Author Archives: bookshelfbattle

Hydra Leaks Avengers 2 Trailer

Sometimes I think all these “leaked” trailers are just a way for studios to beta test their films – get the audience’s reactions and make tweaks accordingly.  I just have a hard time believing there’s such lax security around such a massive movie.

But oh well – it looks awesome.  Ultron is no Pinocchio.

Tagged , , , , , , , , , , , ,

Public Domain Horror Fiction – The Picture of Dorian Gray

Continuing with bookshelfbattle.com ‘s month long series, “Public Domain Horror Fiction”  (a list of classic works of horror with copyrights as dead as the works’ fictional victims), here is a link to Project Gutenberg’s copy of The Picture of Dorian Gray by Oscar Wilde.

Obsessed with his own vanity, a man manages to make it so that he remains youthful in appearance forever, while a portrait of him grows old in his stead.  Shenanigans ensue.  Enjoy!

http://www.gutenberg.org/ebooks/174

“Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.”   – Oscar Wilde, The Picture of Dorian Gray

Tagged , , , , , , , , , , , , ,

Canadian Poetry

Some very bad business that transpired in Canada today, fellow book bloggers.  Let’s take a moment to remember our Neighbors to the North.

This is a literary blog and I wanted to pay tribute by posting a Canadian poem.  The problem?  I have zero knowledge of what is considered good Canadian poetry and or literature.

So I googled away and I came up with The Wind Our Enemy, a 1937 by Canadian poet Anne Marriott.  After a brief read, it seems to discuss survival in a harsh world.  But I’m being up front on this one – I know nothing of Canadian lit so I have no idea what Canadians would consider to be a good poem.

That’s why if you’re a Canadian, you should educate me on what your favorite Canadian poet and/or other literary work is in the comment section.

Take care, Canadians.

THE WIND OUR ENEMY

BY: Anne Marriott

FIRST PUBLISHED: 1937

I

Wind
flattening its gaunt furious self against
the naked siding, knifing in the wounds
of time, pausing to tear aside the last
old scab of paint.

Wind
surging down the cocoa-coloured seams
of summer-fallow, darting in about
white hoofs and brown, snatching the sweaty cap
shielding red eyes.

Wind
filling the dry mouth with bitter dust
whipping the shoulders worry-bowed too soon,
soiling the water pail, and in grim prophecy
greying the hair.

II

The wheat in spring was like a giant’s bolt of silk
Unrolled over the earth.
When the wind sprang
It rippled as if a great broad snake
Moved under the green sheet
Seeking its outward way to light.
In autumn it was an ocean of flecked gold
Sweet as a biscuit, breaking in crisp waves
That never shattered, never blurred in foam.
That was the last good year. ….

III

The wheat was embroidering
All the spring morning,
Frail threads needled by sunshine like thin gold.
A man’s heart could love his land,
Smoothly self-yielding,
Its broad spread promising all his granaries might hold.
A woman’s eyes could kiss the soil
From her kitchen window,
Turning its black depths to unchipped cups—a silk crepe dress—
(Two-ninety-eight, Sale Catalogue)
Pray sun’s touch be gentleness,
Not a hot hand scorching flesh it would caress.
But sky like a new tin pan
Hot from the oven
Seemed soldered to the earth by horizons of glare. ….

The third day he left the fields. ….

Heavy scraping footsteps
Spoke before his words, “Crops dried out—everywhere—”

IV

They said, “Sure, it’ll rain next year!”
When that was dry, “Well, next year anyway.”
Then, “Next—”
But still the metal hardness of the sky
Softened only in mockery.
When lightning slashed and twanged
And thunder made the hot head surge with pain
Never a drop fell;
Always hard yellow sun conquered the storm.
So the soon sickly-familiar saying grew,
(Watching the futile clouds sneak down the north)
“Just empties goin’ back!”
(Cold laughter bending parched lips in a smile
Bleak eyes denied.)

V

Horses were strong so strong men might love them,
Sides groomed to copper burning the sun,
Wind tangling wild manes, dust circling wild hoofs,
Turn the colts loose! Watch the two-year-olds run!
Then heart thrilled fast and the veins filled with glory
The feel of hard leather a fortune more sweet
Than a girl’s silky lips. He was one with the thunder,
The flying, the rhythm, of untamed, unshod feet!

But now—

It makes a man white-sick to see them now,
Dull—heads sagging—crowding to the trough—
No more spirit than a barren cow.
The well’s pumped dry to wash poor fodder down,
Straw and salt—and endless salt and straw—
(Thank God the winter’s mild so far)
Dry Russian thistle crackling in the jaw—
The old mare found the thistle pile, ate till she bulged,
Then, crazily, she wandered in the yard,
Saw a water-drum, and staggering to its rim,
Plodded around it—on and on in hard,
Madly relentless circle. Weaker—stumbling—
She fell quite suddenly, heaved once and lay.
(Nellie the kids’ pet’s gone, boys.
Hitch up the strongest team. Haul her away.
Maybe we should have mortgaged all we had
Though it wasn’t much, even in good years, and draw
Ploughs with a jolting tractor.
Still—you can’t make gas of thistles or oat-straw.)

VI

Relief.
“God, we tried so hard to stand alone!”

Relief.
“Well, we can’t let the kids go cold.”
They trudge away to school swinging half-empty lard-pails,
to shiver in the schoolhouse (unpainted seven years),
learning from a blue-lipped girl
almost as starved as they.

Relief cars.
“Apples, they say, and clothes!”
The folks in town get their pick first,
Then their friends—
“Eight miles for us to go so likely we
won’t get much—”
“Maybe we’ll get the batteries charged up and have
the radio to kind of brighten things—”

Insurgents march in Spain

Japs bomb Chinese

Airliner lost

“Maybe we’re not as badly off as some—”
“Maybe there’ll be a war and we’ll get paid to fight—”
“Maybe—”
“See if Eddie Cantor’s on to-night!”

VII

People grew bored
Well-fed in the east and west
By stale, drought-area tales,
Bored by relief whinings,
Preferred their own troubles.
So those who still had stayed
On the scorched prairie,
Found even sympathy
Seeming to fail them
Like their own rainfall.
“Well—let’s forget politics,
Forget the wind, our enemy!
Let’s forget farming, boys,
Let’s put on a dance to-night!
Mrs. Smith’ll bring a cake.
Mrs. Olsen’s coffee’s swell!”

The small uneven schoolhouse floor
Scraped under big work-boots
Cleaned for the evening’s fun,
Gasoline lamps whistled.
One Hungarian boy
Snapped at a shrill guitar,
A Swede from out north of town
Squeezed an accordion dry,
And a Scotchwoman from Ontario
Made the piano dance
In time to “The Mocking-Bird”
And “When I grow too Old to Dream,”
Only taking time off
To swing in a square dance,
Between ten and half-past three.

Yet in the morning
Air peppered thick with dust,
All the night’s happiness
Seemed far away, unreal
Like a lying mirage,
Or the icy-white glare
Of the alkali slough.

VIII

Presently the dark dust seemed to build a wall
That cut them off from east and west and north,
Kindness and honesty, things they used to know,
Seemed blown away and lost
In frantic soil.
At last they thought
Even God and Christ were hidden
By the false clouds.
—Dust-blinded to the staring parable,
Each wind-splintered timber like a pain-bent Cross.
Calloused, groping fingers, trembling
With overwork and fear,
Ceased trying to clutch at some faith in the dark,
Thin sick courage fainted, lacking hope.
But tightened, tangled nerves scream to the brain
If there is no hope, give them forgetfulness!
The cheap light of the beer-parlour grins out,
Promising shoddy security for an hour.
The Finn who makes bad liquor in his barn
Grows fat on groaning emptiness of souls.

IX

The sun goes down. Earth like a thick black coin
Leans its round rim against the yellowed sky.
The air cools. Kerosene lamps are filled and lit
In dusty windows. Tired bodies crave to lie
In bed forever. Chores are done at last.
A thin horse neighs drearily. The chickens drowse,
Replete with grasshoppers that have gnawed and scraped
Shrivelled garden-leaves. No sound from the gaunt cows.
Poverty, hand in hand with fear, two great
Shrill-jointed skeletons stride loudly out
Across the pitiful fields, none to oppose.
Courage is roped with hunger, chained with doubt.
Only against the yellow sky, a part
Of the jetty silhoutte of barn and house
Two figures stand, heads close, arms locked,
And suddenly some spirit seems to rouse
And gleam, like a thin sword, tarnished, bent,
But still shining in the spared beauty of moon,
As his strained voice says to her, “We’re not licked yet!
It must rain again—it will! Maybe—soon—”

X

Wind
in a lonely laughterless shrill game
with broken wash-boiler, bucket without
a handle, Russian thistle, throwing up
sections of soil.

God, will it never rain again? What about
those clouds out west? No, that’s just dust, as thick
and stifling now as winter underwear.
No rain, no crop, no feed, no faith, only
wind.

Tagged , , , , , , , , ,

Magic – The Movie, the Novel, and Creepy Killer Dolls in Fiction/Films

Happy Tuesday, Bookshelf Battlers!

This post is a tough one for me because in honor of this site’s month-long celebration of Halloween Horror Fiction, I’m tackling a subject that gives me the heebiest of jeebies – creepy killer dolls.

Earlier this month, I went to my local theater a bit late hoping to catch Gone Girl.  Alas, it was all sold out.  Being already there and not wanting to waste the evening, I saw *Gasp* Annabelle instead.  I did not want to.  Why?

Because I really hate friggin’ creepy killer doll movies.

There I said it.  Don’t judge me.  You know you hate them too.  You know you watch one of those movies and for at least a week later, no matter how educated and worldly you might be, you look at every doll you pass by as if it is harboring secret evil desires.

Annabelle turned out to be a decent movie but the subject still freaks me out.  Don’t even get me started on Chucky from Child’s Play.

Oddly though, like watching a car wreck, I inevitably end up watching these movies and today I’m here to tell you about a rather spooktacular one from long ago.

The novel?  Magic by William Goldman.  If you’ve never heard of him, many of his novels have been turned into films.  He wrote The Marathon Man in which an evil Nazi dentist violently tortures a man while uttering the iconic line, “Is it safe?”  Yet, surprisingly he also is the author of the much beloved and adored fantasy tale, The Princess Bride.  He is an example of an author who managed to move amongst different genres and do so effectively.

Yet, the man who gave us Inigo Montoya also gave the world a Chucky precursor known as “Fats” – a rude and obnoxious ventriloquist dummy.

Here’s the plot:

Believe it or not, but in the 1978, venerable Sir Anthony Hopkins, a virtual Sir Laurence Olivier, arguably one of the most accomplished thespians of our day, appeared in this wacky movie sporting a bowl cut.  Hopkins played Corky, a down and out magician.  Corky revitalizes his act by adding Fats to it, and the duo are a it.  His agent, Ben Greene, played by Burgess Meredith (you may know him as the Penguin from the 1960’s campy version of Batman) is prepared to take Corky to big time celebrity status.  But the idea of being in the spotlight frightens Corky, so he retreats to his childhood home town.

There, he is reunited with his former girlfriend, Donna played by Ann-Margaret.  She’s with Duke, who treats her terribly.  Fats, who is basically a result of Corky’s split personality run amuck, gets jealous and starts ordering Corky to kill people he feels threatened by.  That’s about it.

Here’s a creepy clip.  Don’t watch it if you a) are adverse to bad language b) are adverse to creepy killer doll movies or c) want to get to sleep tonight without having creepy killer dolls on the brain or d) are adverse to seeing a legendary actor with a bowl hair cut:

In the end, this is one of those “so bad that it’s good movies” and if you’re looking for scary movies to watch this Halloween, you can’t go wrong with this one.  Also, I mainly wanted to celebrate the author.  Some people can write about a creepy killer doll.  Some people can write about the brute squad.  Few people are able to do both effectively.

Tune in tomorrow, where I hope to have yet another spooky tribute to scary fiction.  I’m challenging myself to write one post a day until Halloween.  And as always, I’ll be tweeting away at @bookshelfbattle so feel free to follow.

In the meantime, what creepy killer doll movie and/or book creeps you out the most?  Feel free to discuss in the comments below.

Tagged , , , , , , , , , , , , , , ,

A Partial List of Steven King’s Scariest Works

Needless to say, bookshelfbattle.com ‘s month long celebration of Halloweenish Literature would not be complete without adding Steven King, the Master of Modern Horror Fiction, into the mix.  In no particular order, here are five of what I believe to be the prolific author’s scariest works:

1)  The Shining – Am I wrong or can everyone agree that this is King’s central masterpiece?  The movie version, in which a stir-crazy Jack Nicholson shouts, “Here’s Johnny!” as he puts his face up to a hole in a door he just wacked open with an axe has to be one of the scariest scenes Hollywood has ever produced.  King recently came out with a sequel, Doctor Sleep.  I haven’t read it but reviews have been positive.  In conclusion – all work and no play makes Jack a dull boy.  Redrum!  Redrum!

2)  Misery – I put this one high up on the list for a reason.  Most of King’s works have a supernatural element.  Danny Torrance, the little boy from The Shining, for example, had special powers that saved the day when his father lost his marbles.  The plot of Misery on the other hand, has no otherworldly occurrences and though unlikely, could possibly happen.  A famous author drives has a car accident due to snowy road conditions.  “His number one fan,”  Annie the Nurse, finds him, drags him home, and nurses him back to health.  Sounds nice, right?  Wrong.  Turns out Annie’s psychotic and she holds the writer hostage, doing everything she can to keep him from leaving.  She drugs him, and at one point even hobbles him.  Forget every CGI fake special effects laden movie monster you have ever seen.  One of the scariest moments of movie history is when Kathy Bates (who plays Annie in the film version opposite James Caan who plays the writer) hobbles her “guest” by putting a wooden block between his ankles and striking his feet with a sledge hammer.  “Cock-a-doody-poopy!”

3) Carrie – Awkward girl abused by crazy mother gets made fun of one too many times.  When the cool kids dump a bucket of pigs’ blood on her at the prom, she loses all control of her eerie superpowers and unleashes them.  Yeah, I suppose everyone has experienced abuse at the hand of a bully at one point or another while growing up, but maybe Carrie could have just let them off easy and used her powers to give them all wedgies?  There have been two remakes as far as I recall but none beats the original film version starring Sissy Spacek.

4) Christine – Car gets possessed by a ghost.  Teenage car owner goes crazy.  Disturbing shenanigans ensue.  Moral of the story- always check the Carfax.

5) Cujo – Again, like Misery, I put this in King’s “scarier because it could potentially happen” column.  As scary as Christine may be, it is highly unlikely that your used car is possessed by a ghost.  It may be possessed by a million petrified french fries under the back seat, but not a malevolent spirit.  The plot of Cujo, on the other hand, is entirely possible – actually, more possible than Misery.  The whole story centers around a mechanic’s rabid dog, Cujo.  Donna Trenton and her son, Tad, go to the home of local mechanic Joe looking for some car repairs.  Cujo, once a mild-mannered St. Bernard, has developed a nasty case of rabies from a bat bite, and much to the Trentons’ chagrin, has killed Joe.  Cujo traps Donna and Tad in their car, which fails to start (it was there for repairs, after all!) and the majority of the novel centers around Donna protecting Tad while they are trapped in the car and essentially held hostage by a ravenous canine.  Say what you want, but rabid dogs do exist and to me, they’re a hundred times scarier than say, non-existent zombies that drag their feet and go, “Ergh!” and “Argh!”

Did I miss one of your favorite Steven King novels?  Feel free to post it below:

Tagged , , , , , , , , , , , , , , , , , , ,

The Walking Dead and Best Zombie Books

I love The Walking Dead.  If anything else, the show is a weekly one-hour series that gives us the mental challenge to consider how we could live in a world of nothing, scavenging up the basics of survival from the lost, forgotten world all around us.  If you think life sucks when your iPhone dies and there’s not a charger in sight, then you won’t last long in Sherriff Rick’s group.

I did worry that maybe it showed signs of “jumping the shark” last week when Carol covered herself with Zombie guts and walked amongst the zombies undetected.  I mean, honestly, if outfoxing the zombies is that easy then why hasn’t everyone just been walking around wearing zombie guts all the time?  (Besides the obvious hygienic reasons, of course).

The Zombie Genre has rivaled the Vampire Genre in recent years, and yet it has always been a bit problematic.  The main crticism of every zombie movie?  They are all pretty much the same.  Zombie outbreak occurs.  Group of survivors ban together.  Zombies walk around slowly and sluggishly, grunting “Errgh!” and “Argh!”  Survivors must brave their way to some location where they believe they will be safe.  Along the way, some member of the group is bitten by a zombie.  The bite victim’s close friend and/or relative faces the painful choice of either shooting the zombie bite victim, thus putting him out of his misery and saving the group from the bites that will be forthcoming if he turns, or letting the bite victim stay as is, in hopes that some type of cure is around the corner.

Thus, in a genre where it is all pretty much the same thing, it is impressive that a comic book series and a subsequent TV show has been able to catch the public’s interest for so long.  Yes, there is a lot of the “Erghs!” and “Arghs!” but there is also an attempt to look at what the world would become during a zombie outbreak:

1)  People Building Communities – There probably would be a lot of people like the Governor who would go from being an avergage schlump to starting his own civilization.  And undoubtedly, they would probably become power hungry and mad.

2)  Scavenging – Searching through abandoned homes and stores for leftovers would become the modern equivalent of foraging.  Only problem is once all the processed food runs out, people would have to do something crazy like – build a farm, raise crops, tend to farm animals, etc.

3) Bad People Would Take Advantage – Free from the constraints of the law and impending jail time for their misdeeds, there would be a lot of bad people to deal with, as the show illustrates sometimes in too graphic detail.

4)  People Will Become Shadows of their Former Selves – Just ask former domesticated Mom turned Samurai Warrior Michonne.

5)  Your Family Unit Becomes the People You Randomly Meet – You’ll meet people in need of assistance.  If they seem trustworthy, they’re yours.  You know have to drag those people around with you until the end of time.

In honor of The Walking Dead, here is a list, in no particular order, of Zombie Books:

1)  World War Z by Max Brooks – Probably the preminent zombie novel in recent years, it was turned into a pretty decent horror/action flick starring Brad Pitt.  It basically follows one man’s quest to stop a zombie outbreak.  Plenty of “Erghs!” and “Arghs!”

2) Pride and Prejudice and Zombies – by Jane Austen and Seth Grahame-Smith – Never read it, but my understanding is that it basically takes Austen’s original text and then adds in something like – “And then after Mr. Darcy drank his cup of tea, he was attacked by a ravenous zombie!!!”  You may know Seth Grahame-Smith from such works as Abraham Lincoln: Vampire Hunter.  My hat goes off to him as he has really managed to make a decent living off of taking historical figures and pitting them against supernatural forces.

3) The Zombie Survival Guide – by Max Brooks –Hilarious parody in which the author takes a fun and twisted look at the various ways one can prepare for a zombie apocalypse and use just about anything as a survival tool.

4)  I am Legend – by Richard Matheson – Published in 1954, this classic tale tells of one man’s fight against a world of bloodthirsty creatures.  Some may call it a vampire book, others might call it a zombie book.  However, Matheson deserves some credit for getting the whole “survive in a world of horrible creatures” genre of the ground.

5) Cell – by Steven King – Ok, so this is not a traditional zombie book, but reviewers rave about it.  It was published in 2006.  You remember the 2000’s right?  For those who have forgot, it was a time when society when from viewing cell phones as luxuries to necessities.  (Believe it or not, there was once an age when people would say, “Why the hell would I want to carry a phone with me when I’m out of the house?   I’m busy!  Whoever wants to talk to me can call me when I get home!)  So in other words, King took peoples’ newfound interest in phones and weaved a tale around it.  Basically, a computer virus infects cell phones and turns their users into zombie-eqsue rage monsters, not unlike what was seen in 28 Days Later.  Kind of a silly plot but the Master of Horror Fiction makes it work.

Did I miss any of your favorite zombie books?  Feel free to post them below.

Tagged , , , , , , , , , , , ,

PC vs. Apple/Word vs. Pages – Which is the best for writers?

I’m a longtime PC guy thinking about switching it up to Mac.  Macs look nice and sleek but whenever I take a peak at one in the store and see all the ways its operating system is different from Windows I feel like I’m about to get dumped into the middle of downtown Mumbai without knowing anything about the local language or customs and being expected to find my way home.

On the other hand, there is something about Microsoft Word that bugs me.  It tries too hard to anticipate what it thinks I want to do that sometimes it keeps me from doing what I actually want to do.  Change a margin for effect on one paragraph on page 1 and it still wants to change it on page 50.  Do a numbered list and it tries to do a number list everytime you subsequently write a number.  Can Pages be any better?  But – doesn’t most of the civilized world already use Word and therefore my writing most be Word formatted to receive any kind of consideration?

THE QUESTION OF THE DAY:

Is an Apple or a PC a better computer for writers (and also -Word or Pages – which is better for writing?)

Tagged , , , , , , , , , , ,

Epic Rap Battles of History – King vs. Poe

Have you ever seen Epic Rap Battles of History?  Delightfully nerdy, it is a You Tube series that puts historical figures together and makes them rap at one another.

They made one where Steven King takes on Edgar Allan Poe.  Since bookshelfbattle.com is discussing Halloween lit all month long, I figure “King or Poe – Who’s the Master of Horror?” is a good question.  If you have any thoughts on this, please feel free to post below.

Tagged , , , , , , , , , , ,

Public Domain Horror Fiction – Dr. Jekyll and Mr. Hyde

Calm and content one moment, a ball of rage the next – hasn’t everyone felt this way at one time or another?  The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson is a tale of conflicting emotions run amock.  It’s a story of how anger can boil under the surface of any otherwise seemingly reasonable man.

Not only that, but it is totally the precursor to The Incredible Hulk.

Enjoy this version brought to you by Project Gutenberg:

http://www.gutenberg.org/ebooks/42

“With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to the truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two.” – Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde.

Bookshelf Battlers, thank you for joining in the discussion.  The Public Domain Horror Fiction posts have really started a nice surge of viewer stats, so please feel free to share with friends.  And don’t forget my twitter hashtag – #tweettheraven where I’ll be posting Edgar Allan Poe’s The Raven all month.  Follow @bookshelfbattle for more booktastic news.

Tagged , , , , , , , , ,

Public Domain Horror Fiction – Mary Shelley’s Frankenstein

Green face.  Bolts in the neck.  Lumbering walk.  Says, “Grr!  Arrgh!” all the time.  No wonder that Frankenstein monsters did not take pop culture by storm in the way that vampires did.  While there are umpteen million stories about a heroine who must choose between a vampire or a werewolf, you’ll never see one where she has to choose between a vampire or a Frankenstein monster.

Still, Mary Shelley’s Frankenstein is an epic tale of a) man’s desire to cheat death b) man’s awareness of his own mortality c) man’s futile attempts to control nature through science and well, if you learned any other lessons from reading it, feel free to post them below.

Published in 1818, Mary Shelley’s copyright over this work isn’t coming back to life, even if you strap it to a table and wait for a lightning bolt to zap it.  Thank you Mary for writing a work that has withstood the test of time.

And thank you Project Gutenberg for preserving it:

http://www.gutenberg.org/ebooks/41445

“How dangerous is the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to be greater than his nature will allow.”

– Mary Shelley’s Frankenstein

Tagged , , , , , , , , ,