Monthly Archives: November 2014

Movie Review – Science, Space Exploration and Interstellar (2014)

WARNING:  There are spoilers in this post that stretch the boundaries of space and time.  For every hour you spend reading this, you may actually be receiving seven years of spoilers!

THE BOOKSHELF FROM THE INTERSTELLAR MOVIE

As promised, I’m back with a review of the film Interstellar starring Matthew McConaughey and Anne Hathaway.  Here’s a fun anonomaly:  the other day I posted the text of “Do Not Go Gentle Into That Goodnight” by Dylan Thomas, a poem that features prominently in that film.

There’s a scene at the end that involves messages being sent through space in time via a bookshelf and well, because this blog’s name is “Bookshelf Battle” and I had a post about Interstellar, I saw a surge in web traffic from people googling things like “bookshelf and interstellar” or “what’s the deal with the bookshelf in interstellar?” or similar searches.  Totally coincidental.  I would never purposely try to move traffic to my site by mentioning “bookshelf” and “interstellar” a bunch of times on my site because honestly, what would be the point of going on all day about the bookshelf from the Interstellar movie?  Frankly, it would be ridiculous to keep going on and on about the bookshelf in the Interstellar and to mention the bookshelf from the Interstellar movie would just be a sad attempt to drive up web hits – so believe you me this will be the last time that I’ll mention the bookshelf from the Interstellar movie.

Bookshelf.  Bookshelf.  Bookshelf.  Interstellar.  Interstellar.  Interstellar.

A CONCEIVABLE FUTURE

I’ve noticed a trend in modern science fiction – namely, to introduce inventions that aren’t around today but to do so in a conceivable manner.  The science fiction of the past dreamed of a day with flying cars and people walking around in funny looking aluminum suits.  For some reason, people in the 1950’s thought that aluminum clothing would be very popular by now.

Interstellar presents technology that we don’t have yet, but said technology is relatable given the way it is presented.  For example, the film features robots with artificial intelligence, but they look like walking/talking ATM machines, not metallic humanoids ala Terminator.

Meanwhile, the ship used looks essentially like a larger version of the Space Shuttle rather than the U.S.S. Enterprise.

The premise of the film?  The Earth is on the way out.  Centuries of abuse and excess have withered the planet’s resources, caused widespread blight and famine, and ruined the economy.  McConaughey plays Cooper, a former engineer and NASA test pilot who only briefly dipped his toe into a space exploration career when the world went into a decline.  His community is relatively stable and he eeks out a living as a farmer, living with his two kids, Murph and Tom, and his father-in-law.  His wife died from an ailment that normally would have been treated in better times.

Cooper isn’t a big fan of the farm life – he regrets never having had the chance to explore space and laments that civilization collapsed before he could do so.  Cooper’s father-in-law, played by John Lithgow, is the yin to Cooper’s yang, lecturing him about how “the world is not enough for him” and how that kind of thinking led to the downfall of the human race – i.e. so many people on a planet with a limited supply of resources and each person is never happy with what they have – they always want more.

There’s probably a lesson for world leaders to think about when considering how to best protect and care for the environment.  Also, Cooper training for a career that he never got to have is certainly a problem that many of today’s college graduates can relate to.

A timeframe of when the movie takes place is not provided, though I got the impression it takes places at a time when today’s millenials have become the grandparents, so maybe 2050-2060 or so?  Just a guess.

 

THE SCIENCE OF SPACE EXPLORATION

Long story short, Dr. Brand, played by Michael Caine, recruits Cooper to use his underutilized pilot skills to go on a desperate mission – fly through a recently discovered wormhole and find a new, habitable planet for the human race.  The humans will probably be good to the new planet for a year or two then proceed to mine and drill the crap out of it all in the name of cheaper iPads and dollar discount Wal-Mart merchandise but that goes beyond the parameters of the film.

He teams up with Anne Hathaway, Dr. Brand’s daughter, who is, herself, another Dr. Brand.  Also, there are two miscellaneous astronauts whose names I neglected to learn because they buy the farm early in the film.

If  you’re a nerd such as myself, you’ve probably thought a lot about space travel.  Though we often think about space travel beyond the moon as being impossible, it isn’t so much impossible as it is improbable.  In a myriad of science fiction movies, Hollywood has portrayed two different ways.  Let’s discuss them along with why they are unlikely:

  • WARP SPEED – Han Solo punches a button and all the stars around the Millenium Falcon stretch out in lines as the ship he won in an intergalactic card game wizzes through them.  The problem?  It would be extremely difficult to drive a ship that fast and not crash into something – a star, an asteroid, a piece of space garbage, something.  The ship would need incredibly accurate sensoring mechanisms and an advanced auto pilot that could maneveur at high-speeds because humans have yet to manage getting out of the grocery store parking lot without bumping into something let alone get around obstacles at mind-bending speeds.

 

  • HYPERSLEEP – Ripley in Aliens preserves herself in a pod that keeps her body in the same physical shape over the course of a long, multi-year journey.  The ship goes on auto-pilot and drives at a normal pace while the occupants of the ship take a nice, long nap.  The characters in Interstellar actually utilize this technology in the film.  A machine that can actually preserve a body and prevent it from aging would be remarkable, and would have many medical applications in addition to the obvious use in space-exploration but until society figures out a way to not make people wait in an ER waiting room for six hours, there is probably not going to be any headway in such a device anytime soon.

Rather than focus on warp speed or hypersleep technologies, Interstellar takes a look at another means of space travel that has heretofore been unused by Hollywood – the wormhole.  As the film explains, scientists believe that worm holes have the possibly to bend points in space such that a tunnel can be created between them.  (At one point, a character draws a line between two points on a piece of paper, then bends the paper so that the two points meet to illustrate how a worm hole makes it possible to go from one point to another without travelling the long distance of the “straight line” in between.

All of this is theoretical but the movie’s allure is taking all of these highly theoretical concepts and imagining – what if someone actually managed to physically follow through with them?

I applaud the film’s producers for taking all of these hard-boiled, difficult to grasp concepts, typically the stuff that makes the average high school student’s eyes glaze over and fall asleep in science class, and portray them in a very real and tangible manner.

SPACE AND TIME

Also at issue in the film is the concept of differences in the passage of time – i.e. that it is possible for time to move differently at one point than it does at another.  Cooper struggles with making the ultimate sacrifice – namely, that while he is in space, his children are aging and may eventually even surpass him.  At one point, the crew reaches a planet and Cooper is faced with the difficult realization that for every hour he spends on the surface, seven years will pass on Earth.   True to form, at the start of a brief mission to a water logged planet, Murph is just a kid but after the mission, she’s all grown up and played by Jessica Chastain.  Talk about the cat being in the cradle.

INTERSTELLAR AND THE BOOKSHELF AT THE END

I said I wouldn’t mention Interstellar and the bookshelf at the end of the movie and well, I’m not going to, not only to not utilize a cheap method of driving up my web traffic but also because I haven’t decided if this was the film’s “jump the shark” moment or if it was highly creative and imaginative.  You watch.  You decide for yourself.

PARTING THOUGHTS

I’m a big supporter of space exploration but I am a lowly nerd with a book blog so really, my opinion doesn’t amount to a hill of beans.  For me, it was sad to see the Space Shuttle program scrapped in recent years and it boggles my mind that we are paying the Russians millions of dollars to launch our American astronauts into space, especially at a time when the Russians haven’t exactly been playing nice with their neighbors lately.

I think there’s a lot that could be learned from not only localized space exploration (i.e. around the Moon and just above Earth’s orbit) but also deep exploration – i.e. let’s go to Mars!  Hell, if we’re willing to spend the money and are able to find astronauts willing to make the ultimate sacrifice, a mission to fly for ten or twenty years out into space to report findings back to Earth is not impossible.  Improbable, yes but not impossible.

I do get it – the economy is terrible, people can’t find jobs, there are all kinds of wars and turmoil going on in the world and in light of all that it seems selfish to toy around with space.  But as Cooper points out in the film, space exploration technology also usually gives rise to technology that helps out everyday life on Earth, such as the MRI machine.  Perhaps there are discoveries to be made by exploration of planets within our own solar system that could improve the quality of our life.

Or, perhaps Stephen Hawking has a point, namely that maybe there is alien life out there, but maybe we don’t want to know them.  Maybe there are nice aliens who will share all their technology with us and make our lives better.  Or maybe they’ll invade our planet and make us their slaves.

Who knows?  All I know is the film filled me with a sense of wonder about all the possibilities that space exploration has to offer.  Brilliant and uplifting, there was only one part of it that made me sad – that in the future, there will be so many amazing inventions and discoveries and alas, they’ll probably arrive long after I’m gone and I won’t be able to see any of them.

Oh well.  People in 1801 would have marvelled at the iPad, so at least we’ve got that going for us.

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Interstellar and “Do Not Go Gentle Into That Good Night”

I saw Interstellar tonight and overall found it very moving and enjoyable.  As soon as I figure out what the hell happened, I’ll give it an actual review.  In the meantime, I wanted to share the text of the poem that featured prominently throughout the film:

DO NOT GO GENTLE INTO THAT GOOD NIGHT

BY: Dylan Thomas

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

If you’re one of the 3-5 regular readers of this blog not including my Aunt Gertrude, you might remember I provided some analysis of this poem earlier this year.  Check it out by clicking here.

At its heart, the poem is about clinging to life even when death is imminent, but the lesson applies to encourage readers to keep trying to achieve goals even when thing appear bleak and unlikely.  The poem fits in the film – the characters face the imminent demise of Planet Earth, yet try to achieve the unlikely goal of finding a new planet for the human race to live on.  The astronauts/main characters have the unlikely task of exploring parts of space heretofore never visited by man and though there’s a high probability of death, they push on anyway.

Thanks Hollywood, for incorporating a classic poem in your latest film.

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Literary War Quote – 1984 by George Orwell

Bookshelf Battler here, reporting live from the Call of Duty: Advanced Warfare battlefront.  I have to hand it to this game.  Such ultimate realism – the sights, the sounds, the blasts, the getting shot twenty times and then hiding behind a corner until you get better – ok, so maybe the realism factor isn’t all that high but still it is an all around A+ game.

This week I’m celebrating this game with a tie-in to literary war quotes – mentions in literature about that most necessary (or unnecessary?) of all evils – war.  War.  Ungh.  Goo God yah huh – what’s it even good for?  Absolutely nothin.’

In 1984, (the book, not the year that happened thirty years ago – hey what do you know, Happy Anniversary 1984!) by George Orwell, a vivid portrait the ultimate police state is created, so much so that the novel gave rise to the phrase, “Big Brother is watching you.”

What did this book have to say about violence – as in organized violence ,or in other words, war?  Check it out:

“Those who abjure violence can only do so by others committing violence on their behalf.”  – George Orwell, 1984

Don’t be fooled by the catchy use of the word, “Battle” in the title of this blog.  I’m all for peace, happiness, and tranquility.  But George makes a good point.  Constant threats abound – both from criminal degenerates at home and terrorists abroad.  We are able to sit around and type on our blogs, drink our Mountain Dew, and play our video games because “rough men,” i.e. police and soldiers are taking up arms on our behalf and keeping the bad guys at bay.  Here’s what else George had to say on the subject:

“People sleep peacefully in their beds only because rough men stand ready to do violence on their behalf.”  – George Orwell, 1984

My opinion, police and military types often get a bad rap.  They’re often portrayed in pop culture  as savages, jerks, people on a power trip who just enjoy committing acts of violence and while I suppose there will always be a few bad apples in any bunch, we have to be honest with ourselves and realize that we are able to live peaceful lives because the government employs “rough men” (and hey – even “rough women!” to fight on our behalf.

This concept was further immortalized in the 1992 military courtroom drama film, A Few Good Men.  Remember the character Col. Nathan Jessup played by Jack Nicholson?  Here’s the direct quote of his infamous “You Can’t Handle the Truth!” speech:

“Son, we live in a world that has walls, and those walls have to be guarded by men with guns.  Who’s gonna do it?  You?  You, Lt. Weinburg?  I have a greater responsibility than you could possibly fathom.  You weep for Santiago and you curse the Marines.  You have that luxury.  You have the luxury of not knowing what I know – that Santiago’s death, while tragic, probably saved lives.  And my existence, while grotesque and incomprehensible to you, saves lives.  You don’t want the truth because deep down in places you don’t talk about at parties, you want me on that wall, you need me on that wall.  We use words like honor, code, loyalty.  We used these words as the backbone of a life spent defending something.  You use them as a punchline.  I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide and then questions the manner in which I provide it.  I would rather you just said thank you, and went on your way.  Otherwise, I suggest you pick up a weapon and stand a post.  Either way, I don’t give a damn what you think you are entitled to.”  – Jack Nicholson as Col. Nathan Jessup in A Few Good Men

Well, maybe this is not the best example since Jessup was the bad guy in the film but overall, the main point – if you feel the need to criticize police and the military for being “rough men,” try to also keep in mind that their “roughness” is very much needed.

And don’t forget – my Call of Duty character will be exploded 50 times tonight by frag grenades, many of which I tossed accidentally at my own feet, so that you can play peaceful video games like Mario Kart and Minecraft.

Full disclosure – I have to give props to NBC’s The Blacklist because Raymond “Red” Reddington used Orwell’s quote in this week’s episode.  When I heard it, I was like, “Thank you, James Spader!  There’s a blog post!”

In conclusion – don’t forget to subscribe to this blog and follow @bookshelfbattle.com on Twitter.

And if you’re a Walking Dead fan – stop by Sunday night to discuss the latest episode!  What is Carol going to do as a patient at the evil hospital, anyway?

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Literary War Quotes – A Farewell to Arms

Bookshelf Battler here, reporting live from the Call of Duty home base.  I am working on my fighting skills and have perfect a move where I run my character into a wall for thirty seconds until another player stealthily sneaks up behind me and either a) rudely shoots me in the back b) knifes me in the back c) lobs a grenade at me or d) a combination of a, b, and c.

All part of my genius plan to wear the enemy down.  Once the opposing forces are exhausted from constantly throttling me, I’ll strike!  (And run into the wall for an entire minute before I figure out how to turn around).

Are you playing Call of Duty: Advanced Warfare?  Take a break to read today’s literary war quote:

“If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.”  – Ernest Hemingway, A Farewell to Arms

Ernest Hemingway’s 1929 novel, A Farewell to Arms is a classic love story set against the backdrop of World War I.  Heartbreaking and perhaps even depressing, it pulls no punches in illustrating the plight of those who fight.

What about the above quote?  Essentially, Hemingway is saying that the world is such a harsh place that sooner or later it brings down everyone – pessimist and optimist alike.  Is that true?  Is there anyone who ever manages to get through life without being dragged down by some of the crueler aspects of the world?

Press the pause button on your remote control and share your thoughts in the comment section!  As always, thanks for dropping by and don’t forget to follow @bookshelfbattle on Twitter.

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Author Douglas Adams on Elections and Voting

Happy Election Day!

We here at bookshelfbattle.com (and by “we” I haven’t decided whether I am referring to the royal “we” or to the mouse in my pocket) are non-political.  Whether you are Republican, Democrat, Independent, or if you belong to one of those odd parties that believes we should turn the government over to space aliens and/or robots, all we want to do is to discuss something that transcends party lines – the written word.  Also, we want your clicks – your sweet, sweet web page clicks.  So while you’re already here, don’t be a slacker – click on an extra button or two.

Have you ever read The Hitchhiker’s Guide to the Galaxy by Douglas Adams?  It is by far one of the funniest novels ever written, and it is a fairly short and easy read, so there’s no excuse to not check it out.  Honestly, you should be ashamed of yourself for not reading it already.  Go read it.  I won’t bother to get into the plot because I intend to have a review of this book coming soon.

Adams wrote a number of sequels set in the Hitchhiker universe.  Here’s a quote from one of them that provides some proverbial food for thought:

“The major problem-one of the major problems, for there are several – one of the many major problems with governing people is that of whom you get to do it; or rather who manages to get people to let them do it to them.  To summarize:  it is a well-known fact that those people who must want to rule people are, ipso facto, those least suited to do it.  To summarize the summary:  anyone who is capable of getting themselves made President should on no account be allowed to do the job.”  – Douglas Adams, The Restaurant at the End of the Universe.

Of course, Adams was discussing the intergalactic politics of his fictional universe, but it still applies to today’s politics.  In my opinion, today’s political contests have basically become glorified beauty contests where the person who talks the fastest, promises the most, or looks the best wins.  Abraham Lincoln would never win an election today because the media would be all like, “Who cares if he’s the Great Emancipator?  Have you seen his craggy face?!”

Sure, there are many politicians who run because they want to do good deeds and believe their ideas are just and true.  On the other hand, there are a lot of politicians who just want to see their names on signs and get lots of fame and applause.

There are many intelligent people who would be great leaders who shy away from the entire process because their intelligence tells them that they might as well ignore politics altogether rather than get involved and have the media pepper them with questions like, “How many times did you pick your nose in third grade?  Nose-picker Gate!  Film at Eleven!”

In conclusion, whether you are a Republican, Democrat, Independent, or Friends of the Space Aliens Party – enjoy watching tonight’s election results.  May the candidates that suit your personal agendas be victorious and as always, may you crack open a book and share your literary wisdom on bookshelfbattle.com

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Literary War Quotes

In honor of my latest obsession with Call of Duty, I’ve decided that this week will be a week of literary war quotes.  Throughout the week on bookshelfbattle.com there will be quotes from books, characters, and authors and each will provide a different perspective of war.

Here’s today’s quote:

“A small but noteworthy note. I’ve seen so many young men over the years who think they’re running at other young men. They are not. They are running at me.” – Death, the Narrator of The Book Thief by Markus Zusak.

Have you ever read The Book Thief?  I haven’t but have seen the film and enjoyed it.  The use of Death as the narrator was an original, unconventional idea that worked.  It was set during World War II, which was, after all, a very busy time for the Grim Reaper.  Essentially, what the author is trying to convey here is that soldiers often think they are going up against the opposing army but ultimately, they’re engaged in an activity that is just going to bring death upon them way too soon.

To state the obvious, war sucks.  This will be a constant theme of the literary war quotes we will explore.

Tune in tomorrow folks.  Same Bat Time.  Same Bat Channel.

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Call of Duty

Dear Loyal Readers,

Due to circumstances beyond my control, book reviews will be on hold for the foreseeable future.  Thank you for your understanding.  Have a nice day.

 

 

“War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.” – J.R.R. Tolkien, The Two Towers
See that?  Sooner or later I always manage to tie it all into literature.  If you miss my witty commentary while I am trying to prevent video game-ized Kevin Spacey from conquering the world, feel free to follow me on twitter: @bookshelfbattle
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The Walking Dead – 11/02/14

After a hiatus, Beth returned to tonight’s Walking Dead with an all Beth episode.

WARNING – GRR ARGH ZOMBIE SPOILERS AHEAD

Beth wakes up in a hospital in Atlanta.  To borrow Talking Dead’s term, she’s been “save-napped.”  A hospital operated by police officers and one remaining doctor (he conspires to get another doctor killed for his own job security, so to speak)  have saved her but now they expect her to work in indentured servitude until she works off her debt.  In other words – there is no safe refuge in the Walking Dead.  Woodbury, Terminus, now the Hospital – they’re all run by someone evil and they all abuse their subjects.

Guinea pigs for dinner, a pervert police officer gets his come-uppance, Beth and a fellow captive, Noah (played by that kid from Everybody Hates Chris) make an escape attempt but Beth gets caught.

At the very end of the episode, Carol is admitted as a patient.  The history of the show tells us that Carol won’t put up with this crap.

What’s next for The Walking Dead?  Bookshelfbattle.com will be discussing the show every Sunday night and check out my Walking Dead Tweets by following @bookshelfbattle

In conclusion, GRR!  ARGH!  BRAINS!

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Movie Review – Nightcrawler

Halloween weekend has to be a bad time to open a movie.  After all, the movie watching masses are all out partying.  That’s too bad for Nightcrawler starring Jake Gyllenhaal as it deserves a wider audience.  In a world of remakes and reboots, it brings something to the screen as rare as a unicorn – an original idea.

Gyllenhaal stars as Lou – an odd eccentric fellow just trying to scrape a living together.  At the start of the film, he is uneducated and unemployed, but what he lacks in credentials he makes up with an uncanny ability to talk fast and spew out buzz words that employers love to hear during interviews.  Example – “I’m a motivated self-starter.”  In other words, he says alot of things that mean nothing but sound great.

Driving home after selling stolen construction supplies, he passes by a car accident in which police officers are heroically pulling out a female driver from a car engulfed in flames.  In awe, Lou watches as cameramen arrive on scene to film the chaos.  They’re independents who roam around Los Angeles filming carnage and sell their footage to the highest bidding news station.

Lou is hooked and sees this as his big opportunity to make something of himself.  He visits a pawn shop, trades his bicycle for a camcorder and a police scanner, and a small business is born.  He even takes on an intern.  Initially, Lou tries to talk his intern into working for free but eventually caves during negotiations and agrees to pay him thirty dollars a night.   As a noteable sign of the times, Lou is full of witty social commentary about the lousy economy – how employment is no longer guaranteed for the masses, how people need to be willing to work for free or next to nothing to get their foot in the door, and so on.

“The Nightcrawler’s” business grows and soon enough, he’s purchased a fabulous Dodge Challenger and honestly, at this point, this tricked-out sports car with its revved up Hemi becomes the star of the show.  The name of the game is to listen to the police scanner and to drive as fast as possible to accidents and crime scenes to be the first to film and sell.  Lou’s not the only independent cameraman in the business and he quickly developes a rivalry with Bill Paxton.

I don’t want to give away anymore spoilers – you can watch the film at eleven, so to speak.  Overall, the film is dark and edgy as Lou isn’t a typical hero but rather a fast talking sociopath who does whatever it takes to succeed in the nightly news business – and often goes too far.  Great acting and cast, including Rene Russo as the nightly news director who buys Lou’s footage, a ton of action and a pretty amazing car chase scene.

I reccomend it.  Unfortunately, when a movie is little off the beaten path, it gets relegated to an opening on a weekend where everyone is out partying and wearing goofy costumes, but hopefully it will develop a following and gain more exposure.

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