Monthly Archives: October 2014

PC vs. Apple/Word vs. Pages – Which is the best for writers?

I’m a longtime PC guy thinking about switching it up to Mac.  Macs look nice and sleek but whenever I take a peak at one in the store and see all the ways its operating system is different from Windows I feel like I’m about to get dumped into the middle of downtown Mumbai without knowing anything about the local language or customs and being expected to find my way home.

On the other hand, there is something about Microsoft Word that bugs me.  It tries too hard to anticipate what it thinks I want to do that sometimes it keeps me from doing what I actually want to do.  Change a margin for effect on one paragraph on page 1 and it still wants to change it on page 50.  Do a numbered list and it tries to do a number list everytime you subsequently write a number.  Can Pages be any better?  But – doesn’t most of the civilized world already use Word and therefore my writing most be Word formatted to receive any kind of consideration?

THE QUESTION OF THE DAY:

Is an Apple or a PC a better computer for writers (and also -Word or Pages – which is better for writing?)

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Epic Rap Battles of History – King vs. Poe

Have you ever seen Epic Rap Battles of History?  Delightfully nerdy, it is a You Tube series that puts historical figures together and makes them rap at one another.

They made one where Steven King takes on Edgar Allan Poe.  Since bookshelfbattle.com is discussing Halloween lit all month long, I figure “King or Poe – Who’s the Master of Horror?” is a good question.  If you have any thoughts on this, please feel free to post below.

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Public Domain Horror Fiction – Dr. Jekyll and Mr. Hyde

Calm and content one moment, a ball of rage the next – hasn’t everyone felt this way at one time or another?  The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson is a tale of conflicting emotions run amock.  It’s a story of how anger can boil under the surface of any otherwise seemingly reasonable man.

Not only that, but it is totally the precursor to The Incredible Hulk.

Enjoy this version brought to you by Project Gutenberg:

http://www.gutenberg.org/ebooks/42

“With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to the truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two.” – Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde.

Bookshelf Battlers, thank you for joining in the discussion.  The Public Domain Horror Fiction posts have really started a nice surge of viewer stats, so please feel free to share with friends.  And don’t forget my twitter hashtag – #tweettheraven where I’ll be posting Edgar Allan Poe’s The Raven all month.  Follow @bookshelfbattle for more booktastic news.

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Public Domain Horror Fiction – Mary Shelley’s Frankenstein

Green face.  Bolts in the neck.  Lumbering walk.  Says, “Grr!  Arrgh!” all the time.  No wonder that Frankenstein monsters did not take pop culture by storm in the way that vampires did.  While there are umpteen million stories about a heroine who must choose between a vampire or a werewolf, you’ll never see one where she has to choose between a vampire or a Frankenstein monster.

Still, Mary Shelley’s Frankenstein is an epic tale of a) man’s desire to cheat death b) man’s awareness of his own mortality c) man’s futile attempts to control nature through science and well, if you learned any other lessons from reading it, feel free to post them below.

Published in 1818, Mary Shelley’s copyright over this work isn’t coming back to life, even if you strap it to a table and wait for a lightning bolt to zap it.  Thank you Mary for writing a work that has withstood the test of time.

And thank you Project Gutenberg for preserving it:

http://www.gutenberg.org/ebooks/41445

“How dangerous is the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to be greater than his nature will allow.”

– Mary Shelley’s Frankenstein

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Public Domain Horror Fiction – Bram Stoker’s Dracula

Vampires.  They sure do suck these days.  Pun intended.

You’ve got your Twilight vampires who are all glittery and filled to the brim with existential enui.  Then there’s the True Blood vampires who think their whole purpose in life is to act out a different Penthouse forum letter everyday.

Let’s get back to vampirism’s roots, with the bloodsucking fiend that started it all – Count Dracula.  I don’t know about you, but I prefer my vampires to wear capes and medallions, have slicked back hair, and go, “Bleah!  Bleah!” all the time.  Call me old fashioned.

Published in 1897, a stake was driven through the heart of Stoker’s copyright long ago, so you can check out Project Gutenberg’s Free E-book here:

http://www.gutenberg.org/ebooks/345

Happy Reading, Suckers!

“Do you not think that there are things which you cannot understand, and yet which are; that some people see things that others cannot? But there are things old and new which must not be contemplate by men´s eyes, because they know -or think they know- some things which other men have told them. Ah, it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain.” – Bram Stoker’s Dracula

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Public Doman Horror Fiction!

It’s Halloween time and while the dead rising from the grave is not unheard of at this time of year, rest assured – the copyrights of some of history’s greatest horror authors are as dead as a door nail.

To promote the great horror classics, I’ll be sharing excerpts from the likes of Poe, Shelley, Stoker and King.  Wait, wait my lawyer just called.  King’s still alive.  OK, no King!

Links will be to http://www.gutenberg.org – the home of Project Gutenberg, a wonderful ongoing effort to digitize and preserve the classics, making them free and available to everyone.  Please check their site out and if you can, donate.

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#tweettheraven

Through my twitter handle – @bookshelfbattle (which you should totally be following for tweets of a booktastic nature) – I have started a new thread – #tweettheraven

Yes, throughout October, I am going to tweet the text of Edgar Allan Poe’s The Raven.

I’m doing this either a) to educate the masses about a beautiful work of poetry or b) I have no life.

I haven’t decided yet.

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Halloween Literature – The Raven by Edgar Allen Poe

Welcome to Boo! kshelf Battle.  Halloween is around the corner.  Time to discuss some spooky lit.  First up:  The Raven by quintessential Master of Horror Edgar Allen Poe.  I’ll post the poem today and come back later with some analysis.

THE RAVEN
BY:  EDGAR ALLEN POE
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visiter,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”
    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.
    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visiter entreating entrance at my chamber door—
Some late visiter entreating entrance at my chamber door;—
            This it is and nothing more.”
    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.
    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.
    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”
    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”
    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”
    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”
    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”
    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”
    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!
    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”
    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”
    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”
    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”
    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!
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Gone Girl – A Review of the Movie, Not the Book

Long time no see, blogarinos.  What can I say?  I have been busy.  I wish I could say that I have been busy with something worthwhile, but alas, it has been mostly with an onslaught of fabulous Fall TV.  Why, oh why must they put all my favorite shows on at the same time?

I’ve been hearing for quite some time now that Gone Girl by Gillian Flynn is an amazing read, and though sadly I never got around to it, I am pleased to say that I did recently take in the film version starring Ben Affleck and Rosamund Pike.

SPOILER WARNING – If you do not want the surprises to be as gone as the girl, then stop reading.

In no particular order, a list of reasons why I found this film entertaining:

1)  Rosamund Pike deserves an Oscar nomination.  She has always been a decent actress but up until now, has never quite found her niche role.  Honestly, this movie made me learn her name.  Previously, she’d just been that blonde woman who has been in a lot of stuff.

2)  Someone involved in the movie must have had a penchant for all grown up former adolescent nerd TV stars.  Patrick Fugit, aka the aspiring Rolling Stone reporter from Almost Famous and Lee Norris, aka Minkus on Boy Meets World both have cameos as police officers.  I mean honestly, in real life, I would not want either of these poindexters kicking down doors and/or being responsible for public safety but for movie purposes, it was fun to see them in action.

3)  Actually, add to that former nerd TV star list Neil Patrick Harris (who once upon a time played Doogie Howser, M.D.) – I suppose I gave him a pass as a “former TV nerd” since his career had a comeback with How I Met Your Mother.

4)  It is an excellent mystery movie that will keep you guessing.

5)  Sadly, it reinforces what we all know to be true but no one wants to admit – a woman can say anything – anything at all – and people will believe it.

So pick your future brides to be carefully, fellas, because well, you might end up like Ben Affleck’s defeated protagonist.

BONUS:  Tyler Perry was in this movie and a) he did not dress up like an outrageous overweight granny and b) did not suck.

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