, if you’ve never checked it out before, now’s your chance.  It’s back, this time with a series on Netflix.  Oh, Netflix.  Is there anything you won’t green light?

The premise is basically the same as the original.  A human is trapped in a space lair of some sort, forced by an evil villain to watch terrible old science-fiction movies for hours on end, supposedly as part of some study of how the brain operates while watching crappy movies.

The majority of the show is devoted to the human, Jonah Ray (Jonah Heston) and robot sidekicks Crow and Tom Servo, watching these horrendous films and busting on them with reckless abandon.  When you watch, you’ll see the film in your screen, with just three little shadows of the hecklers in the lower right hand side.

The movies are awful, old, poorly thrown together, devoid of any kind of decent plot, and usually suffer from a combination of laziness and a lack of special effects technology, because, you know, they were made a long time ago.  Also, they’re often foreign.  At any rate, there’s a strong chance that but for MST3K, you would have never have even heard of any of these films, that’s how bad they are.

The movie is broken up with Jonah and his bot buddies in various segments, doing interesting, wacky things.  Noted Internet nerds Felicia Day and Patton Oswalt star as Kinga Forrester and TV’s Son of TV’s Frank (crazy name), the villains who are keeping Jonah and the bots captive.

The segments are produced with low quality, low budget effects, assumably to mock the films that are being watched, but more likely because the studio didn’t want to shell out the cash.

I can’t quite put my finger on it.  It may be that when I was younger, I had a less discerning sense of humor.  Or maybe the original movie was great and then other versions, i.e. the 1999 show, the web show, or this Netflix show, are just attempts to recreate the glory of one very awesome film.

Maybe the 1990s were just a happier time where people weren’t as jaded and thus they laughed easier.

Maybe the big joke behind the concept was original then, but now it’s sort of played out.

I’ve only watched part of the first episode, Reptilicus, thus far.  In this one, the boys heckle what is essentially the 1960’s Dutch version of Godzilla.  It’s about as 1960s as you can get, complete with male scientists being surprised that women might know anything about science.

Much to my surprise, Erin Gray, aka Kate Summers aka Ricky Schroeder’s step-mom on the 1980s sitcom Silver Spoons, has a cameo.  I know.  I am ashamed of myself for knowing who she was.  Still, for a broad in her late sixties, she looks pretty good.  I would watch shitty movies with her anytime.

Overall, it’s a fun distraction and something to put on when you want to be entertained but don’t want to expend a lot of brain power.  It’s also a fun exercise to see what movies used to be and how far along they have come.

Moreover, it’s a tribute to the olden days, a time when networks would actually try to keep you entertained between commercials.  Local TV stations would often run a movie, then have some kind of weird character introduce it and talk about it between the commercials.  I mean, so I’ve heard.  I’m not that frigging old.

At some point we learned that the movies should not suck of their own accord and that a host shouldn’t have to keep the movie interesting.

STATUS:  It’s fun.  One issue is that the movies are, you know, long movies, so the episodes often run like an hour and a half.  That’s a big time commitment but hey, in true Internet style, if you put it up there, someone will check it out.  3.5 someones in my case.

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SNL Goes Coast to Coast at the Same Time

Hey 3.5 readers.

You know, I always had a question.  What time does Saturday Night Live come on in the West Coast?

I never really knew.  But now I assume it must have been taped live and shown live on the East Coast and then, what, they held it and showed it at 11:30 in the West Coast?

Is that what happened?  I don’t even know.  If you’re one of my 3.5 West Coast readers, fill me in on this.

I suppose the problem with that is then technically it’s not Saturday Night “Live” and also with social media being so prevalent, half the country is in on a joke for hours before the other half.  If you’re on the West Coast, your East Coast buddies are talking about stuff you haven’t seen yet.

It’s like time travel!  Freaky!

Anyway, Jimmy Fallon celebrated this momentous occasion with a song and dance number:

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