Tag Archives: literature

“To a Lady Who Said It Was Sinful to Read Novels” – Christian Milne

Just a quick post today.  The gist?  Reading a novel isn’t a waste of time, because more than likely, the reader would just do something more ill-advised anyway:

TO A LADY WHO SAID IT WAS SINFUL TO READ NOVELS

BY:  CHRISTIAN MILNE

To love these books, and harmless tea,
Has always been my foible,
Yet will I ne’er forgetful be
To read my Psalms and Bible.

Travels I like, and history too,
Or entertaining fiction;
Novels and plays I’d have a few,
If sense and proper diction.

I love a natural harmless song,
But I cannot sing like Handel;
Deprived of such resource, the tongue
Is sure employed — in scandal.

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The Alchemist – Literary Quote

“When you want something, all the world conspires in helping you achieve it.”

– Paulo Coelho, The Alchemist

Have you ever read, The Alchemist?  Considered Paulo Coelho’s seminal work, it is basically a guidebook for following one’s dreams.  The protagonist, Santiago, is a mere shepherd, who after dreaming about treasure buried near Egyptian pyramids, goes off an adventure to find it, or in other words, to make his dream come true.  The story isn’t so much about the treasure as it is about the journey of progressing toward dream fulfillment, and how people often abandon their dream in the name of comfort and stability.

What do you think about this quote?  When you want something, does the whole world “conspire” to help you achieve it?  Coelho talks about “omens” or signs – little slights of hand provided by the universe that we might miss if we aren’t looking, opportunities that present themselves to help us on our way toward our dreams, and thus, this is how the universe “conspires” to help us.

Personally, there are times when I feel like the universe is conspiring against all of my dreams, but that’s just the opinion of one lowly cynic.  What about you?

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Literary War Quote – 1984 by George Orwell

Bookshelf Battler here, reporting live from the Call of Duty: Advanced Warfare battlefront.  I have to hand it to this game.  Such ultimate realism – the sights, the sounds, the blasts, the getting shot twenty times and then hiding behind a corner until you get better – ok, so maybe the realism factor isn’t all that high but still it is an all around A+ game.

This week I’m celebrating this game with a tie-in to literary war quotes – mentions in literature about that most necessary (or unnecessary?) of all evils – war.  War.  Ungh.  Goo God yah huh – what’s it even good for?  Absolutely nothin.’

In 1984, (the book, not the year that happened thirty years ago – hey what do you know, Happy Anniversary 1984!) by George Orwell, a vivid portrait the ultimate police state is created, so much so that the novel gave rise to the phrase, “Big Brother is watching you.”

What did this book have to say about violence – as in organized violence ,or in other words, war?  Check it out:

“Those who abjure violence can only do so by others committing violence on their behalf.”  – George Orwell, 1984

Don’t be fooled by the catchy use of the word, “Battle” in the title of this blog.  I’m all for peace, happiness, and tranquility.  But George makes a good point.  Constant threats abound – both from criminal degenerates at home and terrorists abroad.  We are able to sit around and type on our blogs, drink our Mountain Dew, and play our video games because “rough men,” i.e. police and soldiers are taking up arms on our behalf and keeping the bad guys at bay.  Here’s what else George had to say on the subject:

“People sleep peacefully in their beds only because rough men stand ready to do violence on their behalf.”  – George Orwell, 1984

My opinion, police and military types often get a bad rap.  They’re often portrayed in pop culture  as savages, jerks, people on a power trip who just enjoy committing acts of violence and while I suppose there will always be a few bad apples in any bunch, we have to be honest with ourselves and realize that we are able to live peaceful lives because the government employs “rough men” (and hey – even “rough women!” to fight on our behalf.

This concept was further immortalized in the 1992 military courtroom drama film, A Few Good Men.  Remember the character Col. Nathan Jessup played by Jack Nicholson?  Here’s the direct quote of his infamous “You Can’t Handle the Truth!” speech:

“Son, we live in a world that has walls, and those walls have to be guarded by men with guns.  Who’s gonna do it?  You?  You, Lt. Weinburg?  I have a greater responsibility than you could possibly fathom.  You weep for Santiago and you curse the Marines.  You have that luxury.  You have the luxury of not knowing what I know – that Santiago’s death, while tragic, probably saved lives.  And my existence, while grotesque and incomprehensible to you, saves lives.  You don’t want the truth because deep down in places you don’t talk about at parties, you want me on that wall, you need me on that wall.  We use words like honor, code, loyalty.  We used these words as the backbone of a life spent defending something.  You use them as a punchline.  I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide and then questions the manner in which I provide it.  I would rather you just said thank you, and went on your way.  Otherwise, I suggest you pick up a weapon and stand a post.  Either way, I don’t give a damn what you think you are entitled to.”  – Jack Nicholson as Col. Nathan Jessup in A Few Good Men

Well, maybe this is not the best example since Jessup was the bad guy in the film but overall, the main point – if you feel the need to criticize police and the military for being “rough men,” try to also keep in mind that their “roughness” is very much needed.

And don’t forget – my Call of Duty character will be exploded 50 times tonight by frag grenades, many of which I tossed accidentally at my own feet, so that you can play peaceful video games like Mario Kart and Minecraft.

Full disclosure – I have to give props to NBC’s The Blacklist because Raymond “Red” Reddington used Orwell’s quote in this week’s episode.  When I heard it, I was like, “Thank you, James Spader!  There’s a blog post!”

In conclusion – don’t forget to subscribe to this blog and follow @bookshelfbattle.com on Twitter.

And if you’re a Walking Dead fan – stop by Sunday night to discuss the latest episode!  What is Carol going to do as a patient at the evil hospital, anyway?

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Literary War Quotes

In honor of my latest obsession with Call of Duty, I’ve decided that this week will be a week of literary war quotes.  Throughout the week on bookshelfbattle.com there will be quotes from books, characters, and authors and each will provide a different perspective of war.

Here’s today’s quote:

“A small but noteworthy note. I’ve seen so many young men over the years who think they’re running at other young men. They are not. They are running at me.” – Death, the Narrator of The Book Thief by Markus Zusak.

Have you ever read The Book Thief?  I haven’t but have seen the film and enjoyed it.  The use of Death as the narrator was an original, unconventional idea that worked.  It was set during World War II, which was, after all, a very busy time for the Grim Reaper.  Essentially, what the author is trying to convey here is that soldiers often think they are going up against the opposing army but ultimately, they’re engaged in an activity that is just going to bring death upon them way too soon.

To state the obvious, war sucks.  This will be a constant theme of the literary war quotes we will explore.

Tune in tomorrow folks.  Same Bat Time.  Same Bat Channel.

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Double Double Toil and Trouble – The Witches of MacBeth

Happy Halloween!

Have you ever wondered how witches obtained their witchy personality traits?

***Crickets chirp***

Ahem.  This is your cue.

“Hey!  Bookshelf Battle Guy!  How did witches obtain their witchy personality traits?”

Oh thank you, Reader.  I thought you’d never ask.

Well, the common conception of a witch is a nasty old hag throwing all kinds of weird ingredients (usually animals or parts of animals) into a boiling cauldron.

We could discuss all day witch-tastic imagery from all sorts of literature but to me, Act 4, Scene 1 of William Shakespeare’s Macbeth stands out.

So park your broomstick and grab your eye of newt, because here are some excerpts and quotes:

SCENE 1 – A cavern – in the middle is a boiling cauldron.

Thunder.  Enter the three witches.

FIRST WITCH

Thrice the brinded cat hath mew’d

SECOND WITCH

Thrice and once the hedge-pig whined

BOOKSHELFBATTLE – So, four then?  The pig in your hedges whined four times?  Why are you hags making this so difficult?

THIRD WITCH

Harpier cries, ‘Tis time, ’tis time.

FIRST WITCH

Round about the cauldron go;

In the poison’d entrails throw.

Toad, that under cold stone

Days and nights has thirty-one

Swelter’d venom, sleeping got,

Boil thou first i’ the charmed pot

BOOKSHELF BATTLE GUY: Pot of poisoned entrails?  That doesn’t sound charming at all.

ALL

Double, double toil and trouble;

Fire burn and cauldron bubble!

SECOND WITCH

Fillet of a fenny snake,

In the cauldron boil and bake;

Eye of newt and toe of frog

Wool of bat and tongue of dog

Adder’s fork and blind-worm’s sting,

Lizard’s leg and owlet’s wing

For a charm of powerful trouble,

Like a hell-broth boil and bubble.

BOOKSHELFBATTLE GUY – My condolences, amputated animals.  Apparently witches used to think your parts were magical.

ALL

Double, double toil and trouble

THIRD WITCH

Scale of dragon, tooth of wolf,

Witches’ mummy, maw and gulf

Of the ravin’d salt-sea shark,

Root of hemlock digg’d i’ the dark,

Liver of blaspheming Jew,

Gall of goat, and slips of yew

Silver’d in the moon’s eclips,

Nose of Turk and Tartar’s lips

Finger of birth-strangled babe

Ditch-deliver’d by a drab,

Make the gruel thick and slab:

Add thereto a tiger’s chaudron

For the ingredients of our cauldron.

BOOKSHELF BATTLE GUY – OK, now they’re getting ridiculous.  I don’t even know where to begin.  First of all, allow me to apologize for the racial insensitivity.  What can I say?  This is an excerpt taking from a 1500’s era writer who was writing about ancient witches so it is not like you can really expect a lot of political correctness.  Also, how many babies were getting strangled in those days that their fingers were just apparently readily available to be tossed into witches’ brews?  Those were dark times, my friends, dark times indeed.

ALL

Double, double toil and trouble;

Fire burn and cauldron bubble.

SECOND WITCH

Cool it with a baboon’s blood,

Then the charm is firm and good.

BOOKSHELFBATTLE GUY: – This took place in Scotland, didn’t it?   Where would they have even found a baboon?

ENTER HECTATE to the other three Witches.

HECTATE

O well done!  I commend your pains;

And every one shall share i’ the gains;

And now about the cauldron sing,

Live elves and fairies in a ring,

Enchanting all that you put in.

MUSIC AND A SONG: Black spirits…

HECTATE retires

SECOND WITCH

By the pricking of my thumbs,

Something wicked this way comes.

Open, locks,

Whoever knocks!

ENTER MACBETH

MACBETH

How now, you secret, black and midnight hags!

What is’t you do?

BOOKSHELF BATTLE GUY:  I have no comment, other than I think it is funny that MacBeth openly refers to them as hags.  “Hello, hags!”

Well folks, that concludes my discussion of MacBeth’s witches.  Grab your wolf teeth and dragon scales and toss them into the comment section.

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Public Domain Horror Fiction – The War of the Worlds by H.G. Wells

Aliens!  Spaceships!  Intergalactic travel!  The most unbelievable part?  For me, it is that this novel was first published in 1898, a time of virtually little to none technology at all (at least compared to today’s standards) and yet the author was able to envision beings from outer space utilizing technology to attack Earth.

Thankfully, it still hasn’t happened, but it just amazes me that a person who grew up in a time of the horse and buggy could have had such a vivid imagination.

Check out Project Gutenberg’s free copy:

https://www.gutenberg.org/ebooks/36

“No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water.”  – H.H. Wells, The War of the Worlds

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Public Domain Horror Fiction – The Legend of Sleepy Hollow

When I first heard that FOX was going to put out a Sleepy Hollow TV show, I naturally assumed this would be yet another example of Hollywood hacks scraping the bottom of the barrel to bring us yet another overdone idea rather than go to drawing board and come up with something fresh and original.

I was wrong.  They came up with a fantastic spin on an old legend and I must admit it is one of those shows I now look forward to watching every week.  I particularly enjoy Ichabod’s observations of the modern world around him.

But before it was on FOX, or a Tim Burton movie (which was also excellent), it was a tale written by Washington Irving.

And like the Horseman’s knogan, Mr. Irving’s copyright protections are equally non-existent.

Thanks again Project Gutenberg for preserving classic stories like this one for the ages.

Check it out:

https://www.gutenberg.org/ebooks/41

“I profess not to know how women’s hearts are wooed and won. To me they have always been matters of riddle and admiration. Some seem to have but one vulnerable point, or door of access; while others have a thousand avenues, and may be captured in a thousand different ways. It is a great triumph of skill to gain the former, but a still greater proof of generalship to maintain possession of the latter, for a man must battle for his fortress at every door and window. He who wins a thousand common hearts, is therefore entitled to some renown; but he who keeps undisputed sway over the heart of a coquette, is indeed a hero.” – Washington Irving,  The Legend of Sleepy Hollow

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Public Domain Horror Fiction – Hound of the Baskervilles

In case you didn’t hear, Sherlock Holmes is now in the public domain!

So if you are reading along with bookshelfbattle.com ‘s Halloween Literary Extravaganza, then head on over to Project Gutenberg and check out one of the scarier mysteries in Sherlock Holmes’ Case files.

A link to The Hound of the Baskervilles (Sherlock Holmes)  by Sir Arthur Conan Doyle:

https://www.gutenberg.org/ebooks/2852

“Now is the dramatic moment of fate, Watson, when you hear a step upon the stair which is walking into your life, and you know not whether for good or ill.” – Sherlock Holmes

An astute quote as it can not only be applied to the instant situation that Holmes and Watson found themselves in the middle of, but also to a variety of occasions that happen in life.  Change happens and we rarely know ahead of time whether or not said change will be for the better or worse until after it has already happened.

Happy Reading!

 

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Masque of the Red Death and Today’s Ebola Crisis

In case you missed it, check out my post (just one post above) of the Full Text of Edgar Allen Poe’s 1842 short story, The Masque of the Red Death.

Go on.  Read it.  It isn’t that long.  Seriously, what are you going to miss if you turn off the TV for a minute?  The Kardashians and Honey Boo Boo?

SUMMARY

The population of a fictional country has been decimated by a plague called, “The Red Death,” so-named because it causes its victims to bleed out of their pores and all over their faces before they bite the big one.  The aptly named Prince Prospero (Poe’s subtle hint to let you know the dude is lousy with cash, i.e. he’s very “prosperous”) could use his resources to help his countrymen, but instead, decides to protect himself and his friends by walling off his castle so as to keep out the infected riff-raff.  Inside, the wealthy aristocrats spend half-a-year having fun and being entertained by various performers.

Prince Prospero throws a masquerade party.  He holds it in an area of his home that has a winding pathway that takes visitors through several rooms, each decorated in various shades of colors, starting with lighter tones until the end, which is all black with scarlet red windows.  Notice that like the passing of a day, lighter colors are found in the beginning, while the colors get darker as the end of the path through the rooms approaches, all the way till black at the end, and like the eternal night that comes with death, everyone is afraid of the black room.

During the festivities, a spooky clock in the black room is so loud every time it causes all of the guests to cease their amusement every time it chimes the hour.

All are having a grand ole time until an uninvited guest arrives.  This individual costume’s is that of a sufferer of the Red Death.  He wears a funeral shroud for his clothing and a mask that appears to be a dead man’s face covered with blood, similar to the deceased victims of the disease.

Prospero and guests are outraged that someone would ruin their good time by providing a ghastly reminder of the Red Death that they are trying to avoid thinking about.  In the black room, Prospero confronts the individual but dies from the disease.  The party goers, once too scared to go into the black room, become resolute upon the death of their leader and charge into the black room.  They unmask the party crasher only to find that there’s no one underneath the mask.  They then all contract the Red Death and die immediately.

ANALYSIS

So, in other words, a group of rich people have fun and are punished for their neglect of the disease ridden masses by contracting the disease they thought they could avoid by walling themselves off in a castle under the assumption that doing so would immunize them from harm.  Poe, the author, if you’ve read his other works, has a death fixation.  Whether it is this story or The Raven’s chirp to the narrator of “Nevermore!” his works serve as a reminder that try as they might, everyone sooner or later faces death.  Prospero and his band of aristocrats were foolish to think they could avoid a plague in their backyard.  At the end of the day, they’re still human and their money and power was not enough to save them.  Had they thought of their countrymen, perhaps they could have slowed the disease and perhaps saved the day.  Instead, they were selfish and died.

Well, given today’s news headlines, kind of makes you think, doesn’t it?  Ebola is tearing through West Africa with thousands of deaths already.  Occasionally, there is a case or two in America and it causes a mass panic and fear that a plague might be headed this way.

The average American is far removed from this mess – sitting in an easy chair and watching TV, enjoying all the comforts of life, taking for granted medical care and sanitation services (i.e. indoor plumbing, clean water and trash pickup – things that are lacking in third world countries that often lead to rampant disease).  I can’t really argue that Americans are as obtuse to the situation as Prospero’s compatriots were.  Like Cicero, who played his violin while Rome burned, Prospero’s aristocrats party hard while completely ignoring the situation.  Meanwhile, today Americans are constantly bombarded with reminders of the Ebola problem by the media.  Many of us feel bad for the people of West Africa though there is not a lot we can do as individuals.  And the occasional outbreak within America causes much panic, so it cannot be said that our society is completely oblivious to the situation.

That being said, I’ve always been a critic of the UN.  The UN is an organization that was built in the wake of World War II, founded on the principle that like minded countries were going to get together and say ‘Never Again!” in the face of atrocities such as those that occurred thanks to the Nazis.  Yet, the UN does nothing about ISIS, Boko Haram, they did nothing about Rwanda, etc.  Understandably, no one wants to go to war, especially a war weary America that has just spent the last ten years fighting, so the result is many world atrocities are ignored.

But here is a chance for the civilized world to help the third world that does not require involvement in a war.  America has sent troops to help West Africa contain the Ebola outbreak.  Other countries have pitched in.   World organizations like the UN need to help third world nations build up their health care and sanitation infrastructures.  A few people in America get Ebola and it is contained due to our modern hospitals.  A few people in the third world get Ebola and it spreads like wild fire because they lack the basic facilities required to combat the disease.

And the leaders of those countries are not completely blameless.  Schools, roads, hospitals, sanitation – these are the basic services that any government should provide and if they are not providing them then they aren’t doing their jobs.

We could throw up our hands, shrug our shoulders, and say “Not our problem” but then we’d be like Prospero because, sure, Ebola is one of those problems that is “over there” and we don’t need to worry about things that happen “over there” but left unchecked and allowed to spread throughout the third world, a virus like Ebola could eventually grow so out of control that it could make its way to the civilized world with a vengeance and be impossible to stop.

So let’s not be a bunch of Prosperos, locking ourselves up in our castle while fools entertain us while there is a problem “for those people” that could one day become a problem for us.

Thanks for stopping by, fellow book enthusiasts.  Remember bookshelfbattle.com ‘s celebration of Halloween Literature is a month long event, with daily posts, so check back tomorrow.  And I’m always tweeting away on Twitter, mostly about literature, but often about pop culture in general.  Follow me @bookshelfbattle and check out my hashtag – #tweettheraven where I prove my nerdyness to the world by tweeting Poe’s infamous poem throughout the month.

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Text of “The Tell-Tale Heart” by Edgar Allan Poe

Not to make this a Poe-fest, but he was the Father of American Gothic Horror, after all.  Bookshelfbattle.com ‘s Halloween festivities continue with the full text of The Tell-Tale Heart by Edgar Allen Poe in its entirety:

THE TELL-TALE HEART

BY: EDGAR ALLAN POE

1843 

TRUE! –nervous –very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses –not destroyed –not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily –how calmly I can tell you the whole story.

It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture –a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees –very gradually –I made up my mind to take the life of the old man, and thus rid myself of the eye forever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded –with what caution –with what foresight –with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it –oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly –very, very slowly, so that I might not disturb the old man’s sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! would a madman have been so wise as this, And then, when my head was well in the room, I undid the lantern cautiously-oh, so cautiously –cautiously (for the hinges creaked) –I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights –every night just at midnight –but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch’s minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers –of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew back –but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out –“Who’s there?”

I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed listening; –just as I have done, night after night, hearkening to the death watches in the wall.

Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief –oh, no! –it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise, when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself –“It is nothing but the wind in the chimney –it is only a mouse crossing the floor,” or “It is merely a cricket which has made a single chirp.” Yes, he had been trying to comfort himself with these suppositions: but he had found all in vain. All in vain; because Death, in approaching him had stalked with his black shadow before him, and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel –although he neither saw nor heard –to feel the presence of my head within the room.

When I had waited a long time, very patiently, without hearing him lie down, I resolved to open a little –a very, very little crevice in the lantern. So I opened it –you cannot imagine how stealthily, stealthily –until, at length a simple dim ray, like the thread of the spider, shot from out the crevice and fell full upon the vulture eye.

It was open –wide, wide open –and I grew furious as I gazed upon it. I saw it with perfect distinctness –all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man’s face or person: for I had directed the ray as if by instinct, precisely upon the damned spot.

And have I not told you that what you mistake for madness is but over-acuteness of the sense? –now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the old man’s heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.

But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eve. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder every instant. The old man’s terror must have been extreme! It grew louder, I say, louder every moment! –do you mark me well I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me –the sound would be heard by a neighbour! The old man’s hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once –once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eve would trouble me no more.

If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs.

I then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye –not even his –could have detected any thing wrong. There was nothing to wash out –no stain of any kind –no blood-spot whatever. I had been too wary for that. A tub had caught all –ha! ha!

When I had made an end of these labors, it was four o’clock –still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, –for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbour during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.

I smiled, –for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search –search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.

The officers were satisfied. My manner had convinced them. I was singularly at ease. They sat, and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears: but still they sat and still chatted. The ringing became more distinct: –It continued and became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definiteness –until, at length, I found that the noise was not within my ears.

No doubt I now grew very pale; –but I talked more fluently, and with a heightened voice. Yet the sound increased –and what could I do? It was a low, dull, quick sound –much such a sound as a watch makes when enveloped in cotton. I gasped for breath –and yet the officers heard it not. I talked more quickly –more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men –but the noise steadily increased. Oh God! what could I do? I foamed –I raved –I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder –louder –louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God! –no, no! They heard! –they suspected! –they knew! –they were making a mockery of my horror!-this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! and now –again! –hark! louder! louder! louder! louder!

“Villains!” I shrieked, “dissemble no more! I admit the deed! –tear up the planks! here, here! –It is the beating of his hideous heart!”

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