Monthly Archives: March 2018

#FridaysWithBQB – Interview #6- Sydney Everson – Young Adult Novels, Children’s Books and Sweet Romance

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Author Website

Hey 3.5 readers. Your old pal Bookshelf Q. Battler here. Today’s guest on #FridayswithBQB is Sydney Everson, a writer of children’s books, young adult novels and sweet romance. She’s also a recovering lawyer who ditched the old rat race to focus on the more important things of life, namely, raising her son and concentrating on writing.

Seriously, readers. Take your elbows off the tables and suck in your guts, there’s a respectable lady present.

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QUESTION #1 – Sydney, welcome to my blog. My apologies. It’s a mess around here. I’d pick up, but honestly, I don’t want to. You seem too good of a person, much better than the usual pack of vagrants who hang out around here, so I’ll try to get you on your way as quickly as possible.

We first virtually met on Twitter when we had a quick little chat about concentrating on one writing topic. I don’t recall what exactly was said, but generally, we were talking about how it’s not the best idea to deviate from one idea to another. A certain amount of stick-to-itiveness is required to get the job done, even when you’ve been working on an idea a long time and feel the need for a break.  It may seem satisfying to scratch that itch of a new project, but you’ll never get your old project done if you do.

You’ve completed several projects. What keeps you sticking to it?

ANSWER – I know the temptation well – you’re working on your baby, this book idea you’ve fully developed and thrown yourself into writing, but now you’re editing, you’re on draft two or three, and it’s starting to become a slog. Out of the blue, a bright, shiny new idea comes along to tempt you. It’s so fresh and exciting and you want to start on it right away. For me, I know if I chase the “shiny” I’ll never come back and finish the current project, I just won’t have the motivation anymore. But I do want to keep this nascent, fragile spark of an idea alive for when I can work on it, so I make notes. I start a new file where I jot down the ideas that come to me for the next book – plot, scenes, characters, anything that comes to mind, I jot it down and save it. Meanwhile, I keep plugging away at the current project and when it’s done, I’m ready to start on the “shiny” and already have some headway made.

QUESTION #2 – On your website, you mention you’re a member of a writer’s group in your community. Personally, I despise most people and prefer to live the life of a hermit rather than converse or share my thoughts and/or feelings with anyone. Also, I just feel I am a genius who is so intelligent that people with lesser brains could never possibly tell me anything I don’t already know, and I say that with all humility.

But, for all the normals out there, would you recommend joining a writer’s group as a means to share ideas, get feedback, stay motivated, that sort of thing?

ANSWER – Absolutely, but it may take a bit of “shopping around” to find one that’s the right fit for you. If you go to one and aren’t feeling it, don’t force yourself to keep going, but don’t give up either. Try to find another, or start your own! I’ve been to meetings of a few where I knew those just weren’t for me. Whether it was the writers’ personalities, differing goals, or even just different ideas about what the group’s purpose was, they weren’t a fit, but I’m currently in two that I love. In one group, the writers have become very good friends and are a wonderful source of support and advice. The other is a critique group which I find very helpful. Sometimes the advice is good, and sometimes it’s not, but the main thing is, by writing for it once a month, I’m forcing myself to step out of my current project for just a moment and knock out something short, quick, and creative. I find that really helps reset me sometimes and get the creative juices flowing again, especially when I’m in editing mode on one of my projects. So I guess the short answer is yes, they can help you stay creative and they can support an author’s journey to publication, but you have to find the right group for you and your goals.

QUESTION #3 – Let’s talk about young adult fiction. I don’t care for that genre myself. I mean, seriously, all these kids running around with zero life experience yet somehow they manage to save the day in the end, while leaving time for blossoming romance? Seems unrealistic to me as these kids aren’t worried about paying mortgages or credit card bills or finding the cheapest yet most effective brand of hemorrhoid medication. Don’t even get me started on what it takes to get a good life insurance policy these days.

Oh, wait a minute. I think I figured out why I don’t like young adult fiction. It’s because I’m an old adult and after a lifetime of seeing every dream I ever had flushed down the crapper, the idea of a happy ending seems like fiction to me.

You seem like a better adult than I am but still, is it hard for an adult to turn off that “adult” switch in order to put him or herself into the shoes of young characters? How do you do it?

ANSWER – I think there are a number of reasons adults enjoy young adult literature, both reading and writing it. The themes in YA lit are often ones we “adults” still struggle with, like figuring ourselves out and why we’re here, what we’re meant to be doing with our lives. I’m [censored]-ty years old and yet in some ways, I’m still trying to figure out what I want to be when I grow up. Even as adults, we’re not stagnant. We change, adapt, and evolve based on our experiences and the people we meet in life. The heroes and heroines of YA lit are doing the same. The things they struggle with are not exclusive to teenagers – acceptance of self and others, expressions of our individuality, issues with our families or friends, how we handle crises, etc. Those aren’t just kids’ issues, adults wrestle with them too.

Also, I think there’s an element to youth we as adults want to experience again through literature, and that is this sense of possibility. Do you remember getting in a car with your friends when you were seventeen or eighteen years old on a weekend evening and feeling like literally anything was possible –adventure, love, who knows what, but the whole world was out there and anything could happen? It’s an amazing feeling and one adults get to relive through books. Let’s face it, at my age, if I go out for an evening my friends, I know will have a glass of wine, be home in sweats by 9:30, and wake up tomorrow with a wine hangover from that one glass of chardonnay. Through YA lit, I get to relive that magical sense of open-ended possibility.

BQB EDITORIAL NOTE: I prefer to eat a bag of Chips Ahoy alone while watching old re-runs of “The Golden Girls.”  Blanche is such a card.  I’d invite friends over but then I’d have to share my cookies and I don’t want to.  I’m at an age where I value cookies over friends.  Also, I have no friends.

QUESTION #4 – You also write children’s picture books. What advice do you have for a writer who wants to get into that genre?

ANSWER – This is one I’m still trying to figure out. A lot of people think knocking out a quick picture book is easy because it’s so short, but it’s actually incredibly difficult. You have to get an entire story across in very few words and do so with heart, humor, whimsy, and, oh yeah, you might need to write the whole thing in verse. That’s insane. I’d suggest doing some research first. Publishers create picture books in fairly rigid formats, so your words and pictures may need to fit a predesigned layout of, for example, thirty-two pages. It’s a good idea to create a “dummy” layout and see how your wording fits.

QUESTION #5 – Suppose you want to write a children’s book but you have zero artistic skill. You’ve got the words planned out, but how do you go about getting the artwork? Collaborate with a designer? Are there resources out there for writers who need some illustrations for their picture books?

ANSWER – Many picture book publishers want to have the flexibility to choose the illustrator to go with the manuscript they like, so I’d say if you aren’t an author-illustrator, which I’m definitely not, you probably don’t need to worry about finding an illustrator and pairing up before you submit to a publisher as the publisher may want to choose their own illustrator. If you do want to team up with an illustrator though, a great place to start is the Society of Children’s Books Writers and Illustrators (SCBWI). They are a wonderful resource.

QUESTION #6, Part 1 – I’m toying with the idea of writing a children’s picture book called “Get a Job and Stop Being a Terrible Financial Burden on Your Parents.”

Page 1 = Mommy and Daddy fighting over bills.
Page 2 = Kid gets a job as a bus station janitor.
Page 3 = Kid gets a job as a short order fry cook.
Page 4 = Kid gets a job as a bus driver. How he got a license I don’t know.
Page 5 = Kid gives his hard earned money to his parents who don’t have to worry about bills anymore.

The End.

Do you think I’d make a mint with that book or should I not quit my day job

ANSWER – Haha, sounds good to me! You never know what will find the right market and appeal to people. I mean, Adam Mansbach and Ricardo Cortés’s book, “Go the F*** to Sleep” was a huge hit, so who knows?

QUESTION 6, Part 2 – OK. There was actually a method to my above madness. You probably have to have a special source of optimism to be a children’s book writer, right? I assume you have to think positive thoughts and bottle up joy and happiness and distill that onto the page? Cynical schmucks like me shouldn’t apply, but how do you do it? How do you beam so much positive reinforcement out there into the world?

ANSWER – I’m a big fan of escapism. The real world can be a hard, depressing, difficult place to live sometimes, in fact, rather often, so escaping into a book either through writing or reading, is a wonderful thing. I love creating worlds people can escape into and feel love and joy, and while there’s usually some peril, I always deliver a happy ending. We don’t get enough of those in real life.

QUESTION #7 – Let’s talk about your foray into the genre of sweet romance. Personally, I’ve never experienced a romance that didn’t end with a woman spending zero amount of her time with me while she spends one hundred percent of her time with fifty-percent of my stuff. I should have hired you to be my lawyer. You could have talked those women down to forty-five percent of my stuff easy.

But I digress. For those of us who are romantically challenged, please explain what the sweet romance genre is. Bonus points if you tell us what inspired you to get into it as a writer.

ANSWER – Sounds like you may need a little of that escapism into a sweet romance too! Sweet romance is basically just a love story without things getting steamy. (Don’t get me wrong, there’s nothing wrong with steamy, I have several good friends that write awesome love stories with plenty of heat). For me though, sweet romance is kind of like the Disney version of love stories, where in the end, the characters realize they are in love and seal it with a kiss. I think the fun is in the falling. I love stories that bring characters close, but then pull them apart until they finally come together in the end. I jotted down ideas for romances for a while, but never wrote them out until I learned that Hallmark was starting to publish sweet romances in the vein of their Hallmark Channel movies. I’m a not-so-closeted addict of Hallmark Channel’s movies so I decided I had to give it a try! Whether ultimately Hallmark likes my sweet romance manuscripts, or another publisher does, or I self-publish remains to be seen, but I definitely enjoy writing them.

QUESTION #8 – I notice on your website you mention you are querying many of your projects. How’s that process going and what advice do you have for anyone out there trying to do the same?

AMAZON – Well, the website implies I’m continuously querying when really it’s more in fits and starts unfortunately. I tend to finish a project, send out a handful of queries, and then follow that “shiny” I talked about earlier. In my eagerness to work on the next project, I tend to neglect querying a bit so if I give advice here, it’ll be something I need to learn to take myself. Writing is so much more than writing, it’s plotting, outlining, editing, querying or self-publishing, and marketing and every author knows how difficult it is to find time for all of that.

Nevertheless, it’s important to make time to get your work out there if you want to be traditionally published. No one’s going to publish your book if you don’t ask. So ask, and keep asking. Rejections are a part of the process. I would be shocked if there is any published author out there who hasn’t been rejected at least once, most get rejected many times. But it just takes one – one agent or editor who believes in your story and will champion it so that it gets into readers’ hands. I’d recommend researching successful query letters, find a format that works for you, and research agents, making sure they are a good fit for your story. Manuscript Wish List is a great site for finding agents who are looking for books like yours. Then keep at it! (I’m talking to myself here too).

QUESTION #9 – Have you ever thought about self-publishing? Ever since I made a whopping 12 cents off of a book I self-published, I have become a self-appointed ambassador for the self-publishing industry, trying turn as many converts as I can. Come on over, the water’s fine and Jeff Bezos is passing out entire cents like candy! “One of us! One of us! Gooble, gobble, one of us!”

AMAZON – Definitely. I have quite a few author friends in the self-publishing world. I’m watching what they do very closely to try to learn what works and what doesn’t as far as marketing. My goal right now is traditional publishing, but self-publishing offers a lot of perks so I am definitely not ruling that option out.

BQB EDITORIAL NOTE: Since conducting this interview, I made another staggering, astounding, earth shattering 35 cents!  So many cents!

QUESTION #10 – Sadly, every author who submits to an interview on this poor excuse for a blog must explain how he/she would escape a scenario of doom using three unlikely items. Don’t worry, one day you’ll have an entourage who will keep you away from such nonsense. Until then, here’s your scenario:

You’re riding a train to wine country because, who wouldn’t? Wine country is fabulous this time of year. Suddenly, the lights flicker off. When they’re turned back on, you learn that everyone who had been sitting in your general vicinity was a werewolf the entire time, and they’re looking at you like you’re a fresh bowl of kibble.

You reach under your seat, hoping to find a weapon but alas, you find a) a half-full can of spray-on silly string b) a rolled up poster featuring the grim visage of Vegas crooner Wayne Newton and c) a tin of Altoid mints.

How will you use these items to extract yourself from this fury feeding frenzy?

ANSWER – I’m on a train full of wine-loving party animals headed to wine county. This isn’t as dire as it may seem. First, I’ve been noticing two of the passengers, now revealed to be werewolves, eyeing each other throughout the trip so far, so I give the mints to one and suggest he make his move. I do enjoy a good love story after all. That takes care of two of them. Then I spray silly string on my jaw like mutton chops and hold up the Wayne Newton poster to indicate that I’m clearly one of them. I mean, with those sideburns, was there really ever any doubt about Wayne? They’re warming up to me, but not yet convinced, so I offer to pay for their wine tastings which puts them in a cheerful mood and then I distract them with a heated debate over which is better, oaked or steel-casked chardonnay? They take the bait, follow the “shiny,” and before the day’s out, we’re all half wine-drunk, best of friends, and invited to the wedding of the cute were-couple on the train. See, aren’t happy endings great?

BQB EDITORIAL NOTE: I’ve run this answer through my supercomputer and it has determined a 94.8% chance of success, so well done.  Werewolves love wine country and Wayne Newton is a werewolf.  Surely, that explains his longevity.  You heard it here first.

Fun fact, this is the second time an interviewee on this blog has escaped a doom scenario using a sticky novelty substance and a celebrity photo.  Readers may remember Robert Bevan used spray cheese to paste a photo of Bea Arthur to his face in order to scare away a cavern full of monsters.  Read more about that tried and true sticky situation extraction trick here.

Thank you for stopping by, Sydney, and 3.5 readers, if you enjoyed this interview which, frankly, if you twist my arm and ask me to brag about my interviewing skills then I’ll tell you this puts anything Barbara Walters ever did to shame, then be sure to give our guest a shout out on Twitter.  “One of us, one of us…”

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Daily Discussion with BQB – I am Rife with Existential Ennui

Hey 3.5 readers.  BQB here.

I am filled with ennui.

What is ennui?  You might think it’s sadness.  You probably think that because the public education system failed you, but that’s another post for another time.  If you’re spending any amount of time reading this blog, I already assumed you suffered some kind of failure in life and that’s ok, join the club, of which I am a ranking member.

Ennui is dissatisfaction.  Just utter blah-ness, a feeling of purpose-less-ness.  I would dare say it’s worse than sadness because if you’re crying, you care enough to feel emotion, albeit a negative one.

On the other hand, ennui is just like, “Meh.  I can’t even be bothered to feel any emotion about anything at all because, why bother?  Everything is out of our control.”

Seriously.  I’m like the protagonist of a French film.  Give me a perpetually smoky cigarette, slap a beret on my head, a white and black striped shirt on my body and then I’ll just sit there in a listless manner while I munch a baguette and think about pondering the meaning of life but that would be too hard.

It’s existing but not being or doing.  It’s not caring but not out of a decision to not care but rather, due to an inability to not care.  That inability could come to many in a variety of ways but for me, it has come from trying to play the game so many times and failing that I am physically incapable of attempting another try at the game so I’ll just sit here in the existential café and smoke and speak in a French accent and say things like, “Sacre bleu, I am riddle with ennui, mon ami.”

Has anyone out there ever suffered ennui?  Did you cure it?  Is ennui curable?  Well, if you care enough to respond, you probably don’t have ennui then.  Congratulations.

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Movie Review – Dirty Harry (1971)

I know what you’re thinking, 3.5 punks.  You’re thinking, did he fire off six posts, or only five?  Well, to tell you the truth, in all this excitement, I lost track myself.  But seeing as how this is a .44 blog that’s only read by 3.5 people and could bore your head clean off, you’ve got to ask yourself, do you feel lucky, 3.5 punks?

Well, do ya?

https://www.youtube.com/watch?v=HjBNldYiUmg&t=41s

BQB here with a review of the movie that started it all  – “Dirty Harry.”

You’ve had since the early 1970s to watch this but just an FYI – SPOILERS ensue.

Poor Inspector Harry Callahan (Clint Eastwood).  To the uninitiated, i.e. those newbies who’ve never watched one of his flicks, it’s easy to assume his nickname means he’s a “Dirty” cop.

Nope.  He’s just the guy on the San Francisco police department who gets called on to do all the “dirty jobs” no one else wants to do.

Some crook has a gun pointed to a hostage’s head?  Call Harry.  Some psycho is threatening to jump off a building?  Call Harry.  There’s a bank robbery in progress?  Hey, Harry, take care of that, will you?  We’ll all be hiding over here and we’ll give you a critique of your performance when you’re done.

Yes, it’s not easy being the cop everyone depends on.  It’s a thankless job, to say the least.  No cop wants to be the one who makes the split second decision about whether to shoot a bad guy and put a hostage at risk or let the bad guy walk, taking the hostage along to possibly kill later.

No cop wants to be the one who walks into a bank robbery in progress and take down a gang of baddies using nothing but his wits and his sidearm, a fat ass .44 Magnum hand cannon in Harry’s case.

But Harry does this bullshit all the time and does he ever get thanked for it?  Nope.  Instead, he’s constantly harassed and berated (throughout the entire series) by a never-ending supply of police brass, supervisors, bureaucrats and politicians who have never even fired a gun but are completely happy to bitch Harry out for property damage, ensuing lawsuits, alleged civil rights violations and so on.

There’s the rub.  These dummies want the crooks caught, but they’re so clueless they think that the bad guys can be taken down easily, that Harry is somehow just an evil, trigger happy caveman who thirsts for blood and guts and a nicer cop could somehow talk the bad guys into having tea and crumpets.

You, the viewer, learn better.  You’re follow Harry along throughout the course of his days, watching as he works the serial killer case, with occasional interruptions from villains along the way.  Poor Harry.  Throughout the series, the dude rarely enjoys a meal without the joint he’s eating in getting robbed, requiring him to break out his massive revolver while he’s still chewing on his meal.  The dirty job doer’s work is never done.

In this first film, there’s the iconic scene where Harry, after dispatching a group of bank robbers, stares down one last crook.  The crook stares at a shotgun lying on the sidewalk, just inches from his grasp.  Will he reach for it?  Harry gives the infamous speech about whether he fired off five shots or six and the robber decides to let the shotgun go – better safe than sorry.

In today’s politically correct world, is it problematic for a white cop to be gunning down a gang of black bank robbers?  Yes.  Not arguing that.  If the movie is ever remade (which would be like remaking the Mona Lisa), you’d never a more diverse gang, probably an all white gang.

But here’s the thing.  I can understand if you view this movie on a surface level and say, “Oh God, I hate this.  It’s all about a white cop who gets off on shooting black people and it’s giving a bad message that black people are criminals.”

My only request is to look at the film deeper.  Harry, with his sneer and his badass hair and stylish sport coat and sunglasses, yes Harry, the civil rights’ lawyer’s worst nightmare, is, in many ways, an old school social justice warrior.

I know, it sounds crazy, but stay with me.  Yes, the bank robber is black…but, Harry doesn’t see that.  Or he sees it but doesn’t care.  Harry doesn’t see a black guy.  He sees a bad guy.  There’s a war for the streets of San Francisco and everyday, Harry is on the front lines.  The actions he takes protect people of all races and colors, creeds and religions.  There’s law abiding citizens and there’s criminals and if you’re the latter, Harry will take you down.

To drive this point home, consider that later in the film, the serial killer murders a young African-American boy, only ten years old.  In a film where this epically stoic character who is all grit and macho manliness, this is the one moment where he looks broken up.  He’s failed two law abiding citizens, the boy and his mother, and it’s clear from the look on his face that he’s going make this murderer pay.

At the end of the film, Harry squares off against the white, looney tunes serial killer.  The killer is taken down in a similar fashion to the black bank robber at the start of the film.  The killer is on the ground and a gun is within his reach.  Harry recites the “Do you feel lucky punk?” speech again.  He’ll give the white serial killer the same chance he gave the black bank robber – give up the gun and go to jail, or reach for it and maybe get your head blown off, maybe not, depending on how many bullets are left in the old hand cannon.

Compare the looks that Harry gives to the black bank robber and the white serial killer.  Harry laughs when the bank robber gives up.  It’s almost like he and the robber played a game of chess.  The robber was out to get some quick cash and now he’s been subdued so Harry could give a shit now.

But look at the look Harry gives the white killer.  The white killer’s actions have been way worse.  He’s killed innocents throughout the film, even a young boy.  Harry will do the right thing if the killer gives up, but the look on his face tells us he really, really, really hopes the killer will make a move so he can be blown away.

That’s my take on it, anyway.  There’s a universal standard of right and wrong and Harry doesn’t carry who you are, what you look like, or what color your skin is.  If you’re breaking the law, beware the .44.

Civil rights abuses and police brutality were hot topics of the 1970s just as they are today.  Harry is constantly reamed out by police brass and attorneys who, almost in a quasi-parody way, care more about the rights of the accused than the victims.

The irony is that, at least in this film anyway, and correct me if I’m wrong, but Harry only walks right up to the line of a civil rights abuse, but doesn’t really dive in feet first as he’s often accused of doing.  There’s a fourteen year old girl who’s been buried alive and her air is running out.  Realizing there’s no time for the suspect to consult his requested lawyer, Harry steps on the killer’s open leg wound and demands to know where the girl is.  Abusive?  Yes.  Against the law?  Sure.  Understandable?  Hell yes, especially if you’re the girl or her family.

Perhaps a cop’s life isn’t filled with as much cartoonish violence but even so, cops are forced to make split second decisions all the time.  Sometimes they’re right.  Sometimes they’re wrong.  The desk chair warmers love to chew Harry out and demand that he take down bad guys in a nicer, gentler manner, and constantly to take Harry’s badge, career and livelihood.

But you, the viewer, and Harry, share a secret.  You both know that Harry being off the force would be the brass’ worst nightmare, because then no one would be around to do all the dirty jobs that no one else wants to do.

STATUS: Shelf-worthy.  Watch immediately.  I’m not gay or nothing but I wish I could have 1970’s Clint’s hair, figure and sunglasses.  I’d get non-stop beaver for sure.  Are we still allowed to call it beaver?  Someone call my lawyer.

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I got nothing for you today

I have failed you, 3.5 readers.

What Can the Dirty Harry Movie Series Teach Us About Today’s Political Issues?

Go ahead, 3.5 readers.  Make my day.

https://www.youtube.com/watch?v=HjBNldYiUmg

So, I haven’t even seen the new Bruce Willis remake of “Death Wish” yet but I have become obsessed with 1970s films in which a hand canon wielding tough guy guns down assorted crooks, delinquents, reprobates and bad guys with reckless abandon.

After watching the original “Death Wish” with Charles Bronson, I turned my attention to the Dirty Harry series with Clint Eastwood and marveled at the awesomeness of these movies.

So, throughout, well, this week, maybe this month, I don’t know how long, I’ll be posting a review of each Dirty Harry film and/or a discussion of the main political issue it raises.

Every new generation always thinks they are the first to think about an issue but as we see in these movies, people have long been thinking about everything from police brutality, civil rights and women in the workforce.

On the surface to the uninitiated, to someone who has sort of heard of these movies, maybe saw a clip, but never really studied them, does Dirty Harry come off as a cro magnon, macho chauvinist pig who wields a massive revolver as an extension of his penis as he scoffs at women’s abilities, executes minorities and basically serves as porn for suburban honky males who daydream that one day they’ll get to use their unnecessary gun collection on a criminal?

Well…I mean, yeah, if you haven’t really watched these films then ok, I can see why you might think that.

However, take my hand, 3.5 readers, for over the course of this series of posts, I’ll explain to you how (sit down for this) Inspector “Dirty” Harry Callahan was (I know you’re skeptical) one of the great civil rights advocates/champion for all the downtrodden and abused people of all races of his time.

I know.  It’s going to take some convincing but I’ll try my best to make the case.

 

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Movie Review – Coco (2017)

Who knew skeletons could be so adorable?

BQB here with a review of Disney/Pixar’s “Coco.”

You know, 3.5 readers, I don’t usually do a review of kids’ movies, but this one moved me a bit, so here we go.

Miguel is a young boy who dreams of becoming a famous musician, as famous as Ernesto de la Cruz (Benjamin Bratt), this fictional version of Mexico’s answer to Elvis.

Alas, his family has put a long, long, longtime ban on music due to the fact a musician in the family once caused great heartbreak for all.

Blah, blah, blah, shenanigans ensue and Miguel finds himself in the Land of the Dead, where the deceased “live” albeit in skeleton form.  Miguel is still alive and obviously, does not belong here, but he’ll have to solve some mysteries about his family’s past in order to return to the land of the living.

There’s a lot of bright colors and the plot was a little better than usual, IMO, for a kids’ movie.  But there was one takeaway that stood out.

You see, we learn that it’s possible for the skeletons to die a second time, i.e. to disappear without a trace.  The skeletons live and prosper and are happy…for as long as the living remember them.  Once the last person who remembers the formerly alive skeleton dies, and there isn’t anyone else around to tell stories of the dead person when he/she was alive, then the skeleton ceases to be.

Ergo, whether it’s “The Land of the Dead” or Heaven or whatever afterlife you envision, we’ll never know for sure what happens when we die.  Theology tells us we live on.  Evidence tells us we become worm food.  However, you can at least take steps in this life to make sure you are remembered fondly and tales of your deeds will be passed down throughout the generations.

The thought is bittersweet – it provides motivation to get out there and live and love, to be productive and helpful and friendly in the hopes that no matter what happens after this life, you will at least be remembered by others.

But the downside is the average person, even with the best intentions and the most follow-through, probably, at best, can’t achieve something that allows them to be remembered past a few generations of their family.

Doubt it?  Think fast.  How many of you are able to tell me the name of your great, great grandfather or mother?  Tell me in the comments how far back in your family tree you are able to recite.

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Top Ten Art of War Quotes by Sun Tzu

#1 – “Let your plans be dark and impenetrable as night, and when you move, fall like a thunderbolt.”

#2 – “Victorious warriors win first and then go to war, while defeated warriors go to war first and then seek to win”

#3 – “Appear weak when you are strong, and strong when you are weak.”

#4 – “The supreme art of war is to subdue the enemy without fighting.”

#5 – “If your enemy is secure at all points, be prepared for him. If he is in superior strength, evade him. If your opponent is temperamental, seek to irritate him. Pretend to be weak, that he may grow arrogant. If he is taking his ease, give him no rest. If his forces are united, separate them. If sovereign and subject are in accord, put division between them. Attack him where he is unprepared, appear where you are not expected .”

#6- “The greatest victory is that which requires no battle.”

#7 – “Engage people with what they expect; it is what they are able to discern and confirms their projections. It settles them into predictable patterns of response, occupying their minds while you wait for the extraordinary moment — that which they cannot anticipate.”

# 8  – “Knowing the enemy enables you to take the offensive, knowing yourself enables you to stand on the defensive.”

#9 – “The skillful tactician may be likened to the shuai-jan. Now the shuai-jan is a snake that is found in the Ch’ang mountains. Strike at its head, and you will be attacked by its tail; strike at its tail, and you will be attacked by its head; strike at its middle, and you will be attacked by head and tail both.”

#10 – “Hence a commander who advances without any thought of winning personal fame and withdraws in spite of certain punishment, whose only concern is to protect his people and promote the interests of his ruler, is the nation’s treasure. Because he fusses over his men as if they were infants, they will accompany him into the deepest valleys; because he fusses over his men as if they were his own beloved sons, they will die by his side. If he is generous with them and yet they do not do as he tells them, if he loves them and yet they do not obey his commands, if he is so undisciplined with them that he cannot bring them into proper order, they will be like spoiled children who can be put to no good use at all.”

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What Can the Original Death Wish (1974) Movie Tell Us About the Gun Debate?

Hey 3.5 readers.

Your old pal BQB here.

So, here’s the deal.  Every new generation, for some reason, truly and sincerely believes they are the very first to discover an issue, as though prior generations had never considered it before.

For obvious and tragic reasons, the gun debate is raging all over TV and over the Internet these days.  Funny though, are you aware that a 44 year old movie pretty much sums up the arguments for and against gun control in one fell swoop?

No, I’m not talking about the recently released reboot starring Bruce Willis, although I do want to see it.

I’m talking about the original Death Wish, which by now, is roughly the same age as a middle aged man.  Hard to believe, isn’t it?  I rented it last night and dated as the film is, it still hashes out all the talking points about guns that are being bandied about today.

You see, 3.5 readers, in the early 1970s, there was a crime wave in the inner cities.  Nixon actually won the presidency due to promises to get tough on crime.  People were fed up by the fact that they couldn’t walk down the street without getting hassled by hoodlums and Hollywood cashed on in this development, producing all manner of films where tough guys, fed up with the system’s inability to protect them, take law into their own hands and blow bad guys away with big ass hand cannons.  “Death Wish” was the most notable of these films, though it runs neck and neck with Clint Eastwood’s “Dirty Harry” series.

The plot?  New York City architect Paul Kersey is a mild mannered liberal professional and family man.  He loves his wife, his daughter, and abhors violence, having even been given a medical corps position during the Korean War to avoid having to kill anyone.

All this changes when his wife is killed and daughter brutally raped by a pack of hooligans led by none other than a young Jeff Goldblum.  “Life uh..finds a way.”

While some hero tales provide an instant transformation i.e. the main character instantly gains powerful skills overnight, Kersey’s progression from frumpy dad to badass killing machine is a slow one.

Kersey’s informed there’s not much the police can do.  His son-in-law, Jack, laments that to the government, his wife and Paul’s wife are little more than statistics, a certain number of crime victims that the powers that be deem acceptable, even normal, and that they’ll just have to suck it up and get used to it.

Pissed, Kersey starts carrying a sock full of quarters to protect himself.  When a mugger attacks him, he gives the mugger a sock knock and sends the ne’er-do-well running.   He learns an interesting lesson – if criminals are made to fear for their lives, they’ll run.

Our hero then takes a sojourn to Arizona for work, we he meets Aimes, a business associate who can only be described as a walking, talking caricature of a died in the wool NRA member on steroids.  Frontier justice, Aimes says, is the name of the game in the West.  Everyone’s packing heat and criminals know they’ll be instantly bagged and tagged, so crime rates are low according to the cowboy.

Aimes takes Kersey to a range and we can see Kersey feel like he’s regaining control of his life as he takes aim at targets and fires.  He reveals that he did some hunting in his youth and had to qualify as a marksman in the Army, so he has some skill.  The cowboy gives the city slicker a present, a rather menacing looking revolver.

When Kersey returns to NYC, he starts carrying the pistol.  Oddly, he’s accosted by another mugger.  Kersey keeps his cash and puts a bullet in the bad guy instead.  He runs home and is so horrified by what he’s done that he throws up.

But soon…Kersey becomes addicted to murdering criminals…or does he?  It’s sort of an up for interpretation part of the film.

Fun fact – although he’s portrayed as an out of control vigilante, Kersey technically never does anything illegal.  He just takes a lot of walks in the middle of the night in dangerous neighborhoods, on subways, in parks, and is sure to flash a wallet full of money in seedy establishments and/or look like a bumbling old man by carrying groceries.  He never attacks anyone who doesn’t attack first.

Maybe he really is just an old bumbler with a lot of bad luck…but most likely, he’s out trolling, just waiting, nay wishing that some mugger would attack him so he can shoot them in self-defense.

And that’s the rub.  Kersey never shoots anyone who didn’t draw a pistol or a knife on him first.

The overall theme of the movie?  If people arm up, bad guys will pussy out.  Not really a popular message today.

The alternative argument, that society will descend into chaos if everyone is carrying a gun, is briefly explored, but ultimately, it’s suggested that bumbling politicians are to blame.  During one such meeting of incompetent NYC bureaucrats, it’s noted that “the vigilante’s” hijinx have cut muggings down by half, but they’ll never tell the public for fear that the city will become a war zone.

But what’s the alternative?  Better governance?  More police?  A better economy?  More social welfare programs?  A better world where the poor have no need to rob and steal?  Nah, the politicians aren’t going to do any of that.  They’d really just prefer it if families of crime victims like Kersey would shut up, accept their statistic status and go along as if nothing happened.

Is it an awesome film?  In many ways, yes.  The gradual progression from pacified weakling to macho asskicker is fun to watch.

Is it open to criticism?  Yes.  In the past, criminals were portrayed as cartoon characters, bums who made a conscious decision to avoid the honest pay that a hard day’s work could provide and to seek a quick buck by hassling the law abiding instead.  Ergo, they deserved the new holes that Kersey gave to them.  And sure, that often happens but in today’s cinema, criminals are usually given a heartwarming backstory that makes you feel as though the person could not have helped becoming a criminal (often the case, though not always.)

Is the film racist?  Well, I mean, yeah, Kersey does shoot an awful lot of black dudes.  But he shoots white dudes too.  And there are many law abiding African-American characters, from a police officer that assists Kersey in the investigation into his wife’s death, to a working class couple who see a duo of white crooks enter a subway train and decide to get off at the next stop rather than deal with them, to an old black lady who, inspired by tales of the vigilante on the news, whips out a hat pin and stabs the shit out of two reprobates who try to run off with her purse.

I mean yeah, to borrow an SJW term, a white character gunning down so many black characters is “problematic.”  You could argue that perhaps there is a universal code of right and wrong, that no matter what color you are, if you point a gun or a knife at anyone of any color, then you’re getting what’s coming to you if the threatened person takes you out.  It’s a daily war against crime, with law abiding people of all different colors and backgrounds vs.  crooks of all different races and backgrounds.  White Paul Kersey and black old lady with the hat pin are on the same side – two good people who just want to walk home without getting accosted for the money they worked for.

But still, yeah, an awful lot of black dudes buy the farm in this movie so…how to rectify that?  I don’t know.  Maybe if there’s ever another reboot of this film, a black actor could play the Paul Kersey role, gunning down a rainbow of hoodlums from all different backgrounds, or just white guys, or really, does it matter what color the shooter or the person shot is as long as the shooter was being attacked and the attacker was, in fact, a threat to life?  Bruce Willis is one of very few conservative actors willing to touch this franchise, though I think Hollywood missed a real opportunity to hold a coup if they would have cast, say, Denzel Washington or Jamie Foxx as Paul Kersey.

Oh well.  Don’t picket my blog.  I liked the movie though I realize in many ways it’s un-PC, hokey, tacky and well, probably doesn’t hold up today.  I mean, sure if you stand out in NYC in the middle of the night for long enough, you might get robbed once, but no one is as unlucky as Kersey, getting robbed over and over, even if you are out walking around, wishing that someone would rob you so you could kick their ass.  (Note:  just give them the money.)

All in all, what does this old movie tell us?  Does it have any relevance to today’s gun debate?  Basically, the politicians of this movie, just as the politicians in real life today, are as clueless and inept as ever.  Gun control is a sensitive issue and no matter what side you’re on, government officials appear clueless and inept when they fail to make us all safe…and citizens must keep pressure on politicians to make the world a safer place because at the end of the day, they’re lazy and happy to just let victims become more statistics, more faceless victims, more deaths to be expected as just a matter of fact of life.

Overall, depending what side of the fence you’re on, you’ll hate or love this film.  And honestly, I can see why you’d hate or love it.

 

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Does Mobility Compliance Increase Your Blog Traffic?

Wow, what a nerdy sounding question.

My theme is old and out of date, meaning if I ever change it, I can’t get it back.

Alas, I love it.  It makes my posts look like a comic book and that’s what I’m going for.

But, I would like to monetize this blog, but I just don’t think I get enough traffic at this time to bother with it.

So, just putting the feelers out there, have any of you ever switched to a mobile compatible theme and seen an uptick in your traffic?

Discuss.

Why 1 Million People Need to Each Pay Me 1 Dollar for My Fabulous Book

Hey 3.5 readers.  BQB here.

Take a knee, will you?

You know, 3.5, I’ve known all of you for a long time now and none of you have given me any indication that you’re bad people.  If anything, you’re good, God fearing people, folks who probably give to the needy, donating your time and money to help the poor.

Perhaps you even donate to charitable organizations that seek to cure diseases, help the homeless, or educate young folk.

Look, I don’t know how to break it to you, but y’all are 3.5 chumps.

Charity is a racket and you know what you get for donating to charity?  Jack Squat.  Seriously.  For as long as you’ve been alive, have you ever donated to a cause only to later learn that the problem that donation was intended to help alleviate was solved?

Cure cancer?  Please.  Cancer will be around forever.  Your Uncle Fred, your Cousin Larry and even your cat Mr. Snickerdoodle will all get it.  AIDS?  That’s sticking around too.  Hell, Mr. Snickerdoodle already has the cat version.

You want to donate to help the homeless?  Fine, but there will just be a new crop of homeless people next week.  Since the dawn of time, there have been people with money and people who beg for money.  Even in Ancient Roman times, there were plenty of rich Romans and then there were always a few panhandling Romans, looking for some spare coins from the wealthy Romans.  That’s never going to change.

Sure, just keep tossing your money down that charity hole.  People will still be sick, poor, ugly, fat, bald, gross, unemployed, rabies infested, trudging around aimlessly with gangrenous genitalia.

Don’t even get me started on saving the whales.  The whales are fucked and really, who cares?  What did a whale ever do for you?

Do you want to keep throwing your money away on charities that will never, ever solve the problems they claim to be working on?  Sure, you can if you want to, but why not actually, for once in your life, donate to a cause that will actually yield a result.

3.5 readers, it’s all very simple:

My book is priced at 99 cents.  That’s right.  If 1 million people would be willing to donate 1 dollar by buying my book, then I, BQB, will be able to get laid by women who are way, way, way, ridiculously way out of my league.

Look, 3.5, I don’t want to tell you how to spend your money.  If it gives you the warm and fuzzies to spend your dough sponsoring third world kids even though, if we’re being honest, all of those kids have been shipped off to a sweat shop to build your next smart phone…or you can help a pathetic nerd have sex with hot chicks.

3.5 READERS: But, BQB.  Helping you have sex with hot women is not a worthy cause.

No, but unlike all the problems you’re throwing money at with nary a result,  it’s a problem that can be saved with money.  Your money can yield actual, honest to God results when it comes to my sex life.

If 1 million of you buy my book for 1 dollar, then:

  • I’ll be a millionaire.
  • I’ll be able to self-publish all my other books in style.
  • I’ll buy fancy clothes.
  • I’ll buy a swingin’ bachelor pad in Malibu.
  • I’ll be able to hob knob with hot, morally challenged women who are willing to touch my sad, pathetic micro-phallus because a) remember, I’d be a millionaire and so I’d be able to throw impressive parties to invite hot women too, buy hot women gifts and take them to Paris and shit.

3.5 READERS: But BQB, good women will not be concerned with your money but your personality.

True, and if you’ve been paying attention to this blog, my personality sucks and besides who said anything about good women?  I’m looking for hot women with super loose morals, preferably ones who prefer to go at it in a best two out of three topless jello wrestling competition for my amusement.

Hell, 3.5 readers.  I’ll tell you what.  If you guys turn me into a millionaire, then I’ll gladly post the evidence of how your donation worked to achieve something – namely, the vast improvement of my life.  Sure, it will be creepy to see photos of a man who is best described as “Fat Nosferatu” be surrounded by super hot chicks but hey, that’s life.

Bottomline:  I know money is tight.  I know you have many options to choose from when it comes to donating.  And of course, I’m not seeking a donation.  I’m asking you to buy a book.  If you buy it, you’ll laugh, because it’s funny.

At any rate, if 1 million of you get together, each put in a single buck, then you will achieve an actual result, namely, you will turn me into a man that is popular with super hot gold digging bimbos.

Is that a good result?   A bad result?  All I know is that it’s a result, and that’s more than I can say than any of the other places you’re throwing money at.  You can’t solve all the world’s problems, but you can help a nerd get laid.

Throw your buck in, 999,999 of your buddies to do the same, and this blog will become a recollection of my exploits as a millionaire/stud for ridiculously hot chicks who would never be with an uggo for me, but for the money that you gave me by buying my book.

Or just keep donating to save the homeless, the whales, to cure diseases, and then in 20 years, I’ll accept your apology when you tell me, “You were right, BQB!  Homeless, diseased whales are still running amuck.  If only I had given that money to you to get you laid!”

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