Category Archives: Movies

#OscarsSoPretty – Why Are No Ugly People Nominated?

Hello 3.5 readers.

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BQB’s High School Yearbook Photo.  Ten takes and this was the best one.

Bookshelf Q. Battler, here to talk to you about a very sensitive subject.

By now you’ve heard of the “#OscarsSoWhite” controversy. For the second consecutive year, no non-white actors or actresses have been nominated for the entertainment industry’s most coveted prize.

As you’re all aware, I am a paragon of fairness, and while I’m loathe to throw stones, I’m pretty sure it is safe to assume, based on the criticism levied at this completely useless awards ceremony in which the mega rich and ultra glamorous pat one another on the back, that everyone in Hollywood has a klan robe hanging in their closet.

But I’m not here to talk about that issue.  This matter has already been widely reported and will be a part of the public dialogue for weeks to come leading up to the ceremony itself.

No, what I’m here to discuss is a question that’s loomed large on my mind my entire life but I’ve never had the courage to say anything about it until now:

WHY ARE THE OSCARS SO DAMN PRETTY?

There.  I said it and as an advocate for the ugly, it felt good.

The Academy assures us that it is taking steps to ensure that the Oscars will be more diverse in the future, an excellent move of course.  However, whether you’re black or white, asian or latino, or some other ethnicity, one thing is for certain:

IF YOU ARE AN UGLY PERSON, YOU’LL BE STRUCK BY LIGHTNING ON YOUR WAY TO CASH IN YOUR WINNING POWERBALL TICKET LONG BEFORE YOU GET NOMINATED.

Not convinced?  That’s ok.  You’re probably an attractive person. You suffer from “Attractive Person Privilege” and have thus lived your entire life oblivious to the plight of the ugly person.

You were always invited to parties.  Hell, people threw parties in the hopes that you’d attend.  People feel like their lives have been enriched if you simply walk past them.  If you get lost and take a wrong turn into a neighborhood you’re not familiar with, no one calls the cops on you to report that a damn C.H.U.D. is on the loose. You’ve never cried yourself to sleep after spending an evening researching the costs of various anti-uglification surgeries.

Yes, attractive person, you should definitely sign up for some ugly person sensitivity training, but in the meantime, just take a look at this year’s nominees and tell me that there isn’t a pro attractive person bias:

BEST ACTOR:  

LEONARDO DICAPRIO

Jesus H. Christ look at this guy. It’s like when he was being made in Heaven’s people factory, God got up off his ass, walked down to the assembly line, and personally supervised the production process.  Leonardo literally cannot take two steps down the street without being slapped in the face with a vagina.  That’s how badly women want him.

In The Revenant, Leo plays a man who gets the shit mauled out of him by a damn fat ass bear and then has to drag his mortally wounded carcass across miles of unexplored territory but somehow, he still manages to cast a striking figure the entire time.

I can tell you I have to go through an entire morning routine just to upgrade myself to C.H.U.D status so if I were mauled by a damn bear I’d just end up too ugly to even walk out of the house.

(Millennials, C.H.U.D. stands for “Cannibalistic Humanoid Underground Dweller.” They were in a horror movie in the eighties.  They’re very ugly.  Not only would a C.H.U.D. never win an Academy Award, but you’d never want to swipe right on one if you saw it on Tinder.)

MATT DAMON 

Shit.  What a handsome son of a bitch.  He’s so good looking that every movie he is in, from Saving Private Ryan to The Martian, is about all the time, money, and effort entire teams of people are willing to expend just to get him back whenever he’s lost because that’s just how precious he is to everyone.

Do you know what The Martian would be like if I had been cast in the lead role? The entire movie would be one minute long and it’d be a bunch of dudes at NASA saying, “F$%K that I’m not going to put in overtime just to retrieve an ugly guy.  That ugly bastard can rot on Mars for all I care.”

Saving Private Ryan? Tom Hanks leads his men into enemy territory to rescue Matt Damon.

Saving Private Battler? Tom Hanks would let the Nazis keep me.

ANY QUESTIONS?

“BUT BQB, BRYAN CRANSTON WAS NOMINATED FOR TRUMBO AND HE’S NOT ALL THAT HANDSOME.”

No, but he’s not ugly either.  Believe it or not but it is possible to be in a gray area where you’re not a suave ass baller but you’re also not a C.H.U.D.

You can be just an average looking guy or gal and be considered for an Oscar.  It still isn’t as easy it is for attractive people.  You have to work extra hard, be in the business for years, take self-deprecating roles like Cranston did as the dumb Dad on Malcolm in the Middle.  If you do all that then maybe, just maybe, they’ll think about handing you a little gold statue if, but only if, you’re lucky enough to get cast in a role that you act the shit out of, like Cranston did in Breaking Bad.

Do all that and MAYBE JUST MAYBE you’ll get a nod as an average person.  Forget it if you’re a hideous mutant.

“BUT BQB, EDDIE REDMAYNE WON AN OSCAR LAST YEAR AND HE WAS NOMINATED AGAIN THIS YEAR.”

True, but here is the thing:

THERE’S A SMALL SUBSET OF UGLY PEOPLE WHO ARE UGLY IN JUST THE RIGHT WAY THAT IT MAKES THEM ADORABLE.

Eddie Redmayne is one of those people.  Benedict Cumberbatch is another.  There must be something in the water in England.  Come to think of it, the UK is the home of the pug.  Have you ever seen a pug?  You just want to smoosh their wittle faces don’t you?

If you’re a pug the Academy will look the other way.

We’ve talked about the men, but what about the women?

BEST ACTRESS:

JENNIFER LAWRENCE

Holy Crap.  Look, I’m not trying to be inappropriate here, but that chick can catch any D she wants any day of the week and twice on Sunday.  Not saying she does. Just saying that she never, ever has to worry about being alone. If she ever feels alone, she can just put her head out her front door and shout, “I’m Jennifer Lawrence! Who wants to talk to me?” and then talk to the ten thousand men that show up.

This woman is so hot that she stars in a Young Adult movie series in which she can’t figure out which of the two dudes who wants her to pick. When was the last time you ever had a choice?  Before I met Video Game Rack Fighter, I don’t recall ever having any choices to make in my past dating life. If a woman was willing to acknowledge my existence after a first date, then I asked her out again.

Jennifer Lawrence is so hot that cyber criminals actually hacked her phone because that’s how badly they wanted to see pictures of her butt.  No one wants to look at pictures of my butt I’ll tell you.  You will be scarred for life from that sight.  If anything, hackers might hack my phone to install a program on it that prevents me from taking pictures of my butt.  Not that I was going to do that anyway but still.

CATE BLANCHETT

Cate Blanchett has been in the acting biz a long time.  She’s hot when she plays straight women. In Carol, she plays a lesbian.  Just throwing it out there, if I were a woman, I’d become a lesbian just to go out with Cate Blanchett.

ANY QUESTIONS?

“BUT BQB, CHARLOTTE RAMPLING WAS NOMINATED AND SHE’S SO OLD!”

Hold on to your hats, 3.5 readers, because I’m about to let you in on one of Hollywood’s biggest Oscar loopholes:

LOOKS FADE.  EVEN ATTRACTIVE PEOPLE KNOW THAT.  AND NOT EVERY ATTRACTIVE PERSON CAN WIN AN OSCAR EVERY YEAR. ERGO, IF YOU ARE AN ACTOR OR ACTRESS AND YOU GET OLD, YOU’LL BE CONSIDERED FOR AN OSCAR AS LONG AS YOU WERE SUPER HOT WHEN YOU WERE YOUNG.

Google some pictures of Charlotte Rampling in her heyday.  Again, not trying to be inappropriate, but Charlotte Rampling in her prime was a world class source of boner inspiration.

Same scenario for Jessica Tandy. When she was young, Jessica Tandy pitched more tents than Barnum and Bailey.  That’s why they were willing to give her an Oscar for Driving Miss Daisy when she was at the end of her life and looked like the Crypt Keeper.

(Millennials, the Crypt Keeper was this boney, scary voiced mummified guy who hosted a horror show on HBO.)

“BUT BQB, SHOULD YOU BE SAYING SUCH MEAN THINGS ABOUT UGLY PEOPLE?”

It’s ok.  I’m ugly.  They’re my people.  It’s our thing.  Behind closed doors, we go up to each other and say, “Yo, what up, my uggo?”

You can’t do that to an ugly person if you’re attractive.  That’s OUR thing.

“BUT BQB, I WATCH MOVIES ALL THE TIME AND I ALWAYS SEE UGLY CHARACTERS ON SCREEN.”

Oh sure. Ugly people aren’t completely banned from Hollywood.  But they are tired of being typecast as trolls, demons, monsters, psychotic murderers, homeless people, bloated corpses being investigated by attractive detectives who end up humping because they can’t keep their hands off each other because they’re so damn attractive, hobgoblins, villains, and of course, the sassy office assistant who tells the female lead of a romantic comedy, “Go get him, girlfriend!”

In the Academy’s defense here, this could be an issue that isn’t the movie industry’s fault.  Amidst the #OscarsSoWhite discussion, there is another discussion as to whether or not art imitates life and if so, then perhaps the issue is that Oscar winning movies are often about historical events and sadly, due to racism, many minorities have been kept from taking part in the activities that become fodder for Academy recognized films.

I feel like I speak for ugly people everywhere when I ask society to keep an open mind when it comes to hiring an ugly person.  Sure, you’d rather have a hottie to stare at in your office, but the ugly person will work harder because they know they have to and they might actually help you get shit done.

“NO REALLY, BQB, I HAVE SEEN MOVIES WHERE AN UGLY PERSON WAS THE MAIN CHARACTER!”

Again, we have to make a distinction between ugly characters and the attractive people hired to ugly themselves up with makeup and prosthetics to play them.

Yup.  That’s right.  Even when there’s a role that calls for an ugly person, Hollywood will not call on any one of the many ugly people who, against the advice of their friends and family, travelled to Hollywood in search of fame, ignoring all the cries of, “You’ll never make it!  You’re too ugly!”

Instead, they’ll just take an attractive person and apply some ugly makeup.

For instance, take the 2003 film, Monster, about the life of Aileen Wuornos, a very unattractive female serial killer.

Did Hollywood give an ugly actress her big break?  Nope. They just took inconceivably hot actress Charlize Theron and uglied her up.  Put a shitty hair wig on her, used makeup to add wrinkles and acne and blotches and so on.

And she won an Oscar!  And you know, she’s a great actress and all, but come on.  This chick wakes up every morning looking like a damn Disney princess.  If I were a blue jay I’d want to fly into her room and land on her arm just to listen to her sing and then do all of her housework for her.  That’s how hot she is.

Plenty of roles available for hot chicks.  Hollywood could have let an ugly chick have her fifteen minutes of fame to play an ugly serial killer.

Hollywood does this all the time, often with villains.  It’s like they just ugly up a good looking person and then wink at the audience and say, “Don’t worry folks!  There’s a really good looking person under this get up!  We’d never let an ugly person star in a movie!  Ha ha ha!”

What if a real life nerd defies the odds to achieve greatness?  Surely they’ll allow a nerd to play a nerd, right?

Wrong.  Steve Jobs was the ultimate king of the nerds.  Did they hire a nerd to play him?  Nope.  They just slapped a pair of glasses on Michael Fassbender.  Typical Hollywood.

If I may wax controversial for a moment, “black face” or when a white person applies black makeup and pretends to be black, is a highly offensive practice and rightly so.

As an ugly person, I don’t like it when attractive people walk around in “ugly face.”  That fake ugly face does not give the attractive person any insight into the suffering of the ugly.  Everyone knows attractive people in ugly face are still good looking under there.  They’re still getting invited to the party anyway.

WHAT ABOUT BEHIND THE SCENES OSCARS?

They don’t count.  We fully understand that Hollywood will allow you to work behind the scenes as a director, or a cinematographer or a writer even if you’re a total mutant.  My hat goes off to them.  In today’s economy, it is hard to get a job at McDonald’s if you’re an ugly person, so ugly people have really pulled off a hat trick if they’re allowed to do anything at all in the film industry.

But I’m talking about putting more ugly people on screen so that the nation’s vast supply of ugly people will learn to love themselves, ugliness and all.

WHAT ABOUT DEMOGRAPHICS?

According to the Fake Institute for Bogus Statistics, attractive people make up a mere twenty-percent of all movie going audiences.

That’s because attractive people have so many better options for a Saturday night.  When surveyed, attractive couples stated that instead of watching a movie, they’d rather go sky diving, or white water rafting, or skinny dipping, or go for a frolic in a field of daisies without a care in the world, or lie on a beach and make love with one another, completely oblivious to the waves crashing all around them, or travel to a third world nation and take a selfie with a starving child so they can slap it up on Facebook and pretend that they care, or attend any of the millions upon millions of parties they are invited to or have thrown in their honor per year.

Good looking people just do not have time for movies unless they’re starring in them.

Ugly people make up the remaining 80 percent.  When surveyed as to why they enjoy movies so much, they said that they prefer to remain in the dark like the C.H.U.D.s that they are, that movies provide a form of escapism that helps them forget about the horrible lives they live as ugly people, that romance films, in particular, allow them to fantasize about what it would be like to be in a relationship because God knows no one is asking them out on a date because they’re too ugly, and finally, they have a lot of free time to spend at the movies because they’re so ugly that no one wants to make love to them in the crashing waves of a sandy beach or frolic through a field of daisies with them.

ARE YOU SERIOUS?

Yes and no.  First, yes, I get Hollywood’s side.  They’re in a visual business. They sell escapism.  I go to movies to escape from the low level of life my ugliness causes me.  I go to movies so I can pretend to be one of the attractive people on screen.  I don’t want to pretend to be ugly because I already am.

Yup.  Little known secret.  Even ugly people discriminate against ugly people.  Most ugly people have convinced themselves their transformation into an attractive person is just around the corner so they better not associate with ugly people and hold out for all the attractive people coming their way once they deuglify themselves.  So many ugly people waste their time home alone when they could be together, enjoying one another’s ugly company.

 

Ugly people must stand up and inform the public about this outrage in a productive manner.  They can’t rely on the news media to do it for them.  Have you watched the news lately?  Every anchorman looks like a perfect haired, square jawed, straight teeth having Mitt Romney looking bastard and every reporter is a Hot Ass Blonde Chick like the one who, to her credit, saved my life during last year’s East Randomtown Zombie Apocalypse.

The attractive people in the news media either don’t understand or don’t care about the plight of the ugly.

IS ATTRACTIVE PRIVILEGE REAL?

Yes, and not just in Hollywood but everywhere.  Attractive people have no clue how many doors to the good life magically open up for them just because they’re easy on the eyes.

Attractive people can ask someone out on a date and instantly get a yes, not a “I think I have to wash my hair that night” or “I have to take my cat to the podiatrist” or even worse, “I’ll get back to you” and then they don’t get back to you.

Do you know what attractive men reported as the number one source of their injuries last year?  Broken ribs caused by throngs of hot women throwing themselves at them.

Do you know what ugly men reported as the number one source of their injuries last year?  Pepper spray blasts to the face from attractive women they just said hello to.

Do you know what attractive women reported as the number one source of their injuries last year?  “Selfie Finger.”  Searing finger pained caused by taking too many selfies because they know they’re hot and they’re addicted to all the likes they get for their duck faced photos on social media.

Do you know what ugly women reported as the number one source of their injuries last year? Suffocation under enormous piles of cats.  So very many cats.

Attractive privilege is even prevalent in the workplace.  An ugly person could write a report on how the company’s product, if arranged in a certain way, could be used as a cure for cancer, saving countless lives and earning the company trillions and still get chewed out for interrupting the meeting with his/her ugly face.

Meanwhile, attractive people can just show up late, openly admit they didn’t do shit on the big project, and still get promoted.  The boss will say something to the effect of, “You’re such a straight shooter, attractive person!  I like it!  Lunch is on me!”

Note all this information comes from the Fake Institute for Bogus Statistics.

FINAL THOUGHTS

The vast majority of movie fans are ugly C.H.U.D.s who immerse themselves in film because their lives suck due to their atrocious appearances.

Yet, most unfairly, ugly people of all ethnicities and backgrounds are consistently denied Oscar consideration.

This February, little ugly children will tune into the Oscars and not see anyone who looks as ugly as they are, leaving them with the message that they aren’t welcome in Hollywood.

And sure, you might say, that’s good that they get that message early and get the idea of fame out of their heads so they can grow up and use all the time they aren’t spending on dates that no one wants to go with them on, on studying hard to become doctors, lawyers, scientists, professionals, heads of state and so on.

But, that would be missing the point.  Ugly people can’t help their ugliness. It isn’t their fault that God spent a little extra time baking some people, and took others out of the oven a little too early.

#OscarsSoPretty is an actually thing.  I didn’t make it up.  Ugly people have taken to Twitter to make their voices heard, mostly because they have nothing better to do since no one is asking them out on a date.

Ugly lives matter.  Attractive privilege is real.  End ugly discrimination and nominate a genuine, bonafide ugly person in 2017.

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Eddie the Eagle – a Triumph for All Nerds

This movie looks great.  An unathletic nerd dreams of becoming an Olympian, chooses ski jumping because the UK hasn’t had one since 1929, and goes for it.

As a spokesman for nerds everywhere, I demand this film sweep the Oscars in 2017.

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#OscarsSoWhite – Are the Oscars Racist?

Discussion time, 3.5 readers.

Are the Oscars racist?

And….go!  Talk amongst yourselves, I’m a little verclempt.

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BQB’s Oscar 2016 Predictions

BEST ACTOR

NOMINEES:

Bryan Cranston – Trumbo

Leonardo DiCaprio – The Revenant

Matt Damon – The Martian

Michael Fassbender – Steve Jobs

Eddie Redmayne – The Danish Girl

WHO WILL WIN: Leonardo DiCaprio for The Revenant

WHO SHOULD WIN: Leonard DiCaprio.  He’s young and still has plenty of time to win an Oscar ahead of him, but he also started his career young and has been working on Oscar worthy pictures for what seems like forever now.

Bryan Cranston is great and his Breaking Bad shot to super stardom late in life is a great Little Engine That Could story.  We all feel time’s hand on our shoulders, reminding us that we’re not here forever and if there’s something we want to do, we’d better do it.  Thus, we love Cranston because he reminds us its still always possible.  BUT – no one saw Trumbo.

Matt Damon was great but he’s already got an Oscar.  Even if its for screenwriting and he’d like one for acting, precedence should go to the guy who doesn’t have one yet, i.e. Leo.

Michael Fassbender – He’s great.  I didn’t see Steve Jobs but…how many Steve Jobs movies   have there been now?  He’ll have his chance.

Eddie Redmayne – I didn’t see the Danish Girl but…he won last year.

BEST ACTRESS 

I’m going to skip this one because I didn’t see any of the movies they were nominated for. I’ll just go with fan favorite Jennifer Lawrence for Joy until I get around to seeing the others’ movies.

BEST SUPPORTING ACTOR

Christian Bale – The Big Short

Mark Rylance – The Bridge of Spies

Tom Hardy – The Revenant

Sylvester Stallone – Creed

Mark Ruffalo – Spotlight

WHO WILL WIN AND WHO SHOULD WIN – Sylvester Stallone for Creed. He’s 70 years old. His Rocky movies have been fan favorites since the 1970’s, entertaining one generation after the next.  They’re all pretty much have the same message – life’s attempts to knock you down are unavoidable.  It’s not about whether or not you’ll get knocked down because you will.  It’s about whether you get up and keep going or lie down for the count that matters.

The original Rocky won best picture and Stallone’s been big in the movie business for years, though mostly as an action hero and we all know what the Academy thinks about action.  Its now or never and the Academy will reward him here.

Plus, I’ve seen Creed and given Rocky’s still the same old Rocky as always, its still not a bad movie.

ACTRESS IN A SUPPORTING ROLE

Totally not intentional, but I don’t know much about the movies and/or performances by the supporting actresses either.

I’m going to root for Jennifer Jason Leigh for Hateful Eight as we haven’t seen her in anything for awhile, but she was great back in the day.  I want to see Hateful Eight but haven’t gotten around to it.  She looks great in the previews though.

BEST ANIMATED FILM

I’ll go with Inside Out because I didn’t see the others and it was good.  Did anyone see Peanuts?  Was it any good? I’m surprised that one didn’t get a nomination.

BEST DIRECTOR

I’m going to go with George Miller for Mad Max: Fury Road.  His original Mad Max films are sci-fi classics and he pretty much invented the post-apocalyptic genre.  All these movies and TV shows about people wandering around in drab, post-society wastelands are thanks to him.  (Or, maybe thanks for giving us depression about the future, as the case may be.)

Plus, it couldn’t have been easy directing all those people in leather speedos jumping around willy nilly.

Which brings me to…

BEST PICTURE

NOMINEES

The Big Short – Haven’t seen it.

Bridge of Spies – Saw it.

Brooklyn – Haven’t seen it.

Mad Max: Fury Road – Saw it.

The Martian – Saw it.

The Revenant – Saw it.

Room – Haven’t seen it.

Spotlight – Haven’t seen it.

WHICH MOVIE WILL WIN – The smart money seems to be on Spotlight, a film about the Boston Globe investigative journalism team that uncovered child abuse allegations in the Boston area Catholic Church, which had major ramifications worldwide.  Critics seem to like it and it casts light on how journalists are the last resort to protect the public when government and social institutions fail.

If the Revenant won, I would not be surprised.  I liked it and it did have the feel of an Oscar winner.

WHICH MOVIE SHOULD WIN – Mad Max, Mad Max, and Mad Max.  I went into it thinking, “Oh boy, Hollywood’s cashing in on a remake of an old movie yet again.”  But it was so much more than that.  Messages about the future, how people interact with one another, mans’ primal instincts, women standing up for themselves (it’s called Mad Max but he’s pretty much Furiosa’s sidekick in this movie).

Great writing in that the story is told in many parts where no words are even spoken.  Amazing action, stunningly awesome special effects – a really great visually pleasing movie that overcomes a drab desert landscape.

But it won’t win.  It won’t win because the Oscars have always been to boost movies that Hollywood makes to get a message across or discuss a difficult subject.  Spotlight might be great but more people lined up on Saturday nights in December to watch lightsabers get swung around in Star Wars.  Not as many people lined up to watch actors pretend to be journalists in the middle of discussions as to how expose priests for wrongdoing.  (Not that that wasn’t important, but if we’re talking about what entertains people on a Saturday night…)

In other words, big blockbuster movies already got their reward in the form of a payday.  Lesser known but important message movies need the nominations and awards to get publicity so more people will see them and the studios make their money back so they can keep making less popular important message films.

That, and its action.  And sci-fi.  Action movies and sci-fi movies don’t get Oscars.  At least not for best picture.  They’ll never let something so comic book-ish win.  They’ll worry it will open the floodgates for every damn Avengers movie to sweep the Oscars in the future.  They can’t have that.

I could see some of these other movies and change my mind but IMO, of the ones I saw, Mad Max was the best, and not just on action but in story as well.

The Martian was also great.  If that won, I wouldn’t mind but hey, it was nominated.

Let that be an inspiration for you, 3.5 self publishing readers.

 

 

 

 

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Movie Review – Daddy’s Home (2015)

Being divorced sucks.

Do I really need to call a spoiler alert for that? Probably not.  But I will for this review.

BQB here with a review of the Will Ferrell/Mark Wahlberg comedy, Daddy’s Home.

Do you remember when Ferrell and Wahlberg crushed it in The Other Guys? That was a comedy about the cops who never get the hot cases with lots of action.  They were the other guys, the guys who get stuck with lame, boring cases, who find themselves in the midst of an action laden case.

I remember laughing my ass off in that one.  This one? While it has a few knee slappers, I have to say, not so much.

I’d never tell someone to stay in a marriage that’s making them miserable.  On the other hand, I worry people don’t have the stick-to-it-tiveness that past generations had when it comes to nuptials.

“To love, honor, cherish, for richer or poorer, in sickness and in health, till death do us part.” People seem to take those more as general guidelines than hard and fast rules. People get divorced over silly things now. He left the toilet seat up. She uses all the hot water so I can’t take a shower.  He doesn’t give me butterflies in my stomach anymore. She got a little chubby and there’s a girl at work who’s way hotter.

I dunno.  That’s just my complaint. Especially when kids are involved. Like I said, I wouldn’t tell someone to stay in a terrible relationship but on the other hand, don’t pass up someone who’d be good for you just because she’s not perfect because you’re waiting for Angelina Jolie to show up (or Brad Pitt as the case may be.)

I digress. The setup?  Linda Cardellini (Sarah) divorced her first husband, Dusty (Wahlberg), for a good reason – he just wanted to keep living a wild and crazy lifestyle instead of being there for his kids.

Enter Brad (Ferrell). Sarah and Brad get married and while Brad absolutely loves being a stepdad and all that comes with it (volunteering for field trips, helping out with school activities etc.) the kids won’t give him a chance because they miss their biological father, Dusty.

So bottomline. Dusty returns after being away. He wants his wife and kids back. Brad wants to keep them.  The kids won’t connect with Brad but he is like a perfect male homemaker, which makes Sarah happy.  Dusty, with his motorcycle and manliness and fun guy attitude is a hit with the kids, but no so much for Sarah, who doesn’t like being in the situation where she has to be the parent that doles out the rules while Dusty’s the fun guy.

The war is on with Brad vs. Dusty in a battle to win over the family’s hearts.  Hijinx, pranks, and backstabbings ensue.

As a comedy, its more sweet than funny. The takeaway for me came from Brad/Ferrell’s advice on being a Dad to Wahlberg/Dusty – “Being a good dad is about getting shit on.”

In other words, you want the best for your kids.  So you put up with a lot of crap.  You take them to visit their friends even though you might think the friends’ parents are jerks. You get roped into volunteering to do a lot of extra activities and other adults complain about the help you are providing – you’d like to quit because you don’t want to do it at all but you keep going because you love the kids.

Even your kids will say and do shitty things to you.  You can’t let it get you down or give up on them.  They’re kids and they don’t know any better.

And especially, when you’re a stepdad, there are times when the kids hit you one too many times with the “you’re not my real dad” line when you’re trying to get them to do the right thing…and you might feel like, screw it, let the kid be a jerk then but you just have to get back in the trenches and be a good dad anyway.

So as I said at the start, being divorced must really suck.  Sucks for the kids because they miss whichever parent isn’t there.  Sucks for the parent that’s not around as much because he/she misses everyone. Sucks for the new step parent because he/she might want to be a positive part of the kids’ lives but the kids naturally see the new step parent as a replacement of the other parent.

So I guess try not to get divorced but if you have to, try to be as mature as possible about the situation.  The kids aren’t really little monsters.  They just don’t understand.  Be like Brad.  Take their shit and keep being a good stepdad anyway.

 

By the way, I remember Linda Carellini as the teenage girl from Freaks and Geeks.  Why am I so old that she’s able to play a divorced and remarried mom now? And where the hell did all that time go?

STATUS: Not shelfworthy.  You wouldn’t want to rush out to see it but worth a rental.

 

 

 

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Movie Review – 13 Hours: The Secret Soldiers of Benghazi (2016)

War. Guns. Terrorists.

Do I really have to call “SPOILERS” on a movie about an event thats been in the news for years?

Probably.  There’s a lot more than what the news covered.

BQB here with a review of 13 Hours: The Secret Soldiers of Benghazi.

Hello 3.5 readers.

I’m just going to say it. I almost thought about not writing this review because I do my best to keep this blog non-political.  This blog is about books, writing, and my adventures as a magic bookshelf caretaker forced to launch a writing career in order to satisfy the whims of a maniacal alien overlord known as the Mighty Potentate.

All hail the Mighty Potentate.

But – it is a movie.  And it is a pretty good one.  And I do write movie reviews soo…here it goes.

However, before I begin, please remember that whether you’re a Democrat, or a Republican, or a member of some other party, please know that I still want you to like me and more importantly, I want you to spend lots and lots of money on the books I one day hope to put out whenever I get around to writing them.

Where to start?  The whole situation was a mess. After Qadaffi, the country’s dictator, was ousted, Libya descended into chaos (well, much more chaos than usual) with rival gangs vying for territory and control.

There were two U.S. locations in Benghazi involved – a State Department compound and a CIA site.

It became pretty clear that Libya was becoming so dangerous that U.S. personnel needed to either leave or more security forces had to be added.

Neither happened.  Instead, the government sent Ambassador Chris Stevens, a high level target for terrorists, to stay at the State Department compound.  According to the film, the U.S. government felt that the time was ripe for diplomacy with Libya (they’ll like us because we helped get rid of Qadaffi!) and that additional security would send an unfriendly message to the Libyans (because, you know, Libya is world renowned for its hospitality.)

Long story short, a group of CIA security contractors (John Krakinski from the Office and that guy who plays Pornstache on Orange is the New Black were the only actors I recognized) travel to the ambassador’s residence (when it is under attack) in an attempt to save Stevens.

SPOILER ALERT FOR PEOPLE WHO DON’T READ NEWSPAPERS OR WATCH CNN – Stevens dies when the ambassador’s residence is set on fire.  The CIA contractors manage to save Stevens’ security detail.

The group returns to the CIA location and whammo the terrorists start attacking there. The contractors spend a long ass night fighting off wave after wave of attackers.  Perhaps I didn’t pay as much attention to the press coverage as I should have, but I never realized just how intense and long that battle was, so props to the security forces for fending off the bad guys for so long.

By the end of it all the deceased included:

Ambassador Chris Stevens

Information Officer Sean Smith

CIA Operatives Glenn Doherty and Tyrone Woods

From the movie, its clear that there were many acts of bravery, these dudes taking on all kinds of heat from all sides all night and its something I certainly couldn’t have done.

Now here comes the hard part.

It is clear that were a lot of bad decision made by the powers that be.  And something I never realized from the news coverage – that CIA location had a whole helluvalot of people working there without much security.

A small security force fended off a much larger terrorist attack and saved the day but holy crap, had they not done so a lot of people would have been slaughtered.  Way too many people being protected by too few.

They should have either been allowed to clear out or been provided with additional manpower.  More help should have arrived sooner when the attack began.  Throughout the movie, theres help nearby that can be deployed, but all kinds of ridiculous, bureaucratic nonsense intervenes.

Is this opinion I’m about to say popular? Probably not.  But here it goes.  You, the public, were totally lied too.  Bad decision making let this whole mess happen and then the government tried to cover it up with some nonsense that it was a spontaneous protest over an anti-Islamic video that got out of control and could never have been predicted.

Sigh.  Yeah.  Protestors don’t have mortars.  Protestors don’t have training.  Protestors aren’t heavily armed with AKs and so on.

The government really should have just been straight with people and been like, “Yup.  We screwed up.  Here’s what we did wrong and here’s what we’ll do so it doesn’t happen again.”

Another issue the film raises that we didn’t hear much about in the media – a number of good Libyans did come to the security team’s aid.  Some fought along side with them in the attempt to rescue the ambassador.  Others provided them with information “i.e. don’t go that way there’s bad guys over there, etc.”  A Libyan interpreter who could have left at the start sticks with the team till the end.

And after the attack, over a hundred thousand Libyans held a demonstration to state they did not support the attack.

Soo…ok…the Middle East is a place of great turmoil, but it should be remembered that not everyone there is a total dick.

As for the election…Hilary did get up and make the statement, “What difference does it make?” i.e. was it an attack or was it a protest over videos.  I’m sorry.  It does make a difference. Government needs to be honest with people.

Does that mean Trump is any better?  No.  I have misgivings about a candidate who feels “schlonged” is acceptable vocabulary for the leader of the free world.

To break my non-political rule just this once, this may be the  election where South Park’s admonition that all elections come down between the choice between a douche or a turd sandwich is truer than ever.

Hell, it might be the first election where I don’t even vote.

But…you should vote for whoever you want and still feel welcome in my 3.5 readers club. And more importantly, you should a) not hate me for briefly dipping a toe into political waters for purposes of a movie review and b) more, more importantly, buy lots of copies of my future books that have yet to be written.

Finally, one issue the movie points out to take away from all of this.  There’s a tendency in the media to treat wartime security contracts like crap, like they’re evil cutthroat mercenaries or something but its obvious that they also do a lot of good and in this case, prevented a lot of people from being killed.

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Movie Review – The Revenant (2015)

The Old West. Beautiful landscapes. Bitter cold. Dangerous animals…

and men wearing various hollowed out animal carcasses as hats and coats.

BQB here with a view of the Oscar frontrunner, The Revenant.

Be forewarned there are SPOILERS ahead, so don’t come after me for revenge if you read on and the movie’s ruined for you.

You know, 3.5 readers, I’m not sure the average person grasps the concept of time.

To think, two hundred years ago, men were trudging through the frozen wilderness, fighting for their lives just to skin some beasts and sell their fur for a few measly bucks.

You’ve got it pretty good today in comparison now, don’t you?  Yeah. Think about that the next time you start yelling at Siri for giving one of her bullshit answers to your clearly pronounced question.

Our story begins with a band of fur traders.  Domhnall Gleeson plays their boss, Captain Andrew Henry.  Leonardo DiCaprio is the company’s scout, Hugh Glass and Tom Hardy? He’s Fitzgerald, the villainous douche of the film.

Tom may be stuck playing villainous douches forever because he plays them so well, just as he did with Batman’s Baine.  Oh wait, then again, he did play Mad Max, so I stand corrected.

I won’t spoil the details so….yadda yadda yadda…long story short, Glass has the ever loving shit mauled out of him by a bear, Fitzgerald, villainous douche that he is, leaves Glass behind and Glass hauls his horribly wounded body across the wilderness to seek his revenge.

There’s a bit more to it than that, but I don’t want to spoil it, even though I warned you about spoilers.

Great use of a CGI bear. I’ve had mixed feelings about CGI for awhile now.  It can provide amazing effects, or it can make a movie look cartoonish and silly, depending on how it was use.

Here, it was used in such a way that I really believed that a damn Grizzly bear was beating the shit out of a Hollywood leading man.

Great performances all around.  Hardy, as Fitzgerald, is a douche, but you’re also left with an understanding of how horrible the frontier was.  Would you have done the things that Fitzgerald did to survive or is there a limit to the depravity you’d take part in just to save your skin?  Fitzgerald didn’t have a limit and none of us will ever really know unless we’re put in a life or death situation.  Let’s hope we’re never put in one.

Domhnall Gleeson had a banner 2015. Ex Machina.  Brooklyn.  Shit, he’s even friggin General Hux in Star Wars.  And now The Revenant.  And before all this he was what?  Ronald Weasley’s brother in those Harry Potter movies???

Holy Crap, someone get me that guy’s agent.

Finally, let me just say as an avid movie buff, it’s been a pleasure to see Leonardo DiCaprio grow up on screen over the years.  He was the extra add on cute kid in the Growing Pains when all the other Seaver children started getting older.  Then he was Jack in Titanic.  Then his career could of gone anywhere but he put on some muscle, started getting movies like Blood Diamond and so on.

I think the best role he ever had was as Jordan Belfort in The Wolf of Wall Street.  That scene where he takes too many drugs and his body ends up like a pile of useless jello but he tries to move around at the same time…hilarious and horribly tragic at the same time.

He deserved an Oscar for that but that wasn’t his year.  Hopefully, this one will be.

I mean, not that his life is lacking or anything.  He probably sticks his head out the front door every morning and gets mauled by a hundred hot chicks but still.  He’s overdue for an award.

A thumbs up from BQB and consider seeing it on the big screen, just so you can get a full view of the mountains and scenery and nature and shit.

The movie itself is also worthy of winning Best Picture.  It’ll be great to see a deserving film take home the prize after that pile of crap Birdman walked away with it.

STATUS: Shelf worthy.

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RIP Alan Rickman

Sad day, 3.5 readers.

As you know, I’m a big Die Hard fan.  Every Christmas, I put it on while everyone else is watching It’s a Wonderful Life or some such nonsense.

Hans Gruber.  It was Rickman’s first role.  If you ask me, he could have stopped there and been on top had he wanted to.

The 1980’s gave us amazing action films.  Schwarzenegger. Stallone.  Big ass bad ass muscle dudes who could eviscerate 20 bad guys with a pinky finger.

Then late in the decade, Die Hard changed the game.  Bruce Willis as a New York cop who finds himself in the wrong place at the wrong time.

Sure, he’s a cop.  He’s collared some bad guys.  But your average cop isn’t prepared to take on a group of highly trained terrorists on his own, thus providing the Average Joes in the audience what it would be like to be stuck in a situation where everything is riding on them.

Arnie and Sly?  Awesome but not relatable.  Bruce?  Awesome AND relatable.

To top it all off, the villain.  Hans Gruber.  Rickman provided us with a memorable character.  A charming German gent, intelligent, sophisticated, you’d probably enjoy getting a beer with him and talking about world affairs if he hadn’t been a cunning murderer/criminal mastermind.

Gruber wasn’t the typical muscle bound martial arts trained baddie from the 1980’s.  His main weapon was his brain.

The part where he pretends to be an American, “Bill Clay.”  The part where he very calmly shoots Takagi in the head for a perceived lack of cooperation.  Gruber was in control of his emotions.  He didn’t do things out of rage or anger but rather, out of a carefully thought out plan.  There was money to be had.  He wanted it.  He went through whoever he needed to to get it.  You never got the sense that he enjoyed killing anyone but rather, that any resulting deaths were just losses in an overall business plan.

Maybe that’s why he was so scary.  Take emotion out of the picture and a bad guy is capable of anything and worse, there’s never a warning sign as to what’s about to come or what’s on his mind.

Yes, he was also Professor Snape.  Yes, he was also that funny vulcan caricature in that Star Trek parody movie whose name escapes me now.

But before all that, he was Gruber.  Hans Gruber.

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Movie Review – Ridiculous 6 (2015)

Times they are a changin’ and thus here I am with my first review of a movie released straight to Netflix.

They had these when I was a kid, 3.5 readers.  They were called straight to video and they almost always involved bad action.

Anyway, this one’s a Western comedy starring Adam Sandler and here’s the OBLIGATORY SPOILER WARNING.

You know kids, there was a time when hearing “Adam Sandler” meant a guarantee the movie was going to be hilarious.

These days, I’m a little torn on the “Adam Sandler sucks” argument.  I’m not sure if he, per se “sucks” or if the world has just changed a lot since his hey day in the 1990s and things people found funny back then aren’t what people find funny now.

After all, he’s never really deviated too far from the comedy formula that people used to love.

This one wasn’t his worst.

Sandler is sort of the straight man in this one.  He’s Tommy/White Knife.  Abandoned by his father (Frank Stockton played by Nick Nolte) and orphaned when his mother is gunned down, a young Tommy is taken in and raised by kindly Native Americans.  There, he becomes fast with a blade, earning him his second name.

Long story short, Frank comes to visit and we learn that he’s in trouble with some desperadoes.  He owes them $50,000.  They’re going to kill him if they don’t get it.

So our hero sets on a mission to rob only other bad people to raise the money and along the way, is joined by five men, each one, as it turns out, the product of Frank’s illicit affairs across the West.

I’ll let you watch and find out who the brothers are and who plays them.  Half the movie involves him meeting his brothers along the way.

I will say to my surprise, Taylor Lautner of Twilight fame steals the show as Lil’ Pete, the simpleton who was just on his way to the ice cream store when he ends up joining with Sandler.  He does a pretty great goofy voice which provides most of the laughs in the film.

There are a lot of cameos.  Steve Buscemi plays a barber who fixes every wound with a liberal dose of shaving cream.

Vanilla Ice plays Mark Twain, donning full Twain garb but still speaking like a rapper.  Seemed odd, though I wonder if the joke is that Twain was the rapper of his day, or rappers are the Twain of our day.  Either way, every generation has its share of writers pushing the envelope with their writing, though its done in different ways.

So let me put it this way.  Probably not one you want to trip over yourself to stream, but if you don’t have much else to do, it’s worth checking out.

 

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Star Wars Discussion – SPOILERS

A discussion of the next three Star Wars movies.  SPOILERS.

In the originals, now 4-6:

  • A NEW HOPE – Luke, a farm boy from a desert planet, comes across a droid with sensitive information.  This leads him on an adventure in which he realizes that the Force is strong with him.
  • THE EMPIRE STRIKES BACK – Luke has power but needs a trainer. He seeks Yoda, who trains him.
  • RETURN OF THE JEDI – Luke comes into his own as a Jedi and becomes the badass he was always meant to be.

THE NEW MOVIES  – SPOILERS!!!

  • THE FORCE AWAKENS – Rey, a scavenger from a desert world, comes across a droid with sensitive information, leading her on an adventure in which she realizes the Force is strong with her.  It ends with her meeting Luke Skywalker.

THIS LEADS ME TO PREDICT…

  • EPISODE 8 – Luke will train Rey as Yoda trained him in Empire.
  • EPISODE 9 – Rey will be the ultimate, fully confident badass Jedi in the final film that Luke was in Return.

In other words, Force Awakens kind of rehashed A New Hope and I theorize the next two will mirror Empire and Return of the Jedi.

Discuss.

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