Tag Archives: tv

The Walking Dead 11/16/14

GRR!  ARGH!  SPOILERS AHEAD!  BRAINS!

It was an all Daryl and Carol episode tonight on The Walking Dead.  The Bookshelf Battler’s Observations:

1)  A lot of flashbacks and shifts around in time.  A bit confusing but I figured it out.

2)  That van never would have landed like that but I’m glad Daryl and Carol are ok.

3)  Did the hospital people hit Carol on purpose?  Did she get hit on purpose to find Beth?

4)  Why were all those zombies just hanging out in sleeping bags?

5)  These people have been walking around for years.  Why haven’t they made it out of Georgia yet?

Did you watch tonight’s episode?  Do you have any random comments or questions?  Feel free to share!

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Literary War Quote – 1984 by George Orwell

Bookshelf Battler here, reporting live from the Call of Duty: Advanced Warfare battlefront.  I have to hand it to this game.  Such ultimate realism – the sights, the sounds, the blasts, the getting shot twenty times and then hiding behind a corner until you get better – ok, so maybe the realism factor isn’t all that high but still it is an all around A+ game.

This week I’m celebrating this game with a tie-in to literary war quotes – mentions in literature about that most necessary (or unnecessary?) of all evils – war.  War.  Ungh.  Goo God yah huh – what’s it even good for?  Absolutely nothin.’

In 1984, (the book, not the year that happened thirty years ago – hey what do you know, Happy Anniversary 1984!) by George Orwell, a vivid portrait the ultimate police state is created, so much so that the novel gave rise to the phrase, “Big Brother is watching you.”

What did this book have to say about violence – as in organized violence ,or in other words, war?  Check it out:

“Those who abjure violence can only do so by others committing violence on their behalf.”  – George Orwell, 1984

Don’t be fooled by the catchy use of the word, “Battle” in the title of this blog.  I’m all for peace, happiness, and tranquility.  But George makes a good point.  Constant threats abound – both from criminal degenerates at home and terrorists abroad.  We are able to sit around and type on our blogs, drink our Mountain Dew, and play our video games because “rough men,” i.e. police and soldiers are taking up arms on our behalf and keeping the bad guys at bay.  Here’s what else George had to say on the subject:

“People sleep peacefully in their beds only because rough men stand ready to do violence on their behalf.”  – George Orwell, 1984

My opinion, police and military types often get a bad rap.  They’re often portrayed in pop culture  as savages, jerks, people on a power trip who just enjoy committing acts of violence and while I suppose there will always be a few bad apples in any bunch, we have to be honest with ourselves and realize that we are able to live peaceful lives because the government employs “rough men” (and hey – even “rough women!” to fight on our behalf.

This concept was further immortalized in the 1992 military courtroom drama film, A Few Good Men.  Remember the character Col. Nathan Jessup played by Jack Nicholson?  Here’s the direct quote of his infamous “You Can’t Handle the Truth!” speech:

“Son, we live in a world that has walls, and those walls have to be guarded by men with guns.  Who’s gonna do it?  You?  You, Lt. Weinburg?  I have a greater responsibility than you could possibly fathom.  You weep for Santiago and you curse the Marines.  You have that luxury.  You have the luxury of not knowing what I know – that Santiago’s death, while tragic, probably saved lives.  And my existence, while grotesque and incomprehensible to you, saves lives.  You don’t want the truth because deep down in places you don’t talk about at parties, you want me on that wall, you need me on that wall.  We use words like honor, code, loyalty.  We used these words as the backbone of a life spent defending something.  You use them as a punchline.  I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide and then questions the manner in which I provide it.  I would rather you just said thank you, and went on your way.  Otherwise, I suggest you pick up a weapon and stand a post.  Either way, I don’t give a damn what you think you are entitled to.”  – Jack Nicholson as Col. Nathan Jessup in A Few Good Men

Well, maybe this is not the best example since Jessup was the bad guy in the film but overall, the main point – if you feel the need to criticize police and the military for being “rough men,” try to also keep in mind that their “roughness” is very much needed.

And don’t forget – my Call of Duty character will be exploded 50 times tonight by frag grenades, many of which I tossed accidentally at my own feet, so that you can play peaceful video games like Mario Kart and Minecraft.

Full disclosure – I have to give props to NBC’s The Blacklist because Raymond “Red” Reddington used Orwell’s quote in this week’s episode.  When I heard it, I was like, “Thank you, James Spader!  There’s a blog post!”

In conclusion – don’t forget to subscribe to this blog and follow @bookshelfbattle.com on Twitter.

And if you’re a Walking Dead fan – stop by Sunday night to discuss the latest episode!  What is Carol going to do as a patient at the evil hospital, anyway?

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The Walking Dead – 11/02/14

After a hiatus, Beth returned to tonight’s Walking Dead with an all Beth episode.

WARNING – GRR ARGH ZOMBIE SPOILERS AHEAD

Beth wakes up in a hospital in Atlanta.  To borrow Talking Dead’s term, she’s been “save-napped.”  A hospital operated by police officers and one remaining doctor (he conspires to get another doctor killed for his own job security, so to speak)  have saved her but now they expect her to work in indentured servitude until she works off her debt.  In other words – there is no safe refuge in the Walking Dead.  Woodbury, Terminus, now the Hospital – they’re all run by someone evil and they all abuse their subjects.

Guinea pigs for dinner, a pervert police officer gets his come-uppance, Beth and a fellow captive, Noah (played by that kid from Everybody Hates Chris) make an escape attempt but Beth gets caught.

At the very end of the episode, Carol is admitted as a patient.  The history of the show tells us that Carol won’t put up with this crap.

What’s next for The Walking Dead?  Bookshelfbattle.com will be discussing the show every Sunday night and check out my Walking Dead Tweets by following @bookshelfbattle

In conclusion, GRR!  ARGH!  BRAINS!

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Public Domain Horror Fiction – The Legend of Sleepy Hollow

When I first heard that FOX was going to put out a Sleepy Hollow TV show, I naturally assumed this would be yet another example of Hollywood hacks scraping the bottom of the barrel to bring us yet another overdone idea rather than go to drawing board and come up with something fresh and original.

I was wrong.  They came up with a fantastic spin on an old legend and I must admit it is one of those shows I now look forward to watching every week.  I particularly enjoy Ichabod’s observations of the modern world around him.

But before it was on FOX, or a Tim Burton movie (which was also excellent), it was a tale written by Washington Irving.

And like the Horseman’s knogan, Mr. Irving’s copyright protections are equally non-existent.

Thanks again Project Gutenberg for preserving classic stories like this one for the ages.

Check it out:

https://www.gutenberg.org/ebooks/41

“I profess not to know how women’s hearts are wooed and won. To me they have always been matters of riddle and admiration. Some seem to have but one vulnerable point, or door of access; while others have a thousand avenues, and may be captured in a thousand different ways. It is a great triumph of skill to gain the former, but a still greater proof of generalship to maintain possession of the latter, for a man must battle for his fortress at every door and window. He who wins a thousand common hearts, is therefore entitled to some renown; but he who keeps undisputed sway over the heart of a coquette, is indeed a hero.” – Washington Irving,  The Legend of Sleepy Hollow

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Hi I’m Troy McClure…

…and you might remember me from such book blogs as “Bookshelfbattle.com” and “Return to the Valley of Bookshelfbattle.com!”

In honor of the Simpsons Marathon on FXX, “Every Simpsons Ever!” I’m posting the following filmography of everyone’s favorite Hollywood hack, Troy McClure. Voiced by the late, great Phil Hartman, the character was a mockery of celebrities who have fallen from stardom and are forced to take part in lame projects they view as beneath them. In Troy’s case, he was always featured in some movie, film, TV special that was incorporated into the Simpsons’ plot and he’d introduce himself by saying, “Hi I’m Troy McClure! You might remember me from such films as…” and then he’d go on to list two hilariously titled films.

Without further ado:

Hi! I’m Troy McClure! You might remember me from…

1) …such films as “Today We Kill, Tomorrow We Die” and “Gladys the Groovy Mule.”

2)…such educational films as “Smoke Yourself Thin!” and “Get Some Confidence, Stupid!”

3) …such films as “The Greatest Story Ever Hula-ed” and “They Came to Burgle Carnegie Hall!”

4) …such driver education films as “Alice’s Adventures through the Windshield Glass” and “The Decapitation of Larry Leadfoot.”

5) …such cartoons as “Christmas Ape” and “Christmas Ape Goes to Summer Camp”

6) …such educational films as “Lead Paint: Delicious But Deadly” and “Here Comes the Metric System!”

7) …such Fox Network Specials as “Alien Nose Job” and “The Five Fabulous Weeks of the Chevy Chase Show!”

8) …such telethons as “Out with Gout 88” and “Let’s Save Tony Orlando’s House”

9) …such films as “P is for Psycho” and “The President’s Neck is Missing”

10) …such TV spinoffs as “Son of Sanford and Son” and “After Mannix.”

There’s plenty more where that came from. What’s your favorite Troy McClure movie title? Or, for that matter, what’s your favorite Simpsons quote?

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Frankenstein’s Monster is Kind of a Dick

Have you been watching Penny Dreadful on Showtime? It’s a new show that weaves together all sorts of famous characters from horror literature – Dr. Frankenstein, Dorian Gray, and Prof. Van Helsing just to name a few.

It’s a bit confusing but I suppose that’s the point. A “Penny Dreadful” was a type of sensationalized, trashy novel horror novel, usually printed in serialized form, from the 1800s. (It’s ok, I spent the first three episodes saying, “Well, when the heck is Penny Dreadful going to show up?” before I looked up what a Penny Dreadful was too).

I’ve heard some people say they love the show, others say they hate it. Personally, the best compliment I can give it is that it’s caught my interest enough to keep me watching. If anything else, Eva Green deserves an emmy for the scenes where she, perhaps a little too realistically, convinces the audience that she’s been possessed.

One part I find funny though is Frankenstein’s monster. (Spoilers ahead)

So, Dr. Frankenstein makes a monster who, for reasons we don’t have to get into (just watch the show and find out) has become a major jerk. He’s constantly complaining and whining about how hideously ugly he is – how he must hide in the shadows to hide his grotesque face, how he curses Dr. Frankenstein for giving him life so that he has to suffer being hated and despised for being so gross looking.

His ugly face has left him depressingly lonely, so he commands Dr. Frankenstein to make him a companion – a dead wife brought back to life – a “Bride of Frankenstein” if you will.

One catch, the monster notes – “She must be beautiful!”

Well, holy crap, that’s just the sad nature of life, isn’t it? Here’s a guy who knows everything there is to know about the pains of ugliness, and what’s he say about his bride?

SHE’s GOTTA BE HOT!

“Oooo look at me I’m Frankenstein’s monster, I’ve got stitches all over my face and I hide in the dark because I’m so ugly but no, no undead ugly chicks will be good enough for me, nooooo I need a hot undead chick!”

Come on, Monster. Ugly undead chicks need love too.

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Better Call Saul, Breaking Bad

Yo Mr. White! This post has SPOILERS, bitch!!!

First thing to understand about showbiz people is that they are, in fact, businessmen (and women).

Imagine you open a yogurt store. For the first year or two, you suffer as you try to get it off the ground. Your yogurt stinks for awhile until you find the perfect recipe. Your workers stink until you find the right employees. Your location stinks until you find the right place. Eventually, you turn a profit and become successful. You want to reinvest your profits. What do you do? Do you start a banana stand? Open a pizza shop? A drycleaner store?

No, you go with what has worked for you – you open another yogurt stand.

And that’s why you see Fast and Furious 7, Transformers 4, Spiderman Reboot, Star Wars 7 and so on. Movies and TV shows cost money and the showbiz types want to put their money in tried and true products. That’s why somewhere in the world a fabulous heart wrenching movie script is lying in a drawer somewhere, never to be produced while 95 Jump Street will be out before you know it.

Better Call Saul is an upcoming spin off of the mega-hit show Breaking Bad, starring Walter White’s hilariously sleazy lawyer Saul Goodman, played Bob Odenkirk. On Breaking Bad, Saul provided much needed comic relief to an otherwise serious show, but can he carry a whole series on his own? I have my doubts, but then again, I don’t have any doubts about the people behind Breaking Bad so if they’re behind this, then I will be too.

The latest news is that the character of Walter White will appear on the show – that the show will take place before, during, and after Breaking Bad. I am worried that if the show tanks, it might devalue the whole Breaking Bad brand. Breaking Bad is a masterpiece – you don’t make a Mona Lisa Part II.

I suppose this is one of those things where we’ll just have to wait and see.

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Fargo – Oh Hey, That’s a Really Good Show, Dontcha’ Know?

Are there SPOILERS ahead?

Oh yah’, you betcha’ young fella.’

I just finished the last episode of this season’s Fargo on FX. All I can say is, “Wow.”

When I first heard that a Fargo TV show was in the works, I hated the idea. The Fargo film is such a classic and so self-contained that it did not seem like it would be possible to improve onto it or add to it. If you haven’t seen it, you should. The movie follows a scheme by a wimpy, chronically disrespected car salesman played by William H. Macy to stage a fake kidnapping of his wife in order to extort money from his overbearing father-in-law. The kidnappers, one of them played by Steve Buscemi in what I recall to be one of the best performances of his early career, botch things up miserably and well, tragedy ensues. The evildoers are eventually rounded up by unlikely hero Margie, an exceptionally pregnant police officer. Throughout the movie, much fun is poked at the ways of the Northern Midwest, the overly polite manners of the people there, and their tendency to speak in pseudo-Scandanavian accents – “Oh yah,’ dontch’a know?”

Naturally, the Fargo TV series did capture some of the film’s themes. There’s a wimpy disrespected loser, Lester Nygaard, this time played by Martin Freeman. There’s a female police officer, played by Allison Tolman, but she doesn’t get pregnant until the end. Further homages to the film are made here and there, but for the most part, this is not an attempt to remake the movie so much as to tell another crime story set in the greater Fargo area.

The show becomes increasingly shocking – especially towards the end – the Las Vegas elevator scene and the scene where Lester sends his second wife into the shop, well, I’ll let you watch for yourself, but those scenes left my jaw scraping the floor.

I did worry that casting Key and Peele as two bumbling FBI agents might turn the whole show into a joke, but oddly enough, it did work.

Overall, a great show. FX continues to set the bar high in bringing quality entertainment.

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Lady Stoneheart – Pros and Cons

OBLIGATORY SPOILER WARNING

The nerdosphere is aghast with fury at the news that Lady Stoneheart, a character in the Song of Ice and Firenovels will not be in the Game of Thrones TV series. As someone who has watched the series but not read the books, I’ll throw my two cents into the already chock full well of public opinion.

WHO IS LADY STONEHEART?

Novel readers will probably correct as I mangle this explanation, but here goes. After the Red Wedding, Catelyn’s body is dragged out of a river. The Brotherhood Without Banners brings her back to life as a zombie who can barely speak due to her throat having been cut. A shell of her former self, she basically becomes a new character – Lady Stoneheart. She travels the countryside on a quest for revenge, killing anyone whoever did the Stark family wrong.

Michelle Fairely, the actress who played Catelyn, recently announced that Lady Stonheart won’t be featured in the HBO series. Let’s discuss the pros and cons of that decision:

PROS – NO LADY STONEHEART IS GOOD

I’m not a book reader but I am a self-spoiler. Unable to wait to find out what happens next, I often check A Wiki of Ice and Fire. I’m like the dumb jock that doesn’t read the book but doesn’t want to fail so I read the cliff notes. Although, after self-spoiling the Red Wedding, the Purple Wedding, and Tyrion killing Tywin, I have pledged to not self-spoil anymore in the upcoming seasons.

When I self-spoiled the news that Cat becomes a zombie, I have to admit my first impression was, “Umm…really?” The Red Wedding was just such a powerful scene. George RR Martin weaves you into such a false sense of security. It really appears as though the Starks and Walder Frey have made up and are letting bygones be bygones. The wedding starts out as a joyous occasion, Robb’s uncle is happy to be marrying what appears to be Frey’s only attractive daughter (Sidebar had Frey let Robb know of her existence this whole mess could have been avoided). Then, out of nowhere, all Starks and Stark men in attendance are brutally executed. Quite an unexpected event. On the show, it was quite emotionally disturbing to see all hope drain out of Lady Catelyn’s face just before her throat is cut. That was some great acting on Fairely’s part.

So in some respects, I feel like it would be somewhat silly to say, “OK, Cat’s back as a zombie now!” Zombie Cat takes something away from that powerful Red Wedding scene. One of George RR’s ongoing themes in this story is that life is unfair – bad things often happen to good people, that you want the heroes to overcome but in real life, the heroes don’t always come out on top. So in some respects, Cat coming back to life takes away from the power of the Red Wedding scene.

Plus – overall, the HBO showrunners have done a great job so far so surely their judgment must be understood here. There must be some technical reason why they felt Lady Stoneheart would not play well on screen. As discussed in the nerdosphere, I don’t think it’s any kind of contract issue. I think they could get Fairely to come back and do it. If they couldn’t, well, the character is a zombie, so they could stick any old chump in zombie makeup.

I wonder if the issue is they just think that a Zombie Cat would just be too cheesey. They have this as-realistic-as-the-fantasy genre gets TV show and then all of a sudden they have this zombie version of one of their characters running around. Although I’ve never heard that explanation offered. Most of the explanations have been that they just could not fit her in because they want to do too much else and they only have 10 hours a year and can’t fit in every little detail…

CONS-NO LADY STONEHEART IS BAD

…but this isn’t a little detail! We want revenge for the Starks and without Lady Stoneheart, how does that happen? I agree that TV/Movies can’t always 100 percent mirror their book source material, but this is a big plot line to just overlook. Lady Stoneheart’s path of destruction causes a lot of ripples in the GoT world and it would seem like to not include her would be to have to constantly change the overall GoT storyline. Thus far, the showrunners have remained faithful to the books and that has yielded some powerful results in terms of viewership and show popularity. Admittedly, Lady Stoneheart seems like an unusual idea to me, but I haven’t read the books. I trust George RR’s judgment and writing abilities and I’m sure he took this unusual idea and ran with it in a powerful and amazing way that would be fantastic to watch unfold on screen.

In other words, my fear was Lady Stoneheart would be too much – “Grrr…argh..me zombie…me must kill Lannisters” but from what I hear, the character is much more moving and scary than that.

Plus, it’s not like the Red Wedding scene is taken away from that much. It’s not like she comes back and is all happy like “Hey, look at me, I’m Zombie Cat!” From what I hear, Lady Stoneheart is very sad and tortured – to the point where Cat would have been better off having been better off left dead.

FINAL RULING

How is this an extraneous character or plotline? It’s not like this is an issue where Tyrion wears blue shoes in the book but they make him wear red shoes in the TV. This is a major character in a major plotline. To take her away means the need to make many changes to the show to the point where it may become like True Blood where the show bears no resemblance to the source material whatsoever. While we can debate all day on source material deviations, I think we can all agree that in this case, remaining true to the source material has paid off for both HBO and the viewer.

With today’s make-up and CGI capabilities, I’m sure that an awesome looking Lady Stoneheart could be produced and surely a Zombie Cat on a revenge quest could make for riveting television. Ultimately, none of us run the show so this is like complaining into the wind, but I hope the HBO suits have not made a bad decision here.

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The Red Woman is Full of Crap

Season 4 of Game of Thrones was full of reveals and game changing moments aplenty.

One reveal lost in the shuffle was Lady Melisandre admitting that her “power” was pretty much a bunch of crap. In Episode 7 of Season 4, the Red Woman tells Stannis’ wife, Selyse Florent:

“Most of these potions and viles are lies. Deceptions to make men think they witnesses our lord’s power. Once they step into the light they will see the light for what it is – a trick that made them see the truth.” – Lady Melisandre

She then goes on to explain how her potions trick people – how she has a potion that can make fire jump into the air, that she has a potion that can drive men wild with lust, etc. In other words, she has now powers at all – she’s either drugging people or dazzling them with fancy pyrotechnics.

It’s understandable if you missed it. It was a small part of the show and her bare tucas was flapping in the breeze the entire time she was speaking.

Only confusing thing is she must have at least some power – after all, we all remember how she gave birth to that smoke monster in ridiculously unnecessary graphic detail.

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