Tag Archives: writing

A Christmas Carol by Charles Dickens – Public Domain Copy

Ho ho ho, Merry Christmas Bookshelf Battlers!  ‘Tis the season to be ready!  (You are not supposed to read the word “ready” as in “being prepared” but “reedy” as in, being a person who likes to read.  Nevermind).

It has been tough keeping up the old Bookshelf Battle blog (follow along on twitter @bookshelfbattle ) lately.  I’ve been writing up a storm on a book idea I have and unfortunately I have limited time, so the little time I do get I’d rather spending working on that than posting here, though I wish I could do both.

It’s been ages since I’ve done a book review.  That’s sad, since that’s what this blog is all about.  But one goal I have is to also promote the classics, especially those in the public domain that belong to the ages.

So without further ado, here is a link to Project Gutenberg’s version of A Christmas Carol by Charles Dickens – the story of hard working Ebenezer Scrooge, an evil one-percenter who made his gold shillings off the backs of the poor, and was happy to do so until three liberal bleeding heart ghosts guilted him into spreading his loot around.

OK, so maybe the story doesn’t work well with modern terminology, but enjoy anyway!

http://www.gutenberg.org/ebooks/46

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Frozen NaNoWriMo

I edited my work last night.  Stop judging me.  I realized I had made an error that if left unfixed it would have been pointless to press forward.

“That’s what everybody does!  Just write anyway!”

I know.  But the error was such that anything written beyond said error would have become meaningless jibber jabber.

“It all starts out as meaningless jibber jabber!”

I know.

Anyway, here are my tweets of the NanoWriMo Edition of “Do You Wanna Build a Snowman?”

And here is “Let it Go” – NanoWriMo Edition:

I know.  I know.  I’ve spent the past year wishing these songs would go away and now I’ve made a small contribution towards keeping them going.  I am a hypocrite.

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Les Miserables – #NanoWriMo Edition

Here’s my series of tweets in which I took two songs from the play/movie, Les Miserables and geared them toward #NanoWriMo

Look Down – NanoWriMo Edition

So embarrassing!  One of those tweets has a “You’re” that should be a “Your.”  I wish there was an “edit tweet” function.  Oh well.  Here’s my other twitter-tastic creation:

The Confrontation:  NanoWriMo Edition

Especially creative?  Too much time on my hands?  A little from Column A and Column B?  You be the judge!

Are you participating in NanoWriMo?  Are you at least taking part in the #NanoWriMo discussions?  Follow @bookshelfbattle for more booktabulous fun.

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Literary War Quote – 1984 by George Orwell

Bookshelf Battler here, reporting live from the Call of Duty: Advanced Warfare battlefront.  I have to hand it to this game.  Such ultimate realism – the sights, the sounds, the blasts, the getting shot twenty times and then hiding behind a corner until you get better – ok, so maybe the realism factor isn’t all that high but still it is an all around A+ game.

This week I’m celebrating this game with a tie-in to literary war quotes – mentions in literature about that most necessary (or unnecessary?) of all evils – war.  War.  Ungh.  Goo God yah huh – what’s it even good for?  Absolutely nothin.’

In 1984, (the book, not the year that happened thirty years ago – hey what do you know, Happy Anniversary 1984!) by George Orwell, a vivid portrait the ultimate police state is created, so much so that the novel gave rise to the phrase, “Big Brother is watching you.”

What did this book have to say about violence – as in organized violence ,or in other words, war?  Check it out:

“Those who abjure violence can only do so by others committing violence on their behalf.”  – George Orwell, 1984

Don’t be fooled by the catchy use of the word, “Battle” in the title of this blog.  I’m all for peace, happiness, and tranquility.  But George makes a good point.  Constant threats abound – both from criminal degenerates at home and terrorists abroad.  We are able to sit around and type on our blogs, drink our Mountain Dew, and play our video games because “rough men,” i.e. police and soldiers are taking up arms on our behalf and keeping the bad guys at bay.  Here’s what else George had to say on the subject:

“People sleep peacefully in their beds only because rough men stand ready to do violence on their behalf.”  – George Orwell, 1984

My opinion, police and military types often get a bad rap.  They’re often portrayed in pop culture  as savages, jerks, people on a power trip who just enjoy committing acts of violence and while I suppose there will always be a few bad apples in any bunch, we have to be honest with ourselves and realize that we are able to live peaceful lives because the government employs “rough men” (and hey – even “rough women!” to fight on our behalf.

This concept was further immortalized in the 1992 military courtroom drama film, A Few Good Men.  Remember the character Col. Nathan Jessup played by Jack Nicholson?  Here’s the direct quote of his infamous “You Can’t Handle the Truth!” speech:

“Son, we live in a world that has walls, and those walls have to be guarded by men with guns.  Who’s gonna do it?  You?  You, Lt. Weinburg?  I have a greater responsibility than you could possibly fathom.  You weep for Santiago and you curse the Marines.  You have that luxury.  You have the luxury of not knowing what I know – that Santiago’s death, while tragic, probably saved lives.  And my existence, while grotesque and incomprehensible to you, saves lives.  You don’t want the truth because deep down in places you don’t talk about at parties, you want me on that wall, you need me on that wall.  We use words like honor, code, loyalty.  We used these words as the backbone of a life spent defending something.  You use them as a punchline.  I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide and then questions the manner in which I provide it.  I would rather you just said thank you, and went on your way.  Otherwise, I suggest you pick up a weapon and stand a post.  Either way, I don’t give a damn what you think you are entitled to.”  – Jack Nicholson as Col. Nathan Jessup in A Few Good Men

Well, maybe this is not the best example since Jessup was the bad guy in the film but overall, the main point – if you feel the need to criticize police and the military for being “rough men,” try to also keep in mind that their “roughness” is very much needed.

And don’t forget – my Call of Duty character will be exploded 50 times tonight by frag grenades, many of which I tossed accidentally at my own feet, so that you can play peaceful video games like Mario Kart and Minecraft.

Full disclosure – I have to give props to NBC’s The Blacklist because Raymond “Red” Reddington used Orwell’s quote in this week’s episode.  When I heard it, I was like, “Thank you, James Spader!  There’s a blog post!”

In conclusion – don’t forget to subscribe to this blog and follow @bookshelfbattle.com on Twitter.

And if you’re a Walking Dead fan – stop by Sunday night to discuss the latest episode!  What is Carol going to do as a patient at the evil hospital, anyway?

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Literary War Quotes – A Farewell to Arms

Bookshelf Battler here, reporting live from the Call of Duty home base.  I am working on my fighting skills and have perfect a move where I run my character into a wall for thirty seconds until another player stealthily sneaks up behind me and either a) rudely shoots me in the back b) knifes me in the back c) lobs a grenade at me or d) a combination of a, b, and c.

All part of my genius plan to wear the enemy down.  Once the opposing forces are exhausted from constantly throttling me, I’ll strike!  (And run into the wall for an entire minute before I figure out how to turn around).

Are you playing Call of Duty: Advanced Warfare?  Take a break to read today’s literary war quote:

“If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.”  – Ernest Hemingway, A Farewell to Arms

Ernest Hemingway’s 1929 novel, A Farewell to Arms is a classic love story set against the backdrop of World War I.  Heartbreaking and perhaps even depressing, it pulls no punches in illustrating the plight of those who fight.

What about the above quote?  Essentially, Hemingway is saying that the world is such a harsh place that sooner or later it brings down everyone – pessimist and optimist alike.  Is that true?  Is there anyone who ever manages to get through life without being dragged down by some of the crueler aspects of the world?

Press the pause button on your remote control and share your thoughts in the comment section!  As always, thanks for dropping by and don’t forget to follow @bookshelfbattle on Twitter.

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Literary War Quotes

In honor of my latest obsession with Call of Duty, I’ve decided that this week will be a week of literary war quotes.  Throughout the week on bookshelfbattle.com there will be quotes from books, characters, and authors and each will provide a different perspective of war.

Here’s today’s quote:

“A small but noteworthy note. I’ve seen so many young men over the years who think they’re running at other young men. They are not. They are running at me.” – Death, the Narrator of The Book Thief by Markus Zusak.

Have you ever read The Book Thief?  I haven’t but have seen the film and enjoyed it.  The use of Death as the narrator was an original, unconventional idea that worked.  It was set during World War II, which was, after all, a very busy time for the Grim Reaper.  Essentially, what the author is trying to convey here is that soldiers often think they are going up against the opposing army but ultimately, they’re engaged in an activity that is just going to bring death upon them way too soon.

To state the obvious, war sucks.  This will be a constant theme of the literary war quotes we will explore.

Tune in tomorrow folks.  Same Bat Time.  Same Bat Channel.

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Happy Halloween

Boo! (k) s

Happy Halloween, everyone.  The Bookshelf Battle month of Halloween literature has cruised along non-stop but alas, it must come to an end, for the Fall/Winter tradition of America is as follows:

  • October – Celebrate Death
  • November – Stuff face with game bird
  • December – Celebrate Jesus’ Birthday by Asking a Fat Man to Bring Us High-End Electronics that will be obsolete by Valentine’s Day

Seventeen days of Halloween literature posts – bringing you discussions of horror classics, zombie fiction, vampires, ghosts, ghouls, goblins, and more!

Plus, I tweeted Edgar Allan Poe’s “The Raven” in its entirety!  No one has ever been that a) awesome or b) stupid or c) had a desire to waste time in such a ridiculous manner before.  Check it out at #tweettheraven and as always feel free to follow me @bookshelfbattle

Alas, starting tomorrow I’ll have to leave the horror fiction fest behind but – is there really any good Thanksgiving fiction?  Hmmm…maybe I’ll have to divebomb straight into Christmas fiction.

After all, this is that odd time of year where you walk into the store to find a) half-off clearance on psycho zombie masks next to b) Rudolph and Santa Claus paraphernalia, wrapping paper, candy canes and so on.

Thanks for reading, fellow bookshelf battlers.  Until next time, this is the proprietor of an underappreciated book blog signing off.

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Double Double Toil and Trouble – The Witches of MacBeth

Happy Halloween!

Have you ever wondered how witches obtained their witchy personality traits?

***Crickets chirp***

Ahem.  This is your cue.

“Hey!  Bookshelf Battle Guy!  How did witches obtain their witchy personality traits?”

Oh thank you, Reader.  I thought you’d never ask.

Well, the common conception of a witch is a nasty old hag throwing all kinds of weird ingredients (usually animals or parts of animals) into a boiling cauldron.

We could discuss all day witch-tastic imagery from all sorts of literature but to me, Act 4, Scene 1 of William Shakespeare’s Macbeth stands out.

So park your broomstick and grab your eye of newt, because here are some excerpts and quotes:

SCENE 1 – A cavern – in the middle is a boiling cauldron.

Thunder.  Enter the three witches.

FIRST WITCH

Thrice the brinded cat hath mew’d

SECOND WITCH

Thrice and once the hedge-pig whined

BOOKSHELFBATTLE – So, four then?  The pig in your hedges whined four times?  Why are you hags making this so difficult?

THIRD WITCH

Harpier cries, ‘Tis time, ’tis time.

FIRST WITCH

Round about the cauldron go;

In the poison’d entrails throw.

Toad, that under cold stone

Days and nights has thirty-one

Swelter’d venom, sleeping got,

Boil thou first i’ the charmed pot

BOOKSHELF BATTLE GUY: Pot of poisoned entrails?  That doesn’t sound charming at all.

ALL

Double, double toil and trouble;

Fire burn and cauldron bubble!

SECOND WITCH

Fillet of a fenny snake,

In the cauldron boil and bake;

Eye of newt and toe of frog

Wool of bat and tongue of dog

Adder’s fork and blind-worm’s sting,

Lizard’s leg and owlet’s wing

For a charm of powerful trouble,

Like a hell-broth boil and bubble.

BOOKSHELFBATTLE GUY – My condolences, amputated animals.  Apparently witches used to think your parts were magical.

ALL

Double, double toil and trouble

THIRD WITCH

Scale of dragon, tooth of wolf,

Witches’ mummy, maw and gulf

Of the ravin’d salt-sea shark,

Root of hemlock digg’d i’ the dark,

Liver of blaspheming Jew,

Gall of goat, and slips of yew

Silver’d in the moon’s eclips,

Nose of Turk and Tartar’s lips

Finger of birth-strangled babe

Ditch-deliver’d by a drab,

Make the gruel thick and slab:

Add thereto a tiger’s chaudron

For the ingredients of our cauldron.

BOOKSHELF BATTLE GUY – OK, now they’re getting ridiculous.  I don’t even know where to begin.  First of all, allow me to apologize for the racial insensitivity.  What can I say?  This is an excerpt taking from a 1500’s era writer who was writing about ancient witches so it is not like you can really expect a lot of political correctness.  Also, how many babies were getting strangled in those days that their fingers were just apparently readily available to be tossed into witches’ brews?  Those were dark times, my friends, dark times indeed.

ALL

Double, double toil and trouble;

Fire burn and cauldron bubble.

SECOND WITCH

Cool it with a baboon’s blood,

Then the charm is firm and good.

BOOKSHELFBATTLE GUY: – This took place in Scotland, didn’t it?   Where would they have even found a baboon?

ENTER HECTATE to the other three Witches.

HECTATE

O well done!  I commend your pains;

And every one shall share i’ the gains;

And now about the cauldron sing,

Live elves and fairies in a ring,

Enchanting all that you put in.

MUSIC AND A SONG: Black spirits…

HECTATE retires

SECOND WITCH

By the pricking of my thumbs,

Something wicked this way comes.

Open, locks,

Whoever knocks!

ENTER MACBETH

MACBETH

How now, you secret, black and midnight hags!

What is’t you do?

BOOKSHELF BATTLE GUY:  I have no comment, other than I think it is funny that MacBeth openly refers to them as hags.  “Hello, hags!”

Well folks, that concludes my discussion of MacBeth’s witches.  Grab your wolf teeth and dragon scales and toss them into the comment section.

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Public Domain Horror Fiction – The Monkey’s Paw by W.W. Jacobs

Readers, if there’s one lesson you ever learn from this humble book blog, I hope it is this one:

Never make a deal with something or someone evil.

You scoff but you know it is true.  Ask a source of evil to make you win the lottery and you will…only to get hit by a bus on the way to cash in the ticket.  Evil has one of the twisted view of irony ever known.

So tonight, in bookshelfbattle.com ‘s ongoing Public Domain Horror Fiction Series, check out the short story, The Monkey’s Paw by W.W. Jacobs, first published in the early 1900’s.  Short summary – A couple and their adult son find a Monkey’s Paw from India.  Supposedly, it has the power to grant wishes.  Sadly, they learn the hard way that with their wishes comes evil irony.

https://www.gutenberg.org/files/12122/12122-h/12122-h.htm

“The other two wishes,” she replied rapidly. “We’ve only had one.”
“Was not that enough?” he demanded fiercely.
“No,” she cried, triumphantly; “we’ll have one more. Go down and get it quickly, and wish our boy alive again.”

– W.W. Jacobs, The Monkey’s Paw

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Text of “The Tell-Tale Heart” by Edgar Allan Poe

Not to make this a Poe-fest, but he was the Father of American Gothic Horror, after all.  Bookshelfbattle.com ‘s Halloween festivities continue with the full text of The Tell-Tale Heart by Edgar Allen Poe in its entirety:

THE TELL-TALE HEART

BY: EDGAR ALLAN POE

1843 

TRUE! –nervous –very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses –not destroyed –not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily –how calmly I can tell you the whole story.

It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture –a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees –very gradually –I made up my mind to take the life of the old man, and thus rid myself of the eye forever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded –with what caution –with what foresight –with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it –oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly –very, very slowly, so that I might not disturb the old man’s sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! would a madman have been so wise as this, And then, when my head was well in the room, I undid the lantern cautiously-oh, so cautiously –cautiously (for the hinges creaked) –I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights –every night just at midnight –but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch’s minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers –of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew back –but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out –“Who’s there?”

I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed listening; –just as I have done, night after night, hearkening to the death watches in the wall.

Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief –oh, no! –it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise, when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself –“It is nothing but the wind in the chimney –it is only a mouse crossing the floor,” or “It is merely a cricket which has made a single chirp.” Yes, he had been trying to comfort himself with these suppositions: but he had found all in vain. All in vain; because Death, in approaching him had stalked with his black shadow before him, and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel –although he neither saw nor heard –to feel the presence of my head within the room.

When I had waited a long time, very patiently, without hearing him lie down, I resolved to open a little –a very, very little crevice in the lantern. So I opened it –you cannot imagine how stealthily, stealthily –until, at length a simple dim ray, like the thread of the spider, shot from out the crevice and fell full upon the vulture eye.

It was open –wide, wide open –and I grew furious as I gazed upon it. I saw it with perfect distinctness –all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man’s face or person: for I had directed the ray as if by instinct, precisely upon the damned spot.

And have I not told you that what you mistake for madness is but over-acuteness of the sense? –now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the old man’s heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.

But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eve. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder every instant. The old man’s terror must have been extreme! It grew louder, I say, louder every moment! –do you mark me well I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me –the sound would be heard by a neighbour! The old man’s hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once –once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eve would trouble me no more.

If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs.

I then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye –not even his –could have detected any thing wrong. There was nothing to wash out –no stain of any kind –no blood-spot whatever. I had been too wary for that. A tub had caught all –ha! ha!

When I had made an end of these labors, it was four o’clock –still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, –for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbour during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.

I smiled, –for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search –search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.

The officers were satisfied. My manner had convinced them. I was singularly at ease. They sat, and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears: but still they sat and still chatted. The ringing became more distinct: –It continued and became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definiteness –until, at length, I found that the noise was not within my ears.

No doubt I now grew very pale; –but I talked more fluently, and with a heightened voice. Yet the sound increased –and what could I do? It was a low, dull, quick sound –much such a sound as a watch makes when enveloped in cotton. I gasped for breath –and yet the officers heard it not. I talked more quickly –more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men –but the noise steadily increased. Oh God! what could I do? I foamed –I raved –I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder –louder –louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God! –no, no! They heard! –they suspected! –they knew! –they were making a mockery of my horror!-this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! and now –again! –hark! louder! louder! louder! louder!

“Villains!” I shrieked, “dissemble no more! I admit the deed! –tear up the planks! here, here! –It is the beating of his hideous heart!”

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