Monthly Archives: February 2015

Better Call Saul 2/23/15 – “Hero” – Episode Wrap Up (Season 1 Episode 4)

Better Call SPOILERS

It’s Saul vs. the big corporate law firm.  Who will win?  Who should win?  Was Saul in the right with his bill board or was he copying his big rival?

Discuss!

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Walt Whitman’s O Captain! My Captain!

Written to honor President Abe Lincoln after his assassination, Walt Whitman’s  O Captain!  My Captain! compares the end of the Civil War to the end of a long ship voyage, and Lincoln to a journey weary Captain. Makes sense, as Lincoln did guide the nation through some very choppy seas.

O Captain!  My Captain!

By: Walt Whitman

O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.

The poem is often used as a tribute to leaders in general, and was prominently featured in Dead Poets Society, starring Robin Williams.

Fun fact – a Walt Whitman poetry book carelessly left on a toilet tank would go on to play an important part in AMC’s Breaking Bad.

So, good for you, WW, you honored a great president, and you were featured on a cable drama.

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As they say in Gaffney…

There will be a special guest on bookshelfbattle.com this Friday Feb. 27 in honor of the release of House of Cards Season 3 on Netflix.

All 3.5 of you should clear your schedules.

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I feel I must advise you…

…that February only has 28 days because all those months with 31 days are too selfish to share.

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The Betrayal of John

Pop quiz, hot shots.

I give you a book.  The title is “The Betrayal of John.”

Don’t think too hard, just give me your instant reaction.

When you read this title, do you:

A)  Think the book is about how John betrayed someone

OR

B)  Think the book is about how John was betrayed

Just a question to help me with a project I have going on at Bookshelf Battle HQ

Thank you, my noble guinea pigs.  Your assistance to the Bookshelf Battle cause is most appreciated.

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When the F#%K Should Your Characters Swear?

Thanks all for commenting. I’ve been meaning to get back to you, but I am currently embroiled in a legal dispute with a Yeti that is taking up all of my time. In the meantime, I thought I’d bump this up in case anyone f%$&ing missed it.

Bookshelf Battle

Time to bring out Ann and John again.  In case you missed their previous antics:

Ann and John on Copyrights

Ann and John on Characters with Accents

Ann and John vs. Robostrangler

And now, our latest installment – Ann and John and the Search for More F$*ing money.

I have mixed thoughts on those pesky swear words.  On the one hand, we are adults.  If your characters are adults living in an adult world, they might swear once in awhile.  Case in point:

“I’ve had enough of your goddamn cheating, John!”  Ann said as she drew her gun and pointed it at him.

“Ann!  No!  What the f$%k are you doing?!”  John asked.

“What I should have done a long time ago, you son of a bitch!”

Ann fired.  The bullet ripped through John’s flesh.

“Owww!”  John screamed.  “My f$&king arm!!!”

I don’t like gratuitous swearing.  I like to use…

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Movie Review – Boyhood (2014)

Boyhood.  There’s 12 years of SPOILERS ahead.

How to describe?  I’m not even sure where to begin.

At the outset, when you go into it, you need to set aside traditional movie questions you’d normally ask to gauge a film’s overall effectiveness.  “Was I entertained?  Was I in suspense?  Was I left hanging on the edge of my seat?”  It’s more of an educational experience than a traditional plot based film so the typical questions don’t apply.

Growing up is painful, difficult, and has its series of ups and downs that few of us, if any, are spared from.  The film begins in the early 2000’s and follows a family for 12 years.  This unique idea leaves the viewer to watch the child actors grow up on screen before our very eyes.  They start out as little kids and end up fully grown adult college students.  And film crews shoot all of the bittersweet moments along the way.

Cultural references are crowbarred in all over the place.  Music, movies, politics all serve as cues to let the viewer know how much time has passed.  From the cheap clunky apple little Mason uses in the school library to the sleek apple he uses in high school, from little Sam singing Britney Spears in the beginning to Obama’s campaign, there’s a definite effort to make sure you, the viewer, are aware that time is moving on.

Director Richard Linklater took on an insurmountable task with this project.  It’s hard enough to keep a normal production on track, let alone one that requires the same cast to return every once in awhile over the course of twelve years.  Thus, it surprised me that he didn’t walk away with the Oscar for best director, even just for the courage to throw himself into the world of an unusual, time consuming project that from the start was destined to not become a big box office draw.

The film begins in the early 2000’s.  Mason Jr. (Ellar Coltrane) and his sister, Samantha (Lorelei Linklater, thus the director could guarantee from the start that at least one cast member was going to return over the course of twelve years) are little kids living with single mom, Olivia, played by Patricia Arquette.  Their biological father, Mason Sr. (Ethan Hawke) is the stereotypical screw-up, driving around in a sports car, having just returned after abandoning the family, and is now making an effort to be a part of the kids’ lives.

Throughout the film, Olivia tries to improve herself.  She goes back to school.  She marries a professor who seems great on the surface, but as it turns out, is an abusive alcoholic.  When his rage fits go out of control, Olivia packs up Mason and Sam and leaves, and the kids are sad as they’d grown attached to their step-siblings, the professor’s kids.

Time moves on.  Olivia becomes a professor herself.  The kids aren’t the only ones who grow up before our eyes.  The adults do as well.  Olivia marries a student, a man who at first, appears to be a very charming war veteran, but, and perhaps in a bit too much of a cliched manner, becomes one more angry drunk that Olivia has to dump.  Honestly, how many jerks must this woman suffer through?

Sometimes we look at kids, we see them with their video games and cartoons and we think they must be happy, but as the film shows, they suffer from a lot of sadness and angst.  As a society, we should be aware of that.  Kids in divorced families especially have it tough.  Over the course of twelve years, Mason and Sam live with their mom, see their father every other weekend, suffer through two abusive drunk stepdads and overall just live confused lives where it looks like stability is never going to be an option for them.

We see Mason, a little boy, going from the typical, silly kid who crushes his homework in his backpack and forgets to give it to his teacher, to become a young man with a dream of becoming a photographer.  We watch all of his milestones, from dressing up as a boy wizard to attend a Harry Potter premiere all the way to his graduation.

We are even spectators as Mason goes through his first breakup, something that happens to all of us.  If it’s never happened to you, you’re one lucky individual.  We’re even left with some hope as Mason meets a new girl with similar interests, the point being that Mason has learned not to seek out just any old girl but to find one who likes him for who he is.

I do have a complaint.  Throughout the film, I feel like we’re asked to cheer on Olivia as she stands up for herself time and time again against a series of lousy men.  At the start of the film, Hawke’s character, Mason Sr., is painted out as the typical “I refuse to grow up” family abandoning loser.  By the end of the film, he has, in a very noble manner, taken the sadness he feels about losing his family and channels it to become Mr. Super Reliable, a great husband to his second wife, and wise, all-knowing Super Dad to Mason Jr, Sam, and the newborn he has with his second wife.

That’s very admirable.  People shouldn’t be punished forever for their mistakes.  If, like Mason Sr., they turn their lives around, they should be rewarded.  But where’s Olivia’s reward?  For a brief moment, we’re hoodwinked into thinking maybe her reward is found in the soldier she marries but out of the blue he’s turned into an abusive drunk.  Didn’t we already have an abusive drunk in the form of the professor?  Did we need a second one?

Getting back to my complaint – at the end of the movie, Olivia is left a sad old woman in a small apartment.  Mason Jr. and Sam are off at college having the time of their lives.  Mason Sr. has become the Dad we all wish we had.  Olivia, the most responsible person in the entire movie, is the only one left without a reward.  That just seems unfair to me.

At the end, there’s an implication that she regrets not sticking with Mason Sr (Hawke).  Maybe she was too hard on him when he was young.  Maybe she spent too much time chasing perfection.  She went for the college professor and the war veteran, two men who were adept at holding themselves out to the world as perfect, but on the inside, had their own demons.

We’re left to think “if only Olivia had been more patient with Mason Sr.”  No, he wasn’t perfect, but given time, he’d of morphed from the caterpillar he was to the butterfly Olivia was looking for all along.  Are we all guilty of that?  Probably.  We should all try to be a little more patient with our significant others because ultimately, the grass isn’t always greener.  The perfect person you’re searching for isn’t out there.  No one is perfect.

That may be all well and good but the Mason Sr. we’re shown at the start of the film?  We can’t begrudge young Olivia for turning a cold shoulder to him.  So I’m not sure why Olivia doesn’t end up with some kind of reward at the end for all her struggles.

Like this review, the movie goes on a bit too long, though it is understandable.  They had a lot of footage taken over a twelve year period and wanted to use it.

Is it worth your time?  Yes, but just remember, it’s more of an educational experience than an entertaining one.  If that’s not something you’re looking for, you might want to pass it up.

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Michael Keaton Robbed

Boo.  Boo. Boo, I say.  Boo.

Look, I never saw The Theory of Everything.  I’m sure its great.  I’m sure Eddie Redmayne did a great job.

But come on.  He’s young.  He has like 50 years to get one.  Michael Keaton’s been around for so long and snubbed for so long.  It was really his turn.

Maybe it’s wrong to think like that.  The award should just go to whoever did the best job, but it’s too bad.  I just think Keaton is awesome and I thought it was going to be his night.

Oh well.  I suppose he had a win in that the movie sort of semi-based on his career took home best picture.

Still, I feel like this results in either Keaton never gets an Oscar, or they pull a Jack Palance/City Slickers move and give it to Keaton when he’s 70 and appears in some random role in a goofball comedy.

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When the F#%K Should Your Characters Swear?

Time to bring out Ann and John again.  In case you missed their previous antics:

Ann and John on Copyrights

Ann and John on Characters with Accents

Ann and John vs. Robostrangler

And now, our latest installment – Ann and John and the Search for More F$*ing money.

I have mixed thoughts on those pesky swear words.  On the one hand, we are adults.  If your characters are adults living in an adult world, they might swear once in awhile.  Case in point:

“I’ve had enough of your goddamn cheating, John!”  Ann said as she drew her gun and pointed it at him.

“Ann!  No!  What the f$%k are you doing?!”  John asked.

“What I should have done a long time ago, you son of a bitch!”

Ann fired.  The bullet ripped through John’s flesh.

“Owww!”  John screamed.  “My f$&king arm!!!”

I don’t like gratuitous swearing.  I like to use it sparingly, avoiding it if at all possible.  Whether it is for humorous or dramatic effect, I only like to use it when the situation absolutely calls for it.

It’s not that I’m some kind of prissy teetotaler.  I don’t clutch my pearls, pop my monocle, and shout, “Oh I declare, I positively have the vapors!” whenever I hear naughty language.

Unless it is somehow central to the plot, or somehow works well with the story, I just fear that too many swears will alienate a reader.

The problem?  Just as it is possible to overuse swears, it is possible to underuse them:

“I’ve had enough of your gosh darn cheating, John!” Ann said as she drew her gun and pointed it at him.

“Ann! No! What the fiddlesticks are you doing?!” John asked.

“What I should have done a long time ago, you son of a female dog!”

Ann fired. The bullet ripped through John’s flesh.

“Owww!” John screamed. “My fudging arm!!!”

I suppose it is possible to split the difference.  After all, if you’re going through a frightening experience, like say, getting shot, you would probably swear, but then again, you might be in such shock, you might forget to:

“I’ve had enough of your cheating, John!” Ann said as she drew her gun and pointed it at him.

“Ann! No! What are you doing?!” John asked.

“What I should have done a long time ago!”

Ann fired. The bullet ripped through John’s flesh.

“Owww!” John screamed. “My arm!!!”

Well, let me get to the whole point of why I seek your input.  As previously discussed, I’m working on a sci-fi novel.  It takes place in a gritty world, where life isn’t easy for my characters, and bad things happen.

It has aliens, robots, spaceships, monsters – or in other words, the odds are younger people will like it more than older folks.  Although, maybe not.  I feel like I’ll still love Sci-Fi when I’m eighty years old.  The more sci-fi was around when you were a kid, the more you’ll like it as an adult.

As an author, I find swear words to be particularly vexing.  Don’t use a swear and you might be selling out, overuse swears and you’ll push potential readers away.  And the second you drop a swear word into your book you move from something that can be enjoyed by all to something that can only be enjoyed by few.

Well readers, what the f%&k do you think?

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Movie Review – Birdman (Or, The Unexpected Virtue of Ignorance) 2014

Boosting this up since the Oscars are tonight. Who do you think will take home a statue?

Bookshelf Battle

Or, Hollywood is Sorry for Pushing Crap on You, But It’s Kind of Your Fault.

In 1989, Michael Keaton starred as the first Batman to not suck.  That role made his career.  I’d argue that it didn’t really define him though.  He’s been in zany comedies and serious dramas, performing expertly in both.

Yet, as a former Batman who’s ditched the cowl to seek out more serious roles, one is left to wonder how much of Birdman is semi-autobiographical.  Does Keaton identify with Riggan?  Only Keaton could truly answer that.

Keaton plays Riggan Thomson, a big time actor who, twenty years ago, played a feathery comic book super hero in a series of Birdman films.  They were special effects extravaganzas that made him a lot of money and were big at the box office.

Movieclips Trailers

Today, Riggan is trying to leave his past behind him and gain recognition as…

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